Art by Medium: Masonite

"Women of the IDF" Large Exhibition color Photograph 30 x 40 inches, mounted on masonite and laminated. Edition of 4 + 2 artists proof. minor dings and bumps to edges Born in Tehra...

Harry McCormick 10th Avenue, Meatpacking District, New York Signed lower right Oil on masonite 23 7/8 x 15 inches Renowned for his exquisite depiction of light and shadow, Harry Mc...

In 1962, when Margritte was creating some of his most iconic Surrealist works, there was a lesser-known painter in Haiti who was also making some fantastically imaginative paintings ...

Signed lower right, 'Crowell' and additionally signed, verso, 'V. Crowell' (American, 20th century) and dated 1966. Additionally signed, verso, on frame, titled, 'Hot Afternoon...

A colorful, blustery painting of sailing off the coast of Martha's Vineyard by famed Chicago Modern artist, Francis Chapin. Painted in the early 1950s, the painting depicts a vibran...

This 40" x 40" oil on masonite panel by artist Marc Barker was painted in charcoal and sepia tones, and was created in an 'old world' grisaille style. "This monochromatic abstract harkens back to my collegiate studies, and as a graduate student teaching zoology with the hours spent staring into a microscope mystified by the primordial world just out of site, a bacterial/protozoan cloud chamber...

A strong modernist oil painting depicted in 1969 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his bold still life paintings, with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 18 x 21.75 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett, were the winners. In his 1924 naturalization application, he indicated that he was sometimes known as “Michael Posner Baxte.” One of the witnesses to his application was Bernard Karfiol, a Jewish American artist. That’s when Michael may...

Alkyd-oil on Masonite board, 102cm x 83cm, (124cm x 104cm framed). The painting comes directly from the artist. Michael Leonard is most probably most famous for his portrait of HM ...

Mounted in a period, hand carved, gold leaf frame. Signed lower right "Paul King"

Sunrise on the Horizon, Idyllic 1930's Landscape, 20x24, Signed Brilliant 1930's landscape of the sunrise over the horizon illuminating a verdant scene around a body of water by lis...

