Art by Medium: Laminate

Gutai Object, Paris Period by Takesada Matsutani Important organic abstraction in polyvinyl acetate adhesive on vinyl by Takesada Matsutani (Japanese, b. 1937). Titled "Objct" on verso. Signed and dated (1983) on verso with "Japan, Paris, S.F" delinated. Unframed. Image size: 47"H x 37"W. x 3"D Condition: Good: some bending and creasing to thinner edge areas top center and all corners, vinyl on lower right corner and under signature. One image shows a patch of vinyl tape, this is the artists access port for adding air under the acrylic glue to pump up the area. We will mount on Sturdy foam core and make the conservation minor fixes to the vinyl layers prior to shipping. From the early sixties to the early seventies, Matsutani was a key member of the ‘second generation’ of the Gutai Art...

Lee was born and raised in South Korea. He is a studio artist and an associate professor of art and head of the Glass program at Southern Illinois University Carbondale. He has won a...

"Emulsion 1" Photography 48'x48' inch Edition of 10 by Giuliano Bekor Emulsion series. Title of artwork: EM1 Year: 2010 Print size: 48x48 Inches trim bleed Rarity: Limited edition o...

Damien Hirst Happiness, from The Secrets, 2024 Laminated giclée print on aluminium composite panel Signed, titled, dated and numbered 247/327 on the authentication label on the back ...

Damien Hirst Blizzard (H13-10), from Where the Land Meets the Sea, 2023 Laminated Giclée print on aluminium composite panel 13 9/10 × 20 9/10 × 3/10 in 35.4 × 53.2 × 0.7 cm Hand-sig...

Damien Hirst Pegwell Bay, H13-6, from Where the Land Meets the Sea, 2023 Laminated Giclée print on aluminium composite panel 35 2/5 × 35 2/5 in 89.9 × 89.9 cm Hand-signed on the lab...

In this original acrylic paint and vinyl on paper from Art Angler Gallery, Jose Palacios depicts an abstract pop art style. He uses vibrant pink, white, green, blue, black and red sh...

Lee was born and raised in South Korea. He is a studio artist and an associate professor of art and head of the Glass program at Southern Illinois University Carbondale. He has won a...

Laminated Giclée print on aluminium composite panel Edition of 2573 Digitally signed and numbered Mint. Sold in the original Heni packaging

This vivid circular mixed media on paper by Jose Palacios, showcases his signature abstract pop art style, blending vibrant colors and dynamic forms. This painting feels like a playf...

Here for your consideration is a beautiful vintage Austin sculpture John Cutrone 1987 "Waiting in the Wings" ballet slippers. Signed " Austin Prod Inc 19...

Trees in Baqueira is a unique oil on laminated wood painting by Spanish contemporary artist Calo Carratalá, dimensions are 29 × 50 cm (11.4 × 19.7 in). Framed dimensions are 34 x 55 ...

Damien Hirst Doldrums, H13-12, from Where the Land Meets the Sea, 2023 Laminated giclée print on aluminium composite panel 47 3/10 × 35 2/5 × 1/2 in 120.1 × 89.9 × 1.3 cm Hand-signe...

In shiny hot pink, two vertical rectangles sit side by side ‘in sync’ in this elegant wall sculpture by California artist, Lori Cozen-Geller. Cozen-Geller’s work is minimalism, and h...

In this original acrylic paint and vinyl on paper from Art Angler Gallery, Jose Palacios depicts an abstract pop art style. He uses vibrant pink, white, green, blue, black and red sh...

This vivid circular mixed media on paper, titled “Atlas 06” by Jose Palacios, showcases his signature abstract pop art style, blending vibrant colors and dynamic forms. The compositi...

This vibrant circular mixed media painting, “Atlas 03,” by Jose Palacios is a vivid representation of his signature abstract pop art style. The piece bursts with tropical-inspired sh...

In this original acrylic paint and vinyl on paper from Art Angler Gallery, Jose Palacios depicts an abstract pop art style. He uses vibrant pink, white, green, blue, black and red sh...

This vibrant circular acrylic painting, “Skylight 15,” by Jose Palacios exemplifies his distinctive pop art style. The artwork features bold and dynamic tropical-inspired shapes and patterns in a striking palette of yellow, blue, pink, white, green, black, and red. The composition is divided into sections, each containing abstract geometric forms that evoke a sense of movement and energy. The interplay of solid, vibrant colors and curved lines creates a harmonious yet electrifying visual effect. The round shape of the canvas enhances the modern and playful feel of the piece, making it stand out as a captivating centerpiece. The painting measures 27.5 inches in diameter and comes with a white circular mat that complements its clean, contemporary aesthetic. Palacios’s mastery of geometry and precision is evident, as is his ability to infuse his work with both structure and spontaneity. Jose Palacios, born in Spain in 1970, is a self-taught artist who began his career in comic books and illustration. He later transitioned into graphic design and street art, drawing inspiration from the “Movida Madrileña,” an explosive cultural movement of the 1980s during Spain’s transition to democracy. This vibrant cultural era also shaped renowned artists such as Ceesepe, Fernando Vicente, Ana Juan, Ouka Leele, and Javier de Juan...

