Art by Medium: Masonite

Green Haze is an acrylic on masonite painting, 10 x 14 inches, signed 'RICKER' lower right corner. Framed in a contemporary dark brown/black frame.

This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career. Ineffable, 1962 Oil on Masonite board 91,5 x 61,5 cm (without frame) 93 x 63 cm (framed) Signed and dated Top Right ‘P. Vlerick 1962’ with title, signature place and date at the back: Ineffable P. Vlerick Afsnee 1962 Pierre Vlerick’s work shows some resemblance to Willem de Kooning’s. While the Dutch American was famed for the wild manner in which he treated his canvas, Pierre Vlerick showed some more restraint, but making a painting was in any case a slow process of stopping and starting and revising. His exploration is meant to result in a correct proportion of colour fields and streaks, often applied layer upon layer. All his colors have a luminous intensity. It was mainly Bonnard’s colorful work that inspired Vlerick to compose his own singular range of colors of slightly tingling yellows, greens, oranges and bits of blue here and there. Abstraction is emphasized by his use of color. Colors not associated with objects from daily life often dominate the composition: purple, for instance. This is the basis for his continuing abstraction, ending up as color fields combined with organic elements depicted with the vaguest of contours. Though both artists create a very metropolitan, say even worldly art, their work evokes nature. De Kooning has been called a master of ‘abstract landscape’. The structure of Vlerick’s works, too, is very vegetable and organic. No wonder he referred to his paintings as his ‘gardens’. Neither artist allowed his garden to remain empty: de Kooning created a female figure looking like a cross between a floozy and the mother goddess. Vlerick imagined a woman who is enjoying her body. Vlerick’s approach to abstract art is the same as de Kooning’s; they refuse to paint in a figurative manner, yet at the same time do not wish to renounce referring to reality. De Kooning once put it very accurately during an interview when he conceded that painting the human figure any longer was absurd(in the post-war period), but also stated that it would be even more absurd not to do it. The only way out of this ambiguous dilemma is the deconstruction of the human figure. Not in order to reject it, but to show it in all its fragility. Pierre Vlerick’s exceptional artistic talents were already recognized while he was studying at the Ghent Academy (1940-1944) whereupon graduating he received a gold medal. In 1947-1948 Vlerick enrolls at the “la Grande Chaumière Academy”, a Parisian private academy which attracts lots of foreign artists thanks to the reputation of its most important teachers such as Maurice Denis (1870-1943). Denis was one of the founding fathers of “the Nabis” and is also considered to be the godfather of abstract art by many artists and art critics. Maurice Denis is famous for his quote: "Remember that a painting, before it is any kind of representation, is essentially a flat surface covered with colors in a certain collected order." At La Grande Chaumière, Vlerick is challenged to develop a pictorial language of his own. Vlerick develops a way to translate the observed reality into visions of color and form, which can be situated somewhere on the axis between the figurative and the abstract. Reality is decomposed and reconstructed into a complete new representation. After a trip to Spain in 1955 the painter evolves towards the use of brighter colors. At the Brussels World Exhibition of 1958 (Expo 58) Vlerick is for the first time confronted with real works of 17 American artists (William Baziotes, James Brooks, Sam Francis, Arshile Gorky, Adolph Gottlieb, Philip Guston, Grace Hartigan, Franz Kline, Willem de Kooning, Robert Motherwell, Barnett Newman, Jackson Pollock, Mark Rothko, Theodoros Stamos, Clyfford Still, Bradley Walker...

