Art by Medium: Metal

The sculpture has an abstract form with smooth curves, openings and a mirror-polished surface, which creates the effect of a play of light and reflections. It creates a textured part...

Ivan Markovic transports viewers into a world of technicolor with this collection of works inspired by Bernini's angels. Markovic's life in Rome brought him to walk across the Ponte ...

This piece is extraordinary. 10,000 individual pennies are welded together to create this magnificent bull. The Bull is created to order. If you wish to own this prize Bull do cont...

Blue and orange abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The work is ...

Steven Wolfe Untitled (Bookends), 1990 Stamped: SW 1990 2/3 Painted Bronze 6 1/4 x 7 x 4 inches Edition 2/3 Steven Wolfe crafted sculptures and drawings of remarkable skill and vis...

A life size, rusted steel sculpture, edition 3/5. This sculpture is wall-mounted and is hung on a wall as a painting would be hung. It stands about 20mm away from the wall, creating ...

Artist: Erte Title: Top Hats Size: 16 x 12 Inches (26 x 22 Inches Framed) Medium: 3D Bronze Wall Relief Sculpture Edition: of 375 Year...

Rare and remarkable limited-edition cabinet by celebrated designers Philip LaVerne and Kelvin LaVerne, titled Chan Li. The case is richly clad in acid-etched and patinated polychrome...

Title: Spirit of Man The Spirit of Man was created as a concept piece for a major 30 foot high monument to be placed in front of the Utah Symphony Orchestra Concert Hall in Salt La...

Pierre Arman (1928-2005) Well dressed 2 2005 bronze with green patina and coat hooks 162 x 52 x 37 cm signed on base (beside right foot) numbered 19/30 Price: £35,000 GBP Provenanc...

The Herons, pair of chiseled bronze subjects, the body with a green patina and the head with a purple patina, 1960s-1970s. The two herons or storks are presented in different attitud...

Planter round. Customization possible and designed in 2010. Also available to order in stainless steel. Here you will find a sturdy and high quality planter for use in your garden a...

Sogno di Parole Bronze Sculpture Nude Male Figure Classic Contemporary Mythology The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft ...

Aramis is a bronze patinated sculpture by French contemporary artist Marie Louise Sorbac, dimensions are 18 x 14 x 17 cm (7.09 × 5.51 × 6.69 in). The sculpture is signed and numbered...

San Francisco-based folk artist Tim Weldon, fresh off a showing at Scottsdale’s annual Celebration of Fine Art, is a man in touch with his lovable inner child. He declares himself a ...

Beautiful contemporary oxidized sheet steel Garden Wall or privacy screen. Customization possible. With this garden wall you'll conjure up an atmospheric ambience in your garden. Ideally the garden screen should be lighted up from the front, so the wall becomes a highlight even in the dark. You can easily set up a privacy screen e.g. to the neighbouring property, on the other hand with this decorative element beautify your garden. This art piece will surely be an eye catcher in your yard! The garden wall is mounted on 2 round steel pins of 18 mm diameter. These are 1 meter long and are included. You only need a hammer to set up the wall: knock the round steel bars into the floor at the right distance, slide the wall over it, and you are good to go. We create the garden walls in our own forge. Therefore we are also able to produce special designs, e.g. name plate with house...

Valay Shende is an Indian sculptor and video artist born in Nagpur, Maharashtra in 1980. He received his Diploma in Art Education in Nagpur in 2000 bef...

Mathurin Moreau (1822-1912) A Belle Epoque bronze statue depicting an Allegory of Spring with a seated maiden looking over to view two birds as a putto gathers a bundle of flowers...

The Anatomy of a Golfer V, Atelier is the fifth in Richard MacDonald's series of golfers that were inspired by the creation of his heroic sculpture, MOMENTUM, which marked the 100th ...

Victor Vasarely Star Series BOGLAR, ca. 1970 BASF Luran on aluminum Ed, 269 of 500 Editions Pyra AG Dorfstrasse 63 8126 Zumikon Switzerland 29 x 29 in

Bronze 28 cm signed Andrea Carlo Lucchesi (1859–1925) was an Anglo-Italian sculptor, associated with the “New Sculpture” movement, known for naturalistic and symbolist works.

oil and gold leaf on wood panel

Avalon Island, Maggie LaPorte Banks, acrylic and collage, silver and gold leaf & iron filings on unframed canvas. Inspired by the legendary island Avalon, home of King Arthur, where ...

From Debranne Cingari's "Words in the Sky" series, this piece celebrates the playfulness that has long been a signature element of her oeuvre. Cingari combines beautiful landscapes, ...

