Art by Medium: Metal

Stormwarning VI NY State slate/pigmented and sealed steel 25" (height) x 12" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are central in my...

Vernika Singh - Dynamics-1 SS, and aluminium 16.5”w x 14.5”h x 10”d ( Inches ) Interested in human figures and the movements which are encountered by the body. It is the most beauti...

From Great Britain Paul Eaton VPRMS MAA hand carved a Poodle pendant an elegant sterling-silver miniature dog sculpture made into a jewelry piece you ca...

Artist: Nili Carasso Title: Family Year: circa 2001 Medium: Pair of Bronze Sculptures on Base, signature and numbering inscribed Edition: 2/25 Size: Man: 11 x 7 x 4 inches ; Woman: 1...

This extraordinary garden torch "Flame" on oxidised oak pedestal is a real eye-catcher for your house or garden. The included burner already contains individual lava stones, so this...

Phillip Shore's artwork is informed and influenced by his travels to and the study of the archeological artifacts from Ancient Greece and the relationship between humans and the env...

Upon discovering a weathered steel drum that had been warped to resemble the sleeve of a garment, artist Gordon Chandler was inspired to embark on a series of kimono sculptures formed from found metal scraps. With an eye to the aesthetic possibilities of this humble material, Chandler invests the reclaimed steel with sculptural fluidity and a wry sense of form. Flattened with the center portion rolled out and the sides left open, this discarded barrel takes on the look of a miniature jacket. Coated with a mint green finish, the eroded metal appears as draped fabric, folded back to form a simple collar. The sculpture is finished with the artist's initials stamped...

Charles Schreyvogel (1861-1912) New York / New Jersey Artist Image Size: 12" x 18.50" x 5" Medium: Bronze Sculpture 1903 "The Last Drop" Charles Schreyvogel (1861-1912) New York / Ne...

A lively, beautifully cast, patinated bronze sculpture of two hounds on a lush forest floor by listed French artist, Alfred Dubucand (1828-1894). A proponent of Romantic Realism,  Dubucand was a prize pupil of the renowned founder of the French Animaliers School, Antoine-Louis Bayre (1796-1875) whose patrons were representatives of the state government and royalty including the Duke of Orleans...

My paintings are glimpses into my perception of life along the coast of Maine and the high desert of Taos, N.M. Using rich color and employing the dramatic light of the coast and...

Jamie Harris straddles the disciplines of painting and glass blowing approaching his work, “more from a painterly perspective than as a traditional glassblower.” His work is primaril...

Elijah David Herschler (1940-2023) Ribbon sculpture Chromed metal Signed to curled end: elijah d herschler 29.5" H x 12" Dia. approximately Modern, abstract minimalist free hanging ...

Rebecca Skinner’s “Sink VI” is an 8 x 12 inch metal print photographed at an abandoned hospital. The color photograph is of a vintage sink against a yellow wall with peeling paint. T...

Patrick O'Reilly The Gardener with Sunflower Bronze 47 1/4 x 49 1/4 x 15 3/4 in 120 x 125 x 40 cm This piece is entitled The Gardener with Sunflower. It is a large scale outdoor scu...

A pair of original wire mesh figurative sculptures by American contemporary artist Randy Cooper.

A limited edition wall mounted steel sculpture made of stainless steel on board. Edition 1/3

Art and design in varied forms have always been a driving interest in my life. Living in Madison, Connecticut, I began my career as a muralist and trompe l’oeil painter doing signif...

Materials: Oil on canvas, gold, copper and silver leaf, oil pastel The image of a woman sitting in front of the mirror thinking

Richard MacDonald has always been intrigued by opposites and he has the range to be able to create both sculptures of delicate, archetypal femininity and powerful, athletic masculini...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Electric, Size: 32.5" x 50" x 4.5'' inch, (8...

"Make Room for the Time" is an exquisite painting depicting a strong olive tree in the center, surrounded by a rich gold background with a deep blue sea. Artist Anastasia Gklava is a...

Artist: Thom Cooney-Crawford, American (1944 - ) Title: Four Earth Signs: Lunette Medium: Bronze Sculpture, signature and number inscribed Edition: 4/5 Size: 21.5 in. x 7 in. x 3 in....

