Art by Medium: Intaglio

Origin–Blue Consonant-6 by Seiko Tachibana is a luminous abstract composition that evokes systems of connection, growth, and transformation. Softly layered fields of blue emerge from...

Origin–Blue Consonant-2 by Seiko Tachibana is a luminous abstract composition that evokes systems of connection, growth, and transformation. Softly layered fields of blue emerge from...

Signed, titled, and numbered from the edition of 25. There are seven related images in this series, all the same size. Sheet size: 9.88 H x 21 W Image Size: 22.5 H x 30 W T...

Signed, titled, and numbered from the edition of 25. There are seven related images in this series, all the same size. Tachibana’s prints take their inspiration from nature, a medit...

Beadnell, England, "Ice Cream Van", from the 'East of Eden' series, 2020 Photogravure; Charbonnel Ink on Archival Somerset Satin Paper Photogravure, 14.85 x 21 cm (image size) on 28 x 39 cm Paper Edition of 3/5 + 2APs, Signed and numbered. Sold unframed but framing available if requested - please enquire or purchase unframed print David George's interest in British landscape began under the tutelage of John Blakemore at Derby University and continues to be a major part of his practice, now mainly concerned with ideas of classical and romantic visual semantics in the contemporary British landscape. His work looks at the decline of traditional industries, incorporating his interest in 19th century European landscape painting...

Carborundum and intaglio. Signed and numbered from the edition of 25. Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns an...

Garden Talk is a beautifully composed work by Yuji Hiratsuka, featuring one of the artist’s signature stylized female figures seated among an abundant arrangement of flowers. Rendere...

Color softground etching with aquatint. Edition of 50

With a varied career as both an artist and art director, Cy has collaborated with many of America’s best photographers. His works are close, intimate portraits of almost infinite dep...

John Baldessari Life's Balance (with Money) 1989-90 Etching, aquatint and photogravure in colors, on irregularly shaped Somerset paper 51 x 42 3/4 in. Edition of 45 Pencil signed and...

Vicky Oldfield artist and printmaker, ‘Cardoon’ is a hand coloured collagraph print, the print is taken from a plate which has been collaged with a variety of textured materials. The...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Joseph Kosuth ( American, b. 1945) L’Essence de la rhétorique est dans l’allégorie IV, 1998 Medium: Set of three heliogravure and aquatints, on BFK Rives rag paper Dimensions: each 4...

John Baldessari Rollercoaster 1989-90 Color aquatint and photogravure on Somerset paper 38 3/4 x 67 1/4 in. P.P. (Printer's Proof) Pencil signed and numbered

Color sugarlift aquatint and drypoint. Edition of 35

Lyle Ashton Harris Five Photogravures, 2004 Somerset Textured Paper 14 x 11 inches Edition of 30 Published by Eminence Grise Editions Printed by Lothar Osterberg Individual image...

An urban landscape where manmade structure meets nature, evoking a sense of quiet introspection... Silent and steadfast, the weathered bridge stands against time, blending with nature's embrace... This is a study in geometry, shadows, and time, this piece captures the quiet strength of a forgotten underpass. "David George has been exploring photographic representations of the contemporary British landscapes for forty years and has incorporated themes prevalent in nineteenth century painting practice and aesthetic, to aid this exploration. He has appropriated the sublime, melancholy, the romantic, the pastoral and the uncanny to create something that not only represents the contemporary landscape in a pictorial way, but also making work that can be still viewed as documenting the landscape." David George's interest in British landscape began under the tutelage of John Blakemore at Derby University and continues to be a major part of his practice, now mainly concerned with ideas of classical and romantic visual semantics in the contemporary British landscape. His work looks at the decline of traditional industries, incorporating his interest in 19th century European landscape painting. David George (b.1957, Cheltenham and brought up in County Durham) lives and works in east London and in 2009 he co- founded the Uncertain States project which championed contemporary thinking and practice in UK photography...

Kiki Smith (b. 1954) is a celebrated American artist renowned for her multidisciplinary exploration of the human body and themes of existentialism, transformation, and the natural wo...

Artist's statement: In the last years, parallel to photography and video, I have been making works on canvas, prints, drawings, collages, and small installations. Many of these piece...

"David George has been exploring photographic representations of the contemporary British landscapes for forty years and has incorporated themes prevalent in nineteenth century painting practice and aesthetic, to aid this exploration. He has appropriated the sublime, melancholy, the romantic, the pastoral and the uncanny to create something that not only represents the contemporary landscape in a pictorial way, but also making work that can be still viewed as documenting the landscape." David George's interest in British landscape began under the tutelage of John Blakemore at Derby University and continues to be a major part of his practice, now mainly concerned with ideas of classical and romantic visual semantics in the contemporary British landscape. His work looks at the decline of traditional industries, incorporating his interest in 19th century European landscape painting. David George (b.1957, Cheltenham and brought up in County Durham) lives and works in east London and in 2009 he co- founded the Uncertain States project which championed contemporary thinking and practice in UK photography...

Artist's statement: In the last years, parallel to photography and video, I have been making works on canvas, prints, drawings, collages, and small installations. Many of these piece...

