Art by Medium: Metal

linen, metal foil

Leonardo Nierman, Mexican (1932 - 2023) - Flight, Year: 1973, Medium: Bronze Sculpture, signed and numbered, Edition: I/VI, Size: 10.6 x 23.6 x 9.6 in. (26.92 x 59.94 x 24.38 cm)

In this sculpture I have embodied the idea of the Holy trinity. According to the Bible, God in the form of three angels appeared to Abraham's wife and pre...

Our Virus luminaire is a spherical luminaire on pedestals with a color filter attachment for indoor use. The tubular sectional steel has been arranged as a sphere, casting different ...

This sculpture is titled "Sound of V" and is crafted from 60 silicon-bronze rods affixed with silver to a solid brass base. The work was created in 2014 by Val Bertoia at the Bertoia...

For indoor or outdoor use We create hand-made cast glass works. Using the age-old technique of lost wax casting. We craft forms ranging in shape from jewel-like elements to large sc...

Oleg Sohanievich (Soviet Ukrainian, American 1935-2017) Steel plates and rods Stress Steel Sculpture, 1995, Hand signed and dated Oleg Sohanievich '95, Dimensions: 15" h., 14" w., ...

Seymour Chwast, B. 1931, American, 'Girl on a Buick', Painted Sheet Metal. A label on the reverse reads: "Seymour Chwast, 'Girl on a Buick', Metal Cut-Out, $2,000" Provenance: Bache...

This is a rare ceramic plaque painted with enamel glaze by famed Israeli German artist Irene Awret is signed Awret Safed on the verso. the actual glazed ceramic is 10X15 inches. Irèn...

LOREN MUNK (american b. 1951) MUNKEY BUSINESS Signed and dated 'Munk 84' verso, mixed media construction with paint brushes, mirrored mosaic tile, gold leaf and oil paint 57 x 33 x 23 in. (144.8 x 83.8 x 58.4cm) Provenance: Malcolm Forbes collection The artist Loren Munk (born 1951) is primarily known for his YouTube nickname James Kalm as an uploader of videos about New York exhibitions, amongst others. He presents himself as a maker of contemporary paintings for several decades and of cubist paintings of urban imagery. Munk has received accolades for his drawings and mosaics. He differs from traditional mosaic artists by the manner in which he incorporates glass into his decorative paintings. His unique and innovative use of materials such as mirror, gold-leaf and glass mosaic affirmed him as a founding force of Kitsch Art and a leading member of New York Neo-Expressionism. Munk's work debuted in SoHo in 1981 with a double show at J. Fields Gallery and Gabrielle Bryers. Since then, he has overseen an international career. In addition to exhibiting in Brazil, France, Germany and the United States, Munk has received national and overseas, public and private commissions. He is well represented in important collections throughout Europe, South and North America and the Middle East. Most recently, Munk has been producing a series of paintings which tackle the subject of art itself through a historical and diagrammatic lens. Munk documents the New York art world in YouTube videos, using the name James Kalm. Timeline: 1979 Attended Art Students League, New York 1973-75 Attended University of Maryland at Ramstein, Germany while in US Army 1969-72 Attended Idaho State University, Pocatello, Idaho 1951 Born, Salt Lake City, Utah Select Group Exhibitions 2018 “Under Erasure” curated by Heather and Raphael Rubinstein at Pierogi Gallery New York 2016 "It Was Never Linear: Recent Painting" at the Sheldon Museum of Art Lincoln Neb. with: Robert Bordo, Dawn Clements...

"Caduceus", recognized as a universal medical symbol, in this bronze representation by James N. Muir has become an Angel of Healing bringing love and peace to the earth and all of it...

Composición de escultura en bronce y serigrafía sobre papel con intervención manual realizadas por el artista FERNANDO BELLVER en el año 2004. Medidas de cada pieza: 50x44x30 cm (esc...

Jean Lowe (American, b. 1960) Book-form sculpture, 2004 "Please Don't Eat Daisy", Enamel painted papier-mache Hand signed and dated verso Dimensions 10.5"h x 12.75"w x 4"d This ...

Ruth Bloch, Bronze, Human Figure, Metallic, Earth Tones

From the series ”Gods and Goddesses”. Original sculpture: 3/8 ex Signed and numbered by the artist and stamped Bocquel fondeur. Acquired directly from the artist. Free shipment wor...

This 19th-century French patinated bronze, after François-Joseph Bosio, depicts a young King Henry IV in detailed Renaissance attire. Standing 31 cm tall (37.5 cm with its rouge marb...