"M&M MMDH" Photography 40" x 62" inch Edition 1/8 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Title: M&M MMDH Year: 2022 Pri...

"JM Basquiat-GB5" Photography (FRAMED) 66" x 48" inch Ed. 2/8 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Title: Basquiat se...

Johnnie Winona Ross Deep Creek Seeps 10, 2007 Oil paint on acrylic base burnished on Belgian linen Signed twice, dated and titled on the verso; also bears the original Stephen Haller Gallery label\ Canvas is stretched against wooden backing but no outer frame This work was originally sold by the Stephen Haller Gallery which hosted several critically acclaimed, sell-out shows of New Mexico resident Johniie Winona Ross, whose exquisite Minimalist aesthetic really took hold with collectors. The debt to famous New Mexico resident and Minimalist goddess Agnes Martin is obvious, but Winona Ross has a disctinctive style and technique of his own. The process of creating this work was laborious: Ross typically applies as many as 90-100 layers of paint to each canvas, then scrapes the surface with a straight-edged razor to reveal the many layers (and their chronology), and finally burnishing the surface with a Pueblo pottery stone to achieve a soft gloss. Maureen Mullarkey of Studio Matters wrote in 2010: THE LOVELINESS OF JOHNNIE WINONA ROSS' paintings elude translation into either reproduction or verbal description. In 2011, ArtDaily published this announcement from Stephen Haller, publicizing a later exhibition: "Washington Post critic Stephen Parks characterized Ross’s work in this way: “From a distance his canvases appear to be simple, minimal constructions of horizontal stripes with hints of vertical color in the background. Up close the paintings are seen to be extraordinarily beautiful and complex objects that induce a humming meditative state.” Ross grounds his work in the inspiration of the desert of the American Southwest, and borrows techniques from ancient Native American sources, melding them with a distinctly sophisticated and utterly contemporary vision. His use of the Native American technique of burnishing pigment and minerals with a potter’s stone to create a hard surface with a visually warm sheen creates an effect reminiscent of the softening of marble steps...

"JM Basquiat-GB4" Photography (FRAMED) 50" x 40" inch Ed. 1/8 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Title: Basquiat se...

"Emulsion 6" (FRAMED) Photography 40" x 40" inch Edition 3/20 by Giuliano Bekor Size: 40" x 40" inch Size framed: 42" x 42" inch This artwork printed on a highest resolution fine ...

This vivid circular mixed media on paper by Jose Palacios, showcases his signature abstract pop art style, blending vibrant colors and dynamic forms. This artwork pulses with fiery e...

This vivid circular mixed media on paper by Jose Palacios, showcases his signature abstract pop art style, blending vibrant colors and dynamic forms. This painting feels like a cheer...

Gutai Object, Paris Period by Takesada Matsutani Important organic abstraction in polyvinyl acetate adhesive on vinyl by Takesada Matsutani (Japanese, b. 1937). Titled "Objct" on verso. Signed and dated (1983) on verso with "Japan, Paris, S.F" delinated. Unframed. Image size: 47"H x 37"W. x 3"D Condition: Good: some bending and creasing to thinner edge areas top center and all corners, vinyl on lower right corner and under signature. One image shows a patch of vinyl tape, this is the artists access port for adding air under the acrylic glue to pump up the area. We will mount on Sturdy foam core and make the conservation minor fixes to the vinyl layers prior to shipping. From the early sixties to the early seventies, Matsutani was a key member of the ‘second generation’ of the Gutai Art...

"JM Basquiat-GB1" Photography (FRAMED) 50" x 40" inch Ed. of 8 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Title: Basquiat s...

"JM Basquiat-GB3" Photography (FRAMED) 48" x 48" inch Ed. 1/8 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Title: Basquiat se...

"Emulsion 10" (FRAMED) Photography 48" x 72" inch Edition 1/6 by Giuliano Bekor Print size 48x72 Inches Artwork finished size 48.5x72.5 Inches Limited edition 1 of 6 Artist proof 2...

"Echoes No.11" Photography 40" x 40" inch Edition of 20 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Printed on fujiflex mou...