Bardol Thodol literally means liberation through hearing and comes from The Tibetan Book of the Dead. Bardo is the transitional state between death & rebirth. Lovers of jazz and music in general will be all too aware of how one can be transported to this suspended state when listening to music. This state is expressed beautifully in the Tibetan Book of the Dead, and here we quote directly from it "remember the clear light, the pure clear white light...............Let go into the clear light, trust it, merge with it. It is your own true nature". Jazz Bardo, Heavens Gate...

An official artist of the Nazi regime, trained in Montparnasse in the 1930s, Arno Breker continued to sculpt after the fall of the Third Reich, producing large-scale public commissions in Germany and portraits of prominent figures. The two small bronzes presented here, dated around 1978, are part of a long tradition of prancing horses dating back to antiquity. The asymmetrical treatment of the two front legs and the inclination of the head make these two copies of the same artwork a highly decorative pair. 1. Arno Breker, a prolific sculptor, from the Bohemia of Montparnasse to the commissions from the Third Reich ... and from the Federal Republic of Germany The son of a stone carver, Arno Breker studied fine art and anatomy in his native Elberfeld. At the age of 20, he entered the Düsseldorf Academy of Art. He moved to Paris in 1926, where he continued his training in the studio of Maillol, who dubbed him "the German Michelangelo of the twentieth century". He shared a studio with Alexandre Calder and frequented Jean Cocteau, Foujita, Brancusi, Pablo Picasso and other artists of the bohemian Paris of the time. It was also in Paris in 1933 that he met Demetra Messala, the daughter of a Greek diplomat who posed for Maillol and Picasso, whom he married in 1937. Having won the Prussian Prix de Rome in 1932, he left Paris to stay at the Villa Massimo, the German Academy in Rome. Returning to Germany in 1934, his style evolved towards a more marked imitation of ancient sculpture. He created two monumental statues for Berlin's Olympic Stadium, before being appointed professor at the Berlin College of Fine Arts in 1937. He came to the attention of the Reich Propaganda Ministry, which awarded him several commissions and provided him with three large studios in which Breker produced many monumental sculptures to the glory of the regime. On June 23, 1940, Breker accompanied Adolf Hitler during a visit to Paris. During the Occupation, his political connections enabled him to intervene on behalf of many artists pursued by the Nazis: for example, he protected Pablo Picasso (then a Communist) from Kommandantur officers. Most of Arno Breker's work was destroyed in Berlin at the end of the war in 1945 by bombing and intentional destruction perpetrated by soldiers of the victorious powers. After the fall of the Nazi regime, however, Arno Breker was never prosecuted. He opened a new studio in Düsseldorf, where he sculpted until his death in 1991. He then carried out several public commissions in Germany (Bayreuth, Wuppertal), as well as portraits of numerous personalities, including King Mohammed V of Morocco, Léopold Sedar Senghor (commissioned by the Académie Française in 1978) and the two chancellors of the Federal Republic of Germany, Konrad Adenauer and Ludwig Erhard. The Arno Breker Museum in Nörvenich is now exhibiting some of his artworks. 2. Related artworks: from the Wild Horses of the Quirinal to the Horses of Marly The prancing horse is a major iconographic theme, found in a series of sculptures from Antiquity, the Renaissance and the Classical Age. Various photos from Arno Breker's studio in Berlin confirm the predominant place of equine representations in his work (alongside male nude statues), and confirm that this reduced version created in 1978 is part of the artist's preferred repertoire. Prancing horses are generally associated with a male figure in a group that, through a reference drawn from Antiquity, symbolizes man's domination over nature. In this respect, it is very interesting to compare our small bronzes with the horse forming part of a large sculpture by Arno Breker (made in 1936 and probably destroyed in 1945) depicting Alexander taming Bucephalus. This statue is itself directly inspired by one of the best-known works of 18th-century French sculpture...

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and ...

Elijah David Herschler (1940-2023) Ribbon sculpture, 1985 Chromed metal Signed and dated to one end: elijah david herschler Dimensions: 38" H x 4" Dia. approximately Modern, abstract...

Artist: Russell Young Title: Marilyn Portrait (Red) Portfolio: Marilyn Portrait Medium: Hand-pulled acrylic and enamel silkscreen on paper Date: 2014 Edition: 25/25 Sheet Size: 27" x...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: bronze, metal, bronze patina Display: The sc...