Against The Tide - Oil On Linen Oil painting of the California coastline at sunset in the style of Edgar Alwin Payne (American, 1883-1947). Deep grey clouds pose in the top corners with hues of pink light shining through. Choppy waves crash against deep red and brown rocks, as the whites of the wave hurl upward. The ocean shows tones of green, blue and yellow as the sunlight shines from above. Condition: professionally restored, previous reline onto Masonite with edge and corner wear. New UV resisting, non yellowing varnish applied. Unsigned. Unframed. Oil on linen on masonite. Image: 16"H x 30"W Edgar Alwin Payne was an American painter known for his landscapes, seascapes and western paintings. He was born in Washburn, Missouri on March 1, 1882, and began painting at the age of 14. He began his career by designing and painting scenery for the stage, and murals for homes and theaters. Primarily a self taught artist, he did though study briefly at the Art Institute in Chicago. Recognized as one of California's leading landscape artists, Payne earned the respect of his peers and art critics for his Impressionistic landscapes painted in the plein-air style. Possessing a reverence for nature, he especially loved the mountains. Frequently he took pack horses in the Sierra Nevada Mountain Range to the upper lakes to sketch and paint, there he glorified the areas majestic peaks and cobalt blue lakes. Payne Lake was named in his memory. Drawn to Europe, Payne trekked to and painted the elevated heights of the Swiss Alps, the colorful fishing boats of Concarneau Harbor and Brittany, France and the picturesque sailing vessels of Chioggia, Venice, Italy. He spent time capturing on canvas Arizona's Canyon De Chelly and Navajo horsemen traversing the region's arid tablelands. He painted California...

Sunset Seaside Landscape with Lush Blooming Flowers Signed Lower Right Oil on masonite Minor distress marks on frame 8 x 10 unframed, 15 x 17.25 framed

"Room Interior" is an original acrylic painting on masonite by David Barnett. The artist used bright, non-mimetic colors to create an abstracted interior scene. Artist signed piece o...

A beautiful abstraction from the 1970's by an American artist working in California but with ties to Hawaii. He melds collage with paint and creates a surface which is exquisite, la...

Boldly colored portrait of a the artist sketching by California artist Richard "Don" Klopfer (1920-2009). The seated figure is juxtaposed to a fun and vibrant two-toned background of...

This piece titled "The Nightmare Began Just Like Any Other Dream" is an original artwork by Angela Rio and is made of acrylic on masonite framed in artist-made oak wood. This piece m...

Expressive Mid-Century figural painting of two women and child in pastel hues by Harold Kitner (American, 1921 - 2004). Image, 33"H x 48"W Walnut frame, 34"H x 49"W x 2"D Harold Kitner was born on May 18, 1921 in Cleveland, Ohio and was the son of Isaac and Frieda Kitner. He obtained his MA from Case Western Reserve University in 1947. Kitner was a postgraduate from Cleveland Institute, Ohio University, Cleveland College, Washington and Lee University. He obtained his Doctorate from Kent State University. Exhibition: Harold Kitner - Active / Figure / Exaltation at Kent State School of Art Gallery in Kent, Ohio in 2014. Harold Kitner taught for over 30 years at the Kent State University School of Art. Harold Kitner began teaching art and art history at Kent State University in 1947. During his career, he served as Director and Chairman of the Fine Arts Division. Kitner played a significant role in creating the Art School’s core program, organizing the Kent State Arts Festival, and the Blossom Festival School. He also served as President of the Kent chapter of the American Association of University Professors, and was an art critic for the Akron Beacon Journal. In 1967, Kitner became Kent State University’s first Faculty Ombudsman, officially titled Dean for Faculty Counsel. He held this position until 1974. At the time of the Kent State shootings, Kitner’s position as Ombudsman meant that he was involved in many of the decisions regarding University administration in the weeks and months following the Kent State shootings. Kitner began a partial retirement in 1980, and left Kent to become the director of the Institute of the South Florida Art...

A great early date for this artist where he was coming out of the origins of expressionist and fauve works of art. A unique composition depicting a woman setting out a table laden w...

oil on masonite panel

Alice Zinnes Figural Abstract a very talented artist 2005 Oil on Masonite 5.5 x 6 unframed, 11 x 11.5 framed

Large Geometric Abstract Oil Painting on Masonite No visible signature 36 x 48 unframed, 37.5 x 49.5 framed

Peaceful landscape of a calm stream winding through an autumnal forest by Lorenz Griffith (American, 1889-1968). Signed "Lorenz Griffith" lower left. Titled "Autumn Reflections - Virginia" and dated 1958 on verso. Unframed. Image size: 24"H x 35.5"W. Lorenz E. Griffith was born in Indiana; he was active/lived in North Carolina, Florida, Indiana and many places across the United States. Lorenz Griffith is known for luminist landscapes and portraits. He painted in the style of the Florida Highwaymen...

oil on masonite panel

oil on masonite panel

Frank N Ashley (1920-2007) "nude #2 remarkable breast" female nude portrait Oil on masonite 2002 19 x 39 unframed, 26 x 46 framed

Accompanied by certificate of authenticity for Victor Di Gesu (American, 1914-1988) and painted circa 1955. Additional painting, verso, with old inscription by the artist's wife, Jan...

