Art by Medium: Ink

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri...

Renowned career illustrator Stephen Gammell now devotes his energy to a full-time studio practice, and we’re honored to bring the current work of an artist who, with dozens of public...

Sarah Irvin Tell Us Something, 2021 ink on Yupo paper 74 x 58 in. (irv088) Sarah Irvin's work is concerned with explorations of autobiography, family history, genetic heritage, and ...

Title: Mid Century French Geometric Abstract Black and Brown Ink Drawing on Paper by Serge Guerin (b. 1916), French Signed with initials bottom right Black and brown ink on paper, un...

"The Chained Basmala" Abstract Painting 23" x 37" inch by Mohamed Hassan Medium: The Chained Basmala Mohamed Hassan is a traditional Arabic calligraphist, he obtained his official ...

Abstract Multi Layer Woodblock Print on Heavy Paper, 1/1 Brightly colored one-of-a-kind multi-layer abstract composition by Michael William Eggleston (American, 20th Century). Patche...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was...

Acrylic and acrylic ink on paper Signed in pencil, verso 10.5 x 8 inches, sheet 18.5 x 16 inches, frame This work is offered by ClampArt, located in New York City. Price includes frame.

Home of Colonel William H. Terrill Roanoke Virginia Original Photograph Home of the Colonel William Terrill (CSA) Roanoke Virginia, original period s...

Interior design paintings. The work was done with alcohol ink in yellow, orange, blue, pink, grey, green and brown color on Yupo paper. The work is 20 by 26 inches in size, framed in...

In Machina Mundi, Claudio Edinger offers an aerial vision of the city that oscillates between photographic representation and pictorial abstraction. Captured with a large-format came...

Rapidly executed with the tip of a brush, this wash bordering on abstraction seduced us with its great spontaneity. This (unsigned) study is a first thought for a small licentious ca...

"Rabbit" - 1976 Surrealist Lithograph on Paper 1976 surrealist lithograph on paper titled "Rabbit" by Jim Crabb (American, b. 1947). This piece resembles a surreal landscape, with b...

Alphonse Mucha OriginalJOB Lithograph Paris, France 1898 Condition: (B+) condition. Linen Backed with beautiful frame under plexiglass ready to hang. No Issues. Poster: 60.85 x 4...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Orest by Henri Deparade is a striking and emotionally resonant painting that immediately captivates through its expressive abstraction and layered human forms. The work reveals multi...

"West Side Story" Natalie Wood Film Costume Design Academy Award Oscars Iconic Irene Sharaff (1910-1993) "West Side Story" Natalie Wood as Maria Costume Design, 1961 Film Sight: 15 ...

Charlotte Elizabeth has been working with paint professionally for over fifteen years. Elizabeth’s training in theatre design preceded a busy career as a Theatrical Scenic Artist in ...

Limited edition offset print of the original photorealistic painting, a portrait that portrays a historical reenactment of a civil war volunteer by James Bama...

Aditya Dicky Singh Untitled Photograph on fine-art Hahnemuhle archival paper 65" x 44" unframed (165cm x 112cm) 2017 Edition 1/8 Aditya Dicky Singh's images have enthralled many and...

Fernando Aceves Humana (Mexico, 1969) 'Clase de dibujo primer día', 2007 woodcut on paper 17.8 x 22.5 in. (45 x 57 cm.) Edition of 20 ID: ACE-102 Unframed

Souvenirs du Pays Natal is an original artwork realized by the great Surrealist artist Jean Cocteau in 1922. China ink on cardboard. Titled in the center of the composition "Souven...

Elise Gagliardi Summer II Medium: Photography Year: 2021 Size: 8 x 10 inches (other sizes available upon request) Edition size: 25 Signed, numbered and inscribed by hand COA provided Ref.: 924802-1017 Elise Gagliardi is an experimental multi-media artist. She studies photography at the University of Colorado at Boulder. She graduated with her BFA in 2006. Her work has been exhibited nationally. It has been featured in various publications. She currently works as a curator and a mother raising her three young children. Since becoming a mother she has embraced a heritage of storytelling. In her work, she introspectively examines her relationship to the matriarchal figures in her life and contemplates her own legacy. Her work is best described through the words of Author Joseph Campbell in what he describes as “The Myth of the Eternal Return”. Every flower carries...