The artist Catherine Dammeron was born in 1976 in Wissembourg in Alsace. She made her passion for pastel drawing her job. Artist going against the current, this resident of Yonne fav...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

A very elegant antique Art Deco bronze sculpture, statue by Josef Lorenzl, Austria, 1925. This beautiful bronze sculpture portrays a beautiful young woman, she is modeled as a nude t...

Pear with a leaf. Artist signed, patinated bronze, on black marble base 8"x8" Randi Grantham was born and raised in Las Vegas, Nevada and now lives in South Florida. He is a self ta...

With its rustic aesthetic, this privacy screen will not only protect your privacy, but also add a special charm to your outdoor area. The rusty surface gives each element an indivi...

Artist: Zhoujie Zhang, Chinese (1984 - ) Title: Spider Chair Year: 2015 Medium: Brushed Brass Signature: Signature, date "2015. 03. 25", and number e...

"Covered Bridge" is contemporary realist plein air painting of a snow scene in Vermont. The water is frozen over, and there are no people. A path leads from the bridge, away from the viewer, and continues off the canvas, letting us imagine... where does this path lead? A hint of fantasy to this realistic portrayal in Jeffersonville, Vermont. Medium: Oil on Aluminum Framed dimensions: 23.5 x 29.5 inches Artist Bio: Rachel Personett was born in Hawaii, but raised in Colorado. Being the daughter of a pilot she has always traveled extensively. She has studied part time at the Savannah College of Art and Design, The Angel Academy...

Born in Colorado and raised in Nebraska, Sandy Graves first forayed into the art world by presenting work as a child and 4-H member at local county fairs. As she continued her educat...

Artist: Jesus Rafael Soto, Venezuelan (1923 - 2005) Title: Mirroire d'Artiste Year: 2005 Medium: Mirrored Glass and Silkscreened Plexiglass Wall Sculpture, signature and number ...

In order to maintain sales with our USA customers, I have had to reduce all prices by 20%, to offset the tariffs placed upon South Africa. This bronze rhino head sculpture has been ...

This is a rare ceramic plaque painted with enamel glaze by famed Israeli German artist Irene Awret (these are generally hand signed Awret Safed on the verso. I just have not opened the frame to check) the actual glazed ceramic is 10.25 X 14.75 inches. It depicts a girl or woman with potted plants, birds, pomegranates and other fruits and flowers in a naif, folk art style. Irène Awret was born to a Jewish family in Berlin called Spicker, the youngest of three children. Her mother died in 1927, when Irène was six years old. In 1937 she was forced to stop high school, due to the Nazi race laws. Because she could not continue her regular studies, her father sent her to study drawing, painting and art restoration with a Jewish painter. Among his students were a large number of German Jews who knew they would have to leave Germany within a short time and would require a profession to enable them to support themselves. When the situation grew worse, following the Kristallnacht (the first major attack on German and Austrian Jews in November 1938), her uncle decided to move to Belgium. In 1939 the situation became even worse - her father was fired from his job and the family were forced to leave their home. As a result, Awret's father tried to send her and her sister to Belgium, with the help of smugglers. The first smuggler proved to be a double agent and they were sent back from Aachen to Berlin. Two weeks later they made a second, successful, attempt to sneak across the border. Awret worked for a Dutch Jewish family as a maid. As she had her room and board there, she was able to save enough money to study art part-time at Brussels' Académie Royal des Beaux-Arts. A few months later Awret's father joined her and her financial situation became easier. She left her job and studied full-time, helping support herself with restoration work when it was available and by painting portraits to order. Later, Awret found a hiding place on a farm in Waterloo with a Jewish family who were connected with the underground. In January 1943 she had to return to Brussels, living with a false identity card which stated she was a married woman with two children. Awret succeeded in renting an attic without informing the police where she was - she told her landlady that she had been forced to flee her husband because he beat her. While there, she supported herself by restoring wooden sculptures. A Jewish informer gave her up to the Gestapo, accompanying the two Gestapo men who arrested her. Awret was able to take a bag containing food and drawing materials. She was detained in the Gestapo cellars in Brussels where she drew. Because there was nothing there to draw, she sketched her own hand (view this work). Awret was interrogated in order to reveal the hiding place of her father who was still in Brussels. The National Socialist regime was determined to persecute him, even though he had fought for Germany in World War I and been permanently disabled. They stepped up their torture and brought Awret before Hartmann, the head of the Gestapo in Brussels. When Hartmann saw her block of drawings, he asked her where she had studied art and halted the interrogation. Awret was placed in a narrow cell and then transferred to Malines camp, which the Belgian's called Mechelen. Malines was a transit camp to Auschwitz, regularly sending 2000 people at a time. Although she arrived just before Transport No. 20, Irène Awret avoided being included. Instead she was put to work in the leather workshop, decorating broaches. While she was there, Hartmann visited the camp and spotted her: "I could have discovered where your father is hiding," he told her. When her artistic talents became known, she was transferred to the Mahlerstube (artist's workshop) where she worked producing graphics for the Germans until the end of the war. When Carol (Karel) Deutsch (whose works are now on view at Yad Vashem) was sent from Mechelen to his death with his wife, he left young Irene his paintbox. Irene also recalls seeing the great painter Felix Nussbaum and his wife being pushed into a boxcar bound for the gas, and tells of the aftermath of the famous 20th Train incident, when a young Jewish doctor armed only with a pistol and helped by two unarmed friends with a lantern ambushed one of Mechelen's Auschwitz-bound trains carrying 1,618 Jews, most of whom had fled Eastern Europe for Belgium. Awret's job enabled her to paint and draw - mainly in pencil, but also in watercolors and oils. In the artists' workshop she met a Jewish refugee from Poland - Azriel Awret - who would later become her husband. Among the other artists in the workshop were Herbert von Ledermann-Vütemberg, a sculptor from an aristocratic family with Jewish roots, Léon Landau, and Smilowitz, who perished in the camps in the East. Irène and Azriel tried to bribe a German officer to prevent Smilowitz's deportation. Not only were they unsuccessful, but they were almost put onto the same train. Jacques Ochs was another artist with whom they became friends in the camp. Ochs, a French-born Protestant who lived in Belgium, was interned as a political prisoner. He remained in Belgium after liberation. After the war the Awrets immigrated to Israel and made their home in Safed. They continued to work, and were instrumental in founding Safed's artists' quarter. The Beit Lohamei Haghetaot (Ghetto Fighters' House Museum) art collection holds works donated by Awret. These date from her time in Malines camp and from her stay in Brussels after the war, when she was in the company of orphans who had hidden while their parents were sent to Auschwitz. Her highly expressive works have made their way to exhibitions at theTel Aviv Museum, the Haifa Museum of Modern Art and the Modern Art Gallery in Washington, D.C., as well as into the private collections of such individuals as Dr. Jonas Salk...

