Metal Art

Pradip Mondal - Nature (II) - 15 x 15 inches Medium - Wood & Bronze Single edition. About the Artist and his work : Born : 1977 in West Bengal. Education : 2001-02 : BVA (Modellin...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Enchanted, Size: 19" x 24" x 4'' inch, ...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Electric, Size: 19" x 24" x 4'' inch, 48x61x...

Artist: Ellen Brenner-Sorensen Title: Untitled II Year: 1992 Medium: Bronze Sculpture, signature and number inscribed Edition: 3/9 Size: 34 in. x 16 in. ...

A large, dramatic abstract oil painting by Contemporary artist Bill Hewes. William (Bill) Hewes is an American self-taught artist. Hewes was born in Easthampton, Massachusetts in 1957. Before becoming an artist in 2012 Hewes worked in the building trades for 40 years and often uses the skills learned from his tradesman work within his artwork. Hewes paints in the Action/Drip style, even building his own spinning table...

"The Archangel Gabriel", after a 10th‑century icon from the Hilandar Monastery on Mount Athos Artist: Oliver Samsinger. Technique: Egg tempera on gesso and wood, with gold leaf appli...

Rebecca Skinner’s “Industrial Beauty” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The color photo portrays an a...

This incredible work comes with a COA. The work is currently framed in a new acid free mat and the original 1969 silver metal frame, but new framing is available included in the pric...

A unique painting and screenprint on canvas by Russell Young. "Knockin on Heavens Door" is a contemporary Pop Art acrylic paint, oil based paint, and enamel artwork by UK artist Ru...

Takuro Kuwata 桑田卓郎 Shino Bowl with golden and kairagi glaze Takuro Kuwata's Shino bowls are a modern, avant-garde reinterpretation of traditional Japane...