Man at work is an original artwork realized by french artist Antoine Mayo ( Port-Said 1905 - Seine-Port 1990 ). China ink and pencil on paper, 1960-1970 s. Signed on the lower left. Passepartout cm 50x35 Good conditions. Mayo was born in Port Said, Egypt in 1905. His father was a Greek who worked on the Suez Canal as an engineer and his mother was French from the Bourgogne. He moved to France in 1914 and completed his studies in architecture in Paris in 1922. During the Twenties, Mayo frequented the Parisian avant-garde circles of Montparnasse and made the acquaintance, among many others, of Derain, Picasso, Pascin, Prévert, and Desnos. René Crevel introduced him to the Surrealists and for a short time he became friendly with André Breton, Max Ernst, Magritte, and Tanguy. During this period he was at odds with his family who disapproved of his intention to become an artist and he continued to paint independently of any group. The first exhibit of his work took place in 1929 at Galerie Quatre Chemins in tandem with De Chirico. The following year the same gallery hosted his first solo exhibit. In this same period, he became a member of “Grand Jeu” along with Roger Gilbert-Lecomte, Maurice Henry...

In a Gothic Church is a beautiful original drawing (China ink and watercolor on paper). Hand-signed "Stothard" in brown ink on the lower left margin outside of the image. Very sweet drawing representing a woman praying...

A classic example of 19th century American School folk portraiture. c1850. Graphite and ink wash on cream wove paper, 7 1/8 x 4 14 inches (180 x 118 mm), the full sheet. Some minor ...

An illustration from an extensive study on larks (De Alaudis) first published in 1555; Historiae animalium is considered one of the foundational texts of modern zoology. Alavda sine...

René Peña (Rene de Jesus Pena Gonzalez) is a self-taught photographer born in Havana, Cuba in 1957. His photography is characterized by stark contrasts, between black and white, subject and background, subject and object. His work often focuses on the duality between human inability to escape institutionalization and human desire for individualism. His interest in contrast is also reflected in his place of residence: Peña currently inhabits the Cerro neighborhood of Cuba which is home to a mostly poor African-Caribbean population, despite having been an enclave of Havana's richest families in the 19th century. René Peña graduated from the Higher pedagogic Institute of Foreign Languages, University of Havana with a specialization in English in 1983. In the late 1980s he entered the national world of photography and since 1990 became leader of the new trends of Cuban photography...

A quintessential example of the Picturesque tradition, popular among both professional artists and "gentleman sketchers" of the Georgian and Victorian eras. c1840. Ink and wash on w...

Oil, charcoal & ink on cardboard Keta Jikia is a Georgian artist born in 2002 who lives and works in Tbilisi, Georgia. She is graduated in 2025 with a degree in International Relati...

A lovely Picturesque movement landscape. c1840. Ink and wash on wove paper, 5 1/8 x 6 1/2 inches (130 x 165 mm), the full sheet. In very good condition with uniform toning, some min...

Drypoint on Britain watermarked laid paper, 5 x 4 1/2 inches (128 x 115 mm); sheet 10 6 3/8 inches (254 x 162 mm), full margins with a deckle edge. Signed in pencil in the lower marg...

A portait of a titan of the Victorian literary scene. c1885. Pen and ink on wove paper, 6 5/8 x 4 3/4 inches (168 x 120 mm), the full sheet. While the ink remains fresh and bold, th...

A fine Neoclassical drawing of Hero holding a beacon atop a tower at Sestos. Pen and ink and wash on cream wove paper, 5 x 3 3/4 inches (128 x 95mm), the full sheet. In excellent co...

A Medici-era study of decorative carousels from an equestrian pageant. c1700. Pen and brown ink on cream laid paper, 3 x 8 inches (76 x 230 mm), the full sheet. In good condition wi...

c1700. Pen and brown ink on cream laid paper, 3 x 8 inches (76 x 230 mm), the full sheet. In good condition with some edge wear and losses at all but the lower right corner. Adhered ...

c1790. Brownish black ink and collage on cream wove paper, 5 3/4 x 4 inches (146 x 102 mm), the full sheet. In good condition with light toning. The matrix is adhered at each of the ...

