Art by Medium: Neon Light

Raymond Graber's celestial light sculptures transform the sense of perception, challenging the human eye’s sense for scale and time with a transcendenta...

Raymond Graber‘s celestial light sculptures transform the sense of perception, challenging the human eye’s sense for scale and time with a transcendenta...

New York YP x Keith Haring Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 52 x 52 cm Condition: Brand new...

racey Emin, in full Tracey Karima Emin, (born July 3, 1963, Croyden, Greater London, England), British artist noted for using a wide range of media—including drawing, video, and installation art, as well as sculpture and painting—and her own life as the subject of her art. Her works were confessional, provocative, and transgressive, often portraying sexual acts and reproductive organs. Critics were seldom lukewarm in their response to her. Like Damien Hirst and Sarah Lucas, she was considered one of the YBAs (Young British Artists; also known as the BritArtists) who came to prominence in the 1990s. Emin and her twin brother, Paul, were born to an unwed mother. Their father, who was married to someone other than their mother, was a Turkish Cypriot. Emin grew up in the seaside resort town of Margate. She dropped out of school at age 13 and moved to London at 15. Two years later she attended Medway College of Design (now part of the University for the Creative Arts), Rochester, where she studied fashion. She was accepted without a secondary-school certificate at nearby Maidstone College of Art (also now part of UCA) and earned a fine-arts degree in 1986. Thereafter she obtained a master’s degree in painting (1989) from the Royal College of Art in London. In 1993, in the former London borough of Bethnal Green, Emin and fellow artist Lucas opened a store where they sold their own handmade items. One of Emin’s earliest exhibitions took place in 1993–94 at the influential White Cube gallery on Duke Street (1993–2002). That show, ironically titled “My Major Retrospective,” gave a hint of things to come. It displayed personally significant artifacts from Emin’s life, such as a hospital bracelet and personal correspondence, in addition to a quilt on which she had stitched the names of family members and notes to them. In 1994 Emin undertook a U.S. tour of performance art for which, sitting in her grandmother’s chair...

Using the institutionalized structure of road signage as inspiration, artist Scott Froschauer’s, START surprise and delight viewers by replacing the traditionally negative and coerci...

Artist: Brainwash, Mr. Title: Life is Beautiful Date: 2023 Medium: Neon, stenciland mixed media on canvas in a plexi box Unframed Dimensions: 30" x 30" Signature: Signed by Art...

Untitled (Head) YP x JM Basquiat Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 50 x 58 cm Condition: Bra...

This piece is offered in the following colors: White, ruby red, coral pink, violet, turquoise, emerald green, promo blue and light blue. When ordering please mention the desired colo...

PEZ Dispenser YP x JM Basquiat Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 40 x 50 cm Condition: Brand...

Yellowpop after Andy Warhol Neon Flowers lighted Wall Hanging/Sign, 2022 Neon flex material, consisting of PVC or Silicon piping with LED lights mounted on a recycled acrylic board Edition 258/500 (numbered on COA) Box is plate signed; accompanied by official numbered COA authorized by the Warhol Foundation...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

Artist: William Landwehr (American, b. 1941) Title: Yellow is the Color of my Dead Bird's Tail Year: circa 1980 Medium: Mixed Media Construction with Neon Size: 68 in. x 63 in. x 8 i...

