Art by Medium: Intaglio

Medium: intaglio with monotype background Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prints tak...

Fractal-SSI-5a by Seiko Tachibana is a refined carborundum intaglio exploring fractal growth and organic systems. Delicate branching forms radiate outward across contrasting dark and...

Image dimensions: 34.6 x 35 cm. Editions of 120 examples and many Artist's proofs (111/120). Published in the Portafoglio "Tunisiaca3 1996: d'aprés Auguste Lumière". Signed and nu...

Signed, title and numbered in pencil by the artist. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate mor...

Zitouna Mosque - Tunisiaca is a wonderful black and white photolithograph on parchment, realized in 1994 by the Italian politician Bettino Craxi. A rare and precious specimen, an (u...

Signed and numbered from the edition of 10. Young girl using her fingers ass scissors trimming the leaves of a red flower (tulip?). Yuji Hiratsuka was born 1954 in Osaka, Japan. In ...

Carborundum and intaglio. Signed and numbered from the edition of 25. Delicate organic shapes, with golds and gray and black predominant colors. Tachibana’s prints take their inspi...

Color spitbite aquatint and aquatint with drypoint. Edition of 35

Origin–Blue Consonant-2 by Seiko Tachibana is a luminous abstract composition that evokes systems of connection, growth, and transformation. Softly layered fields of blue emerge from...

Carborundum and intaglio. Signed and numbered from the edition of 25. Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns an...

Origin–Blue Consonant-2 by Seiko Tachibana is a luminous abstract composition that evokes systems of connection, growth, and transformation. Softly layered fields of blue emerge from...

Origin–Blue Consonant-6 by Seiko Tachibana is a luminous abstract composition that evokes systems of connection, growth, and transformation. Softly layered fields of blue emerge from...

Signed, titled, and numbered from the edition of 25. There are seven related images in this series, all the same size. Sheet size: 9.88 H x 21 W Image Size: 22.5 H x 30 W T...

Signed, titled, and numbered from the edition of 25. There are seven related images in this series, all the same size. Tachibana’s prints take their inspiration from nature, a medit...

Carborundum and intaglio. Signed and numbered from the edition of 25. Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns an...

Surrealistic image of a snake balancing a reflective sphere. Signed and numbered from the edition of 55. This is an older print, and one of Sietins larger images. The illusions and ...

Garden Talk is a beautifully composed work by Yuji Hiratsuka, featuring one of the artist’s signature stylized female figures seated among an abundant arrangement of flowers. Rendere...

Color softground etching with aquatint and drypoint. Edition of 35

Treading Water Intaglio etching, oil-based ink, collage 30 x 16 inches Framed: 31 x 17 inches

With a varied career as both an artist and art director, Cy has collaborated with many of America’s best photographers. His works are close, intimate portraits of almost infinite dep...

2010 Photogravure etching on Fabriano Paper 38.3 x 45 cm Edition of 50 Signed, titled, numbered and dated in pencil on the verso Published by Ingleby Gallery Excellent condition An...

Vicky Oldfield artist and printmaker, ‘Cardoon’ is a hand coloured collagraph print, the print is taken from a plate which has been collaged with a variety of textured materials. The...

"David George has been exploring photographic representations of the contemporary British landscapes for forty years and has incorporated themes prevalent in nineteenth century painting practice and aesthetic, to aid this exploration. He has appropriated the sublime, melancholy, the romantic, the pastoral and the uncanny to create something that not only represents the contemporary landscape in a pictorial way, but also making work that can be still viewed as documenting the landscape." David George's interest in British landscape began under the tutelage of John Blakemore at Derby University and continues to be a major part of his practice, now mainly concerned with ideas of classical and romantic visual semantics in the contemporary British landscape. His work looks at the decline of traditional industries, incorporating his interest in 19th century European landscape painting. David George (b.1957, Cheltenham and brought up in County Durham) lives and works in east London and in 2009 he co- founded the Uncertain States project which championed contemporary thinking and practice in UK photography...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Color softground etching with aquatint. Edition of 50

Color sugarlift aquatint and drypoint. Edition of 35

The collagraph technique was used to make the matrix for this intaglio print. This piece was created during the 1970's when the artist and his family visited the Southwest over many...

Artist's statement: In the last years, parallel to photography and video, I have been making works on canvas, prints, drawings, collages, and small installations. Many of these piece...

Artist's statement: In the last years, parallel to photography and video, I have been making works on canvas, prints, drawings, collages, and small installations. Many of these piece...

Martin Wilner Arkopoly (2017 - 2018) Polymer photogravure, 2 plates printed with 35 colors plus black 23.5 x 23.5 inches Edition of 18 Co-published by Eminence Grise Editions and Hal...

Keld Helmer-Petersen Frameworks 1 Window , 1972 Signed and numbered on label on reverse Photogravure 78 x 60 cm 30.7 x 23.6 inches Keld Helmer-Petersen is one of the most influentia...