Aldo Tura Table light, 1950s H. 45 x 22 x 29 cm. Made by Tura, Milan. Wood, plywood, covered with brown goatskin, sheet brass, clear glass.

TEMPIO BRETTON: from the catalogue MONUMENTA, 19th International Sculpture Biennale, Antwerp, Belgium. Tempio Bretton was created in homage to the celebrated English landscapist Capability Brown for the occasion of an exhibition at Bretton Hall in the Yorkshire Sculpture Park , a park in the style of the great master of English garden design. The inclusion in the English garden of a temple ruin, or "eye-catcher," (architectural folly) was used to draw the eye and mind to a focus in time and space, present the beholder with an immediate relationship to an historic past made new within his or her own surroundings, and create a depth of space never before seen in garden design. I took the idea of the temple ruin eye-catcher and reduced it to a scale at the point where architecture and sculpture merged. Tempio Bretton is not capacious enough to walk into, yet it is considerably larger than a man. One view of it presents a knot of golden columns clustered together, topped by a dome shape. The only clue from this side to the temple's non-conformity to historic principle is a sharp notch cut into the square base. Viewed from the opposite side, the cluster of columns capped by an angular top opens up as if to welcome someone in, yet the mysterious core is still impenetrable. These contradictions articulate a confrontation between past and present, and an exciting truth. The past is always at the heart of our constructions in the present. Walter Dusenbery (born September 21, 1939 in Alameda, California) is an American sculptor. He attended the San Francisco Art Institute, earned an MFA from California College of Arts and Crafts, and then studied in Japan and Italy under Isamu Noguchi. He also held teaching positions at Harvard University and University of California, Berkeley Graduate School of Design. From 1971 to 1988, he lived both in Pietrasanta,Italy, and in Little Italy, New York City. Dusenbery's preferred material is stone, particularly travertine or granite. Dusenbery has a particular interest in adding sculpture to public places, such as federal buildings, to humanize the space, but in 1988, he assembled a show of small, entirely hand-carved alabaster sculptures, called "Walter Dusenbery, The Personal Side," at the Fendrick Gallery in Washington, D.C.. In 1977, Dusenbery created Pedogna, on permanent loan from The Metropolitan Museum of Art to Landmarks, the public art program of The University of Texas at Austin. That same year, 1988, he was awarded a large commission for the Fulton County Building Atrium in Atlanta, Georgia. The commission was for three fountains and related structures over three stories in height, designed for informal and ceremonial public events, Limestone, marble, granite and travertine fountains, pavilions, seating and meeting areas, performance and concert platforms, staircases and planters for hanging gardens. After completion of the "Atlantacropolis," Dusenbery withdrew from the gallery world and focused his energy on site-specific commissions. (like the landscape works of Maya Lin and Beverly Pepper) Seeking a large-scale stone studio for projects closer to home, he discovered there were none. In 1995, he approached sculptor and patron of sculpture J. Seward Johnson Jr. with the idea of creating a state-of-the-art stone-carving studio, so that American sculptors would not have to travel abroad to realize their work. Johnson agreed to fund such a facility, if Dusenbery would direct it. In 1996, Dusenbery designed the facility for the Stone Division at Johnson Atelier Technical Institute of Sculpture, and was its first director. The facility was situated in "a building resembling an airplane hangar," The studio offered the ability to digitally scan three-dimensional forms. The Stone Division was a success and attracted a strong group of sculptors: Magdalena Abakanowicz, Lawrence Argent, Barry X Ball...

Rebecca Skinner’s “Remember” is a 12 x 18 inch metal print and is part of her “Transient” series. The color photograph of a curtain in an abandoned home gives the viewer a sense of p...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

The Kiss by Alfred PINA (1887-1966) Bronze group with a brownish dark green patina signed on the base "A. Pina" cast by "A. Valsuani" (foundry stamp) France circa 1927 height 51,5...

Working in a variety of scales and mainly to commission, Sara's work captures the spirit and form of people and animals. Many of them are inspired by mythology, nature or circus.

Jed Jackson was born in Fayetteville, Arkansas. Throughout his education, he studied under artists such as Janet Fish, Fairfield Porter, and Leland Bell, and reaps influence from the...

