Art by Medium: Lithograph

Fenetre a Tahiti originally realized in 1935, Photolithograph realized in 1993 after Henri Matisse. On Milano handmade paper. Monogrammed on the plate. Good conditions.

Francois Gilot, (1921-) studied English Literature at Cambridge University, and then, encouraged by her father, studied international law, though she secretly also took art lessons a...

Marc Chagall (1887-1985) The Bible, Adam and Eve in Paradise, 1960 Original lithograph (Mourlot Workshop) On paper 36 x 26.5 cm (c. 14.2 x 10.2 in) Second lithograph on the back, ...

Bernard BUFFET Bread & life Stone lithograph Printed signature in the plate Atelier Mourlot, 1964 c. 31 x 21" REFRENCES : Catalogue raisonne Bernard Buffet Lithographe vol 1, page ...

Walter SPITZER (1927-) Jewish Wedding Original lithograph Handsigned in pencil Numbered /75 ex On Japan paper 55 x 75 cm (c. 22 x 30 inch) Excellent ...

This magnificent bouquet of Red Tulips is an original lithograph by famous French artist Roger Muhl. The elegant lines and joyful colors are typical of the artist's love for nature and its flora. Roger Muhl lived in the town of Mougins in the South of France and he was strongly inspired by the bright and warm light found in the Mediterranean. This original lithograph is from a signed and numbered edition in pencil by artist of 175 plus 10 artist proofs. Printed and published by Edition E.F. Mourlot in 1990 Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions...

Marc CHAGALL Opera Garnier : The Ballet, 1969 Original stone lithograph (Printed in Mourlot workshop) Unsigned and not numbered On paper 35 x 25 cm (c. 14 x 10 inch) Edited by XX Si...

Paris: Mourlot Press, 1964. Lithograph in colors on Velin d’Arches paper, 6 3/4 x 10 inches (170 x 253 mm), full margins. Published by Fernand Mourlot and Jean Adhemar, 1964. In ver...

Joerg Reme Untitled I (Jörg Remé, Jörg Krichbaum) from "von den Stunden" Folio Color Lithograph on handmade paper with deckled edges 1972 Size: 11.75 x 8.325 inches (29.8 × 21.1 cm) ...

Lithograph on paper. Hand-signed and numbered by the artist.
 Paper size: 43 x 52 cm Framed 48.3 x 57.4 cm Edition of 75 Henry Moore’s prints are a vital aspect of his artistic lega...

This limited edition color lithograph, titled Le Petit Prince Fetching Water, beautifully recreates the iconic watercolors from the beloved book Le Petit Prince by Antoine de Saint-E...

Original PARIS linen-backed 1946 vintage travel poster, preservation linen-backed and ready to frame. Very good condition, Grade A- Original 1946 Paul Colin Paris Vintage Poster ...

Serge LASSUS (1933-) Horses : Riders in Summer, 1983 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 56 x 76 cm (c. 22 x ...

Original travel poster: GREECE - OLYMPIA APOLLO, original vintage European travel poster. Size 23 3/8" x 31 3/8". Archival linen backed in very good condition; ready to frame. ...

Paul KLEE (after) Mechanical Chaos Lithograph and stencil (Jacomet process) Printed signature in the plate On canson vellum 50 x 38.2 cm (19.6 x 14.9 in) INFORMATION : This lithogr...

Walk Downtown is a photolithograph on paper realized after a painting by Maurice Utrillo. Includes frame: 54.5 x 44.5 cm

Marc Chagall (1887-1985) The Bible, Rachel's Treasure Original lithography (Daeger Workshop) On paper 36 x 26.5 cm (c. 14.2 x 10.2 in) Second illustration on the back, see photo ...

Howard Cook (1901-1980), Financial District, lithograph, 1931, signed and dated in pencil lower right and numbered 75 lower left. Reference: Duffy 155, from the stated edition of 75....

“Stacking Stones” is a unique cyanotype monotype by Kind of Cyan that explores balance, rhythm, and form through organic abstraction. Created using traditional light-sensitive proces...

A 1933 lithograph on cream wove paper 14 x 18 inches (354 x 452mm), full margins. Signed, titled, and numbered 17/33 in pencil, lower margin. Minor mat tone around the perimeter of t...

HENRY MOORE (1898–1986) – "FOUR STANDING FIGURES" Color Lithograph on Wove Paper ⚜ Hand Signed and Numbered ⚜ Custom Conservation Frame A SCULPTOR’S MEDITATION ON THE STANDING FIGU...