Rolling Risky Red 2022 Acrylic and aerosol on hand strips of Coventry rag archival paper. About RISK: RISK (Kelly Graval) (b. 1967) was one of the first artists to exhibit graffiti and street art in galleries. With a background in fine art, Graval has a style defined by cleanly executed lettering paired with graphic imagery and architectural lines. He has participated in a number of street art crews, most famously West Coast Artists (WCA) and the Seventh Letter. In the course of his nearly 30-year career, Graval has become one of the most influential figures for subsequent generations of graffiti artists, particularly in Los Angeles. He is also considered one of the first artists to have painted on freight trains, as well as a pioneer of “painting in the heavens”—a graffiti term referring to highly elevated surfaces like billboards, rooftops, and overpasses. Kelly "RISK" Graval has been synonymous with the Los Angeles art community for over 30 Years. From his early days as a founder of the West Coast Graffiti movement to gallery and museum exhibits around the globe, including the 2012 "Art In The Streets" at the LA MoCA and the hugely successful “Beyond The Streets” exhibits in Los Angeles and New York. His work is shown at top galleries in Los Angeles, San Francisco, Toronto, New York, Miami, and London. 10 Things to Know About Risk 1. He was knighted by the Medici Family 2. He was the first artist invited to paint in Michael Angelos studio in over 400 years 3. He was the first West Coast artist to paint the N.Y. Subway Trains. During summer break from high school in 1987, he hitchhiked to New York to paint Subway trains. He spent a few weeks painting trains, tunnels, and streets. He gained attention and met many of his inspirations including Lee Quinones, and Henry Chaflant 4. He was the first to paint freight trains on the West Coast and started the freight train movement. He was also the first to paint a top to bottom freight. 5. He was the first to paint freeway overpasses and signs. This later became dubbed heavens by his crewmates Wisk and Ser who went on to dominate freeway signs throughout Los Angeles. 6. He was the the first to paint full-color pieces and productions on the freeway creating the Los Angeles freeway movement 7. He won the world Graffiti Championship with partner Slick in England held in 1989 8. After winning the National Scholastics Arts Award in High School, he received scholarships to Savannah School of Arts and Design, as well as Pasadena Arts Center. He was very active in the streets and struggled to commit to school. He was arrested multiple times and spent a short stint in Los Angeles County Jail. He ended up attending the University Of Southern California Fine Arts. Risk finished art at USC despite being kicked out for painting a mural on the roof of the Fine Arts Department. He was later reinstated with a scholarship. The University went on to make a post of the mural and sent it to every High School in the United States. 9. Risk worked with too many Hollywood personalities, bands, and artist peers to mention, including Ice Cube, Red Hot Chili Peppers, Janes Addiction, Guns and Roses, Michael Jackson, and many more. Aerosmith quotes, "Risk is to graffiti what Aerosmith is to Rock and Roll." Collaborated with Ed Moses, Shepard Fairey, Ron English, Blade, Lee, Futura, Robbie Conal 10. Risk helped pioneer streetwear with his iconic Third Rail Streetwear line. The brand was incredibly successful and lasted 18 years until Risk walked away from it and sold it on his daughter's 1st Birthday...

Using the institutionalized structure of road signage as inspiration, artist Scott Froschauer’s, RELAX UR OK and ONE LOVE surprise and delight viewers by replacing the traditionally ...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her Collage Portrait Series, Amy Smith uses photography, and layers of hand cut stencils, and torn recycled fashion magazine pieces to simultaneously represent her love of fashion and her contempt for excessive consumerism. In addition, she showcases female portraits to empower and unify, creating a space to feel connected to oneself and to each other. Smith’s mixed media collages have been shown at Wallspace, Saatchi’s The Other Art Fair, La Art Fair to name a few and been part of auctions such as revered Julien’s Auctions...

Trumpet Painting YP x JM Basquiat Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 52 x 52 cm Condition: Br...

**Philip Vaughan** was raised in France by English parents and attended boarding school in England at age 9. There, he was introduced to the world of art by Gordon Taylor, a modernis...

Barking Dog YP x Keith Haring Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 50 x 30 cm Condition: Brand ...

The Crown YP x JM Basquiat Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 40 x 30 cm Condition: Brand new...

Dance Love YP x Keith Haring Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 40 x 37 cm Condition: Brand n...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

