William Ashby McCloy lived in Nanjing and Shanghai, China, until the age of 13, returning to the United States in 1926. He received his first training in art at the State University of Iowa in 1930 and graduated with a BA in Art. McCloy spent one-year at Yale School of Fine Arts before returning to Iowa for graduate study in Psychology of Art, receiving an MA in 1936. At Yale, he studied painting with Eugene Savage and back at Iowa, studied printmaking with Mauricio Lasansky, sculpture with Humbert Albrizio and also painting with Eugene Ludens. In 1937, McCloy became an Assistant Professor of Art at Drake University for two years. In 1939, he moved to the University of Wisconsin and remained until 1948. McCloy was Mural Assistant to John Steuart Curry on three murals and executed two major mural commissions himself (1939–43). He spent 1943–46 in the US Army, where he served as a Clinical Psychologist. Returning to State University in Iowa, he received an MFA in Painting in 1949 under the G.I. Bill and again later a Ph.D. in Art History in 1958. Between 1950–54, McCloy was Director of the School of Art at the University of Manitoba, leaving there to take over as Chairman of the Art Department at Connecticut College, retiring as Professor of Art emeritus in 1978. McCloy exhibited at The Chicago Art Institute, the National Academy of Design, the Pennsylvania Academy of Fine Arts, the Cincinnati Art Museum, the Whitney Museum of American Art, the Metropolitan Museum, the Walker Art Center, the Library of Congress, the Joslyn Memorial Museum, the Vancouver Art Gallery, the Toronto Art Gallery and the Winnipeg Art Gallery. He painted murals for Truax Field, the Wisconsin State Historical Society and the University of Manitoba. His sculpture is at Connecticut College, the Norwich Free Academy and the Public Library of New London. His work is included in the permanent collections of The Library of Congress; Wolfsonian Institution, Miami, Florida; the Slater Memorial Museum Norwich, Connecticut as well as numerous public and private collections. His work is illustrated in American Expressionism: Art & Social Change by Bram Dijkstra.
Self Portrait
By William Ashby McCloy
Located in Los Angeles, CA
Self-Portrait, c. 1940, oil and tempera on Masonite, artist’s name inscribed verso, 30 x 25 inches William Ashby McCloy was an American artist, educator, and clinical psychologist. ...
Masonite, Oil, Tempera
“Alogical measure”
By William Ashby McCloy
Located in Warren, NJ
William Ashby McCloy original acrylic painting on canvas . In good condition measures 30x27
Acrylic
$850
H 17.75 in W 16.75 in D 1 in
A Captivating 1930s Modern Portrait of a Young Woman by Francis Chapin
By Francis Chapin
Located in Chicago, IL
A captivating, 1930s portrait painting of a young woman by famed Chicago artist, Francis Chapin (Am. 1899-1965). A sensitive, skilled portrait of a young female model, most likely h...
Oil, Masonite
Sold|$7,475
H 20 in W 18 in D 2 in
Antique American Modernist Forsyth Georgia Street Scene Southern Oil Painting
Located in Buffalo, NY
Antique American modernist street scene with two women. Rare oil painting by John Melza Sitton (Born 1907). Oil on canvas. Signed. Framed. In excellent original condition. Handsome...
Oil, Canvas
$1,600
H 21 in W 8.5 in
"Don't Cry Long" Abstracted and Distorted Self-Portrait, One Crying Eye
Located in Detroit, MI
"Don't Cry Long" is a self-portrait of the artist and an unusual one at that in which the artist portrays herself shedding tears. Perhaps it is an expression of some grief experienced by Ms. Woodlock, but it also admonishes her to not "Cry Long" while at the same time poking fun because of her elongated face and the one lone "long" tear tracing a pattern down her face. In addition to self-portraits, Ethelyn painted commissioned portraits. In this painting her head is cocked and her famous bangs hang down her forehead. Compare two self-portraits, “Up From Under”, and “M’Eyes" to "Don't Cry Long." The major differences are the close facial view and the brilliant blood red paint that fills the entire canvas. This painting is included in the book, "Dreams Have Wings: An Artist's Journey into Magic and Mystery" printed in the United States, 1985. She describes "Don't Cry Long" as showing how funny looking we are, if we cry too long. Ethelyn Woodlock...