Andrene Kauffman (American, 1905-1993) Alter Ego. Surrealist circus or zoo scene with flying animals on an abstract color saturated background. Oil on masonite. Hand signed ANKAU lower left. Dimensions: 24 x 30”. Frame 25 ½ x 31 ½”. There is a address label verso from Louise Dunn Yochim She was a well-known artist from Chicago in her time. Louise Yochim was born Luba Dichne in Zhitomir, Russia in 1909. She immigrated to Chicago, along with her parents and four siblings in 1924. Yochim studied at the European Gymnasium and at the Art Institute of Chicago, receiving her Master’s Degree and Doctorate (1962) in Education from the University of Chicago. She was married to notable Chicago artist Maurice Yochim. Yochim exhibited at the Art Institute of Chicago, the Renaissance Society of the University of Chicago, Chicago, IL, the Union League Club, Chicago, IL, the University Club of Chicago, the Cleveland Museum of Art, among others, becoming one of the leading women artists in Chicago. Yochim published three books, the most notable being “Role and Impact: The Chicago Society of Artists”, included in the Illinois Women Artists Project. Camille Andrene Kauffman (1905 – 1993) was an American painter and educator who created a mural for the post office mural project in Ida Grove, Iowa. She completed twenty-five colorful murals and seven sculptures throughout Chicago, as part of the art projects for the New Deal's Section of Painting and Sculpture. Later, she completed seventeen ceramic murals for the 3rd Unitarian Church, which was designated as a Chicago Landmark in 1960. In addition to her artwork and exhibitions, Kaufman taught art for forty-one years at various universities in Chicago, Rockford, Illinois, and Valparaiso, Indiana. Her work bears the influence of Surrealism and Cubism. Camille Andrene Kauffmann was born on April 19, 1905, in Chicago, Cook County, Illinois, to Charlotte Camille (née Henriksen) and George Francis Kauffman Kauffman came from an artistic family. Her father was a dress designer and her paternal grandfather, Francis Xavier Kauffman designed furniture. Her brother G. Francis would become a cartoonist and illustrator. She attended Austin Community Academy High School of Chicago before entering the Art Institute of Chicago, graduating in 1926 and winning the John Quincy Adams Fellowship from the Institute for a year of continued study abroad. In 1927, Kauffman went to Paris, where she studied with Andre Lhote and traveled throughout Europe, before returning in 1928 to take up a teaching post at Valparaiso University. Kauffman was hired as a professor of Painting and drawing at the Art Institute of Chicago upon her return and simultaneously worked instructing art at Valparaiso University. Both assignments were part time and in 1933, when she was approached by the Works Progress Administration (WPA), she joined the federal program. During her time with the WPA, Kauffman produced over 50 easel paintings, 25 murals and 7 sculpture projects earning $24.50 per week. Some of her first works for the WPA were murals painted for the Brookfield Zoo, which was under construction at the time. Between 1936 and 1940, Kauffman painted four murals for the cafeteria of the Emil G. Hirsch Metropolitan High School including Amusement Park, Circus, Rodeo, and Stock Show The murals were painted over with house paint, but the outlines of the canvases are visible on the walls and might be able to be restored In 1937, Kauffman painted Incidents in the Life of Luther Burbank for the Luther Burbank School. The following year, she completed a second mural at the school, Circus. The murals at Burbank were still extant in 2001. The playground houses at Oak Park, Illinois, contain Kaufman's bas relief sculptures depicting fairy tales. These included a cast stone relief based on Thumbelina by Hans Christian Andersen, at the Watts Playground on Hayes Avenue at Division Street; a stone sculpture titled The Cutting of the Cake based on Lewis Carroll's Through the Looking Glass, for the Lincoln Playground at Kenilworth Avenue and Fillmore Street; and a cast stone work Captain Flint based on Robert Louis Stevenson's character at the Pyott Playground on Lake Street at Taylor Avenue. She painted murals at the Cook County Children's Hospital, but they were destroyed when the building was demolished, Kauffman created two bas reliefs for the Lincoln Elementary School in Evanston, Illinois. Children in Fruit Tree and Monkeys are intricate wood carvings with three-dimensional style. In addition, she completed commissions at the Washington School in Evanston and the Lowell School in Oak Park, as well as a mural for the Forest Park Public Library. In 1940, Kauffman won the federal commission to paint Preparation for the First County Fair in Ida Grove–1872 for the post office mural in Ida Grove, Iowa. Many great Chicago artists worked for the WPA including Rainey Bennett...

An abstract collage on wood by Kenneth Morrow Martin, American (1911-1983). Exhibited: 1st Knoxville Art Center National Exhibtion, 1961 White Landscape by Keith Morrow Martin...

This painting is part of our exhibition America Coast to Coast: Artists of the 1940s. Blue Lake, c. 1940s, oil on masonite, signed lower right, 20 x 36 inches, label and inscriptio...

American painter Paul King was born in Buffalo, New York on February 9, 1867. Mounted in a carved, gold leaf frame. This painting ships from San Diego, CA.

It's 1951. Who was doing painting like this? Franz Kline, Arshile Gorky, Jackson Pollock, Mark Rothko, Willem de Kooning, Adolph Gottlieb, Clyfford Still, Robert Motherwell, Lee Kra...

Carl Robert Holty (American 1900-1973) Abstract Expressionism Oil on Masonite board. Abstract with greens blues and red, Dimensions 12 x 9-1/2 inches. Framed 17 X 14 inches Hand...

"Autumn Forest" (2024) By Susie Hyer is an original handmade oil painting on Masonite that depicts a shady forest full of birch trees with bright yellow and orange leaves. There is a...