Eugenie Gershoy (January 1, 1901 – May 8, 1986) was an American sculptor and watercolorist. Eugenie Gershoy was born in Krivoy Rog, Russia (Krivoi Rog, Ukraine) and emigrated to New York City in the United States as a child in 1903. Considered somewhat of a child prodigy, Gershoy was copying Old Master drawings at the age of 5. Her interest and talent in art was encouraged from a very young age. Aided by scholarships, she studied at the Art Students League under Alexander Stirling Calder, Leo Lentelli, Kenneth Hayes Miller, and Boardman Robinson. Around this time, she created a group of portrait figurines of her fellow artists, including Arnold Blanch, Lucile Blanch, Raphael Soyer, William Zorach, Concetta Scaravaglione, and Emil Ganso, which were exhibited as a group at the Whitney Museum of American Art. At age 17, she was awarded the Saint-Gaudens Medal for fine draughtsmanship. Early in her career she became an active member of the Woodstock art colony. In Woodstock she experimented by sculpting in the profusion of indigenous materials that she found. Working with fieldstone, oak and chestnut, Gershoy created works based on classic formulae. As she became more interested in the dynamism of everyday life, she found that these materials and her idiom were too restrictive. By the time Gershoy came to Woodstock in 1921 her own individual artistic style was already evident in her sculptures. Eugenie Gershoy worked in stone, bronze, terracotta, plaster and papier-mache. Gershoy’s sculptures were mainly figurative in nature and many of her artist peers such as Carl Walters, Raphael and Moses Soyer, William Zorach and Lucille Blanch, became her subjects. Eugenie Gershoy’s works on paper should not be overlooked. She was the winner of the Gaudens Medal for Fine Draughtsmanship at the tender age of 17. Gershoy married Jewish Romanian-born artist Harry Gottlieb. In the late 1920s and early 1930s, the pair kept a studio in Woodstock, New York. There, Gershoy was influenced by sculptor John Flanagan, who lived and worked nearby. From 1936 to 1939, Gershoy worked for the WPA Federal Art Project. She collaborated with Max Spivak on murals for the children's recreation room of the Queens Borough Public Library in Astoria, New York. She developed a mixture of wheat paste, plaster, and egg tempera, which she used in polychrome papier-mâché sculptures; she was the only New York sculptor to work in polychrome at this time. She also designed cement and mosaic sculptures of animals and figures to be placed in New York City playgrounds. Alongside others employed by the FAP, she participated in a sit-down strike in Washington, DC, to advocate for better pay and improved working conditions for the projects' artists. Gershoy's first solo exhibition was held at the Robinson Gallery in New York in 1940. She moved to San Francisco in 1942, and began teaching ceramics at the California School of Fine Arts in 1946. In 1950, she studied at the artists' colony at Yaddo. Gershoy traveled extensively throughout her life. She visited England and France in the early 1930s, and worked in Paris in 1951. She traveled to Mexico and Guatemala in the late 1940s, and also toured Africa, India, and the Orient in 1955. In 1977, Gershoy dedicated a sculpture to Audrey McMahon, who was actively involved in the creation of the Federal Art Project and served as its regional director in New York, in recognition of the work McMahon provided struggling artists in the 1930s. Gershoy's work is in the collections of the Whitney Museum of American Art, the Metropolitan Museum of Art, and the Smithsonian American Art Museum. Her papers are held at Syracuse University Grant Arnold introduced her to lithography in 1930 and Gershoy depicted many scenes of Woodstock artists and their daily activities through this medium. From 1942 to 1966 Gershoy lived and painted in San Francisco where she taught at the San Francisco Art Institute. She traveled extensively, filling sketchbooks with scenes of Mexico, France, Spain, Africa and India. During her later years Eugenie Gershoy returned to New York City and concentrated on numerous well received exhibitions. Her last exhibition in at Sid Deutsch Gallery included many of the sculptures that were later exhibited in the Fletcher Gallery. John Russell, former chief critic of fine arts for the New York Times, writes about the 1986 Sid Deutsch exhibition: “As Eugenie Gershoy won the Saint-Gaudens Medal for fine draftsmanship as long ago as 1914 and since 1967 has had 15 papier-mache portrait figures suspended from the ceiling of the lobby of the Hotel Chelsea, she must be ranked as a veteran of the New York scene. Her present exhibition includes not only the high-spirited papier-mache sculptures for which she is best known but a group of small portraits of artists, mostly dating from the 30’s, that is strongly evocative.” Eugenie Gershoy is an artist to take note of for several reasons. She was a woman who received great awards and recognition during a time when most female artists were struggling to hold their own against their male counterparts. As a young girl she won a scholarship to the Arts Student League where she met Hannah Small...

Rebecca Skinner’s “Erosion #4” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The textural beauty is natures own art form. The 16 x 24 inch black and whi...

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

Matt Devine 1763 Study #1 Steel w/ Powdercoat on Marble Base (Indoors Only) 24" x 10" x 8" Matt Devine is a self-taught sculptor working with steel, aluminum and bronze. Born and r...

Shipping costs on request Beautiful contemporary oxidized sheet steel Garden Wall or privacy screen. With this garden wall you'll conjure up an atmospheric ambience in your garden. I...

Ivan Markovic transports viewers into a world of technicolor with this collection of works inspired by Bernini's angels. Markovic's life in Rome brought him to walk across the Ponte ...

HIPPOLYTE FRANÇOIS MOREAU French, (1832-1927) Bronze sculpture of Two Beauties The base inscribed H. Moreau, surmounted on a green marble base. ...

Rebecca Skinner’s "Trolley Car #3309" is part of her "End of the Line" series taking us back to the days of riding the railways and trolleys for transporta...

Extraordinary outdoor garden torch for your garden. Customization possible and designed in 2010. Also available to order in stainless steel. We produce t...

Bronze on a slate composite base Unique variation Stamped with monogram signature and uniquely numbered 921B The natural bronze edges are finely rubbed before lacquering for protecti...