David A. Dreyer was born in Dallas in 1958, and earned his BFA and MFA at Southern Methodist University. He was a recipient of the Moss/Chumley Award from the Meadows Museum and has ...

As glossy and reflective as the finish on a sleek corvette, this electric green, geometric wall sculpture by Lori Cozen-Geller is inspired by California car culture, 1960’s minimalis...

In this original acrylic paint and vinyl on paper from Art Angler Gallery, Jose Palacios depicts an abstract pop art style. This painting bursts with playful energy. Swirls of pink, ...

In this original acrylic paint and vinyl on paper from Art Angler Gallery, Jose Palacios depicts an abstract pop art style. Friendship feels like a playground of spontaneous marks an...

In this original acrylic paint and vinyl on paper from Art Angler Gallery, Jose Palacios depicts an abstract pop art style. Cat Zone 01 explodes with electric energy and cartoon chao...

In this original acrylic paint and vinyl on paper from Art Angler Gallery, Jose Palacios depicts an abstract pop art style. A playground of forms bursts across a cool turquoise field...

This vivid circular mixed media on paper by Jose Palacios, showcases his signature abstract pop art style, blending vibrant colors and dynamic forms. A surreal bloom unfolds on a tea...

This vivid circular mixed media on paper by Jose Palacios, showcases his signature abstract pop art style, blending vibrant colors and dynamic forms. A radiant burst of joy on a cand...

This vivid circular mixed media on paper by Jose Palacios, showcases his signature abstract pop art style, blending vibrant colors and dynamic forms. This piece feels like a surreal ...

This vivid circular mixed media on paper by Jose Palacios, showcases his signature abstract pop art style, blending vibrant colors and dynamic forms. This painting feels bold and ele...

This vivid circular mixed media on paper by Jose Palacios, showcases his signature abstract pop art style, blending vibrant colors and dynamic forms. This painting feels like a joyfu...

This vivid circular mixed media on paper by Jose Palacios, showcases his signature abstract pop art style, blending vibrant colors and dynamic forms. This painting bursts with energy...

"In Sync II" is an abstract artwork by Stan Olthuis composed of acrylic paint on a reclaimed laminate table top. In Sync II measures 42" high by 42" wide ...

Laminated Giclée print on aluminium composite panel Edition of 4150 Digitally signed by the artist and numbered Mint, as issued Sold in the original Heni packaging Published by HENI ...

In this original acrylic paint and vinyl on paper from Art Angler Gallery, Jose Palacios depicts an abstract pop art style. He uses vibrant pink, white, green, blue, black and red sh...

Matthew de Moiser is a Melbourne based artist recognised for his use of everyday household objects, mediums and materials as the basis for new works that speak about the Australian suburban condition. Best known for his suburban landscapes assembled from meticulously cut pieces of coloured laminex, his work demonstrates a yearning for the sublime in the most unlikely of places. He has at various times worked with found long stitch embroideries, IKEA furniture...

In Ford Shelby Blue, this dramatic sculpture by California artist Lori Cozen-Geller is rooted in minimalism. Using the rich glossy palette of cars—a nod to the west coast’s car cultu...

Red and Aqua Wreath Drop Earrings are made from acrylic gemstones set in brass frames with sterling silver and fine silver ear components. Each ‘stone’ is hand cut, sanded, and polished to resemble her own version of gemstones that sparkle with holographic material. By utilizing multiple gauges of acrylic and brass these earrings are large, but lightweight and easy to wear. About the Artist: Nikki Couppee is originally from Pensacola Beach, Florida and currently resides in Oakland, California. She holds an MFA in Jewelry/ Metals from Kent State University in Kent, Ohio and a BFA in Jewelry/ Metals from the University of Georgia in Athens, Georgia. Her work examines the connection between adornment and social status. Using non-traditional materials such as acrylic, brass, holographic foil, and found objects, Couppee creates jewelry that appears opulent. By utilizing time-intensive processes, she further references the language of fine jewelry, with the intention of elevating the work. Using everyday materials, she is able to exaggerate the size and abundance of gems to parody class issues inherent in fine jewelry. Couppee's work has been featured in many publications including American Craft, Allure Australia, Marie Claire Australia, Metalsmith Magazine, Modern Magazine, Vogue Brazil, Daily Candy and Lark Book's 500 Enameled Objects. She exhibits her work globally through exhibitions, gallery representation, fairs and recent runway collaborations for Paris' Fashion Week and Australian Fashion Week with designers Romance was Born.

California Artist Lori-Cozen Geller loves cars. Her minimalist sculptures are painted in the glossy colourful palette of the cars her beloved late father ...

