Art by Medium: Iron

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authent...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authent...

Technique: Iron, spare parts. handcrafted Edition:   Unique edition 1/1 Dimensions: 42 x 90 x 122 cm  Weight: 9.5kg Information:"When Art Meets Sustainability’’ Arun & Gaurav are...

“Making sculpture is a very complex matter. A word added to a form, ultimately helping to better define it. And ultimately helping to understand the whole.” Ugo Riva is probably the...

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

Cast Iron #86 by Hanneke Beaumont Beaumont's sculptures are realized in terracotta, bronze and cast iron, and she is known for sculpting figural life...

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

It was Arun's initiative, whose passion for creating beauty from seemingly mundane materials led him to transform scrap metal into stunning works of art. Arun and Gaurav have worked ...

The bronze sparrow rests on an iron support. Three wires wisely positioned on the upper edge hold it like a swing. Jessica Carroll's elegant artwork results from years of study, ex...

There is in Prophecy the idea of an incantation, of magic words allowing to transgress the laws of reality. A golden melody emanating from the tormented depths of the ocean. A liquid knowledge subject to the interpretation of each and that each can seek in the sensations that awaken. Mixing Gold powder and Iron, the scriptures of PROPHECY are as if corroded by time, already on the way to their disappearance. Evoking an ancient knowledge that modernity would have tried to erase, it imposes itself as the vector of an unnameable divine source. They appear and disappear like a breath whose echo resounds with a universal spirituality established in sensations. In a world where the letters and the texts are present everywhere, these scriptures reveal themselves as a silent language established beyond the immediate meaning. Unreadable by the mind, the letter that has become a sign is now receptive to a new meaning given by the observer. Failing to be able to decipher them, it is a question of feeling them for their metaphysical and symbolic power. Just as Kandinsky aspires to produce a painting capable of provoking a «spiritual awakening», PROPHECY proposes the construction of a new universal language based on sensations. --- Mathilde Lefort is a french visual artist based in Bali, Indonesia Holder of a Master’s Degree at EHESS Paris (France), Mathilde is specialized in war representations and human rights. In parallel with her theoretical studies, she developed an artistic practice around these questions. Using art video, installation and visual publications, she exhibited her work both in Paris and across Europe. Going back to New Caledonia, she lived in total immersion in a tribe located in the north of the island from 2017 to 2019. There she co-direct EDEN TRIBAL, 52 min documentary produced by Box Fish Productions and sold to France Television. The movie tells the story of a Kanak woman fighting to be the chief of her tribe, within the context of the island’s referendum for independence. This period was spent in a deep loneliness. Rejected by the community while deeply in love, Mathilde wandered the darkness of her soul. She captured empty landscapes and wrote the ambulations of her mind to reflect on her loss of identity, the meaning of love, the woman’s place, racism and colonialism. Now in Bali, she follows an unpredictable journey intertwining art, death, and magic. Stabbed to death in 2020, she pursues today her shamanic journey while crafting abstract paintings and sculptures rooted in mystical knowledge. Her art presents itself as a meditation...

MIRROR offers doorways that open into a world beyond the visible. Extended to the viewer here is a space of contemplation. A filter for the mind. Through the use of monochrome Mirror invokes the disappearance of painting itself in favor of object-painting. The artwork defeats the fictitious illusion of a third dimension and realize their own material reality, constructing an archetype of Zero form – a Nothing-Object containing infinity. The tension created between the flat surfaces and the appearance of negative depth engulfs the observer in a recessed space, absorbing them in an eternal distance. These painting offers nothing to observe besides your own self. Black excludes the world, purifies the gaze and creates a psychological space where non-perception can only be reflected inwards, which is established by sensations, emotions and an awareness of the spiritual. By providing this mirror to the soul of the observer, the works of MIRROR offers itself as a meditation...

Based on Solfeggio Frequencies, HZ merges the healing potential of painting with the power of sound. Following Kandinsky’s musical theory of the abstract artwork, the spiritual quality of a painting is established in its ability to vibrate in the eyes and therefore emits an inaudible sound frequency. With HZ, the rhythmic organization of the iron lines on the black background transmits specific frequencies that vibrate directly with the soul of the observer. A universal silent sound that promotes a return to spiritual order. Minimal in its aspect, HZ intends to open a gateway in the interiority of the observer. An infinite universe present in each of us which can only be reached in front of the silence of the representation. By impoverish the exterior in order to enrich the interior, the magical power of the unseen is revealed. CARVED FRAME The burned and carved wooden frame acts as an anchor to the ground. In contrast with the infinite distance creating by the artwork, the burned wooden frame connects with the earth elements. An invitation to stay present in the body while travelling in your inner reality. Through the delicate black mantras carved in all-over, the mystical dimension of the pieces reveals itself. Using meditation...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authentic sculptures where weight...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authent...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authentic sculptures where weight...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authent...

Uses versatility of techniques and materials to create sculptures adorned with irony and contemporary beauty in accordance with urban art. Throughout his life, he has been accompanie...

Alberto Letamendi, is an artist from Ordizia (Basque Country) born in 1964. In his work, whether in painting or sculpture, he uses various techniques with a preference for natural ma...

