Art by Medium: Offset

Mexico City. Archival linen backed in Grade A condition, ready to frame. The images shown are of the exact poster you will receive. The poster promotes the picturesque town of ...

Paper Size: 10.25 x 39.5 inches ( 26.035 x 100.33 cm ) Image Size: 6 x 35.5 inches ( 15.24 x 90.17 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age...

Original vintage poster: "You buy 'em We'll fly 'em!" Artists: J. Walter Wilkinson and his son Walter G. Wilkinson. (1917 - 1971). Linen backed with original WW2 U.S. military with original issued fold marks restored. Excellent condition. Touchup pinhole in the four corners. Excellent colors. Ready to frame. A flying ace pilot smiles and gives the thumbs up to the viewer to promote war bonds, saying, "You Buy 'Em, We'll Fly' Em" in this 1942 WWII poster by J. Walter Wilkinson and his son Walter G. Wilkinson. The artwork features a squadron of Douglas SBD Dauntless, which the US Navy used as scout planes and dive bombers. The seal at the bottom of the poster reads, "The More Bonds You Buy- The More Planes Will Fly." This poster is one in a series of six created by the award-winning father-son team for the United States Treasury Department. J. Walter Wilkinson (1892-1988) and his son Walter G. Wilkinson (1917-1971) created several posters for the United States Department of Treasury during the Second World War. J. Walter Wilkinson was an academic painter who studied in Italy and worked for advertising agencies in Philadelphia. He specialized in outdoor landscapes and created many commercial artworks for advertising campaigns, including Ivory Soap, Pabst Beer...

Original Einstein vintage poster. “Hair. It’s not the style that counts, it’s what’s under it.” A black and white image of Einstein with his hair messed me. Linen-backed in excellent condition, ready to frame. From a series of portraits with inspirational quotes from The Equitable Life Assurance Society of the United States. Photo from Bettmann Archive. The poster is a variation of the original photo with the quote “It’s not the style that counts, it’s what’s under it”. This quote is a play on words emphasizing substance's importance over style. The poster reminds us that actual value lies in what is inside a person rather than their outward appearance. About Equitable Life. After closing to new business in 2000, parts of the business were sold off, and the remainder of the company became a subsidiary of Utmost Life and Pensions in January 2020. The Equitable Life Assurance Society (Equitable Life), founded in 1762, is a life insurance...

Paper Size: 39.5 x 27.5 inches ( 100.33 x 69.85 cm ) Image Size: 31.75 x 24 inches ( 80.645 x 60.96 cm ) Framed: No Condition: A: Mint Additional Details: First edition Poster ...

Alekos FASSIANOS Olympic Games : The Victorious Horserider, 2004 Offset Print Printed signature in the plate On vellum 18 x 14 cm (c. 7.1 x 5.5 inch) INFORMATION: Created for the ...

JONAS WOOD Interiors, 2019 Offset lithograph in colors on wove paper Signed TWICE: Signed and dated in black marker lower right with the artist's distinctive flourish; hand signed ag...

Massimo Vitali (b. Como, Italy in 1944) is an Italian photographer based in Lucca. Vitali studied photography at the London College of Printing. He initially worked as a photojournal...

Takashi Murakami - Behold! Tis the Netherworld Date of creation: 2016 Medium: Offset lithograph with silver on paper Edition: 300 Size: 68 x 68 cm Condition: In mint conditions, bra...

Keith Haring San Francisco 1986: "Club DV8 Unveils the Keith Haring Room": San Francisco June 5th, 1986: Vintage original 1980s Keith Haring illustrated poster for Club DV8 San Francisco. During the time Haring was creating a mural for the St. Patrick's Day Care Center San Francisco, he painted several canvases to be installed above the bar at the famed Club DV8. Performance artist John Sex, whose name appears on the poster, was one of Haring's close friends. Offset lithograph. Image: 16 x 20 inches. Framed dimensions: 25 x 21 inches. Fair overall vintage condition; minor surface tear & age related wear. Framed in glass; frame in very good overall condition. Literature/Catalogue Raisonne: Keith Haring: Posters (entry 46; Prestel publishing) Further Background: Keith Haring DV8...

First printing 1978 poster from the Vintage Prints exhibition by Ben Shahn Paper Size: 22 x 15.75 inches ( 56 x 40 cm ) Image Size: 10.5 x 15.75 inches ( 27 x 40 cm ) Framed: No Con...

Jim Dine Complete Graphics poster (hand signed by Jim Dine), 1970 Offset lithograph poster (hand signed by Jim Dine) 39 1/2 × 26 inches Frame included: held in the original vintage m...