Limited Edition Jean-Michel Basquiat spray paint published circa 2017 featuring the Estate trademark of Jean-Michel Basquiat. a unique Basquiat collectible that makes for a fantastic...

Manufacturer: Obey Giant Edition Details: Year: 2023 Class: Art Print Status: Official Run: 68/550 Technique: Screen Print Paper: Fine Art Thick Cream Speckletone Size: 36 X 24 Mark...

I love Magnolia Blossom and this is a homage to the wonderful subtle purples and golds you get at Magnolia Blossom time. I was playing with the fabulous forms and structure of the fl...

Limited edition botanical portrait print on Dibond by Natasha Lelenco, combining surreal floral imagery, a mysterious doll face and hand-painted acrylic details. Created as part of t...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

A watercolor painting with golden foil in the interior. A watercolor painting for the interior with bright tropical flowers of Eritrea, decorated with golden foil. Saturated, contras...

Very occasionally a painting invites deep study; nothing exists within it without reason, each form has purpose, every shade has nuance, every line has meaning. Berlin has presented...

Rebecca Skinner’s “Succession” was photographed at an abandoned hospital and is part of her “Forgotten” series raising mental health awareness. Seemingly endless doorways open to sof...

Nyasha Mashumba, having been the apprentice of Mark Hilltout, has now carved out a career for himself as artist and designer, utilizing the medium and craft he has mastered over the ...

The Golden Arc Bench Wood H 24 x W 93 × D 22 in This sculptural bench explores the intersection of geometry, material warmth, and quiet growth. Composed of layered pinewood ribs, th...

SALE ONE WEEK ONLY "Untitled" by Nicholas Bodde depicts vibrant layers of color on narrow aluminum strips. These pieces are interchangeable and can be hung in various ways. Each is signed on the verso and was created in 2013. All three are sold as a set. Each aluminum panel measures 39 " h x 2.5" w. Bodde was born in New York he lives and works in Germany. He considers himself a German painter, who uses lacquered aluminum to create works that are beautiful in their simplicity and in their joyful exploration of color. The artist drives upon the tradition of European constructivism as well as Colour Field Painting, noting influences by Mark Rothko and Barnett Newmann. Bodde claims that his paintings “reveal themselves differently from close up and from a distance. When viewed from a distance they clearly appear related to constructivist geometric tendencies. But from close proximity, one notices that my main objective is painting and not construction.” The artist has reduced his subject to parallel vertical or horizontal lines and fields that race across the hard surface in a controlled riot – as if the viewer were looking out of a fast moving car while driving by fields of colorful flowers. Bodde constantly questions the colors, focusing on creating a construction through using different colors. He sees his creations as a mode of communication with the world. He paints on aluminum plates by successive coats of painting that he applies with different utensils to finally obtain a result that imprints itself into the eye’s retina. The game of colorful stripes, more or less large, sometimes with the feeling of the brush, sometimes flat, reflects the light differently on each lap. The brightness of his palette, a willful choice, accentuates the vitality that emanates from this painting. His works hesitate between the vibrating and nearly irritating colors and the calm of a monastic construction.   Bodde received his formal education from the University of Arts in Bremen (1989) and has been exhibited in numerous solo and group shows across the world, including venues such as the Yeh Gallery in Seoul, Planet Art...

Dye Sublimation Print on metal Surfers. 16x24 on metal - $650 20x30 on metal - $900 About the artist: A computer programmer and Webmaster by trade, Paul describes himself as a fine ...

Swan Diver Male Life-Size is a limited edition bronze sculpture. Created with the lost wax casting process. This sculpture does not include the base, but does include a stainless s...

IN A WHILE (2025) is a small-scale, wall-mounted mixed-media sculpture by Vera Vizzi that transforms a familiar domestic object into a sculptural encounter. Hand-modeled in foam clay and applied onto a compact wooden block (25 x 9 x 10 cm), the work is finished with layered acrylic paint and enamel marker decoration along the extruded “tube” form. The piece foregrounds tactile surface, color contrast (white base with red/yellow graphic motifs) and a vertical, relief-like silhouette that reads equally as objet d’art or a focused accent on a gallery wall. Conceptually the work frames an everyday action — squeezing a tube — as a compressed temporal event: small gestures that compress time and meaning. Keywords for search and contextualisation: mixed media on wood, foam clay sculpture, enamel and acrylic, wall sculpture, small contemporary sculpture...