MATT DEVINE "Anemones #3 (Yellow)" Steel with Powdercoat (Indoor Only) 17 x 17 x 6 in. *Can be installed on wall or placed on table* Matt Devine is a self-taught sculptor working ...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Two goudou antelopes « Two friends » by Rembrandt BUGATTI (1884-1916) Group in bronze with a nuanced brownish black patina Signed on the base "R.Bugatti" A lost wax cast by "A.A. Hé...

Donald Sultan (1952) White and Silver Poppies (2021) Shaped aluminum, polished and with white powder coat, on polished aluminum base Size: 24.5 x 24 x 3.5 in (62 x 61 x 9 cm) Base: ...

Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint Jeremy Bullis after David L. Bullis Edition 1/5

Bronze sculpture created by Tommaso Cascella and his wife. 20x12 cm. Work signed with felt-tip pen inside the left paw. Good conditions. Tommaso Cascella (1890–1968) was an Itali...

Algeo Bronze Nude Male Figure Sculpture Boy Marble Stone - In Stock Beautiful intimate sculpture of a boy, nude bronze male figure in a grey pat...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Rex Dietderich (American, 20th C.) "Frank, Age 14" Original Bronze Sculpture C.1970s The walnut base measures 7" wide x 3.5" deep x 2.5" high The bronze bust measures 7" wide x 4" ...

Synthesis BM is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic, steel, LED, dimensions are 70 × 8 × 10.5 cm (27.6 × 3.1 × 4.1 in). This a...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

A limited edition nickel plated, reflective steel sculpture. Edition 2/7.

Keith Haring - PopBox Dance Love Date of creation: 2025 Medium: Stainless steel; low-energy LED system; UV-printed plexiglass panel. Edition: Open Size: 35 x 32.40 x 4 cm Condition:...

Junghans (1956, Recklinghausen) creates abstract sculptures in stone, wood and bronze, mostly torsos and primal portraits, in a primitive, cubic and expressionistic imagery. He also ...

Printed on high gloss paper, mounted to acid free foamcore Edition of 5 of 10 Three sizes Made to Order Aluminum Dibond backing and a UV protective laminate. Ready to Hang Comes wi...

Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentine singer, 1865. Light brown patinated bronze with cast round plinth mounted on a square marble base (3.5 cm high). Total height 53 cm. Bronze dimensions: 49.5 cm (height) x 20 cm (length) x 10 cm (width), weight 5.6 kg. Inscribed on the plinth "P.[aul] DUBOIS", dated "1865", with the foundry's mark "F. BARBEDIENNE FONDEUR" and the signet "REDUCTION MECANIQUE A. COLLAS". - Patina very occasionally darkened, lute with loss of one tuning peg, otherwise in excellent condition. - The renaissance of the Renaissance - The bronze is a precisely executed and masterfully cast contemporary reduction of Paul Dubois 155 cm tall masterpiece "Florentine Singer", which is exhibited in the Musée d'Orsay and for which the artist was awarded the Medal of Honor at the Paris Salon in 1865. The work acted as a beacon, and was followed by a plethora of depictions of juveniles. Inspired by Donatello and Luca della Robbia, but also by painters such as Piero della Francesca, Benozzo Gozzoli, and Pinturicchio, the "Florentine Singer" is not an epigonal work that pays homage to a vanished era, but a successful attempt to draw vitality from the art of the past and thus give it new life. The effect of vitality is the core of Italian Renaissance art theory. In order to fulfill itself as art, art had to appear like nature. This naturalism also characterizes the "Florentine Singer". The young man appears to have been taken from life, which is reinforced by the momentary nature of his action. He has just struck a now fading chord. In addition, the natural appearance is enhanced by the detailed shaping of the figurative details, such as the laces with the slightly curved leather of the shoes, the belt buckle, or the ornamentation on the body of the lute. Even the fingernails are clearly defined. Unlike the Renaissance, however, the effect of liveliness here is not based on the "discovery" of nature and the human body, but primarily on the rediscovery of the art of the Quattrocento. The liveliness of the artwork is therefore at the same time a revitalization of this art, so that we can speak of a Renaissance of the Renaissance, just as the Pre-Raphaelites in England at the same time transferred the Quattrocento to contemporary art. Dubois takes on the most difficult of all subjects, the depiction of singing through silent sculpture. He was preceded in this by Luca della Robbia and Donatello with their pulpits of singers created in the 1430s in the Museo dell'Opera del Duomo in Florence. Compared to these works, the physiognomy of Dubois singer is far less animated, yet he also depicts singing in a convincing manner. He uses the whole body. He takes the ancient contrapposto, which was essential to Renaissance sculpture, and transforms the standing leg-playing posture into a late medieval S-swing, giving the body an elegant beauty and at the same time setting it in melodic motion. In the equally elegant finger position, the music is expressed in a much more literal way with the beating of the lute. Finally, the musicality of the sculpture culminates in the face with the mouth open to sing. Through the act of singing, which is a great challenge to the artistic will to depict perfect beauty, the gracefulness of the classical face is not diminished, but enhanced. Starting from the face with the singing mouth and the gaze absorbed by the sounds, the inner vitality spreads, giving the bronze sculpture an intense aura, enhanced by the music. Dubois transfers the beauty of the Renaissance to the musical, sublimating the visible sculpture to the invisible of music. He took up the challenge of transcending the Renaissance with the Renaissance, thus responding to the Querelle des Anciens et des Modernes, which arose at the end of the 17th century around the French Academy and remained virulent into the 19th century, in which antiquity was regarded either as an unattainable ideal or as a standard to be surpassed. With his work, Dubois proved that the Renaissance, which had championed the art of the ancients, could lead to a new renaissance of art. About the artist Paul Dubois' great-uncle was the famous French Baroque sculptor Jean-Baptiste Pigalle, in whose footsteps the talented great-nephew followed. When he debuted at the Paris Salon in 1858, he signed his work "Dubois-Pigalle". At his father's request, however, he first studied law before devoting himself to sculpture under the tutelage of François Christophe Armand Toussaint in 1856 and entering the École des Beaux-Arts in 1858. From 1859 to 1863, he lived in Rome and traveled to Naples and Florence. Inspired by Florentine art of the quattrocento, Dubois initiated a school-forming neo-Florentine style that combined the elegantly simple forms of youthful grace with a precise wealth of detail.Two purchases by the French state (“envois de Rome”) were made during his stay in Rome, which brought him recognition in Paris. After his return there, he quickly became an internationally sought-after artist. Dubois was also active as a creator of monuments. His most famous work is the equestrian statue of Joan of Arc (1896) on the forecourt of Reims Cathedral. He was also a sought-after portraitist who produced around 50 busts and - Dubois was also a passionate painter - around 100 portraits in oil. From 1873 to 1878 he was curator of the Museum du Luxembourg, in 1876 he became a member of the Institut de France and from 1878 to 1905 he was director of the École des Beaux-Arts. In 1865, Dubois was awarded the Paris Salon Medal of Honor for his “Florentine Singer”. In 1867 he became Chevalier, in 1874 Officier, in 1886 Commandeur of the Légion d'honneur, which awarded Dubois the Grande Croix in 1896. Selected Bibliography Stole, Elmar: Paul Dubois. In: Saur. Allgemeines Künstlerlexikon, vol. 30, Munich - Leipzig 2001, pp. 677-678. GERMAN VERSION Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentinischer Sänger, 1865. Hellbraun patinierte Bronze mit gegossener runder Plinthe auf quadratischem Marmorsockel montiert (3,5 cm Höhe). Gesamthöhe 53 cm. Maße der Bronze: 49,5 cm (Höhe) x 20 cm (Länge) x 10 cm (Breite), Gewicht 5,6 kg. Auf der Plinthe mit „P.[aul] DUBOIS“ bezeichnet, auf „1865“ datiert, mit dem Gießereistempel „F. BARBEDIENNE FONDEUR“ und dem Signet „REDUCTION MECANIQUE A. COLLAS“ versehen. - Patina sehr vereinzelt nachgedunkelt, Laute mit Verlust eines Stimmwirbels, ansonsten ausgezeichnet erhalten. - Die Renaissance...