Vintage Poster Galerie Louis Carré is a lithograph and offset print realized by André Lanskoy in 1957. Good conditions except for slight cutting and foldi...

National Florida's West Coast Original Vintage Poster, linen-backed and ready to frame. Grade A condition. No restoration, no damage, no tears. Generally, posters for National Airlin...

Abstract Composition is a Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981) in the 1970s. The state of preservation of the artw...

Marina Abramović Exhibition invitation card (Hand Signed and inscribed by Marina Abramovic), 2014 Offset lithograph on invitation card (hand signed and inscribed by the artist) Signe...

Original small format poster Affiches Paul Mohr, 1932. Archival linen backed in excellent condition, ready to frame. The rare Paul Mohr posters are incredibly elusive; many have had only one remaining known copy survive. Printing method: Helio-Typo or Typelo. Before television, beautiful lithographs adorn the streets and walls of Paris and other European cities. Art for the street, art for the public. Weather and rain would destroy these works of art by renowned artists, only to be replaced. The artist: Paul Gustave Mohr, a French Avant-garde poster designer from the Art Deco period was born Sept. 4, 1890 in Ham, France and died on April 13, 1959 in Paris. He lived most of his life in Paris, and then settled in the small town of Asnieres, France, just outside of Paris. He attended the Sorbonne University, as well as several art schools. During World War I, he was a pilot in the French Army from 1914-1917. Paul Mohr married Jeanne Levy in 1917 and they had three daughters: Helene, Genevieve, and Jacqueline. As an artist, he designed advertising posters from 1920 to 1940. His posters advertised Wonder cycles, Dainty cycles, Lustucru pasta, Banania sugar, Bremsit brakes, Champigneulles beer, L'Union beer, Dubonnet wine, as well as shoes and ham. This information was provided to me by my mother, Helene Mohr Breitenbucher, who was his eldest daughter. Carol Schuler (granddaughter) Advertising posters, the affiches of Paul Mohr. This is an original advertising poster for the affiches (posters) created by the master artist Paul Mohr (1890-1959). Archival linen backed in very good condition. No stains, no tears, no paper loss. Grade A condition. Ready to frame. Compagnie Nationale des Papier, Paris. The crowd on the street looks up in amazement at the art deco-style images that the artist created. Images on the wall feature incredible image that this artist created such as Lustucru, Amer...

Vintage 1952 Vintage Motivational Poster "The First and Worst of All Frauds," Linen Backed. Grade A condition. A striking piece of mid-century motivational art, this original 1952 ...

Title: Roseville Profile Year: 1999 Medium: Offset lithograph in colors on gloss archival paper Size: 32.5 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as...

Original Type 59. Grand Prix Bugatti. Linen-backed, horizontal format, fine condition. Small format. This is an original small format type 59. Grand Prix Bugatti sports car print ...

Offset and screen print on grey paper realized by Sergio Barletta in 1973.  Not signed nor numbered, as issued. 68 x 50 cm. Very good condition. Sergio Barletta  (1934) is an I...

Original exhibition poster produced for Robert Rauschenberg’s 1970 show “Drawing and Studies for Currents” at Dayton’s Gallery 12. This striking, monochromatic design reflects Rausch...

Roy Lichtenstein for Leo Castelli Gallery is a very colorful artwork realized after Roy Lichtenstein in 1979. Mixed colored offset  on paper. This beautiful print was realized on t...

Offset and screen print on grey paper realized by Sergio Barletta in 1973.  Not signed nor numbered, as issued. Very good condition. Sergio Barletta  (1934) is an Italian cartoo...

Offset and screen print on grey paper realized by Sergio Barletta in 1973.  Not signed nor numbered, as issued. 68 x 50 cm. Very good condition. Sergio Barletta  (1934) is an I...

Offset and screen print on grey paper realized by Sergio Barletta in 1973.  Not signed nor numbered, as issued. 68 x 50 cm. Very good condition. Sergio Barletta  (1934) is an I...

Paper Size: 36 x 21 inches ( 91.44 x 53.34 cm ) Image Size: 28.25 x 16.25 inches ( 71.755 x 41.275 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional D...

Original The Beauty of Desktop Engineering on the Apple Macintosh, 1989 pop-art style poster. Archival linen backed in very good condition, ready to ...

Original Sculpture of Black Africa exhibition poster. The Paul Tishman Collection. A 1968 vintage exhibition poster. Semi-glossy poster ...