Doug & Mike Starn Big Bambu, BBMet 03.15.2010 K441f, 2010-2011 Epson K3 Ultrachrome inkjet print on gelatin-coated Zerkall paper. Signed. Numbered Signed and numbered from the limited edition of 40. 14 × 14 inches Provenance Acquired from ACRIA, a charitable foundation Donated directly by the artist to the above Unframed Signed and numbered verso (back) from the limited edition of only 40. This archival inkjet print depicts the Starn brothers...

circa 1650 Ink and wash on laid paper, 3 3/8 x 2 1/4 inches (87 x 58 mm), the full sheet. In very good condition, adhered to a slip of archival paper at the top and bottom sheet edge...

Thèatre Ebert is an original drawing with gray and black tip on paper, realized by Jacques Acremant. Good conditions except for minor cosmetic wear. Signed with the stamp of the wo...

A Gyo-Tako print of large octopus is seen here in Jeff Conroy's work entitled "Orange Crush". To achieve this remarkable painting, the artist inks the octopus using traditional sum...

This is a photograph of a Swiss made Pilatus PC-12 airplane. There are other Airplane images in this series as well. The plane is made by Pilatus Aircraft of Stans, Switzerland, sinc...

TOBACCO ROAD Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary 2 10 1/2 x 6 (sight), Signed David Fredenthal lower right. Framed by Lowy....

George Condo at Cycladic (hand signed by George Condo), 2018 Limited Edition monograph with slipcase (hand signed by George Condo) 11 × 8 1/2 inches Published in a stated limited edi...

Large Abstract Celestial Painting by Alex K. Mason. "Forgotten Star Lore II". Acrylic, Gouache, Ink on Canvas, 48"H x 48"W x 3"D. Blues, Greens,...

artwork dimensions (unframed): 15h x 20w inches LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society. Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ. STATEMENT Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened. Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism. The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...

Pensatori is an original drawing in mixed media on creamy cardboard realized by Gabriele Galantara (1865-1937). In good conditions. This is an original drawing representing two me...

Morris Graves Offering, 1957 Signed and dated lower right Sumi ink wash and gold leaf on paper 18 x 13 3/8 inches Born in Fox Valley, Oregon in 1910, Morris Graves was a leading proponent of the Northwest School...

Delicate and layered collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype, whereas the lace, strings, and shadows are ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Hand signed with the artist's monogram. Ink and watercolor on cardboard. Passepartout included.

Caio Fonseca (b. 1959) is an American artist whose practice is rooted in lyrical abstraction. Known for creating balanced compositions with tonal harmonies, Fonseca is an artist dee...

Alex Diamond Title: "Untitled" (Geometric Abstraction) Year: 2018 Medium: Drawing; Ink on paper Size: 12 x 8.5 inches Signed and dated (stamped) by the artist These pieces, these be...

Imani Bilal is a contemporary abstract painter and poet based in Jersey City, New Jersey. Her work is deeply inspired by the many states of the human condition and is rooted in her s...

Love Between Horses Couple Painting One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand pain...

Animal Frieze me Large Portrait - Closeup of cat Technique: oil, acrylic, and ink on canvas F30 92x73cm ■■ 36,2x28,7 inch ⏩》R E A D Y -- T O -- H A N G《⏪ 🟢 → Original signed wor...

Untitled AP-122 is an expressive mixed-media work on archival cold-press watercolor paper, measuring 18 × 24 inches. In this composition, Toronto artist Murray Duncan builds a dynami...

"Der Hafen von Plit" is a drawing by Paul Klee. The drawing is signed lower left, "Klee". The framed piece measures 25 1/4 x 30 1/2 x 1 3/8 in. Paul Klee was one of the most import...

David Ambrose’s fascination with paper began as a child as when convalescing from major surgery on his right leg at the age of seven. Paper became the playground for his imagination ...

Steve Gorrow approaches painting as a tactile and exploratory process, where materials, gesture, and surface carry equal weight. Self-taught and instinct-driven, his practice sits at...