Art by Medium: Monoprint

Unearthed III Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including...

The View Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including acry...

Ancient Symbols Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, includi...

Margaret Roleke has created the sculpture “Pop,pop” specifically for the Las Gravitas exhibition at ODETTA. The title refers both to the fun and colorful hues of the piece that pop ...

Margaret Roleke's work explores sensationalism, consumerism and the crazy contradictions and relationships that develop when popular culture mixes with war and religion. The Trump presidency has pushed her to be further involved as a political activist and artist. Many new pieces deal with protest and resistance. But the major theme which she has been exploring for several years is gun violence. Using spent shotgun shells and brass, as well as, paper targets in much of her work, from a distance the viewer is not sure what these colorful spent shotgun pieces are. Only upon closer examination does one realize that they are actually made from spent bullets. The environmental plastic waste is also an issue she explores in her work. A percentage of all of Roleke's sales are donated to organizations that work for gun control. Roleke's new silkscreens and cyanotypes deal with the issues of putting families in cages, and the dismantling of the ideas of life, liberty and justice for all...

At our gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Auth...

Color monoprint Red Grooms is a painter, sculptor, printmaker, filmmaker, and showman par excellence. His major installations, “Ruckus Manhattan”, “The City of Chicago”, and “Tut’s Fever” have stretched the boundaries of sculpture and painting and excited the imaginations of thousands of viewers. Red Grooms and Master printer Bud Shark began their many print collaborations in 1981 with “Mountaintime”, followed in 1982 by their first three-dimensional lithograph, “Ruckus Taxi”. The range of prints produced by Grooms and Shark include `flatsos’, flat-color lithographs, like “Elvis” and “Van Gogh with Sunflowers”, three-dimensional lithographs, “London Bus”, “Little Italy” and “Times Square”, three-dimensional lithographs with moving parts, “Red’s Roxy”, and “Holy Hula”, woodcuts, “Noa Noa...

This artwork titled "Night Passage" 1994 is in an original color monoprint on paper by noted American artist Pia Stern, b. 1953. It is hand signed, dated and...

This artwork titled "Acropolis Dream I" 1994 is in an original color monoprint on paper by noted American artist Pia Stern, b. 1953. It is hand signed, dated...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Mary Church Terrell Life Cycle, monoprint with Chine collé, 27 x 20 inches, 2018 (1863 – 1954) Born in Memphis, Tennessee, Mary Church Terrell was a well-known author and activist for equal rights. Terrell’s parents were freed slaves who grew to become financially successful. A part of a rising African-American upper middle class, Terrell used her position to campaign for racial equality and women’s suffrage. I In 1884, she graduated from Oberlin College...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. The Spirit of Hope (Alice Paul) One of the prime dedicated vocal leaders of the women’s suffrage movement in the twentieth century, Alice Paul actively campaigned for the passage of the 19th Amendment...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Mary Church Terrell Over Time, monoprint with Chine collé, 27 x 20 inches, 2018 (1863 – 1954) Mary Church Terrell Life Cycle, monoprint with Chine collé, 27 x 20 inches, 2018 (1863 – 1954) Born in Memphis, Tennessee, Mary Church Terrell was a well-known author and activist for equal rights. Terrell’s parents were freed slaves who grew to become financially successful. A part of a rising African-American upper middle class, Terrell used her position to campaign for racial equality and women’s suffrage. I In 1884, she graduated from Oberlin College...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Anna Julia Cooper, monoprint with Chine collé, 27 x 19 3/4 inches, 2020 1858-1964 An educator, administrator, and social reformer, Anna J. Haywood Cooper was born a slave in Raleigh, North Carolina, and spent fourteen years fighting to gain access to Latin and Greek classes reserved for men at St. Augustine's Normal School and Collegiate Institute, from which she graduated in 1877. She married the Reverend A. C. Cooper at St. Augustine's, where each taught, but after his death in 1881, she began the second phase of her education at Oberlin. That year she joined Mary Eliza Church (Terrell) and Ida A. Gibbs Hunt in the "gentleman's" collegiate course and graduated in 1884. One of the pioneer African-American women who earned a B.A., she returned to Oberlin for an M.A. in Mathematics, which she received in 1887. Continuing her trailblazing for race and gender issues, Cooper wrote the feminist manifesto, A Voice from the South, spoke at feminist and educational conferences, and achieved many honors such as membership in the American Negro Academy. She was a leader in the National Association of Colored Women. Aligned with DuBois's philosophy, she spoke at the 1900 Pan African Conference in London, arguing for self-determination for African-Americans and an end to colonialism in Africa and apartheid in South Africa. Anna Cooper received a Ph.D. at the Sorbonne in 1925 after a decade of study while she also maintained a full-time teaching load. Her thesis was on French policies during slavery. She had been shaping Frelinghuysen University in Washington, D.C., an interdenominational Bible college, and became its president in 1930, at the age of 72. She died in 1964 at the age of 105. In preparation for this ongoing series the artist received images from Legacy Magazine’s photo archive of 19th Century women writers, understanding that she’d obtain permission from each source to use the photos in her artworks. Permissions were received and she began the series in 1992. The Harvard/Radcliffe Schlesinger library then offered Suzanne access to relevant microfiche images that were employed in subsequent works. In addition, the library exhibited the in 1992. The collector Vivien Leone purchased and donated one to the library, and the library subsequently purchased two more. The Women’s Rights Historical Park in Seneca Falls, NY, exhibited the growing series in 1995 during the 75th anniversary of women’s suffrage. The Oberlin College...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Antoinette B Blackwell in the Blue Circle, monoprint with Chine collé, 9 3/4 x 7 3/4 inches, 1996 (1825 –1921) Reverend Antoinette Louisa Brown Blackwell graduated from the Ladies¹Department in 1847 and returned to Oberlin to take theology courses, having been denied the right to participate as a member of the Theological Department.  When she completed the course of study in 1850, she was also denied ordination and recognition at commencement, but in 1853 was ordained in her home church in Butler New York and, despite Oberlin Collége...