Oil, Masonite
$5,500
H 29.75 in W 35.75 in D 2 in
“Central Park in Winter, 1949” Manhattan New York City Snow Day Sleds Children
Located in Yardley, PA
With a studied hand, Sloan captures the human theater of a snow-covered Central Park filled with bundled-up New Yorkers, sledding, walking, chatting, and caring for children. The exp...
Tempera, Oil, Masonite
$2,495Sale Price|48% Off
H 45 in W 35 in D 3 in
Large Antique American Bahamian Young Woman Portrait Signed Rare Oil Painting
Located in Buffalo, NY
Really rare and well painted portrait by Christine Walters Martin (1895-1982). Oil on canvas. Framed in a nice modernist molding. Signed. Artist Bio: Christine Walters Martin (1895-1982) Born and raised in Brooklyn, Christine Martin majored in art at Columbia University/Teachers College. She spent summers painting at the Woodstock Art Colony under the tutelage of artists there and continued her art studies at the Art Student's League in New York City. Over the years, her teachers included John Sloan, Yasuo Kuniyoshi, Alexander Brook and John McFee. She also studied with Eugene Speicher, who recommended her for Portraits Inc, through which some of his own commissions came. Much later in life, in her 80s, Christine studied watercolor with Zoltan Szabo. Before marrying attorney George Martin in 1923, she taught art in the New York public schools for several years. During summers in the late 1920s, after having two daughters (Cynthia, 1924-2008, and Joan, 1927-2000), she went to Woodstock with her girls in tow, staying at the Hasbrook farm. In 1930, she and her husband purchased a stone house on Ohayo Mountain Road and lived there seasonally for 25 years. Among her closest artist friends in Woodstock were Emil Ganso, Florence Hardiman, Albert Heckman, Peggy Dodds, Joe Rollo, Henry Mattson, Mary Ellen Early, and Maud and Miska Petersham, along with Juliana Force (Whitney Museum). During many summers in Woodstock, Christine's daughters Cynthia and Joan kept up their serious piano studies under the tutelage of Vladimir Padwa and Inez Carroll. Known for portraits and landscapes, she was a member of the National Association of Women Artists and the National Arts Club, Gramercy Park, NY. Her work showed at the National Arts Club, Weyhe and Preston Galleries and the National Academy of Design in New York; the Pennsylvania Academy in Philadelphia; the Woodstock Art Association and Rudolf Galleries in Woodstock, Vermont's Dawson Grist Mill Gallery, and South Hampton College, among others. Her portraits, landscapes and still lives hang in hundreds of homes around the world. Information provided by Bunny McBride...
Canvas, Oil
$3,800Sale Price|20% Off
H 47 in W 35 in D 2 in
Antique American Impressionist Framed Young Woman Portrait Exhibited Painting
Located in Buffalo, NY
Very finely painted early 1900s American impressionist portrait painting by Alexander Oscar Levy (1881 - 1947). Oil on canvas, lain to board. In excellent original condition. Hand...
Canvas, Oil, Board
$3,950
H 20 in W 18 in D 2 in
"Georgia Moonshiner, c. 1935" by Athos Menaboni (1895-1990) American WPA Era Oil
Located in Yardley, PA
A fantastic WPA-era painting of a Georgia moonshiner by famed Italian-American artist Athos Menaboni (1895-1990). This work depicts an older man sporting a brown hat, brown jacket, ...
Masonite, Oil
The Wind, Art Deco Acrylic Painting by Erik Freyman
By Erik Freyman
Located in Long Island City, NY
"The Wind" is an original painting on canvas measuring 30 x 40 inches by Erik Freyman. The artist is best known for his 80's style which draws heavily on Art ...