"At the Water" is a larger free-standing bronze sculpture, suitable both for the inside and outside. Edition 18, signed, numbered and dated on the bottom. Certificate. The sculptress Susanne Kraisser is to be considered as part of the great modern figurative tradition. She was born in 1977 in Rosenheim, Southern Germany. She studied both at the Academy of Fine Arts Nuremberg and the University of Arts in Bremen. She graduated with distinction in 2007 in Nuremberg and received her Diploma with distinction in 2008 in Bremen. She has won numerous awards and exhibits nationally as well as internationally. Artist Statement: For me, sculpture is particularly shape and material, volume and size, space, movement and statics. I focus on the ‘female body’, presenting it either as an intimate miniature or on a monumental scale – each time as a solitary figure. In terms of content, my work focuses on identifying and combining polarities, such as instability and strength, fragility and solidity, activity and passivity, movement and statics, balance and volume, and dependence and autarchy. I work predominantly with the materials bronze, aluminium and wood. The small miniatures are made from wax and are then cast in bronze as part of what is known as the wax smelting process. Large-scale pieces are similarly cast in aluminium or created directly out of wood. The various work processes and tools determine the appearance of the surface; for wax, it’s my hands, and for wood, it’s my chainsaw. Each material is a new challenge for me. My previous wood-sculpting studies involved respecting the material’s limits to create craft of solid quality in keeping with the material. But this is where the intense discussion and its limit become clear. I fight with the material, and a lot of things go wrong. It becomes my opponent, whose limits I test out and reset if necessary. Cautious movements requiring a lot of physical tension are maintained without losing their inner dynamics. Amidst the often harmonious external form is a harsh dissonance evidenced by the rough, fragmented design...

The piece is part of a series loosely based on figurines I have come across in vintage shops, the figures often being moulded in one with the base, I thought it would be fun to do on...

Rebecca Skinner’s “Stair Detail” was photographed at an abandoned asylum and is part of her “Forgotten” series raising mental health awareness. The 20 x 30 inch photo with satin fini...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

This 19th-century French patinated bronze, after François-Joseph Bosio, depicts a young King Henry IV in detailed Renaissance attire. Standing 31 cm tall (37.5 cm with its rouge marb...

In 2023, Charles Lutz unveiled a series of new stainless steel sculptures based on Ruba Rombic glassware at Frank Lloyd Wright's Fallingwater, as part of his installation titled Mod...

The Herons, pair of chiseled bronze subjects, the body with a green patina and the head with a purple patina, 1960s-1970s. The two herons or storks are presented in different attitud...

Medium: found aluminum cans, copper leaf, wire Ships with installation template and loaner tool kit. Installation can be arranged with JONATHAN FERRARA GALLERY. PAUL VILLINSKI has...

An edition of the famous ‘Balloon Rabbit’ After Material: zinc alloy. Comes with its original box and certificate of authenticity. From a Limited Edition of 500, unique number eng...

Gary Hume Snowman 2006 18-karat white gold on 20-inch chain with artist’s display stand 16 x 12 x 12 inches; 41 x 30 x 30 cm Edition of 25 Stamped with artist's initials, hallmark, m...

The Griffin Marco. Patinated bronze. Marble base. Signed and titled. Charles Valton was a French sculptor known for his works created in the animalier style, a 19th-century movement ...

Colin Webster-Watson (1926, Palmerston North, New Zealand – 2007, Eastbourne) Sculpture portrait of a head, This appears to be a native New Zealander, A Maori Warrior. It is not numb...

Cuba Salsa is a bronze sculpture with green patina, it is connected to a steel base. The edition size is 7. The sculpture will be shipped in wood crate to render maximum protection d...

Artist: David Jaworsky, American Title: Attitudes Year: 1991 Medium: Blown Glass and Bronze with a Marble Base Size: 31 x 20 x 24 in. (78.74 x 50.8 x 60.96 cm) Base: 16 x 2 x 16 ...

ROJO #1 is dominated by the richness of the red in the oil paint on the canvas. The perfectly geometric gold leaf circle, a recurring visual element in Yuri's works, contrasts nicely...

Anonymous, Sun God Ra (bookend), 16 x 13.5 x 6 cm (depiction), 17.5 x 13.5 x 8 cm (with pedestal), patinated brass, c. 1935. - Nose slightly rubbed, otherwise very good condition ...

18th Century Italian oil on copper portrait in the style of Raphael. Excellent condition.

