Art by Medium: Linen

This 25" x 24" acrylic painting on linen by Oklahoma-native, Los Angeles-based artist Robert Bonaparte utilizes a limited color palette and minimal detail. The composition is split u...

David Michael Slonim Untitled (2017) Oil on linen Size: 30 × 24 in (76.2 × 61 cm) Hand-signed by artist === Born in Miami in the mid-1960s, David Michael Slonim received his bache...

Original poster by Harford, titled "Professeur Pagès et ses sensationnelles nouveautés L'art décoratif dans le dressage - La fontaine vivante et lumineuse," unveils a captivating spe...

This vibrant 1960 original poster by the artists Jean-Luc and Peyrot was created to promote the famous Carnaval de Nice, one of the oldest and most celebrated carnivals in Europe. He...

This 1935 original travel poster by the artist Pierre Duval promotes the Téléférique du Béout, an attraction offering spectacular panoramic views above the famous pilgrimage town of ...

The 1940 original poster by Derouet Lesacq for Loterie Nationale is a remarkable example of wartime propaganda, designed to encourage public participation in national efforts while m...

Katherine Borkowski-Byrne’s “Out of Order” is a colorful abstract expressionist oil painting 38 x 60 x 1.5 inches on canvas with thick and thin spontaneous brushwork, drips and splas...

The original Soviet political poster "Hemmeler élection - 12 Mars" from 1950 is a poignant artifact of the Soviet Union's political landscape during the early Cold War era. Crafted w...

Caravaggio painted "The Incredulity of St. Thomas" with Christ looking down as he pilots Thomas’ hand to his side. Not looking at Thomas or the others, but to his wound. He seems interested in the proof of his embodiment. He wants to know that this is real. He too, questions his body, his life and death. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This artwork is unframed. Contact the gallery for framing options. Reenactment is a material culture where the feel of authentic wool has transformative power. The closer you can recreate the “kit” of the authentic soldier the closer you are to that past. In the pursuit of touching the past there are questions- Is this real? Did this happen? Is this me? Is this us? The gesture of piloting a finger into the side represents these repetitive questions. - William Blake Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War...

The 1962 original travel poster by Guy Georget for Air France transports viewers to the enchanting realm of India, inviting them to embark on a journey of discovery and cultural imme...

In this sculptural piece, Linda King Ferguson has cut a piece of linen canvas into a half-diamond shape, with an ellipsis cut-out close to the scalloped right edge. A red cotton thread completes the second half of the diamond shape, then hangs from the bottom corner, evoking the image of a kite. King Ferguson's paintings are abstractions of the female body. She chooses to use linen...

The original poster "Día del Campesino 17 de Mayo 1969, Año del Esfuerzo Decisivo" is a powerful visual representation of the celebration of farmworkers and their vital contributions...

"Le Grand Jeu du Pigeon Voyageur," circa 1890, is a captivating example of late 19th-century French board games, reflecting both the era's fascination with pigeons and the popularity...

Gruau's 1980 original poster for "Lido Cocorico" is a dazzling testament to the glamour and sophistication of the cabaret world. This poster not only promotes a renowned entertainmen...

Robin Cole works in oil paint to create contemporary realist paintings that explore overlooked moments in nature through careful observation and technical precision. Born in Denver, ...

Wall Mounting Mixed Media Sculpture, Iron on Wood Panel, Populace by Mary Giles Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. ...

An original acrylic on raw linen painting by American contemporary artist Eric Magnuson. Magnuson has been consistently showing his paintings bicoastally since the mid 1980s incl...

This 1968 Chinese propaganda poster honors Norman Bethune, celebrated in China as an example of revolutionary selflessness and international solidarity. Produced during the Cultural ...

Pal Molnar C.'s circa 1930 original travel poster, depicting Budapest and the majestic Danube River, stands as a captivating testament to the allure of the ...

This charming circa 1950 travel poster by the illustrator Guillerme promotes the historic town of Provins, celebrated for its remarkably preserved medieval architecture. The poster d...

This vibrant 1962 tourism poster, photographed by Fronval, promotes the cultural richness of the French Basque Country within the Pyrenees. Produced as part of France’s national tour...

This lively circa 1950 travel poster, designed by Atelier Kolbeck & Ziegler, promotes tourism in the scenic alpine region of Vorarlberg. The poster captures the joyful spirit of ...