A playful yet conceptually layered sculpture, Teddy Bear by Valay Shende exemplifies the artist’s distinctive approach to contemporary figurative form through industrial materials. C...

Inspired by the landscape, my new series of paintings present both a micro (snail's view) and macro (bird's eye aerial view) of nature revealing the textures and colours found in gra...

On a Spanish Motif, 1956 – 1973, mixed media collage and painting on thick canvas, signed and dated lower right, 38 ½ x 26 inches, signed verso, labeled verso includes title, artist's name, address and size of work, presented in its original strip frame Justin Faivre...

After completing his studies at the Royal Catalan Academy of Fine Arts in Sant Jordi, Barcelona, Jorge Borrás moved to France1. His works, especially his bronzes, are sold in major auctions mainly in France (Versailles, Drouot, Saint Germain En Laye, Enghien Les Bains, etc. June 30, 1992, two bronzes were sold at Christie's in London) 2. They are exhibited in Parisian salons such as the Salon d'automne3, the Salon des artistes français, the Salon des Independents the exhibitions of the National Society of Fine Arts, the Salon de l'école française [ref. necessary]. He received the Arts-Sciences-Lettresn 1 Medal and is a member of the International Association of Visual Arts (affiliated with UNESCO). In addition, he produced a series of medals and sculptures for the Monnaie de Paris, and various achievements such as the bust of Dr. Coll Colomé, a monument erected in Benicarlo (Spain) and publishing covers including the novel by Jean-Marc Roberts Vincent's friend. The work of Jorge Borrás is a tribute to the woman [ref. necessary]. Her favorite themes are ballerinas and bathers as well as women in everyday attitudes. Wild animals, some endangered, are also very present in the work of Jorge Borrás, especially in recent years where he takes great pleasure in capturing the wild moment of his attitudes. Passionate about drawing, he began painting at the age of ten and made his first exhibition at the age of twenty. At the School of Fine Arts in Barcelona, he discovered sculpture with Luisa Granero and studied painting and sculpture. The students the drawing section, of the great master of Spanish painting and portrait painter Francisco Ribera Gomez...

A small, limited edition bronze Bull Terrier sculpture. Edition 2 of 12. FREE SHIPPING

This beautiful handmade glass sculpture, crafted with colored glass pieces forming a beautiful butterfly combines aesthetic beauty with profound symbolic meaning of transformation, l...

Toro Bull Patinated Bronze sculpture on marble base, artist signed, 16.5h x 8w x 6d, base 6"h x7.5"w x6"d Heriberto Juárez (March 16, 1932 – August 26, 2008) was a self-taught Mex...

Memory, Kyoko Kumai, stainless steel filaments, 41” x 19” x 19”, 2017. This steel thread woven wall sculpture was constructed by Japanese fiber artist, Ky...

"The Present" by Jane DeDecker Cast Aluminum Nativity Creche with Joseph, Mary and baby Jesus and an Angel beneath the Star of Bethlehem. Make your Christmas yard display extra spec...