17 x 29.5 inch hand-pulled photogravure Image size 9 x 23 inches Signed, titled, dated and editioned on recto Edition 40

John Baldessari (June 17, 1931 - January 2, 2020, American) Helmsman (With Various Fires) 1989-1990 Sugar lift, spit bit, aquatint and photogravure in colors on three sheets of Somer...

Keld Helmer-Petersen Frameworks 1 Window , 1972 Signed and numbered on label on reverse Photogravure 78 x 60 cm 30.7 x 23.6 inches Keld Helmer-Petersen is one of the most influentia...

This photogravure in colour from the year 2000/2001 is the sixth sheet from Peter Doigs series ‘100 Years Ago’. This copy is signed and numbered in pencil below the image on the righ...

McDermott & McGough Experiment upon the center of gravity made on a set of Dominoes from Sentimental Education, 1998 Photogravure 13 1/2 x 10 1/4 inches (image) 25 x 20 inches...

Martin Wilner Arkopoly (2017 - 2018) Polymer photogravure, 2 plates printed with 35 colors plus black 23.5 x 23.5 inches Edition of 18 Co-published by Eminence Grise Editions and Hal...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Cross IV, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Edition...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Rose with Smoke, from the folio A Season in Hell, originates from the 1986 edition published by The Limited ...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Gun Blast, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Editio...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Hand in Fire, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Edi...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Vibert's Back, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Ed...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Javier, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Editions ...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Self-Portrait, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Ed...

Untitled (Jonathan) [Portrait of Jack Pierson], Photograph by Mark Morrisroe 1978/1996 Editioned in pencil, verso Photogravure (Edition of 46) 16 x 11 inches, sheet 4.25 x 3.25 i...

A black and white picture of two men Untitled (Stephen and Jonathan) [Portrait of Stephen Tashjian and Jack Pierson]. 1979/1996 Editioned in pencil, verso Photogravure (Edition o...

Untitled (Lady Hamlet), black and white portrait photograph by Mark Morrisroe 1984/1996 Editioned in pencil, verso Photogravure (Edition of 46) 16 x 11 inches, sheet 4.25 x 3.25 ...

Untitled (Lynelle), black and white photograph by Mark Morrisroe Untitled (Lynelle) 1986/1996 Editioned in pencil, verso Photogravure (Edition of 46) 16 x 11 inches, sheet 4.25 x...

Untitled (Lynelle, Close-up) 1985/1996 Editioned in pencil, verso Photogravure (Edition of 46) 16 x 11 inches, sheet 4.25 x 3.25 inches, plate Contact gallery for price. “Mark w...

Untitled (Still Life with Chanel Bag), black+white photography by Mark Morrisroe Untitled (Still Life with Chanel Bag) 1986/1996 Editioned in pencil, verso Photogravure (Edition o...

A black and white self portrait by Mark Morrisroe printed as a photogravure in 1996. Self Portrait 1980/1996 Editioned in pencil, verso Photogravure (Edition of 46) 16 x 11 inche...

Untitled (View from Jersey City Apartment), Black and White Photograph by Mark Morrisroe 1986/1996 Editioned in pencil, verso Photogravure (Edition of 46) 16 x 11 inches, sheet 4...

Tom Friedman Vanishing Point, 2006 Photogravure from 25 shaped plates and five blind embossments on Somerset satin paper Paper Dimensions: 42 7/8 x 40 3/8 inches (108.9 x 102.6 cm)...

Created by the Alex Katz in 2018, Laura x4 is a photoengraving and aquatint on Saunders Waterford paper. Hand-signed in pencil and numbered, the artwork measures 42 x 168 in. (107 x ...

Signed, l.r. Edition of 50 Contact gallery for price This work is offered by ClampArt in New York City.

Signed, l.r. Edition of 50 Contact gallery for price This work is offered by ClampArt in New York City.

Signed, l.r. Edition of 50 Contact gallery for price This work is offered by ClampArt in New York City.

Edition of 200 Contact gallery for price This work is offered by ClampArt in New York City.

Signed in pencil, l.r. Edition of 200 Contact gallery for price This work is offered by ClampArt in New York City.

Signed, l.r. Edition of 50 Contact gallery for price. This work is offered by ClampArt in New York City.

Beauty is only skin deep. But ah! me; freckles go to the bone. ~Mark Twain April, a freckled woman in this series, told me a story from her childhood: One day after playing outsid...

Beauty is only skin deep. But ah! me; freckles go to the bone. ~Mark Twain April, a freckled woman in this series, told me a story from her childhood: One day after playing outsid...

Beauty is only skin deep. But ah! me; freckles go to the bone. ~Mark Twain April, a freckled woman in this series, told me a story from her childhood: One day after playing outsid...

Beauty is only skin deep. But ah! me; freckles go to the bone. ~Mark Twain April, a freckled woman in this series, told me a story from her childhood: One day after playing outsid...

Beauty is only skin deep. But ah! me; freckles go to the bone. ~Mark Twain April, a freckled woman in this series, told me a story from her childhood: One day after playing outsid...

Beauty is only skin deep. But ah! me; freckles go to the bone. ~Mark Twain April, a freckled woman in this series, told me a story from her childhood: One day after playing outsid...