Patty deGrandpre’s “Landlocked (Recreation)” is a 16.25 x 10.875 inch unique mixed media abstracted landscape print represented on Awagami Bamboo Japanese paper utilizing both print...

Komar and Melamid (Vitaly Komar and Alexander Melamid), Russian (1943/5 - ) - The Double Revelation / Car, Year: 1990, Medium: Screenprint Monoprint with hand coloring, Image Size:...

Komar and Melamid (Vitaly Komar and Alexander Melamid), Russian (1943/5 - ) - The Double Revelation / Car III, Year: 1990, Medium: Screenprint Monoprint, signed, titled and dated i...

Komar and Melamid (Vitaly Komar and Alexander Melamid), Russian (1943/5 - ) - The Double Revelation / Car I, Year: 1990, Medium: Screenprint Monoprint, signed, titled and dated in ...

Leslie Machinist, American (1957 - ) - Prisoner III, Year: 1989, Medium: Monotype Etching with Aquatint on T.H. Saunders, signed and dated in pencil, Image Size: 24 x 19 inches, S...

Monica DeSalvo’s “Up-sun-down” is a surreal mixed media collage over a digital inkjet photo montage printed on Yupo paper. The abstract montage of blue, tan, sage green, yellow, and ...

Monotype, on a page from an 18th century Antiphonaire (The antiphonary is a Catholic liturgical book gathering the Gregorian scores of the hours canoniales). This unique piece on ant...

Ceravolo's just completed Mono Print with iridescent acrylic hand work is titled "PURPLE POW" with Yellow burst. based on his "Batman and the Movie Star" original painting on canvas. This canvas measures approx. 28x39" framed. Ceravolo has created several unique monoprints based on his "Batman and the Movie Star" painting all with different "POW" and burst colors. This one is Purple POW with a Yellow burst. All of these monoprints have an iridescent Bat Signal in the sky hand painted by Ceravolo.. One of The Hampton's most popular urban Pop artists Ceravolo's work has been exhibited alongside Andy Warhol and Peter Max for years, his paintings are collected by Elton John, Rod Stewart, and Alice Cooper among others. He has been call the "Rock and Roll Painter" and "Painter of the Stars of Rock" by the media. This Monoprint features Batman driving his Batmobile with a sultry Movie Star sitting next to him while at the same time there is a "Bat Call" signal in the night sky signaling him that there is a need for his help in Gotham City. Along with those two distractions the gopher "G" is standing next to Batman on the side of the Bat Mobile. While this is all going on Batman is thinking...."I must concentrate on driving" Maybe this is a typical night for Batman in Gotham City. We have included in this listing an image of Ceravolo with some of his famous collectors. His paintings can be found in many influential corporate and private collections, including: ELTON JOHN, ROD STEWART, PETE DAVIDSON, GRANT CARDONE, HUGH M. HEFNER, DAVID BRENNER, MONIQUE VAN VOOREN, WARNER BROS., RCA RECORDS AND SCHENLEY INDUSTRIES to name a few. Ceravolo's art came to popular attention when he was commissioned to create five large scale paintings for the lobby of The Palladium Theatre in New York City of Jackson Browne, Linda Ronstadt, Frank Zappa, Neil Young and Hall and Oates.

Vibrant abstract monoprint by Karen Pugay (American, b. 1960). Highly saturated, almost day-glow colors are layered to create deep, richly colored shapes. The abstract shapes hint at...