The 1934 original exhibition poster for "Exposition Daumier," held at the Orangerie des Tuileries and the Bibliothèque Nationale, commemorates the legacy of Honoré Daumier, one of th...

This evocative 1933 poster by Pierre Matossy depicts the atmospheric ruins of the Abbaye de Saint‑Wandrille, one of the most important monastic sites in Normandy. The composition cap...

The 1981 original poster by Coluche, "Votez La!", is an iconic piece of political satire and cultural commentary from one of France’s most beloved comedians and social figures. Coluc...

This striking 1951 maritime poster, designed by the artist Margutte, was created to promote the prestigious French shipping company Société Générale de Transports Maritimes. The comp...

This attractive circa 1970 promotional poster was produced to encourage travel across the United States by rail through Amtrak. With its decorative typography and richly illustrated ...

The 1961 original poster titled "Swissair Mediterranean" by Nikolaus Schwabe is a captivating example of mid-20th century travel advertising. This poster was part of a series created...

Joellyn T Duesberry Wall on Wharf Street, #513, New Orleans, LA 1976. Oil on linen Dimensions: (Frame) H 50.5" x W 66.5". sight size 50 x 66" Joellyn Toler Duesberry (1944 – 2016) was a plein air landscape artist who worked in oils. She said that her paintings echo the work of John Marin and Milton Avery. Of her art, Duesberry said, "I am not interested in a realist painting, I am not interested in an abstract painting. I am interested in the tension." Joellyn Duesberry was born on June 30, 1944 in Richmond, Virginia. Growing up in rural Virginia instilled in her a love for the land. She said, "All my life I think I've unconsciously tried to recreate the place where bliss or terror first came to me. Both emotions seemed so strong that I had to locate them outside of myself, in the land. This goes back to a childhood habit of living in rural Virginia and seeking woods and creeks and lakes for solitary refuge; places where I could sketch and paint." She decided to start painting at age ten after being given a pair of red tennis shoes and walking on the beach, inspired by the colorful juxtaposition of sand, shadow, and shoe. Soon thereafter she decided that "Women artists existed and she needed to be among them." She received a BA with Distinction, Phi Beta Kappa, in art history and painting, from Smith College in 1966. In that year she was awarded a Woodrow Wilson Fellowship. While at Smith, she "honed her skills by making countless copies of masterworks." She took her master's degree at New York University Institute of Fine Arts. Despite her degrees, she is considered to be a self-taught artist. Joellyn Duesberry was a plein air painter, who began "her canvases outdoors on an easel and finished] them in the studio, frequently making monotypes in between." She moved to Denver in 1985, and embraced the Colorado landscape in her art. In that year she received an Individual Painting Grant from the National Endowment for the Arts to work with Richard Diebenkorn. In 1997, Duesberry won the Benjamin Altman Landscape Prize from the National Academy of Design. While she had a World Views residency with the Lower Manhattan Cultural Council (LMCC) from 1998-1999, Duesberry painted city studies in studio space in some vacant offices of the World Trade Center's North Tower. She says that, because of her connection to the World Trade Center, the tone of her painting saddened after 9/11. In 2005, a PBS documentary was made of Joellyn Duesberry's life, work, and creative process titled Joellyn Duesberry: Dialogue with the Artist. Her works are held by institutions such as Metropolitan Museum of Art and Smith College Museum of Art. Publications 1998: A Covenant of Seasons: Monotypes by Joellyn T. Duesberry, Poetry by Pattiann Rogers, 2011: Elevated Perspective: The Paintings of Joellyn Duesberry, SELECT SOLO EXHIBITIONS Elevated Perspective: The Paintings of Joellyn Duesberry, Colorado Springs Fine Arts Center Joellyn Duesberry: A Passion for the Land, Leslie Levy Fine Art, Inc., Scottsdale, AZ Joellyn Duesberry: A Passion for Western Land, William Havu Gallery, Denver, CO Joellyn Duesberry Monotypes: Hidden Treasures, William Havu Gallery, Denver, CO Joellyn Duesberry: Solace on Safari, Gerald Peters Gallery, Santa Fe, NM Tremaine Gallery, The Hotchkiss School, Lakeville, CT. Recent Monotypes, James Graham & Sons, Madison Avenue, New York, NY Joellyn Duesberry: Monotypes, Lizan-Tops Gallery, Easthampton, NY The Garden Paintings, Robischon Gallery, Denver, CO Joellyn Duesberry: Paintings, Tavelli Gallery, Aspen, CO Joellyn Duesberry, Graham Modern, Madison Avenue, New York, NY Joellyn Duesberry: Paintings and Monotypes, Carol Siple Gallery, Denver, CO Joellyn Duesberry, Tatistcheff Gallery, New York, NY SELECT GROUP EXHIBITIONS Significant Women Artists, Curtis Arts & Humanities Center, Greenwood Village, CO Finding Abstraction, Gallery 1261, Denver, CO Rocks on Paper, Katharina Rich Perlow Gallery, New York, NY Summer Landscape Show, Greenhut Gallery, Portland, ME Defining the West: 200 Years of American Imagery, Gerald Peters Gallery, Santa Fe, NM Roots, Landing Gallery, Rockland, ME Annual Professional Painters’ Exhibition, The Century Association, New York, NY Glory of Landscapes, Pelham Art Centre, New York, NY Salon du Musee, Featured Artist, Salon d Arts at Gallery 1261, Denver, CO Small Works, Gallery 1261, Denver, CO The Urban Myth, Vision of the City, Sullivan Goss, An American Gallery, Santa Barbara, CA The Art of Printmaking, paying homage to Open Press,Archer Concept Group,Denver,CO Twenty Years: Paintings: Joellyn Duesberry, Bunny Harvey...