17 x 29.5 inch hand-pulled photogravure Image size 9 x 23 inches Signed, titled, dated and editioned on recto Edition 40

TECHNICAL INFORMATION Robert Rauschenberg Soviet American Array VI 1988 - 1990 Intaglio in 16 colors on Saunders Paper 88 1/2 x 52 in. Editi...

John Baldessari Rollercoaster 1989-90 Color aquatint and photogravure on Somerset paper 38 3/4 x 67 1/4 in. P.P. (Printer's Proof) Pencil signed and numbered

John Baldessari (June 17, 1931 - January 2, 2020, American) Two Sets (One with Bench) 1989-1990 Photogravure with aquatint 47 3/8 29 5/8 in. Artist's Proof (A.P) Pencil signed and nu...

John Baldessari (June 17, 1931 - January 2, 2020, American) Helmsman (With Various Fires) 1989-1990 Sugar lift, spit bit, aquatint and photogravure in colors on three sheets of Somer...

McDermott & McGough Experiment upon the center of gravity made on a set of Dominoes from Sentimental Education, 1998 Photogravure 13 1/2 x 10 1/4 inches (image) 25 x 20 inches...

Untitled (Jonathan) [Portrait of Jack Pierson], Photograph by Mark Morrisroe 1978/1996 Editioned in pencil, verso Photogravure (Edition of 46) 16 x 11 inches, sheet 4.25 x 3.25 i...

A black and white picture of two men Untitled (Stephen and Jonathan) [Portrait of Stephen Tashjian and Jack Pierson]. 1979/1996 Editioned in pencil, verso Photogravure (Edition o...

Untitled (Lady Hamlet), black and white portrait photograph by Mark Morrisroe 1984/1996 Editioned in pencil, verso Photogravure (Edition of 46) 16 x 11 inches, sheet 4.25 x 3.25 ...

Untitled (Lynelle), black and white photograph by Mark Morrisroe Untitled (Lynelle) 1986/1996 Editioned in pencil, verso Photogravure (Edition of 46) 16 x 11 inches, sheet 4.25 x...

Untitled (Lynelle, Close-up) 1985/1996 Editioned in pencil, verso Photogravure (Edition of 46) 16 x 11 inches, sheet 4.25 x 3.25 inches, plate Contact gallery for price. “Mark w...

Untitled (Still Life with Chanel Bag), black+white photography by Mark Morrisroe Untitled (Still Life with Chanel Bag) 1986/1996 Editioned in pencil, verso Photogravure (Edition o...

A black and white self portrait by Mark Morrisroe printed as a photogravure in 1996. Self Portrait 1980/1996 Editioned in pencil, verso Photogravure (Edition of 46) 16 x 11 inche...

Untitled (View from Jersey City Apartment), Black and White Photograph by Mark Morrisroe 1986/1996 Editioned in pencil, verso Photogravure (Edition of 46) 16 x 11 inches, sheet 4...

Tom Friedman Vanishing Point, 2006 Photogravure from 25 shaped plates and five blind embossments on Somerset satin paper Paper Dimensions: 42 7/8 x 40 3/8 inches (108.9 x 102.6 cm)...

Created by the Alex Katz in 2018, Laura x4 is a photoengraving and aquatint on Saunders Waterford paper. Hand-signed in pencil and numbered, the artwork measures 42 x 168 in. (107 x ...

Signed, l.r. Edition of 50 Contact gallery for price This work is offered by ClampArt in New York City.

Signed, l.r. Edition of 50 Contact gallery for price This work is offered by ClampArt in New York City.

Signed, l.r. Edition of 50 Contact gallery for price This work is offered by ClampArt in New York City.

Edition of 200 Contact gallery for price This work is offered by ClampArt in New York City.

Signed in pencil, l.r. Edition of 200 Contact gallery for price This work is offered by ClampArt in New York City.

Signed, l.r. Edition of 50 Contact gallery for price. This work is offered by ClampArt in New York City.

Beauty is only skin deep. But ah! me; freckles go to the bone. ~Mark Twain April, a freckled woman in this series, told me a story from her childhood: One day after playing outsid...

Beauty is only skin deep. But ah! me; freckles go to the bone. ~Mark Twain April, a freckled woman in this series, told me a story from her childhood: One day after playing outsid...

Beauty is only skin deep. But ah! me; freckles go to the bone. ~Mark Twain April, a freckled woman in this series, told me a story from her childhood: One day after playing outsid...

Beauty is only skin deep. But ah! me; freckles go to the bone. ~Mark Twain April, a freckled woman in this series, told me a story from her childhood: One day after playing outsid...

Beauty is only skin deep. But ah! me; freckles go to the bone. ~Mark Twain April, a freckled woman in this series, told me a story from her childhood: One day after playing outsid...