Mixed Media on Masonite

Kierstin Young's (US based) "Tierra" is an acrylic and oil painting depicting a Comet Moth and it's yellow and red designs Artist Statement/Bio: (b. The Year of the Rabbit) Kierstin's life began by almost never beginning at all. A car accident occurred while Kierstin’s mother was pregnant with her. The doctors advised against continuing the pregnancy for fear that Kierstin would be born without limbs or even blind. Her parents decided against it, and Kierstin was born a healthy child. This story was relayed to her as a child as a reminder of how serendipitous her life was. Kierstin was always filled with an overflowing energy and creativity. This led her on many diverse paths in life. Her many areas of focus included psychology, poetry, photography, mountaineering, religious studies, music, playing ice hockey, spelunking and pretending to be an astronaut. She grew up between two places; the first was a house built on Native American burial grounds in rural New Jersey. The second was a summer home in the beautiful Adirondack Mountains of New York. For the first sixteen years of her life, she was home taught by an assortment of sane and insane people. Her junior year she began the strange new adventure of going to school. She was most likely the only 16 year old in the world to be that ecstatic about riding a school bus, because it was for the first time in her life. It was there in public school, that her art teachers really encouraged her to pursue her love of art. Hopes were high for going to art school, but Kierstin found herself forbidden from even applying by her parents. She applied anyway. Upon getting rejected from prestigious art schools such as RISD and Parsons, Kierstin decided to attend duCret school of Art. Being rejected turned out to be a serendipitous turn of events for Kierstin once again. It was there at duCret that she met Timothy Jahn and began studying in his Academy duCret and subsequently Jahn Studios. This lead her to continue her education at the Ani Art Academy under the direction of Anthony Waichulis.

Haitian Artist Alberoi Bazile "Fruit" Still Life Painting in Hand Carved Frame C.1970 Original painting on masonite Masonite dimensions 24" wide x 20" high Hand carved frame dimen...

Artist: Donald Roy Purdy, American (1924 - ) Title: Lady in Red Year: circa 1962 Medium: Oil on Masonite, signed l.r. Size: 24 x 36 in. (60.96 x 91.44 cm) Frame Size: 33 x 44 inches

Delos Palmer Jr. Tree in Winter Signed lower left Oil on Masonite 10 x 8 inches Delos Palmer, Jr. was born January 26, 1890 in New York City. His father was Dr. Delos Palmer, a socially prominent Park Avenue dentist. His mother was Jennifer Emma Banta. His parents were both born in NYC, where they married in 1880 and had five children. There had three sons and two daughters. He was the fourth born. They lived in a private townhouse at 48 West 50th Street, with a cook, a waitress, and a nurse to assist in his father's dental practice on the ground floor. They lived a privileged life and the children all went to the best private schools. He graduated high school in June of 1908. He studied at The Art Students League from 1911 to 1915 with the renowned American Impressionist, George Bellows. According to the artist, "Bellows was a good influence on me. He taught me how to paint what I see and what I feel!" In 1916 Palmer moved to the historic Holbein Studios at 139 West 55th Street. He worked there until 1920, when he moved to the more fashionable Greenwich Village, where he became a successful society portraitist. He was 27 years old during the Great War, so he was not selected for military service. In 1923 Palmer began to sell interior story illustrations to Metropolitan Magazine, The Saturday Evening Post, and Liberty. In 1924 he married Helen Smith Romme and moved to Stamford, CT, where they raised a daughter and two step-sons. The fateful market crash of 1929 ended Palmer's high society portrait business, but he soon found work through his contacts at Liberty magazine's MacFadden Publishing, which also produced several crime and detective magazines such as Master Detective and True Detective. He then began to paint pulp covers for Dime Mystery, Clues, Frontier Stories, Action Stories, Western Trails, All Star Adventure, Complete Western Book...

The present mid-century work features two taboos in one painting. In 1949, it was verboten to glamorize gay life and even more prohibited to show interracial love. This work by Dan A...

Modern Abstract Blue Rose, Vintage Abstracted Minimalist Floral by Eleanor Perry Modernist blue and white rose abstract by San Francisco, California artist Eleanor Louise Perry (Ame...

Artist: Warren Wolf, American (1924 - 2003) Title: Zebuwl 2 Year: 1990 Medium: Oil and Marble Dust on Shaped Masonite, signed, titled and dated verso Size: 34 in. x 31 in. (86.36 cm...