Mane-Katz (1894-1962) Original Lithograph published by Andre Sauret, Monte Carlo, 1966, printed in France, by Mourlot. The ouvrage sheet is not included. this is from a limited editi...

Joan Miró One plate from DLM "Peintures Murales de Miró" Medium: Color lithograph Publisher: Maeght, Paris Signature: Unsigned Edition: Unnumbered from an edition of unknown, but pre...

Urbain HUCHET Paris : Concorde Square and American Embassy, c. 1970 Original lithograph Handsigned in pencil by the artist Numbered / 295 copies On velllum paper, size 19 x 28 cm (c...

Swiss painter. Lithography and woodcut. Mural Lithograph numbered 54/80 Work on paper with frame, Total size with frame is 68x53 cm

Artist: Georges Braque (after), French (1882 - 1963) Title: Profil de Femme from Souvenirs de Portraits d'Artistes. Jacques Prévert: Le Coeur à l'ouvrage (M.25) Year: 1972 Medium: Li...

David HOCKNEY (after) Pool Diver, 1972 Original lithograph Signature printed in the plate On paper 101 x 64 cm (c. 40 x 26 inch) Made for the Olympic Games in Munich, 1972 REFERENC...

'Melancholic Muses V', one of a poignant set of six signed artist proof lithographs by the celebrated Spanish artist from Barcelona, Vicenç Caraltó (circa 1960s). This collection of ...

Michel DELACROIX France : Traditional Village Lithograph Printed signature in the plate On wove paper 85 x 59 cm (c. 34 x 24 inch) Lithographic poster for the artist personal exhibi...

Musica per el Colom is part of the Suite Musical. Alvar’s creative embossing design exists as a resting place for his subject to recline while playing the flute. An onlooker serenel...

The Cat is a lithograph on ivory-colored paper realized by Giselle Halff in 1950 ca. Hand-signed by pencil on the lower right. Numbered. Edition, 19/20. Good conditions, slight fo...

Vincent HADDELSEY (1934-2010) Horse : Mexican Riders, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Jean-Gabriel DOMERGUE Waiting : In a Parisian Cafe, 1956 Original lithograph (Mourlot workshop) Printed signature in the plate On Japan paper 40 x 31 cm (c. 16 x 12") INFORMATION :...

Francis Bacon (1909-1992) is one of the most distinctive, provocative, and influential painters of the 20th century. He is a true disrupter in the canon of Art History. His singul...

Thou shalt also anoint Aaron and his sonnes, and shalt consecrate them, that they may minister unto me in the Priests offices. (M.458)" from Marc Chagall's "The Story of Exodus," 196...

Fine lithograph on deckle edged French Arches paper. Pencil signed and numbered from edition of 150. A Surrealist Judaica scene of a bearded man (Rabbi) in a boat with Shabbat candle...

Serge LASSUS (1933-) Horses : Horse Riding in Autumn, 1983 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 56 x 76 cm (c....

Marc Chagall (Russia/France 1887‑1985). ”La Femme du Peintre”. Signed and numbered Marc Chagall ##/50. Color lithograph on Arches, Framed 39.25H x 33W x 2D inches Image 63 x ...

Henri Matisse Nu couché de dos 1929 Lithograph on Arches Velin paper, Edition of 50 Paper size: 50.5 x 66 cms (20 x 26 ins) Image size: 46 x 56 cms (18 x 22 ins) HM16567