Jules Moigniez (1835–1894) French, Napoleon III Period Medium: bronze and gilded bronze Interior : lined in petrol blue velvet ( new restored but same color as the original one ) Si...

This is being sold as a piece of (functional?) decorator table sculpture for a kitchen or restaurant. I do not know if or how it works. the wheel and gears turn. It might be missing a cover on the handle. It is a lovely antique piece. Made in France. A halfcentury before they produced their first car, the Peugeot brothers were making coffee grinders, continuing to do so for over 100years. In 1840 the Peugeots produced their first moulin a cafe out of a combination of metal and wood. The beans were inserted into the metal hopper up top; metal gears were turned by a woodenknob-capped metal...

Inspired by the timeless tradition of classical reclining figures, this contemporary bronze sculpture reinterprets the female form through a distinctly modern and minimalist lens. Pa...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

"Love and Forgiveness" by Denny Haskew Figurative Bronze on Sandstone Round Base, Christ Resurrection, Cross 14h 10w 10d "In choosing a title fo...

Portrait of young Garibaldi is mixed colored painting realized by Anonymous artist of the XIX century. Oil on copper. Rare portrait of a young Garibaldi. Includes frame 39 x 3 x 29.

Paul Villinski's "Chiaroscuro" incorporates his signature butterfly motif with a found antique frame. This unique piece dazzles with its shimmering gold leaf finish, with the bespoke...

This is a very attractive example of a 19th-century Russian Orthodox icon, depicting Christ Pantocrator (Christ the Almighty) beneath an ornate gilt brass oklad (riza). The combinati...

"Shade Tree" By Tim Cherry is an original, handmade bronze sculpture that depicts a squirrel resting on a tree branch, with its tail and one of its legs dangling off the side.

Glover did not begin her career as an artist. After receiving an MBA from Harvard Business School, she served as an international consultant in strategy, industry best practices, and...

Ernani Silva, Brazilian - Living Room Interior, Medium: Acrylic, Collage and Enamel on board, signed and titled in marker lower right, Size: 21.5 x 21 in. (54.61 x 53.34 cm)

Artist: Hippolyte Moreau, French (1832 - 1927) Title: Hero Medium: Bronze Sculpture on Marble Base, signature inscribed Size: 19 x 11 x 9 in. (48.26 x 27.94 x 22.86 cm) The tale of ...

Positive street signs and mindful messages characterize the work of multidisciplinary artist Scott Froschauer. Froschauer utilizes a practice called "cultural jamming," which appropr...

Positive street signs and mindful messages characterize the work of multidisciplinary artist Scott Froschauer. Froschauer utilizes a practice called "cultural jamming," which appropr...

German Steel Fireplace "Globe" with base, is available in different sizes, and also available in stainless steel on request. Please contact us. This fireplace globe is the eye-catch...

Edition number 12/12. A quirky sculpture with a shiny bronze finish, standing on a 17 x 17 cm white granite base. Davies creates playful sculptures that celebrate the courage it tak...

Beautiful late 19th-century bronze sculpture by Mathurin Moreau "YOUNG WOMAN ON A ROCK" BY MATHURIN MOREAU (1822-1912) Young girl with a broken jug, Bronze circa 1880/1890, France ...

Medium Aluminium frame Technique: Kinetic Art on metal Edition: Limited edition of 12 Dimension: 100 x 100 cm + 3cm with frame  Weight: 10kg  Information: Helene, a se...

Created in 1965, this sculpture is hand signed by Victor Vasarely (1906 – 1997) in black ink on one of the aluminum panels in the lower right (nearest to the center cross-section); f...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. The included burner already contains individua...

White Landscape mixed media on canvas 50x50 cm 2019 original Artwork Ready to Hang My painting tells of the relationship between man, nature and time, the landscape, the sign a...

Over the past few years, Jesse Hickman has been making minimal abstract paintings on wood with few constraints. He calls this series Notes, thinking of these pieces as drawn sketches...

Ce très joli bronze est signé "René Paris" et porte le cachet de fondeur Thiébaut Frères (Fumière et Cie Successeurs. Il fut offert à François Sales en 1914, à l’occasion du concours...

This contemporary outdoor sculpture is made from metal and marble. This elegant outdoor sculpture is by Jean-François Maheux and Nadia Mercier, an artistic couple who formed a colle...