Jesús Curiá Perez Pugnatum III iron and bronze 77h x 24w x 15.75d in 195.58h x 60.96w x 40d cm JCP054 Jesús Curiá's sculptures arouse something more than purely aesthetic pleasure....

Outdoor or Indoor Sculpture " Longhorn ” is a striking piece of Art resembling a Longhorn skull made from a burnout mold by David Marshall in 2013, sand cast in aluminium in our fou...

Seahorse Rex Gold is a unique polished bronze with yellow and gold-red patina sculpture by contemporary artist Chésade, dimensions are 103 × 55 × 22 cm (40.6 × 21.7 × 8.7 in). The s...

Medium: Acrylic on aluminum with recessed float-frame Eric Moore's story doesn't start like many established artists. Unlike many of his artistic peers, Moore has not been drawing a...

Jean-Louis Corby was born in 1951 and was predominantly influenced creatively by the 1970s. The 1970s were a period of consolidation and growth in the arts, most often characterised ...

Chris Wood’s "Scabious" is a dichroic glass light sculpture that radiates a mesmerizing interplay of color, light, and movement. The circular arrangement of glass elements reflects a...

2017, Unique edition Stainless steel polished 66 9/10 × 39 2/5 × 39 2/5 in - 170 × 100 × 100 cm The artwork is signed by the Artist , carved with edition number and date The artwork ...

Textiles, acrylic paint and metal on wooden panel Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Inte...

Bronze sculpture of a wild mustang horse created by American artist Arnold Goldstein. This artwork has the signature and numbering inscribed. Numbered...

MEL RAMOS (1935-2018) Dita 2017 Cast and polished stainless steel 58 x 33 x 26 cm 22.83 x 12.99 x 10.24 inches Number 29 of 60, Edition of 60 + 6 A.P. Cast signature and number on b...

Italian-born American artist Harry Bertoia (1915-1978), is a noted sculptor and modern furniture designer. He is arguably one of the most successful creative forces hired by Florence...

Samuelle Green’s work has always been multidisciplinary. Throughout all her mediums; painting, drawing, sculpture, and installation, there is a common thread of subject matter – that...

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

Framing available. A stunning powerful photograph. Tom Millea was known for his exceptional platinum printing. Loose print.Signed. 8x12" pigment print

Archangel Saint Michael after an icon from Constantinople of the 14th Century. Artist: Oliver Samsinger Technique: Egg tempera on gesso and wood, with application of gold leaf Dimens...

Charon's Steel Styx Passage, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a ...

On NFTs. Art Edition No. 1–100, Osinachi ‘The Other Pool Day’ NFT; pigment print on Hahnemühle paper, 18.2 x 24.9 in., numbered and signed by the artist; hardcover volume in stainles...

"Cat's Cradle" is a limited edition sculpture created by Bill Starke depicting a figure playing with string. About the artist: Human beings interacting, colliding, cooperating, striving, & achieving are the themes I wish to portray in my sculptures. My observations on the human condition are meant to be both humorous and thought provoking. Bill Starke's "Free Man" is everything that good art should be: technically superb, brilliantly composed, emotionally powerful and visually arresting... like George Stubbs, the 18th century English master...

I first realized my love for visual storytelling when I began producing and directing television shows. Starting with the writer’s script, my palette was everything seen through the ...

Belle Main (Les mains libre) is a bronze sculpture realized by Man Ray in 1971. Signed with initials and numbered on the base. Cast by Fratelli Barberis in Turin for Luciano Anselm...

The Worry This series began in reaction to photos of politicians and world leaders during any number of the current world crises. As news cycles proliferate, these images swirl past ...

"Man" by Isobel Folb Sokolow Welded steel, found metal, automotive metal, welding rod Sokolow directly welds found metals creating both purely abstract and abstract figurative indoo...

After Michel Anguier French 1612-1686 Amphitrite Bronze This remarkable bronze masterpiece was cast after a High Baroque masterwork by French sculptor Michel Anguier. After traini...

Giulia a cavallo, or Julia on a horse, is a striking bronze sculpture featuring a stylized, elongated nude female figure seated atop a horse, embodying an essence of surreal simplici...

Man Ray was a American avant-garde artist and leading figure in the Dada and Surrealist movements. Conceived in 1921, Cadeau is from an edition of 5000, each signed and numbered with...