(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's) these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph. James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor” Clive Gray wrote ”A visit to the studio of Alexander Calder led to the chance discovery of some hundred masterful circus drawings completed over thirty years ago. We publish, for the first time, a choice of sixteen from that group.” With signed introduction by Miro. These whimsical drawings, done in the style of wire sculpture, include acrobats, clowns, jugglers, trapeeze artists, an elephant, dog and lion. they are great. Alexander Calder is widely considered to be one of the most important American sculptors of the 20th century. He is best known for his colorful, whimsical abstract public sculptures and his innovative mobiles, kinetic sculptures powered by motors or air currents, which embraced chance in their aesthetic. Born into a family of accomplished artists, Calder's work first gained attention in Paris in the 1930s and was soon championed by the Museum of Modern Art in New York, resulting in a retrospective exhibition in 1943. Major retrospectives were also held at the Solomon R. Guggenheim Museum (1964) and the Museum of Contemporary Art, Chicago (1974). Calder’s work is in many permanent collections, most notably in the Whitney Museum of American Art, but also the Guggenheim Museum; the Museum of Modern Art; the National Gallery of Art, Washington, D.C.; and the Centre Georges Pompidou. He produced many large public works, including .125 (at JFK Airport, 1957), Pittsburgh (Carnegie International prize winner 1958, Pittsburgh International Airport) Spirale (UNESCO in Paris, 1958), Flamingo and Universe (both in Chicago, 1974), and Mountains and Clouds (Hart Senate Office Building, Washington, D.C., 1976). Although primarily known for his sculpture, Calder was a prodigious artist with a restless creative spirit, whose diverse practice included painting and printmaking, miniatures (such as his famous Cirque Calder), children’s book illustrations, theater set design, jewelry design, tapestry and rug works, and political posters. Calder was honored by the US Postal Service with a set of five 32-cent stamps in 1998, and received the Presidential Medal of Freedom, posthumously in 1977, after refusing to receive it from Gerald Ford one year earlier in protest of the Vietnam War. Calder moved to New York and enrolled at the Art Students League, studying briefly with Thomas Hart Benton, George Luks, Kenneth Hayes Miller, and John Sloan. While a student, he worked for the National Police Gazette where, in 1925, one of his assignments was sketching the Ringling Bros. and Barnum & Bailey Circus. Calder became fascinated with the action of the circus, a theme that would reappear in his later work. In 1926, Calder moved to Paris, enrolled in the Académie de la Grande Chaumière, and established a studio at 22 rue Daguerre in the Montparnasse Quarter. In June 1929, while traveling by boat from Paris to New York, Calder met his future wife, Louisa James (1905-1996), grandniece of author Henry James and philosopher William James. They married in 1931. While in Paris, Calder met and became friends with a number of avant-garde artists, including Fernand Léger, Jean Arp, and Marcel Duchamp. Cirque Calder (on view at the Whitney Museum of American Art at present) became popular with the Parisian avant-garde. He also invented wire sculpture, or "drawing in space," and in 1929 he had his first solo show of these sculptures in Paris at Galerie Billiet. Hi! (Two Acrobats) in the collection of the Honolulu Museum of Art is an early example of the artist's wire sculpture. The painter Jules Pascin, a friend of Calder's from the cafes of Montparnasse, wrote the preface to the catalog. A visit to Piet Mondrian's studio in 1930, where he was impressed by the environment-as-installation, "shocked" him into fully embracing abstract art, toward which he had already been tending. Dating from 1931, Calder’s sculptures of discrete movable parts powered by motors were christened “mobiles” by Marcel Duchamp, a French pun meaning both "motion" and "motive." At the same time, Calder was also experimenting with self-supporting, static, abstract sculptures, dubbed "stabiles" by Jean Arp in 1932 to differentiate them from mobiles. Public commissions increasingly came his way in the 1960s. Notable examples are .125 for JFK Airport in 1957, Spirale for UNESCO in Paris 1958 and Trois disques, commissioned for Expo 67 in Montreal, Quebec, Canada. Calder's largest sculpture at 25.7 meters high was El Sol Rojo, constructed outside the Aztec Stadium for the 1968 Summer Olympics "Cultural Olympiad" events in Mexico City. Many of his public works were commissioned by renowned architects; I.M. Pei commissioned his La Grande Voile (1966), a 25-ton, 40-foot high stabile for the Massachusetts Institute of Technology. Part of Calder's repertoire includes pivotal stage sets for more than a dozen theatrical productions, including Nucléa, Horizon, and most notably, Martha Graham’s Panorama (1935), a production of the Erik Satie symphonic drama Socrate (1936), and later, Works in Progress (1968). In addition to sculptures, Calder painted throughout his career, beginning in the early 1920s. He picked up his study of printmaking in 1925, and continued to produce illustrations for books and journals.As Calder’s professional reputation expanded in the late 1940s and 1950s, so did his production of prints. Masses of lithographs based on his gouache paintings hit the market, and deluxe editions of plays, poems, and short stories illustrated with fine art prints by Calder became available for sale. One of Calder's most celebrated and unconventional undertakings was a commission from Dallas-based Braniff International Airways to paint a full-size Douglas DC-8-62 four-engined jet as a "flying canvas." Calder created over 2,000 pieces of jewelry over the course of his career, many of them as gifts for friends and relatives. For his lifelong friend Joan Miró, he set a shard of a broken porcelain vessel in a brass ring. Peggy Guggenheim received enormous silver mobile earrings and later commissioned a hammered silver headboard...

Professionally archival linen-backed vintage French poster: pour L'An II COMPAGONS Tous Unis Celebrons, Notre Pain, Notre Sang, Notre Terre. This full lithograph antique poster fe...