Charles Bell, American (1935 - 1995) - Gumball XV, Year: 1983, Medium: Poster, Size: 19.75 x 15.75 in. (50.17 x 40.01 cm), Publisher: The Art Group Limited, London

This vintage offset lithograph postcard features Interior with Mirrored Wall by Roy Lichtenstein, published by the Solomon R. Guggenheim Museum in conjunction with the artist’s landm...

"The Fly" by Robert Longo is a testament to the artist's skill in capturing moments of intensity and ambiguity, transforming mundane actions into profound expressions of the human co...

Original WWII poster: Food Is a Weapon Don't Waste It!. Professional acid-free archival linen backed and ready to frame. Fine condition. Food is a weapon. Don't waste it! Buy wi...

Vintage blank postcard featuring Roy Lichtenstein’s Big Painting No. 6, published by PRO LITTERIS and printed in Switzerland in 1988. This early publication captures Lichtenstein’s b...

French Tourism Advertising poster featuring a detail from the 15th Century Moulins Triptych by Jean Hey (or Jean Hay), the Master of Moulins. The original triptych is located in the...

Glenn Ligon Lincoln Center Festival (Hand signed, inscribed and dated), 2004 Offset lithograph on wove paper LARGE: 41 1/2 inches (vertical) × 32 inches (horizontal) (Ships in a tube...

This is an original exhibition poster for Livet Som Kunst ("Life as Art"), held from February 14 to June 22, 2003 at the prestigious Louisiana Museum of Modern Art in Humlebæk, Denma...

Alekos FASSIANOS Track and Field, Javelin Throw, 2004 Offset Print Printed signature in the plate On vellum 18 x 14 cm (c. 7.1 x 5.5 inch) INFORMATION: Created for the Olympic Gam...

The Cold by Norman Rockwell, (1894 - 1978) Date: circa 1970 Medium: Poster Size: 12 in. x 12 in. (30.48 cm x 30.48 cm)

Keith Haring Exhibition Poster for Tony Shafrazi Gallery, 1988 Offset color print 25 x 34 in. Framed: 29 1/8 x 38 1/4 x 1 in. Signed and dated in plate at bottom A Keith Haring exhi...

Titled Maui, Hawaii, and created in 1992, this illustrated map by Kim Forrest presents the island through a lively, highly detailed visual language that merges cartography with story...

Vintage offset lithograph postcard published by Nouvelles Images SA Editeurs. Printed in France. Presented in a white wood frame with a 1-inch front profile and a 3/4-inch side profi...

Sku: AW1114-2 Artist: Roy Lichtenstein Title: The Enemy Would Have Been Warned (Panel 2) Year: 1997 Signed: No Medium: Offset Lithograph Paper Size: 25 x 20 inches ( 63.5 x 50.8 cm )...

FAILE Red Dog, 2018 Offset Print with gold foil on Lenox 100 paper. Faile studio stamp on the back Annotated and hand signed in pencil on the lower front with studio stamp on the bac...

Andy Warhol In Drag: Brilliantly rendered, Christopher Makos Andy Warhol announcement card published in 1989 to announce two New York ex...

Vintage poster realized in occasion of Gino Marotta's Exhibition at Galleria Rondanini, Rome, in 1992. Not signed. Limited edition of 1000.  Very good condition.

Offset and screen print on grey paper realized by Sergio Barletta in 1973.  Not signed nor numbered, as issued. Very good condition. Sergio Barletta  (1934) is an Italian cartoo...

The Train Robbers is a legendary 1960s Western starring John Wayne, with a dynamic ensemble that delivers adventure, grit, and unforgettable cinematic energy. This original poster ha...

"The Tel-Avic Museum hosts the Museum Modern Art Museum of NY February April 1980 in a retrospective of American Art in the 20th Century" Poster created for a retrospective exhibitio...

This original exhibition poster celebrates Two Handled Cup and Cover by the master silversmith Paul de Lamerie, produced for the 1997–98 show at the Sterling & Francine Clark Art Ins...

Highly collectible and coveted item: Francis Bacon von [with] John Russell (Monograph, hand signed and inscribed twice by Francis Bacon), 1972 Hardback monograph with dust jacket (ha...

Artist: Keith Haring (1958-1990) (after) Title: Future Primeval Year: 1990 Medium: Offset lithograph on wove paper Size: 37 x 21 inches Notes: Published and printed by Martin Lawrenc...

The first edition poster created by Jasper Johns for the exhibition at Leo Castelli's gallery, held from April 19 to May 17, 1969, is a notable piece of art history. This offset lith...

Shepard Fairey Immigration Reform Now! We Are Human Offset Print on Heavy Paper Year: 2009 Size: 35 x 24 inches (88.9 × 61.0 cm) Signed by Shepard Fairey and Ernesto Yerena, dated by...