In the mid-1960s Joseph Solman (American, 1909 - 2008) was commissioned to create portraits of the Begg family. This is a portrait of John Begg Jr., the son of the mid-century nuclear family...

Signed: Purdy lower left and dated verso Panel size: 24 x 30 inches Painted in an expressive manner, the amount of color and freshness to this painting is refreshing. There is a sen...

"Room Interior" is an original acrylic painting on masonite by David Barnett. The artist used bright, non-mimetic colors to create an abstracted interior scene. Artist signed piece o...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1950 University of Illinois at Urbana "Contemporary American Painting" 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 36" x 2". About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

A beautiful and evocative painting by Vittorio Tom Novelli, a rare artist from the Roman school of the first half of the 20th century. Signed and dated lower left "Vittorio Novelli '...

Series 67, No. 4 (1955) Oil on masonite 48" x 24 ½" 49" x 25 ¼" x 1 ¾" framed About this artist: Jack Wolsky was born in 1930 in Rochester, New York. He taught in the Department o...

Original oil on masonite painting of a modern vibrant floral arrangement with a red background. Signed lower left by the artist, Charles Levier. Condition is very good. Circa 1950....

Al Parker was one of America's greatest and most inventive illustrators. He did work for magazines such as: Chatelaine, Collier's, Ladies' Home Journal and Woman's Home Companion. ...

On offer is a heavily stylized, kinetic street scene of San Francisco. It features an iconic vintage streetcar/cable car negotiating a steep hill, flanked by towering, distorted arch...

"Sheridan Herd" is an original oil painting on masonite by Heather Foster. The artist initialed the work in the lower right. This painting depicts a herd of cows in a yellow hilly me...

Signed and dated lower right. Lohman studied at John Herron Art Institute, and Cranbrook and Yale for graduate work. Assisted Carl Milles at Cranbrook Academy before becoming Direct...

Medium: Oil on Masonite Signature: Signed Center Left Santa's 1963 Corvette Convertible, Hertz Advertisement.

Mid Century portrait of a grey haired woman wearing a sun hat by Jon Blanchette (American, 1908-1987). Rendered his signature style, this...

Oil, acrylic, resin on masonite

"Ucross Square III" is an original oil painting on masonite board signed by the artist in the lower right. It depicts three black cows against a yellow rolling field landscape. Foste...

A great early date for this artist where he was coming out of the origins of expressionist and fauve works of art. A unique composition depicting a woman setting out a table laden w...

This painting makes a bold statement! A large, dynamic and colorful Abstract Expressionist painting by notable Post-War artist, Lee R. Chesney (Am. 1920-2016). Executed in a palett...

Erik Tryggelin (1878–1962) Sweden Winter Shore, Vadstena, 1940–1950 signed and dated lower right E. Tryggelin inscribed Vadstena 8/12 1940–50 oil on canvas laid on masonite unframe...

Detailed abstract acrylic painting of a microcosmic underwater realm by an unknown San Francisco Bay area artist (American, 20th Century). Signed indistinctly lower right side. Unfra...

Bold abstract expressionist painting by Les (Leslie Luverne) Anderson (American, 1928-2009). Oil on masonite. Titled "For the Spouse no Longer in my House" on verso. From the estate ...

A dynamic, abstract expressionist image by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Signed "Les Anderson" lower r...

Mervin Jules Chess Players, 1945-46 Signed lower right Oil and encaustic on Masonite 12 x 16 inches Mervin Jules attended Baltimore City College in 1930 and received a degree from ...

This marvelous, colorful and light filled work is a desirable work by the painter. It is in an impressionist style carved and leafed frame. Illustrated in the book by the artist "A...

Isola della Pescheria is an original artwork realized in late XX Century. Mixed colored oil on masonite. Hand-signed by the artist on the lower right margin. The state of preservation of the artwork is good. Title on the back. The artwork represents a view of Isola della Pescheria a river island...

Grace is an oil on Masonite painting, 32 x 25" panel size, signed ‘HOFMANN’ lower right and framed in a custom, closed-corner, baroque-style frame. Douglas Hofmann’s works have been...