Banana YP x JM Basquiat Date of creation: 2025 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 41 x 50 cm Condition: Brand new Jean-Michel Basquiat’s banana is a recurring motif in his work that, like many of his symbols, blends humor, irony, and social critique. At first glance, it may seem trivial or even comical, but within Basquiat’s visual language it takes on multiple layers of meaning. On one hand, the banana works as a pop reference: an everyday object loaded with cultural, sexual, and even absurd connotations, echoing the tradition of pop art and artists like Andy Warhol (who, in 1967, famously turned the banana into an icon with the album cover for The Velvet Underground & Nico). Basquiat, who both admired and collaborated with Warhol, reintroduces the motif in a playful way, but with a more chaotic and visceral energy. On the other hand, the banana can be read as a critical symbol: it connects to themes of consumerism, exoticization, and racial stereotypes. The tropical fruit evokes colonial imaginaries and the economic exploitation tied to the trade of “exotic” goods in the West. By incorporating it into his work, Basquiat decontextualizes it and turns it into an emblem full of tensions—between comedy and discomfort, pop lightness and historical memory. Moreover, the way he depicts it —with energetic, almost childlike strokes, scattered words, and graphic marks— enhances the sense of immediacy and freshness, yet behind this apparent spontaneity lies a sharp reflection on identity, power, and contemporary visual culture. Ultimately, Basquiat’s banana is not just a fruit: it is a visual artifact that fuses humor, irreverence, and social critique, perfectly embodying the artist’s ability to transform the everyday into a biting commentary on the modern world. The flexible LED tube is safe and environmentally friendly, too! Set the light to the time of day with adjustable brightness. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Each sign is made of a neon flex material, consisting of PVC or Silicon piping with LED lights, that is mounted on a recycled acrylic board. These materials allow to create realistic neon signs, with bright lights and intense color, while being more durable, affordable, and sustainable than traditional neon. Sustainability is taken seriously thanks to its LED lights which consumes 6 times less energy than traditional lights, lasting up to 100,000 hours. These neon is crafted using recycled materials and 100% recycled packaging, including removing all useless plastic. ABOUT THE ARTIST Jean-Michel Basquiat (1960-1988) was one of the most influential artists of the 20th century, famous for his ability to fuse urban culture, social criticism and art history into a unique style. Born in Brooklyn, New York, to a Haitian father and Puerto Rican mother, his life and work were shaped by his multicultural heritage, the New York art scene and the social tensions of his time. Although his career was brief, his impact on contemporary art has been lasting and significant. Basquiat showed an interest in art from an early age. His mother, Matilde Andrades, took him to museums and encouraged him to draw. At the age of seven, a car accident left him hospitalized for a time, and it was then that his mother gave him a copy of the anatomy book Gray's Anatomy, which influenced his fascination with the human body and its visual representation. Despite his early talent, Basquiat's family life was turbulent. His mother was hospitalized for psychiatric problems and his relationship with his father, Gerard Basquiat, was troubled. This instability contributed to Basquiat dropping out of school at age 17 to pursue his artistic career on the streets of New York. As a teenager, Basquiat joined the New York graffiti scene under the pseudonym SAMO (an acronym for "Same Old Shit"), which he used to sign his cryptic and poetic messages on the streets of Manhattan with his friend Al Diaz. SAMO's graffiti were a mixture of philosophical and social commentary on popular culture, capitalism and religion, and soon attracted the attention of the underground art scene. In 1980, SAMO "died" when Basquiat and Diaz decided to end their collaboration, marking the beginning of Basquiat's transition from street graffiti to art galleries. Basquiat emerged as a talent to watch in 1980, when he participated in the group exhibition The Times Square Show, which included other emerging artists from New York's Lower East Side scene. That same year, he attracted the attention of critics and collectors who saw in his work an electrifying blend of street art and neo-expressionism, the predominant movement of the time. In 1981, art critic René Ricard published the influential essay The Radiant Child in Artforum magazine, which positioned Basquiat as one of the most promising artists of his generation. Shortly thereafter, he met renowned artist Andy Warhol, with whom he formed a close friendship and significant artistic collaboration. This association was instrumental in catapulting his career into the world of high art. The collaboration with Warhol was a pivotal point in Basquiat's career. The two artists, although coming from very different worlds, shared a fascination with fame and popular culture. Together, they produced a series of works that combined Warhol's pop art icons with Basquiat's raw, spontaneous style. However, this collaboration was also a source of controversy. Many critics accused Warhol of "exploiting" Basquiat, while others saw the collaboration as a creative dialogue between two genius minds. Although the criticism was mixed, there is no doubt that the relationship between the two artists helped cement Basquiat's reputation in the art world. Basquiat's style is a unique amalgam of influences. His work is characterized by the use of dismembered human figures, skeletons and internal organs, evoking the fragility of the body and mortality. Basquiat also used symbols that alluded to African-American and African history, such as crowns, masks and references to historical figures such as Toussaint Louverture. The use of text is another crucial aspect of his work. Words, phrases and numbers appeared in his paintings, often crossed out or overlapped, creating a sense of controlled chaos. These fragmented words provoked a non-linear reading of his works and conveyed multiple layers of meaning. His art also reflected his concerns about racial issues, especially the place of people of African descent in Western art history and in society at large. The crowns that Basquiat often drew on his figures were a symbol of power and resistance, a way of proclaiming himself "king" in a world that had historically excluded black artists from the upper echelons of art. In works such as The Death of Michael Stewart...