Alberto Letamendi, is an artist from Ordizia (Basque Country) born in 1964. In his work, whether in painting or sculpture, he uses various techniques with a preference for natural ma...

Beverly Pepper Untitled, 1982-1983 steel and iron 33h x 27.50w x 10d in

Cast Resin with marble powder, cast iron, brass, and acrylic paint. Edition 1/3.

"Tornado Tree and Boulders" by John Ruppert Oak, forged iron wedges Over the past 35 years, John Ruppert has been working in cast metals; manufactured materials such as chain-link f...

"Three Strikes" by John Ruppert Cast iron and stainless steel, from a fragment of a tree struck by lightning Edition of 3 Over the past 35 years, John Ruppert has been working in ca...

"Cherry Tree Strike" by John Ruppert Cast iron, from a fragment of a tree struck by lightning Over the past 35 years, John Ruppert has been working in cast metals; manufactured mate...

In his abstract constructions, Alex Corno does not make art to repeat what is visible, to paraphrase Klee’s affirmation. He uses the formal language of materials and space: opposing thin arcs, rods, and loops with weighty rectilinear forms to achieve a dynamic balance. Corno welds his iron and stainless steel sculptures in a diverse range of scales, from small interior works to monumental garden...

In his abstract constructions, Alex Corno does not make art to repeat what is visible, to paraphrase Klee’s affirmation. He uses the formal language of materials and space: opposing thin arcs, rods, and loops with weighty rectilinear forms to achieve a dynamic balance. Corno welds his iron and stainless steel sculptures in a diverse range of scales, from small interior works to monumental garden...

In his abstract constructions, Alex Corno does not make art to repeat what is visible, to paraphrase Klee’s affirmation. He uses the formal language of materials and space: opposing thin arcs, rods, and loops with weighty rectilinear forms to achieve a dynamic balance. Corno welds his iron and stainless steel sculptures in a diverse range of scales, from small interior works to monumental garden...

In his abstract constructions, Alex Corno does not make art to repeat what is visible, to paraphrase Klee’s affirmation. He uses the formal language of materials and space: opposing thin arcs, rods, and loops with weighty rectilinear forms to achieve a dynamic balance. Corno welds his iron and stainless steel sculptures in a diverse range of scales, from small interior works to monumental garden...

In his abstract constructions, Alex Corno does not make art to repeat what is visible, to paraphrase Klee’s affirmation. He uses the formal language of materials and space: opposing thin arcs, rods, and loops with weighty rectilinear forms to achieve a dynamic balance. Corno welds his iron and stainless steel sculptures in a diverse range of scales, from small interior works to monumental garden...

In his abstract constructions, Alex Corno does not make art to repeat what is visible, to paraphrase Klee’s affirmation. He uses the formal language of materials and space: opposing thin arcs, rods, and loops with weighty rectilinear forms to achieve a dynamic balance. Corno welds his iron and stainless steel sculptures in a diverse range of scales, from small interior works to monumental garden...

In his abstract constructions, Alex Corno does not make art to repeat what is visible, to paraphrase Klee’s affirmation. He uses the formal language of materials and space: opposing thin arcs, rods, and loops with weighty rectilinear forms to achieve a dynamic balance. Corno welds his iron and stainless steel sculptures in a diverse range of scales, from small interior works to monumental garden...

Alex Corno achieves a sense of poetry in his use of proportion, rhythm, color, texture, and the dance between negative and positive spaces. Casting sentimentality aside, Corno is rel...

Alex Corno achieves a sense of poetry in his use of proportion, rhythm, color, texture, and the dance between negative and positive spaces. Casting sentimentality aside, Corno is rel...

Valley House Gallery & Sculpture Garden presented the first solo exhibition in the United States of sculpture and works on paper by Italian artist ALEX CORNO in 2015. In his studio n...

Valley House Gallery & Sculpture Garden presented the first solo exhibition in the United States of sculpture and works on paper by Italian artist ALEX CORNO in 2015. In his studio n...

Valley House Gallery & Sculpture Garden presented the first solo exhibition in the United States of sculpture and works on paper by Italian artist ALEX CORNO in 2015. In his studio n...

Valley House Gallery & Sculpture Garden presented the first solo exhibition in the United States of sculpture and works on paper by Italian artist ALEX CORNO in 2015. In his studio n...

Valley House Gallery & Sculpture Garden is honored to present the first solo exhibition in the United States of sculpture and works on paper by Italian artist ALEX CORNO. In his stud...

Valley House Gallery & Sculpture Garden is honored to present the first solo exhibition in the United States of sculpture and works on paper by Italian artist ALEX CORNO. In his stud...

Valley House Gallery & Sculpture Garden is honored to present the first solo exhibition in the United States of sculpture and works on paper by Italian artist ALEX CORNO. In his stud...

Valley House Gallery & Sculpture Garden is honored to present the first solo exhibition in the United States of sculpture and works on paper by Italian artist ALEX CORNO. In his stud...

This is reproduced in the monograph recently published on the work of Alex Corno.