Marc Chagall (1887-1985) The Bible, Esther and her Cousin Original lithography (Daeger Workshop) On paper 36 x 26.5 cm (c. 14.2 x 10.2 in) Second illustration on the back, see pho...

Yves GANNE (1931-2019) Nap under the Apple Trees Original Lithograph Signed on pencil Justified EA (artist's proof) Numbered out of 30 copies On vellum Arches 76 x 54 cm (c. 29.92 x...

Hand signed lower left Baruch Nachshon, was born in Mandatory Palestine in 1939, in the city of Haifa. Nachshon began to paint in early childhood, and developed his relationship to a...

The St. Louis by Pierre Pages, French (1933) Date: circa 1970 Lithograph, signed and numbered in pencil Edition of 175 Size: 22 in. x 30 in. (55.88 cm x 7...

Françoise GILOT (1921) Portrait of a Man in Love, 1951 Original lithograph On Marais vellum 28 x 22.5 cm (c. 11 x 9 inches) REFERENCES : Catalog raisonne "Stone Echoes, Original Prints by Francoise Gilot, A catalog Raisonne", Mel Yoakum, #8 From the poetry portfolio "Pages d'Amour" by André VERDET, editions Raison d'être, 1951, printed by Mourlot in 366 copies. Françoise GILOT is a famous french painter...

Ira Moskowitz, 'Navajo Courtship Dance (Squaw Dance)', lithograph, 1946, edition 30, Czestochowski 161. Signed and titled in pencil. Signed and dated in the stone, lower left. A fine...

Amedeo Modigliani, After, Italian (1884 - 1920) - L'Amazone, Year: of original: 1909, Medium: Lithograph, stamp signed and numbered in pencil, Edition: 101/150, Size: 30.25 x 22....

Ancient View of Obel Michel is an original modern artwork realized in the mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin: Der Obel Miche...

A refined abstract composition by Norio Azuma, Spring exemplifies the artist’s elegant balance of geometry, color, and spatial harmony. A warm red circular form anchors the compositi...

Pencil signed and dated, colored Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His fathe...

Theo Tobiasse Suite: Shavuot Festival Year: 1984 Medium: Original carborundum embossed etching lithograph in colors on Arches paper (deckle edged paper) Signature: Hand signed by the artist Publisher Nahan Gallery, New Orleans Theo Tobiasse, born Tobias Eidesas, 1927 in Jaffa then in British Mandate Palestine, died 2012 in Cagnes-sur-Mer in France. Well known painter, engraver, draftsman and sculptor. French Jewish artist. The youngest son of Chaim (Charles) Eidesas and Brocha (Berthe) Slonimsky from Kaunas, Lithuania, Théo Tobiasse was born in Mandatory Palestine in 1927, where his Jewish parents lived since 1925, far from the threat of pogroms and upheavals of East European policies. The family encountered material difficulties and decided to return to Lithuania, ultimately leaving for Paris in 1931 where his father typographer finds work in a Russian printing press. Theodore Tobiasse...

Maurice UTRILLO Montmartre : Sacre Coeur Church and Moulin de la Galette under the Snow Lithograph enhanced with gouache and watercolor pochoir Printed signature in the plate On Ar...

Serge LASSUS (1933-) Horses : Riders in Autumn, 1983 Original Lithograph Handsigned in pencil Numbered / 600 (the number you can see can be different) On Coated paper 56 x 76 cm (c....

Joan Miro Composition with Three Stars Stone lithograph in colors (printed in Atelier Maeght / Arte) Printed signature in the plate On Arches vellum 38 x ...

(after) Pablo PICASSO Suite de 180 Dessins Lithograph, 1954 Printed signature in the plate Size 38 x 26.5 cm (c. 15 x 10,45 inch) Lithograph created for...

Valerio Adami Untitled Composition I from "DLM No. 220" Original Color Lithograph on Vellum Year: 1976 Edition: 2,000 Size: 14.9 x 22 inches (37.8 × 55.9 cm) Unsigned and not indivi...

The lithograph titled “Monolithic” was created in 1999 in an edition of 40 and published by Marvin Bolotsky. This impression is inscribed “39/40”. The paper size is 15.25 x 141.75 i...

A collage lithograph from her series Various Flying Creatures by Kiki Smith titled: "bee." Smith has used one of her animal/insect iconic figures for this glassine paper and wove pap...

'Melancholic Muses', one of a poignant set of six signed artist proof lithographs by the celebrated Spanish artist from Barcelona, Vicenç Caraltó (circa 1960s). This collection of li...