"Sand Harbor" - Rocky Lake Tahoe Landscape in Oil on Linen Vibrant lakeside seascape by Coraly Hanson (American, b. 1950). An group of large rocks creates a sheltered beach where shallow water gently rolls in to the shore. Two large evergreen trees are growing in among the rocks, with a few other bushes nearby. Across the bright blue lake, the Sierra Nevada Mountains are capped with snow. Signed "C Hanson" in the lower right corner. Titled, dated, and signed "Sand Harbor 2014 Coraly Hanson" on verso. Presented in a gilded wood frame. Frame size: 14.5"H x 17.5"W Linen mounted on board. Board size: 9"H x 12"W Coraly Hanson (American, b. 1950) loved drawing from early childhood, and began painting in the 1970s, moving on to oil in 2000. Hanson was invited to paint in New Zealand with Kevin MacPherson for his documentary “Passports and Palettes” on PBS. Hanson also studies with Scott Christiansen, Matt Smith, Laurie Kersey, Brian Blood, C. W. Mundy, Ronaldo Macedo, John Cosby, Ray Roberts, Calvin Liang, Randall Sexton, Bill Cramer, John Burton, Jesse Powell...

Ralph Chapotean (Haitian, 1954-Active) Surrealist landscape Oil on Massanet 16 x 24 unframed, 17.5 x 25.5 framed

Series 67, No. 4 (1955) Oil on masonite 48" x 24 ½" 49" x 25 ¼" x 1 ¾" framed About this artist: Jack Wolsky was born in 1930 in Rochester, New York. He taught in the Department o...

Introducing a beautiful acrylic painting on masonite by the Danish artist, Anette Holmberg. Anette Holmberg (1969-) is a visual artist from Denmark (Scandinavia) with a master's de...

Neon Lighting WPA Mid 20th Century Social Realism American Scene Modern Figures MAURICE BECKER (1889-1975) 'Neon Lighting 17 1/4 x 13 3/4 inches Oil on masonite Signed, dated 1936 and titled on verso BIO Maurice Becker, painter, political cartoonist and social reformer, was born in 1889 either in Gorky or Niznij Novgorod, in Russia. His family came to the United States in 1892, to New York City. After high school, Becker worked in a clothing factory. He studied with Ash Can School artist Robert Henri in 1908, and exhibited in the famous 1913 Armory Show in New York City when he was only twenty-four years of age. At the Armory show, Becker showed a drawing of a dog's head...

Mid Century Modern Abstracted Landscape in Oil on Masonite Bold abstracted landscape by Ray Oakvick (American, 1917-1993). Streaks of reddish brown and white create an abstracted la...

Katherine Westphal's oil on board painting titled 'Abstract Landscape' embodies the stylistic qualities of abstract painting. Using a diverse color palette of orange, red, yellow, bl...

A bustling street scene of everyday life in front of the famed Marché in Cap-Haïtien is rendered in Sénèque This is a relatively early work by Obin's signature brightly colored and flat naive style. Signed lower right. Provenance: Galerie Issa - Port-Au-Prince, Haiti - Owned by Issa El Saieh of later named El Saieh Gallery Sénèque Obin...

Wonderful art deco style still life of yellow and lavender tulips in vase with sugar bowl by Hamlin (American, 20th Century), circa 1935. Signed lower right "Hamlin" Condition: Good;...

Sunset Through the Trees - Landscape in Oil on Canvas Lively landscape with a bright sunset by an unknown artist (20th Century). The viewer stands at the edge of a marsh or lake, wi...

Devils depicted. Artist Wilson Bigaud paints a graphic narrative of mid-century life in Haiti without modern medicine. A man is dying yet there is no doctor present. In the struggle...