In this original acrylic paint and vinyl on paper from Art Angler Gallery, Jose Palacios depicts an abstract pop art style. He uses vibrant pink, white, green, blue, black and red sh...

In this original acrylic and vinyl painting on paper from Art Angler Gallery, Jose Palacios presents a vibrant and dynamic composition that blends abstract and pop art styles. The ar...

In this original acrylic paint and vinyl on paper from Art Angler Gallery, Jose Palacios depicts an abstract pop art style. He uses vibrant pink, white, green, blue, black and red sh...

In this original acrylic paint and vinyl on paper from Art Angler Gallery, Jose Palacios depicts an abstract pop art style. He uses vibrant pink, white, green, blue, black and red sh...

"Emulsion 8" Photography 40'x40' inch Edition of 10 by Giuliano Bekor Printed on fujiflex mounted on aluminum laminated and framed with a costume floater frame. EMULSION series O...

"Emulsion 1" Photography 48'x48' inch Edition of 10 by Giuliano Bekor Emulsion series. Title of artwork: EM1 Year: 2010 Print size: 48x48 Inches trim bleed Rarity: Limited edition o...

Gazing Ball, Beaver Dam, Lake Clark, AK, Art by Beth Lipman, 2014 Additional information: Medium: C-print mounted to aluminum with gloss laminate Dimensions: 36 × 25 in (91.4 × 63.5...

Chalice and Tanalian Mountain II, Art by Beth Lipman, 2014 Additional information: Medium: Lambda mounted to aluminum with gloss laminate Dimensions: 43 × 55 in (109.2 × 139.7 cm) E...

In Ferrari Silver, three striking geometric pieces are separate but appear to fit together. California artist Lori Cozen-Geller’s minimalist sculptures are inspired by emotion but th...

"Women of the IDF" Large Exhibition color Photograph 30 x 40 inches, mounted on masonite and laminated. Edition of 4 + 2 artists proof. minor dings and bumps to edges Born in Tehran, Iran, Ashkan Sahihi moved with his family to West Germany at the age of seven. Although he began taking photographs as a teenager, Sahihi traces the beginning of his professional trajectory to New York in 1987, a thriving “pop culture metropolis” where he could do the kind of photography work that he wanted to do, exploring the underbelly of the society around him. Taking assignments from German publications such as the Süddeutsche Zeitung Magazine, Der Spiegel, Dummy and GEO, he photographed subjects like prisoners on death row, players in the hip-hop scene, and the downtown art scene of New York. Neither black nor white, an insider among outsiders, he found himself able to navigate spaces and dynamics that others might have had difficulty entering. He considered this both a privilege and an obligation – to visit these places and tell these stories. His success led to commissions from American publications as well, including the New York Times Magazine, the New Yorker, Rolling Stone, and Vogue. Put off by the limitations of photojournalism (the expectation that he would illustrate the writer’s perspective rather than author a narrative of his own), Sahihi began to embark on independent, highly compact conceptual series. His main goal in these series has been to drive forward public discourse on topics he believes have not provoked enough or the right kind of discussion: drugs, gender in the media, women in the military, etc. His portraits draw on a familiar visual language – often seated subjects before a neutral backdrop – but push the viewer to feel and think about entirely new things. Although he constantly challenges the comfort level of both the viewer and the subject, Sahihi never removes himself from the line of fire; all of his work requires the artist to immerse himself in uncomfortable situations and challenge his own emotional fortitude. Photographic Series In the “Face Series”, latex-gloved hands manipulate the subjects’ features, stretching, pushing, squeezing, pinching at the whim of external direction – from the artist? The customer? The public? The “Hypnosis Series” comprises 8 portraits of hypnotized subjects each experiencing a single emotion, e.g. helplessness, withholding/anger, or regret. In a society that rewards the suppression of such naked emotion, the purity of these depictions is arresting. In 2006, Sahihi photographed himself in the homes and with the families of six ex-girlfriends and one ex-wife, imposing himself more or less awkwardly on the constellations that emerged after he had exited their lives (“Exes Series”). For Sahihi’s most well-known work, the “Drug Series,” he convinced 11 non–drug users to consume a particular drug, then took their portraits over the course of their trips. The series was born out of Sahihi’s frustration with the hypocrisy of the political conversation about drugs in the United States. “By attempting to present an objective image of drug use, the artist addresses the cultural politics that allow our society to simultaneously glamorize the ‘drug look’ in fashion magazines and the entertainment industry and meanwhile turn a blind eye to the complicated, and vast, problem of drug abuse.” Sahihi has exhibited this series at MoMA PS1 New York in 2001, in Dresden in 2008, and alongside his installation “100 Million in Ready Cash." Sahihi’s dense explorations through small photographic series include “Women of the IDF," portraits of female Israeli soldiers...