Iconic blue racer, Jack Vettriano’s image of this car are among his mist popular subjects. ‘Birth of a Dream’ was originally painted in 2000, the millennial year of hope and progress...

This framed reproduction of Statue of Liberty, originally photographed by Margaret Bourke-White in 1952, captures the monument in her distinct documentary style. Bourke-White’s work ...

Philip Guston at David McKee Gallery (pencil signed by Philip Guston), 1974 Lithograph and offset lithograph poster Signed in graphite pencil under the image 24 1/2 × 20 inches Unframed, unnumbered Rare vintage lithographic poster of 1974 Guston exhibition at David McKee Gallery Signed under the image in graphite pencil by Philip Guston Another hand signed edition is in the permanent collection of Vassar College; otherwise we haven't seen another besides the present work; a true collectors item when hand signed by the artist. Philip Guston Biography Philip Guston (1913 – 1980) is one of the great luminaries of twentieth-century art. His commitment to producing work from genuine emotion and lived experience ensures its enduring impact. Guston’s legendary career spanned a half century, from 1930 to 1980. His paintings—particularly the liberated and instinctual forms of his late work—continue to exert a powerful influence on younger generations of contemporary painters. Born in Montreal, Canada, in 1913 to poor Russian Jewish émigrés, Guston moved with his family to California in 1919. Briefly attending the Otis Art Institute in Los Angeles in 1930, he was otherwise completely self-taught. Guston’s first precocious work, Mother and Child, was completed when he was only seventeen years of age. Influenced by the social and political landscape of the 1930s, his earliest works evoked the stylized forms of Giorgio de Chirico and Pablo Picasso, social realist motifs of the Mexican muralists, and classical properties of Italian Renaissance frescoes of Piero della Francesca and Masaccio that he had seen only in reproduction. Painted in Mexico with another young artist, the huge fresco The Struggle Against War and Fascism drew national attention in the US. Guston’s success continued in the WPA, a Depression-era government program that commissioned American artists to create murals in public buildings. While not widely known today, the young artist’s early experiences as a mural painter allowed a development of narrative and scale that he would draw upon in his late figurative work. In the early 1940s, as the WPA program was ending, Guston found work teaching at universities in the Midwestern United States. In his studio, he was working in oils on easel paintings that were more personal and smaller in scale, focusing on portraits and allegories, like Martial Memory and If This Be Not I. His first solo exhibition in Iowa was well received and, within a few years, he was offered his first solo show in New York City. Guston was awarded a Prix de Rome, allowing him to leave teaching and spend a year in Italy, studying firsthand the Italian masters he loved. By the time he had finished The Tormentors, Guston’s move to abstraction was all but complete. On his return from Italy, he continued dividing his time between the artists’ colony of Woodstock in Upstate New York and New York City, which was then emerging as the center of the postwar art world. He rented a studio on 10th Street, where abstract expressionists Jackson Pollock, Willem de Kooning and Mark Rothko also worked. For Guston, success was never what mattered most. He was already impatient with the language of pure abstraction and experimenting with larger forms, using a limited palette of grays, pinks and blacks. As his forms became still more reduced, he stopped painting altogether and embarked on a series of simplified abstract “pure drawings” in brush or charcoal. At this juncture, Guston removed himself from the art scene in New York, living and working in Woodstock for the remainder of his life. Guston’s move ­was hardly a withdrawal. Freed from the distractions and formal constraints of the art world and the opinions of critics, he was able to experiment with new forms and to engage more deeply with the issues that mattered to him. The 1960s was a period of great social upheaval in the United States, characterized by assassinations and violence, civil rights and anti-war protests. “When the 1960s came along I was feeling split, schizophrenic,” Guston later said. “The war, what was happening to America, the brutality of the world. What kind of man am I, sitting at home, reading magazines...

Steve McCurry Sharbat Gula, Peshawar, Pakistan (Hand signed), 2002 Offset lithograph poster (hand signed by Steve McCurry) Boldly signed in black marker by Steve McCurry on the front...

An original fine art print by Jacob Lawrence from the Kent Spirit of Independence Poster Portfolio, published in 1975 by Lorillard. The offset prints from this portfolio are unsigned...

Paper Size: 23.75 x 16 inches ( 60.325 x 40.64 cm )?Image Size: 12.5 x 12.75 inches ( 31.75 x 32.385 cm )?Framed: No?Condition: A-: Near Mint, very light signs of handling??Additional Details: Original exhibition poster for a Cindy Sherman show at Jeu de Paume...