Raymond Howell, Chinese Dim Sum Feast, 1979 Oil on masonite 28" x 36" unframed, 35.5" x 43. 75" framed Biography from Raymond Howell website: Raymon...

Mid-century large framed painting of two twin trees in warm earthy tones and textured details. The work is first sculpted in plaster and then painted. It has an illegible signature.

Wonderful mid-century modern tonal painting of Tiburon Wharf and Fisherman by Albert Anderson Clymer (American, b. 1942), 1970. Signed and dated "A. Clymer 1970" lower edge. Displaye...

Very well executed oil on masonite painting of a sunset in Topeka, Kansas by the American artist, Pauline Haynes Shirer. Signed lower right. Circa 1950. Condition is excellent. Recently professionally cleaned. Newly framed in a custom gallery frame. Overall framed measurements are 17.5 by 20.5 inches. Provenance: A Long Island, New York collector. Pauline Haynes Shirer (1894 - 1975), American Born in Topeka in 1894, Pauline is said to have been at least partially raised by her aunt, Hannah Haynes Headlee (Pauline’s mother died when she was 8 years old). By 16, she was living as a ward in the Topeka home of Elizabeth Cunningham, a dressmaker. After graduating from Topeka High School, she attended the New York School of Fine and Applied Art (later Parsons School of Design), completing a two-year course in one year (1913-1914). At the same time, she took weekend classes at the Art Students League. Returning to Topeka, she studied and taught at Washburn College (now University) from 1914 to 1915 and instructed summer sessions at Kansas State Teachers College, Pittsburgh, during the same period. Afterward, she returned to the New York School of Fine and Applied Art, where she taught and took classes (1915-1918). She spent the summer of 1916 as an instructor at the Skidmore School of Art, Saratoga Springs, New York. In 1917, Pauline married Hampton F. Shirer, an architect from MIT, who was also an artist and came from a prominent Topeka family. The couple later settled in Wellesley, Massachusetts in 1921, living in a house which they built and decorated themselves. During the next 16 years, they raised two children and Pauline also found time to illustrate promotional brochures and primary school texts. During the early years of her career, Pauline focused on the applied arts – such as watercolor designs for curtains, silk fabrics, wallpaper as well as poster designs, theater backdrops and book covers. Later she would transition into creating her own representational works of art. Shirer returned to Topeka in 1937. During her career as a painter in oils and watercolors, she sketched in Europe four times and did paintings of New England subjects. However, most of her paintings were of the West. She executed Kansas views first, and they continued to hold her interest throughout her life. Typical were her studies of rustic buildings on the plains, glimpses of the prairie country, and the historic buildings of Topeka. She also painted New Mexico landscapes and Colorado mountain scenes. Among her exhibitions, mostly solo but occasionally with her husband, were those held at the Harlow and Harland’s Gallery, Boston (1922); The Scattery, Wellesley, MA (1925); Vose Galleries, Boston (1931); Topeka Art Guild (1952); Copley Society...

"Mr. Mute Mops Mouths Silent" - Whimsical Figurative in Acrylic on Masonite Bright figurative composition with a mime by Frances Mann (American, 20th Century). The figure in this pi...

Colliers Magazine 1947 American Scene Social Realism Modern Families in the Snow Katherine Wiggins (American 20th Century) "The Shrimp" 20 x 24 inches Egg tempera on masonite. c. 1...

After John Russel Portrait of young girl, with seashell and bird. Oil on masonite. 25.25 x 29.5 framed, 19.75 x 24 unframed.

Mid century European abstract street scene with figures Oil on masonite Find indistinctively upper right 15.75 x 19.5, framed 20.75×24.75

Mid-Century Modernist Multi-Color Bouquet Still Life Vivid and fun mid century modern still-life of vase of flowers by California artist Virginia Sevier Rogers (American, 1917-2015)....

In the Evening is an oil on panel painting, 23.5 x 25.5" canvas size, signed ‘HOFMANN’ lower right, and framed in a custom, black and gold-leaf, closed-corner frame. Douglas Hofmann...