Neon, Acrylic, Aerosol, Kandy Car Paint, Crushed Abalone, Surfboard Resin on "Metallic Tissue" Panel - Recycled Spray Cans, License Plates and Road Sig...

#fahrenheit451, 2014 Neon and sheet metal 20 × 52 × 4 inches (50.8 × 132.1 × 10.2 cm) Edition 3/5 + 1AP 26 × 70 × 6 inches (66 × 177.8 × 15.2 cm) Editio...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. "Amour is Pink," a tranquil photograph by Anne Valverde, features the serene expanse of a beach at dusk, with the word 'amour'—French for love—spelled out in an understated neon script along the wet sand. The image is steeped in a quiet poignancy, where the vastness of the ocean meets the warmth of the sky, wrapping the scene in a gentle embrace. The sky is a canvas of soft pastels, where the blush of pink clouds hints at the sun's recent departure below the horizon. This celestial spectacle is mirrored by the ocean's surface, creating a symmetry that is both calming and introspective. The neon text 'amour' adds a layer of romanticism to the scene, its reflection on the wet sand doubling its presence, as if to emphasize the strength and depth of the sentiment it represents. Valverde's choice to place the text in such a setting invites contemplation on the nature of love itself—vast, enduring, and reflective of our own feelings. The beach, with its smooth sand and receding tide, suggests a place where emotions can be openly expressed and contemplated, while the encroaching night speaks to the intimacy and quietude that love often craves. "Amour is Pink" is a visual ode to the heart's landscape, where love is as expansive as the sea and as beautifully nuanced as the evening sky. It's a reminder that love, in its many forms, is a fundamental and beautiful part of the human experience, always worthy of reflection and appreciation. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

Hanibal Srouji Red Sunset, 2014 Acrylic, fire on canvas and neon in plexglas 17 5/8 x 17 5/8 x 5 7/8 in. 45.0 x 45.0 x 15.0 cm

Love People YP x Keith Haring Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 52 x 52 cm Condition: Brand ...

Brillo Box YP x Andy Warhol Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: 500 Size: 62 x 60 cm Condition: Brand new...

Dancing Man YP x Keith Haring Date of creation: 2025 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 45 x 50 cm Condition: Brand ...

Mary Jo designs all the neon as a unique piece of artwork. Each piece is hand blown glass and assembled to create a one-of-a-kind piece, which comes completely ready to install. Whit...

Mary Jo designs all the neon as a unique piece of artwork. Each piece is hand blown glass and assembled to create a one-of-a-kind piece, which comes completely ready to install. White electrical elements provide a clean look when it hangs in your home or business. Provided with each piece is a Certificate of Authenticity provided by the Artist and signed by the gallery. The neon is mounted on contoured, clear plexiglass with pre-drilled holes for easy hanging. These are for indoor use only. neon art neon art work...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

Triple Eyes YP x Keith Haring Date of creation: 2025 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 51 x 52 cm Condition: Brand ...

Mary Jo designs all the neon as a unique piece of artwork. Each piece is hand blown glass and assembled to create a one-of-a-kind piece, which comes completely ready to install. White electrical elements provide a clean look when it hangs in your home or business. Provided with each piece is a Certificate of Authenticity provided by the Artist and signed by the gallery. The neon is mounted on contoured, clear plexiglass with pre-drilled holes for easy hanging. These are for indoor use only. neon art neon art work...