Canvas, Acrylic
$1,200
H 26.5 in W 18.5 in D 1 in
A Fabulous 1950s Mid-Century Modern Portrait of a Seated Woman, "Southern Belle"
By Francis Chapin
Located in Chicago, IL
A Fabulous 1950s Mid-Century Modern Portrait of a Seated Woman, "Southern Belle" by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). A colorful Southern painting depicting a ...
Masonite, Oil
$850
H 15 in W 13.5 in D 1 in
An Elegant 1940s Modernist Portrait of a Young Woman in Red Dress
By Francis Chapin
Located in Chicago, IL
An Elegant 1940s Modernist Portrait of a Young Woman a Red Dress by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). A beautifully executed studio portrait, the painting is oil...
Masonite, Oil
$525
H 21 in W 18 in
Mini Blue Martini - Original Mixed Media Framed Pop Artwork Blue Cocktails
By Gary John
Located in Los Angeles, CA
Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...
Paper, Mixed Media, Acrylic
A Soulful Modernist Portrait
By Boris Deutsch
Located in San Francisco, CA
On offer is a portrait of an unknown sitter who is rendered with profound dignity yet lifted from gloomy solemnity by a vibrant and intriguing background. Notably, artist Boris Deuts...
Masonite, Oil
Universal Juggler
By William Ashby McCloy
Located in Los Angeles, CA
WILLIAM ASHBY MCCLOY "UNIVERSAL JUGGLER" OIL AND SAND ON MASONITE, SIGNED AMERICAN, C.1960 29 X 24.75 INCHES William Ashby McCloy 1913-2001 William Ashby McCloy lived in Nanking and Shanghai, China until the age of thirteen, returning to the United States in 1926. He received his first training in art at the State University of Iowa in 1930 and graduated with a B.A. in Art. He spent one-year at Yale School of Fine Arts before returning to Iowa for graduate study in the Psychology of Art receiving a M.A. in 1936. At Yale, he studied painting with Eugene Savage and back at Iowa studied printmaking with Mauricio Lasansky, sculpture with Humbert Albrizio...
Masonite, Oil
Dreamer
By William Ashby McCloy
Located in Los Angeles, CA
WILLIAM ASHBY MCCLOY "DREAMER" OIL AND SAND ON TIN LAID ON MASONITEl, SIGNED AMERICAN, DATED 1959 60 X 48 INCHES William Ashby McCloy 1913-2001 William Ashby McCloy lived in Nanking and Shanghai, China until the age of thirteen, returning to the United States in 1926. He received his first training in art at the State University of Iowa in 1930 and graduated with a B.A. in Art. He spent one-year at Yale School of Fine Arts before returning to Iowa for graduate study in the Psychology of Art receiving a M.A. in 1936. At Yale, he studied painting with Eugene Savage and back at Iowa studied printmaking with Mauricio Lasansky, sculpture with Humbert Albrizio...
Metal
Gloria
By William Ashby McCloy
Located in Los Angeles, CA
WILLIAM ASHBY MCCLOY "GLORIA" OIL AND SAND ON MASONITE, SIGNED AMERICAN, C.1950S 47.5 X 28 INCHES William Ashby McCloy 1913-2001 William Ashby McCloy lived in Nanking and Shanghai, China until the age of thirteen, returning to the United States in 1926. He received his first training in art at the State University of Iowa in 1930 and graduated with a B.A. in Art. He spent one-year at Yale School of Fine Arts before returning to Iowa for graduate study in the Psychology of Art receiving a M.A. in 1936. At Yale, he studied painting with Eugene Savage and back at Iowa studied printmaking with Mauricio Lasansky, sculpture with Humbert Albrizio...
Canvas, Oil
Abstract in primary colors
By William Ashby McCloy
Located in Greenwich, CT
Large abstract by William Ashby McCloy(1913-2001) Raised in China, William McCloy returned to the States in 1926 to gain his BA at the University of Iowa and spent a year at Yale Un...
Canvas, Oil
Numerical Balance
By William Ashby McCloy
Located in Long Island City, NY
Artist: William A. McCloy, American (1913 - 2001) Title: Numerical Balance Year: 1968 Medium: Oil on Canvas Size: 36 x 50 in. (91.44 x 127 cm)
Oil