A stylized horse is depicted grazing in an abstract landscape. Most likely, the location is Woodstock, New York, where the artist lived. Signed Lower Right; Framed; Note: titled and signed on verso. Ethel Magafan (August 10, 1916 – April 24, 1993) was an American painter and muralist. Magafan was born in Chicago to Greek parents who had recently immigrated to the U.S. The family soon relocated to Colorado Springs, Colorado, and Magafan's artistic training occurred at the Colorado Springs Fine Arts Center under the tutelage of Peppino Mangravite, Boardman Robinson and Frank Mechau, who hired Magafan and her twin sister, Jenne, to assist on mural projects. In 1937, aEthel won the commission to paint a mural in the U.S. post office in Auburn, Nebraska, making her the youngest recipient of such a commission. It would be the first of seven government-sponsored commissions for the artist. Murals "Andrew Jackson at the Battle of New Orleans, January 8, 1814" E. Magafan, 1943 Under President Franklin Roosevelt's New Deal, several programs were created to employ Americans during the Great Depression. The Magafan twins worked under the New Deal's Section of Painting and Sculpture, a program that hired thousands of artists to paint murals in public spaces, particularly post offices. Ethel and her twin sister, Jenne Magafan, became widely known for their murals painted during the Great Depression. Ethel received her first of seven Government commissions when she was commissioned to produce a painting for the United States post office in Auburn, Nebraska, titled Threshing.Other murals commissioned by the US Government hang in the United States Senate Chamber, the Social Security Building and the Recorder Deeds Building in Washington, D.C., and in post offices in Wynne, Arkansas, titled Cotton Pickers in 1940; in Madill, Oklahoma, titled Prairie Fire in 1941; and Englewood, Colorado, titled The Horse Corral in 1942.Her final mural, entitled Grant in the Wilderness, was installed in 1979 in the Chancellorsville Visitor Center at the Fredericksburg National Memorial Military Park in Virginia, She was a member of the National Academy of Design. Magafan died April 24, 1993, in Woodstock, New York, at the age of 76. References "Collections National Academy Museum". Retrieved 2017-03-08. "Jenne Magafan". Retrieved 2017-03-08. Marlene Park and Gerald E. Markowitz, Democratic Vistas: Post Offices and Public Art in the New Deal. Philadelphia: Temple University Press, 1984. "Browse New Deal projects by State and City". Living New Deal. Retrieved 9 January 2015. "Ethel Magafan Passes Away". New York Times. No. Obituary. April 29, 1993. Opitz, Glenn B, Editor, Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers, Apollo Book...

"Two Figures with Doorway" Original Contemporary Abstract Oil Painting, Signed Vibrant oil painting by Jocelyn Auld (American, b. 1999.) Two abstracted figures stand to the left of ...

A Unique, Visually Striking, 1950s Surrealist Mid-Century Modern Abstract Beach Scene by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting an abstracted female nude b...

Idle Hour is an intricately painted Impressionist depiction of woman with her pets on her veranda. It is exquisitely framed in a French Gold Leaf frame of quality and value. Paint...

Benjamin Eisenstat (1915-2001) Oil on board, 1981 Measures: 10 1/4" H x 14" W, frame 14 1/2" H x 18 1/2" W. “New York City” in excellent condition. Signed lower right and also on the...

Exceptional detail in this painting of boys playing dice by R. Hauslar (German, 20th Century). A Hausler interpretation of a work by the famous Bartolome Esteban Murillo (1617-1650) ...

This work is by Haiti's second-most-important artist, Philomé Obin. Hector Hyppolite stands at the top of the list and just sold a painting for almost $450,000. If art history is ...

American plein air impressionist Peter Mayer was born 1887-1993. Exhibited painting of Broadway and West 72nd street in New York, Verdi Square. T...

Oil on masonite. Sign and dated in oil in lower right corner.

A beautiful abstraction from the 1970's by an American artist working in California but with ties to Hawaii. He melds collage with paint and creates a surface which is exquisite, la...