Radiant Heart YP x Keith Haring Date of creation: 2025 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 70 x 70 cm Condition: Bran...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

Equals Pi YP x JM Basquiat Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 52 x 52 cm Condition: Brand new...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. "Birdy Dream," a photograph by Anne Valverde, captures the ethereal beauty of a mist-enshrouded forest, with the word 'dream' crafted in neon lights, seamlessly integrated into the landscape. Valverde's artistry is evident in her ability to blend the artificial glow of neon with the organic forms of nature, creating a harmonious tableau that whispers of the unseen and the imagined. The forest scene is alive with varying textures of foliage, dominated by the large fronds of ferns that fan out across the frame. The mist rolls through the trees like a gentle tide, blurring lines and softening the world to a palette of muted greens and grays. In this dreamscape, the neon 'dream' is both a literal and figurative illumination—a call to the magic that lies in the heart of the wild. The neon text, positioned amongst the forest floor, is like a secret waiting to be discovered, a reminder that even in the dense and tangled growth, there is space for dreams to take root and flourish. The soft light from the sign pierces the fog, symbolizing clarity and hope amidst uncertainty. Valverde's "Birdy Dream" is a tribute to the quiet strength of nature and the power of dreams to persist in even the most unlikely places. It's a visual poem that invites contemplation, asking the observer to consider the myriad of dreams that live hidden beneath the canopy, in the soul of the forest, and within us all. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

Banana YP x Andy Warhol Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 62 x 26.5 cm Condition: Brand new ...

In this new series Mercado utilizes canvas in big format as a medium to intervene Jack Delano's photographs of Puerto Rican agriculture workers he documented for the FSA in the 19...

Dollar Sign YP x Andy Warhol Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 41 x 29 cm Condition: Brand n...

In this new series Mercado utilizes canvas in big format as a medium to intervene Jack Delano's photographs of Puerto Rican agriculture workers he documented for the FSA in the 19...

Ale Jordao Half-Dome Neon Light Sculpture RIO 40 DEGREES, 2018 Diameter: 12 inches Height: 12 inches Unique Transformer: 110V Technical: Acrylic dome + iron structure + mirror b...

Faith by BATIK Oversize Neon Artwork 40x40 inches Neon LED light letters affixed to clear acrylic back Easy install to wall (fixes provided) comes with remote control various l...

Chris Bracey Let it Be 2010 48 x 22 inches Neon mounted on aluminum Edition 3 Wall mounted $17,500 Neon Artwork The Beatles Let it Be

FAITH (neon artwork) by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, se...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. In the heart of the 21st century, two young individuals proudly stand in their neon-hued attire a testament to their Igbo...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. In the heart of the 21st century, a young woman proudly stands in her neon-hued attire a testament to her Igbo Nigerian...

Using the institutionalized structure of road signage as inspiration, artist Scott Froschauer’s, RELAX UR OK and ONE LOVE surprise and delight viewers by replacing the traditionally ...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her Collage Portrait Series, Amy Smith uses photography, and layers of hand cut stencils, and torn recycled fashion magazine pieces to simultaneously represent her love of fashion and her contempt for excessive consumerism. In addition, she showcases female portraits to empower and unify, creating a space to feel connected to oneself and to each other. Smith’s mixed media collages have been shown at Wallspace, Saatchi’s The Other Art Fair, La Art Fair to name a few and been part of auctions such as revered Julien’s Auctions...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

Pink and Black Sunflower 3 18" x 7" x 7" Venetian cobalt glass, black-out glass, neon gas, transformer A hand-made ceiling-hung sculptural neon lig...

Here’s a concise 150-word description for Philip Vaughan's *Go-Go, 2021*: **Philip Vaughan** **Go-Go, 2021** Neon on white background 36 x 36 x 6 in (91.44 x 91.44 x 15.24 cm)...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her ...

Using the institutionalized structure of road signage as inspiration, artist Scott Froschauer’s, RELAX UR OK and ONE LOVE surprise and delight viewers by replacing the traditionally ...