Born in 1934, the work of Suzanne Bloomfield represents the life force which binds us all -- a universal symbol for the soul's transformation. Bloomfield believes that painting is t...

Original acrylic painting on Masonite with artist’s painted wood frame, 1985. Size: 31 x 37 inches. Inscription: Signed, recto; titled, and double signed and dated, verso. Provenance...

Herbert Parrish "Roses & Mirror" Floral Still Life. Oil on Masonite. 18 x 24 unframed, 26.5 x 32.5 framed.

This painting by Mark Beard is offered by CLAMP in New York City. The listed price includes the cost of framing.

Original acrylic painting on Masonite with artist’s painted wood frame, 1985. Size: 37 x 31 inches. Inscription: Signed, recto; titled, and double signed and dated, verso. Provenance...

Smoke Tree Southern California High Desert 1966 Detailed desert scene on linen by Southern California Plein Aire painter Dorothy L. Wolters (American, early 20th C) Image 16"H x 20"W Frame 19.5"H x 23.25"W x 1.25"D Dorothy was a well known artist during the 19060s-1980s painting central and Southern California landscape. She exhibited in a one woman Show Riverside California March Air Force Base 1965, Fontana Art Association 1967, Fontana International Art Festival 1968, Lompoc Art Association Juried Show 1971 & 1974 1st place. She painted in a characteristic style and studied with a number of other Southern California artists, such as Paul Grimm and Sam...

Very well executed original oil on masonite beach painting by the British artist., Miles Christopher Fairhurst. Signed with artist initials lower left. Signed verso along with arti...

A colorful view of Martha's Vineyard (Depicting Edgartown's main street) by Francis Chapin, from around 1950. Francis Chapin, affectionately called the “Dean of Chicago Painters” by...

Mariposa is an oil painting on masonite with an image size of 28 x 42" (oval), sigend 'felix mas' lower left, and framed in a Spanish-style, closed-corner, black and gold frame. Fel...

Multi-colored figurative oil painting of a woman in bikini bathing in the California sun by listed California artist Jon Blanchette (American, 1908-1987). The colorful background is...

Here for your consideration is a very well executed oil on masonite original painting by the Italian artist, Mario Poggiali. Signed lower right. Circa 1970. Gallery label and certi...

An early 19th century, figural oil of a young woman with chestnut hair, shown wearing a headscarf and glancing towards the viewers left. A detail from a copy of 'Rebeca at the Well',...

Dick Beyer "driftwood Caravan" serene surrealist beach scene with driftwood sculpture. Oil on master night. 15.25 x 26.75 on frames, 17.25 x 28.5.

Mid century Italian abstract, titled “Lake Garda” Signed indistinctly Oil on masonite 26 x 27.25 framed 21.5 x 22.5 unframed

Cathedral with Green Domes in Acrylic on Masonite The front of a large cathedral by an unknown central California coast artist Maria Pavao Hadsell (Portugal/American, 20th Century). The cathedral has two large towers, each with a large green dome at the top. It resembles St. Stephen's basilica in Passau, Germany. This piece has a loose style, but nonetheless has fine details in the architecture. Maria Pavao Hadsell was born in Portugal and is mostly a self taught artist originally from Portugal. Later she immigrated to the USA and lived in Massachusetts, then she moved to Sunnyvale, California. Studied watercolor in Italy, and with Los Gatos artist William Wray Signed "M Pavao...

California School - Ranch Road Landscape Oil on Canvas Imapsto oil painting of the California landscape by an unknown California artist working in the style of Sam Hyde Harris, anna Althea Hills...

Vertigo is an oil on panel painting, 26.12 x 33.19" panel size, signed ‘HOFMANN’ lower right, and framed in a custom, contemporary, black frame. Douglas Hofmann’s works have been co...

Lady of the Lake is an oil on panel painting, 23.5 xx 25.5" panel size, signed ‘HOFMANN’ lower right, and framed in a custom, contemporary, gold-leaf frame. Douglas Hofmann’s works ...

"California Summer" Mid Century Plein Aire Landscape in Oil on Masonite Serene landscape by Andrew Bennett (British, 20th Century). A herd of cows are gathered under oak trees in th...