In the picturesque realm of travel posters, Daniele Buzzi's 1952 creation beckons viewers to explore the scenic wonders of Lugano in Southern Switzerland. This vintage masterpiece se...

The 1951 original poster "Gloire et Sacrifice de Philippe Pétain, Maréchal de France", featuring the declaration "Je fais à la France le don de ma personne", serves as a highly signi...

The circa 1950 original illustrated map for "Carte France autour de Bordeaux" is an excellent representation of mid-20th century cartography, focusing on the area surrounding Bordeau...

"Straw Barge" on the Thames (after) Edward Duncan Oil on Linen 1898 Well executed study of E. Duncan's Straw Barge circa 1881, painted by Richard Hayley Lever...

The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...

Standard Motor Oil advertisement showing a glass liter bottle flowing into the word "Standard". Poster designed by Johannes Safis in 1928. Text reads Standard Motor Oil Aus Der Geei...

The original poster for La Nouvelle Sunbeam '90' showcases a compelling mid-century advertisement for the British automaker's stylish and innovative model. Celebrating the Sunbeam '9...

The circa 1960 original poster by Lander, titled "See Britain by train British Railways - Londres," encapsulates the spirit of exploration and adventure that defined post-war Britain...

Original poster realized by A. Clenisson to promote the national bread week. Indeed, as every year in mid-May, France celebrates its baguette, known all over the world by highlightin...

A Soviet poster celebrating Sputnik's orbit is a powerful symbol of the Cold War Space Race. It encapsulates an era of fierce competition between the United States and the Soviet Uni...

"Look at the flowers. It is simply unbelievable how happy flowers are." — Osho 60 × 60 × 2 cm / 23.6 × 23.6 × 0.8 in Acrylic and mixed media on 100% linen canvas Winter Garden capt...

The circa 1960 original travel poster by H. Gabriel for Suisse Lenzerheide Valbella is a prime example of mid-20th-century Swiss travel advertising, created to promote the picturesqu...

Charles-Jean Hallo (Alo)'s 1927 poster for Chemin de Fer de Paris à Orléans, showcasing Le Mont-Dore in Auvergne, stands as a visual ode, transcending the boundaries of a mere advert...

Coulon's circa 1930 poster, bearing the message "Jeunes Gens, Engagez-vous dans les Troupes de la Métropole" (Young people, enlist in the troops of the metropolis) for the Ministry o...

The 1972 Soviet poster by V. Karakashev, titled "Shame on Racists" (Позор Расистам), is a striking example of Cold War-era propaganda with a bold anti-racist message. Created in the ...

The 1915 Imagerie d'Épinal N. 15, created by the renowned artist O'Galop, celebrates one of the final exploits of Roland Garros, the legendary French aviator. This print was part of ...