An oil on copper painting. Risveglio, meaning "Awakening" in Italian, is a fitting title for this representation of spring blossoming outside the artist's window in her Tuscan farmho...

Block VIII is a bronze sculpture by contemporary artist Delphine Brabant, dimensions are 23 × 20 × 16 cm (9.1 × 7.9 × 6.3 in). The sculpture is signed and numbered, it is part of a ...

Sculpture - original. Numbered 1/4. Founder GODAR. Born in 1960 in a family of artists collecting the bronzes of the Italian Renaissance, sculpture has always been part of the en...

The base marked "A. Mercie" and "506 F. Barbenienne, Fondeur, Paris" ad "A. Collas" "Reduction Mecanique." The dazzling David, a prolific subject amongst sculpture artists beginning...

Rebecca Skinner’s “Burned Out” is a 20 x 30 inch black and white image of an abandoned theater with decayed, empty seats and a deteriorating ceiling, symbolizing forgotten history an...

This extraordinary garden torch "Nature Crown" on oxidised oak pedestal is a real eye-catcher for your house or garden. The included burner already contains individual lava stones, ...

A colourful, unique and vivid poured enamel painting on canvas. Framing on request.

A cheerful and luminous still life painting of a bouquet of yellow roses, a blue pot, and red drapery, masterfully executed by A. D. Greer (American, (1904 - 1998), in oil on canva...

Louis Ernest Barrias (French 1841-1905) Nature Revealing Herself La Nature se dévoilant devant la Science Gilt, and silver patinated bronze with blue glass scarab Signed on base “E...

A limited edition nickel plated, reflective steel sculpture. Edition 5/7.

Sand-cast glass, steel mesh, silver mesh, and metal. 60"H x 45"W x 20"D Yasemin Aslan Bakiri specializes in sand-cast glass techniques using ideas relating to the natural world...

This abstract boat wall sculpture by Danish artist, Jane Balsgaard, is constructed with iron, bamboo, willow, fishing line and handmade plantpaper...

Ernani Silva, Brazilian - Six Figures, Medium: Acrylic, Collage and Enamel on board, signed in marker lower left, Size: 9.5 x 21 in. (24.13 x 53.34 cm)

Diva Suite (Diva I & Diva II). Embossed serigraphs with foil stamping on paper. Each hand signed lower right by Erte. Each hand numbered 135/300 lowe...

An exquisite figural bronze mantel clock with Putti leaning on clock face which sits on a fluted column draped in garlands and fabrics. Sitting on a r...

Volo Standing Male Nude Sculpture Figure Bronze Boy - Volo is a standing male nude figure in bronze, a boy reaching, in brown patina. This sculpt...

Artist: Nili Carasso Title: Family Year: circa 2001 Medium: Pair of Bronze Sculptures on Base, signature and numbering inscribed Edition: 2/25 Size: Man: 11 x 7 x 4 inches ; Woman: 1...

Nayla Saroufim’s contemporary sculptures translate optimism into form. Her works feel playful at first glance, then quietly persistent the longer you live with them. Working in metal...

Ben McLeod (b. 1948, Aberdeen, Scotland) is a preeminent Canadian sculptor whose over five-decade practice is characterized by a profoundly self-propelled trajectory and the cultivat...

Train Engine Folk Outsider Art Deco Assemblage Found Objects Contemporary Statue Actual Dimensions: 8.75 X 19.75 X 5.75 inches Michael Riley (Mike Riley) (American, born 1957). A model train engine statue in mixed media. Metal, wood, and other elements. An Art Deco Moderne style design produced from found objects, including garden hose fitting, sliding door track, trombone instrument counter weights, flute instrument...

Lorri Acott is a critically acclaimed American sculptor whose impressionistic figurative works are held in prominent private and public collections throughout the United States and a...

Discourse II Sculpture Bronze Head Portrait Cubism Abstract In Stock Junghans (1956, Recklinghausen) creates abstract sculptures in stone, wood and bronze, mostly torsos and primal ...

A bronze sculpture by Bruno Luna from 1990. A miniature scene of a roulette table populated by Botero-esque rotund figures. Artist: Bruno Luna, Mex...