Monica DeSalvo’s “Cochlear Conundrum” is a 16 x 20 mixed media collage with blue, yellow, and turquoise monotype fragments printed on vintage paper, a ruled xerox report with black type, a white conch...

"Joe Pye Weed" by Deirdre Murphy is a framed, one-of-a-kind monoprint with collage (chine collé - applied Japanese colored Gampi papers) in a range of lemon yellows on archival paper...

Erica #1, 2018 Hand embellished monoprint on canvas 25 3/5 × 21 7/10 in 65 × 55 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...

Phillip K. Dick, 2018 Hand embellished monoprint on canvas 21 7/10 × 17 7/10 in 55 × 45 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...

Blond Sophia #1, 2018 Hand embellished monoprint on canvas 47 1/5 × 35 2/5 in 120 × 90 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid A...

This is a beautiful whimsical original butterfly painting on watercolor paper, currently floated on a matboard, ready to be frame. Painting does not include frame. One of the Owls fr...

Portraits of Androids, Blond Sophia #1, 2018 Hand embellished monoprint on canvas 47 1/5 × 35 2/5 in 120 × 90 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...

Aibo 4th Generation, 2018 Hand embellished monoprint on canvas 21 7/10 × 29 1/2 in 55 × 75 cm Sophia’s Safehouse in an Uncanny Valley examines the rece...

Artist Commentary: “Collage is the exploitation of the chance meeting of two distant realities on an unfamiliar plane… and the spark of poetry that leaps across the gap as the two r...

Rebecca Baird, Canadian (1954 - ) - Honour This land, Year: 2003, Medium: Monoprint screenprint with hand coloring, signed, numbered and dated in pencil, Edition: 1/1, Image Size:...

Rebecca Baird, Canadian (1954 - ) - Honor the People and the Sand, Year: 2003, Medium: Monoprint Screenprint with hand coloring, titled in color pencil, Edition: 1/1, Image Size: ...

Rebecca Baird, Canadian (1954 - ) - Honour II, Year: 2003, Medium: Monoprint screenprint with hand coloring, signed, numbered and dated in pencil, Edition: 1/1, Image Size: 29 x ...

Signed and numbered 1/1. Medium: encaustic collagraph monoprint Year: 2011 Image Size: 11 x 9 inches a richly textured encaustic collagraph by Elise Wagner, an artist known for merg...

Unique monoprint from Collision Transit Study suite. Medium: encaustic collagraph monoprint Year: 2011 Image Size: 11 x 9 inches Elise Wagner painter, printmaker, and teacher, is a ...

Medium: intaglio with monotype background Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prints tak...

Medium: intaglio with monotype background Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prints tak...

New for 2018 we are please to present Ceravolo's "Alphabet Series" of iconic portraits. Ceravolo has been a master of creating intriguing portraits of iconic personalities for more t...

Medium: intaglio with monotype background Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prints tak...

Medium: intaglio with monotype background Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prints tak...

Medium: intaglio with monotype background Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prints tak...

Medium: Intaglio (etching, acquatint, monotype) Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prin...

Medium: intaglio with monotype background Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prints tak...

Deconstructed and cropped images of a picnic table, a lawn chair, flowers, and a pineapple upside cake are represented in Patty deGrandpre’s 12 x 12 inch contemporary mixed media monoprint titled “Picnic”. Hues of vivid red, yellow, blue, and black both contrast and compliment in this dynamic abstracted pictorial. Embracing both experimental printmaking and creative photography, applications of block printing ink and digital inkjet are skillfully multi layered onto Red River photo...

"Untitled," Monoprint on Paper, 29 x 21 Inches This monoprint has a very sophisticated sensibility in that it is purely abstract yet the mark making was inspired by the artist's sta...

Liu Jian, Chinese (1961 - ) - LXXXV, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist mono...

Liu Jian, Chinese (1961 - ) - LXXXIX, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist mon...

Liu Jian, Chinese (1961 - ) - LXXXIII, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist mo...

Liu Jian, Chinese (1961 - ) - LXXXI, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist mono...

Liu Jian, Chinese (1961 - ) - LXXX, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist monop...

Liu Jian, Chinese (1961 - ) - LXXVIII, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist mo...

Liu Jian, Chinese (1961 - ) - LXXVI, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist mono...

Liu Jian, Chinese (1961 - ) - LXXVII, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist mon...

Liu Jian, Chinese (1961 - ) - LXXV, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist monop...

Liu Jian, Chinese (1961 - ) - LXXIX, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist mono...

Liu Jian, Chinese (1961 - ) - LXXIII, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist mon...

Liu Jian, Chinese (1961 - ) - LXVII, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist mono...