The 1962 original poster for BEA (British European Airways), titled "Londres: The Tower of London", was created as part of a campaign to promote London as a prime destination for international tourists. The poster specifically highlighted the Tower of London, one of the city’s most iconic landmarks, as a symbol of England’s rich history and cultural significance. During the 1960s, British European Airways played a pivotal role in shaping modern air travel within Europe and beyond. This poster was part of their effort to combine the allure of travel with the timeless appeal of London's historic sites. The Tower of London, with its storied past as a royal palace, prison, and treasury, was an ideal subject to attract history enthusiasts and travelers seeking a quintessentially British experience. The choice of the Tower of London as the focal point of this campaign underscored the growing interest in cultural tourism during the post-war era. As more people gained access to affordable air travel, cities like London sought to position themselves as must-visit destinations, offering a blend of historical charm and cosmopolitan appeal. BEA’s marketing strategy with this poster aligned with their broader mission of connecting travelers to Europe’s most captivating destinations. The Tower of London, a UNESCO World Heritage Site and a symbol of resilience and intrigue, served as a powerful emblem of what London had to offer. Today, this 1962 BEA poster...

The 1980 exhibition poster by Yves Defarcy titled "Les Machines Parlantes: Du Phonographe à l'Ordinateur" (The Talking Machines: From the Phonograph to the Computer) was created to p...

The circa 1920 travel poster by Pollacchi for Compagnie Générale Transatlantique, promoting Auto-circuits in North Africa, is a captivating example of early 20th-century travel adver...

Curtis Kulig "Love Me" Black and White Painting: Oil on Linen, 2017: This one of a kind ’Love Me' painting is impossible to overlook. An expressionist black and white colorway defin...

"One of the greatest illustrators of the World War I era" (Karal Ann Marling), Sidney Reisenberg practiced his art in New York City and made many posters for Liberty Loans and the Marines. The Jewish Welfare Board was formed just after the U.S. declared war on Germany in 1917 to support Jewish soldiers at war, and by the looks of it, was one of the first organizations to understand shell-shock and the trauma of warfare on an industrial scale...

The 1930 original poster by W. Langdon Kihn for the Icelandic Millennial Celebration, commissioned by Cunard Line, is a historical piece promoting travel to Iceland during its millen...

The circa 1900 original poster by Demeure de Beaumont, titled "L'Affiche Belge", is an elegant and artistic advertisement promoting an upcoming publication dedicated to Belgian poste...

The 1905 original poster La Race Maudite by Bruno, published by Le Petit Patriote, is a stark artifact of early 20th-century propaganda. This inflammatory piece reflects the intense ...

The 1951 original poster for Paix et Liberté titled Jamais ! Ça. is a powerful piece of anti-communist propaganda, notable for its stark imagery and bold message. Designed during the...

The 1977 original poster by the Soviet artistic collective Koukryniksy reflects their renowned style of sharp political caricature and satire. Active from the 1920s to the 1970s, Koukryniksy, consisting of Mikhail Kupriyanov, Porfiry Krylov, and Nikolai Sokolov, produced some of the most influential propaganda of the 20th century. This piece addresses themes of anti-racism and anti-fascism, created during a period when Cold War tensions were high, and Soviet propaganda aimed to critique Western colonialism and racism. It was part of the USSR's broader messaging to inspire solidarity with global equality movements and expose perceived moral failings of rival nations. The poster employs bold symbolism and caricature to deliver a strong political message in line with the collective’s tradition of impactful satire. Today, works by Koukryniksy are valued as historical artifacts, offering insight into Soviet perspectives during the Cold War. This 1977 poster remains a sought-after piece for collectors interested in propaganda art...

A superb poster, very old, realized around the years 1900 for the brand Automoto. Automoto is a brand of motorcycles and bicycles 🚲 originating in Saint-Etienne. It was launched in 1899 by developing a copy of the De Dion...

The 1932 original poster "Giant Conquerors of Space and Time" by Teller Griff is a remarkable representation of the era's fascination with advancements in transportation and the marv...

Jordan Wolfson's (US based) "Still Life with Flowers XVIII" is an oil painting that depicts abstracted flowers in a vase contrasted with a vibrant red background. Jordan Wolfson re...

The 1952 propaganda poster "Les Deux Pigeons", issued by the French anti-communist organization Paix et Liberté, captures a pivotal moment of Cold War tension in France with wit and ...

Beautiful advertising poster of the 1920s by René Lelong for the brand Kodak. Kodak was founded by George Eastman and Henry A. Strong on May 23, 1892. For...