"High Desert Composition" is a welded steel wall sculpture where the lines between two- and three-dimensional art are blurred. The viewer has a variety of experiences from multiple vantage points where volumes and angles disconnect and reconnect as one moves around the piece. The hand welded steel is painted with acrylic paint in a kaleidoscope of color tones. Chris Hill High Desert Composition welded steel, acrylic paint 80h x 48w x 7d in 203.20h x 121.92w x 17.78d cm CHI024 Chris Hill is a Santa Fe based sculptor. Chris was born in Port Arthur, Texas but grew up in small town North Mississippi. He began welding at age 18 at the Tennessee Valley Authority...

This incredible work comes with a COA. The work is currently framed in a new acid free mat and the original 1969 silver metal frame, but new framing is available included in the pric...

Rah-Rah is made by casting Hydrocal FGR95 (a very hard plaster) on top of an oil clay pattern. The oil clay is extruded to take on a "noodle form". The composition is laid out on pl...

Lorri Acott is an internationally collected sculptor known for her impressionistic, figurative works that explore themes of connection, resilience, and the shared human experience. H...

Metallic Enamel and Epoxy Resin on solid maple Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century modernism ...

Roberto Estopinan, Cuban, 1920 - 2015 Dimensions: 24.5" wide x 13" high plus 6" high base. Roberto Estopiñán (1921–2015) was a Cuban American sculptor known for his sculptures of the human form, including political prisoners. Born in Camaguey, Cuba, he lived in the United States for over fifty years. His works are held by major institutions such as the Museum of Modern Art, the Whitney Museum and the Smithsonian Museum of American Art. Roberto Gabriel Estopinan, a sculptor, draftsman, and printmaker, was born in Havana, Cuba on March 18, 1921. Estopiñán enrolled at the San Alejandro Academy when he was just 14 years old and became the protegé and studio assistant of the sculptor Juan José Sicre. After graduation he traveled first to Mexico, where he met and befriended Francisco Zuniga, and studied Pre-Columbian sculpture. In 1949 he traveled to Europe, visiting England, France and Italy. In these trips he encountered the sculpture of Henry Moore and Marino Marini, and their humanistic yet formal visions would be influential on Estopinan's work. Estopiñán was a pioneer of direct carvings using wood and of welding techniques in Latin America. Throughout the 1950s, Estopiñán received important prizes at various national exhibitions in Havana. In 1953 he was the only semi-finalist from Latin America at the Tate Gallery's international sculpture competition for a Monument to the Unknown Political Prisoner. In 1961, the artist moved to New York, where he resided until 2002. Roberto Gabriel Estopiñán a Cuban emigre sculptor who emigrated to exile in the United States not long after Fidel Castro’s revolution in 1959, is considered one of Latin America’s most important 20th-century artists. His work, which includes drawings and prints as well as sculptures in wood and bronze, is in the collections of New York’s Museum of Modern Art, the Smithsonian’s American Art Museum, the Art Institute of Chicago, and the Detroit Institute of Art, among many locations. He is best known for his stark, disturbing renderings of political prisoners, the fruit of his own experiences as a dissident under both Castro and his predecessor, the dictator Fulgencio Batista, and for his representations of the female torso that can remind viewers of both classical statuary and the high-modern, abstractly elongated work of Henry Moore.mHe was born in Havana to a father from Asturias in northwest Spain and a mother of African descent. Estopiñán was something of a prodigy. At the age of fourteen, he won the first prize in drawing at the Centro Asturiano, a regional association for Cubans of Asturian descent. Shortly afterward he received special permission to enter the San Alejandro Academy of Fine Arts in Havana. At the school he was mentored first by its director, the painter Armando Menocal (1863-1941), then by the landscape artist Antonio Rodríguez Morey (1872-1967), and finally by Juan José Sicre (1898-1974), regarded as one of Cuba’s greatest sculptors. Sicre, a professor of sculpture at the Academy, had helped introduce European modernist art to Cuba, and from the 1930s through the 1950s had sculpted monumental figures in Havana of José Martí and other Cuban national heroes that stand to this day. Estopiñán was first Sicre’s student, then his assistant, and, finally, his colleague for the next fifty years. After graduating from San Alejandro in 1942, Estopiñán began simultaneously teaching art at the Ceiba del Agua School for young men, assisting Sicre in public art projects and developing his own artistic vision. He also traveled widely, to Mexico, New York, France, and Italy. From the late 1940s through the 1950s his sculpture evolved from an early neoclassical phase under the influence of Maillol to what he defined as “formalist humanism”: emphasizing the abstract beauty of the shapes he sculpted while not abandoning the human figure as the basis of his work. As the 1950s progressed he chose to carve in native Cuban woods...