Fabian Marcaccio 560 Conjectures for a New Paint Management 1989-99 Ink jet print mounted on polystyrene with laminate Dimensions composition 30 1/4 x 23 3/16" (76.9 x 58.9 cm) sheet 30 1/4 x 23 3/16" (76 x 58.9 cm) Publisher Muse X Editions, Los Angeles Ink jet print mounted on polystyrene with laminate Fabian Marcaccio (Born 1963 Rosario, Argentina) is an Argentine-Italian born artist living and working in the United States whose trans-genre works including "Paintants" and '"Draftants" have been exhibited worldwide. Marcaccio was born to a native Argentine mother and Italian father in Rosario de Santa Fe where he later attended the University of Philosophy. In 1985, at age 22, he moved to New York City, where he continues to live and work. He has exhibited widely throughout theUnited States, Europe and South America. In 2004, Kunstmuseum Liechtenstein organized a retrospective of his work, the same year that a solo exhibition was mounted at the Miami Art Museum. He regularly exhibits with galleries in New York, Los Angeles, Berlin, Paris, Cologne and Barcelona. He has participated in numerous group exhibitions, including; the 44th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, DC in 1995, Summer Projects at PS1 Contemporary Art Center, New York in 2002, and Documenta 11, Kassel, Germany in 2002. His multidisciplinary collaborations include projects with the architect Greg Lynn that resulted in an exhibition at the Wexner Center for the Arts, Columbus, Ohio in 2001 and projects with composer Claudio Baroni creating animated operas and a 2005 scored, paintball performance at Weston Hall in Toronto, Canada. Marcaccio’s work investigates whether the traditional medium of painting can survive in the digital age. He has used printmaking transfer techniques to make paintings and became well known in the 1990s for his manipulations of the conventions of painting. More recently, he has relied upon digital and industrial techniques to infuse his painting process with spatial and temporal concerns. The results are environmental paintings, animations, and “Paintants” that combine digitally manipulated imagery, sculptural form, and three dimensionally painted surfaces. On September 10, 2011 Marcaccio received the "Bernhard Heiliger Award for Sculpture 2011" from the Mayor of Berlin, Klaus Wowereit. Bernhard Heiliger Award for Sculpture. Radical Shift: Political and Social Upheaval in Argentinean Art since the 1960s “Fabian Marcaccio” Interview by Shirley Kaneda BOMB 41/Fall 1992 2011 Pinta London, Featured Artist, Galerie Thomas Schulte, London, England “Corpse: Variant Paintants” Galerie Schmidt MacZollek, Cologne, Germany Bernhard Heiliger Award for Sculpture Exhibition, George Kolbe Museum, Berlin, Germany 2010 “Megan: Variant Paintants” Galeria Joan Prats, Barcelona, Spain SAPS, Sala Arte Publico Sigueiros, Mexico 2009 “Analytical Rage-Paintants” Galerie Thomas Schulte, Germany 2008 “Draftants,” Galerie Schmidt Maczollek, Koln, Germany 2007 BravinLee programs, New York City, NY, USA Ruth Benzacar, Galeria de Arte, Buenos Aires, Argentina Fabian Marcaccio, Galeria Joan Prats, Barcelona, Spain 2006 “Especial,” Galerie Maczollek, Cologne, Germany “Private Contractor and New Paintants,” Kevin Bruk Gallery, Miami, FL, USA SELECTED COLLECTIONS Whitney Museum of American Art, New York, NY MOMA, Museum of Modern Art New York, NY Margulies Collection, New York, NY Collezione Maramotti, Reggio Emilia, Italy Proje4L/Elgiz Museum of Contemporary Art, Istanbul, Turkey MIT List Visual Arts Center, Cambridge, MA MAM – Miami Art Museum, Miami, FL Philadelphia Museum of Art, Philadelphia, PA Museum für Moderne Kunst (MMK), Frankfurt/Main, Germany Museo de Arte Moderno, Buenos Aires, Argentina Fondacion La Caixa, Barcelona, Spain His three-dimensional paintings are included in the permanent collections of The Museum of Modern Art and the Whitney Museum of Art, both in New York, and in the Philadelphia Museum of Art. His work has been featured in exhibitions at the MoMA P.S.1 in Queens, the Daros Foundation in Rio de Janeiro, and the Havana Biennial, among others. Marcaccio lives and works in New York, NY. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy Dwyer, and conceptual photographs by Kevin Hanley. Doug Aitken, Polly Apfelbaum, David Levinthal, Richard Long, Christian Marclay...