Art by Medium: Offset

Abstract Composition is a vintage Lithograph and Offset poster realized after Joan Mirò (1893-1983) in 1978. Good conditions. Joan Miró i Ferrà (20 April 1893 – 25 December 1983) w...

This 1992 exhibition poster by renowned Austrian artist Gottfried Helnwein features a striking portrait of Andy Warhol, one of the most iconic figures of contemporary art and pop cul...

First edition advertising poster by Alexander Calder for Amnesty International in 1977. Artists for Amnesty, a series of art posters created by ...

Jim Dine's exhibition at Pace Prints in November 2004, featuring his artwork "Anemones," highlighted the artist's enduring fascination with flowers and botanical motifs. Jim Dine is ...

A very good impression of this color offset lithograph on Arches. Signed and numbered 17/75 in pencil by Francis. Printed by Imprimerie Arte, Paris. Published by the Fondation Maeght...

This hand-signed offset lithograph by Davis Cone, titled Wink, represents the historic Wink Theater in Dalton, Georgia. The Wink Theater, built by J.C.W. Wink in 1941, stands as one ...

Published Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates. Limited edition. This is not hand signed or numbered. Signature in the printing p...

Mark Ryden Dodecahedron (Hand Signed by Mark Ryden), 2015 Offset Lithograph poster (hand signed by Mark Ryden) Hand signed by artist on lower right front for the present owner. 20 × 16 inches Unframed This Mark Ryden offset lithograph poster was published on the occasion of his exhibition at the Paul Kasmin...

Figure is a Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981), in the 1970s. The state of preservation of the artwork is excel...

Theo Tobiasse, After, French/Israeli (1927 - 2012) - The Wedding, Year: circa 1980, Medium: Poster, Image Size: 20.25 x 26.5 inches, Size: 24.75 x 30.5 in. (62.87 x 77.47 cm), Prin...

Le Rire is a vintage Comic Magazine stamped on Juin 1895, illustration by A. Willette. Good condition on a yellowed paper, except for some torn paper on the l...

Olympic Games Sarajevo is an offset print on paper realized by Francesco Clemente in 1984. Details are written on the lower. Good conditions.

Set in the roaring 1920s, "Bullets Over Broadway" follows David Shayne (played by John Cusack), a struggling, idealistic playwright desperate to get his latest work produced. To secu...

Chuck Close, Richard Estes Picturing America (hand signed by both Chuck Close and Richard Estes), 2009 Hardback Monograph (hand signed by Chuck Close a...

Peter Saville vinyl record art 2007: Off-set print on vinyl record. Measure: 12 x 12 inches Excellent condition. Published by Visionaire Fashion, 2007; un...

Original SHALAKO vintage movie poster, 1sheet, 1968 great art of Sean Connery as Shalako, sexy Brigitte Bardot! This collectible poster, printed in 1968 to promote the theatrical re...

Paper Size: 30 x 20 inches ( 76.2 x 50.8 cm ) Image Size: 26 x 20 inches ( 66.04 x 50.8 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Supplemen...

Original WWII poster: YOU CAN LICK RUNAWAY PRICES ORIGINAL VINTAGE WWII POSTER BY JAMES MONTGOMERY FLAGG Distributed originally by OWI for the Office of Economic Stabilization. 1. Buy and hold War Bonds. 2. Pay willingly our share of taxes. 3. Provide adequate life insurance and savings for our future. 4. Reduce our debts as much as possible. 5. Buy only what we need and make what we have last longer. 6. Follow ration rules and price ceilings. 7. Cooperate with our Government's wage stabilization program. Publisher: [S. l.]: Distributed by O.W.I. for the Office of Economic Stabilization. Linen backed fine condition. Restored original Government fold marks (on all World War 2 American vintage posters) James Montgomery Flagg is best known for depicting Uncle Sam in recruitment and public service announcement posters of both World War I and II. You Can Lick Runaway Prices? Features a new painting created by Flagg in c.1942. The poster emphasizes seven steps that the average American could take to prevent inflation. Among these points include significant themes of buying war bonds, conservation, and food rationing. The seven steps correspond to the seven letters that spell Victory. The imagery references Flagg's iconic I Want You poster...

Tracey Emin No Time 4 Love drawing, 2017 Original ink drawing on a Royal Mail Art in the 20th Century 1st Day Cover Signed, titled and dated in pen on the front Frame included Signed...

Paper Size: 39.25 x 27.5 inches ( 99.695 x 69.85 cm ) Image Size: 30.75 x 24.25 inches ( 78.105 x 61.595 cm ) Framed: No Condition: A: Mint Additional Details: Special edition poste...

Dancer is an artwork realized by the Italian artist  Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1954. Phototype print. Good condition. Italian title on the back "Ballerina"....

Hammer- Pincer- Basket is an artwork realized by the Italian artist  Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1960. Original Colored Offset on paper.  Good condition. Ital...

This high-quality reproduction, titled "The Bird with a Calm Look, its Wings in Flames," is published by Achenbach Art Edition, Düsseldorf. Printed on 250g Arches paper with deckled ...

Paper Size: 11.5 x 17.25 inches ( 29.21 x 43.815 cm ) Image Size: 11.5 x 17.25 inches ( 29.21 x 43.815 cm ) Framed: Yes Frame Size: H: 12.5 x W: 18.25 x D: .75 in. Condition: A: ...

Original Holland, so easy to reach by KLM vintage travel poster. Archivally linen-backed in very fine condition ready to frame. Colors are bright and v...

Baia delle Zagare is a vintage offset print realized by Franco Fontana, in 1970s. Offset print. Rondanini Galleria D'arte Contemporanea - Roma. Coloured poster from a photograph by...

To promote the "Masterpiece Theatre" presentation of "The Citadel," Mobil created a large advertisement poster. While specific details about the poster's design are not provided, suc...

Paper Size: 19.75 x 15.75 inches ( 50.165 x 40.005 cm ) Image Size: 11.75 x 11.75 inches ( 29.845 x 29.845 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling "Im...

Ed Ruscha On the Road (10 sandwiches with bread and salami) (Hand signed and dated by Ed Ruscha), 2010 Letterpress on paper with die-cut photograph tipped in by hand to a blind debos...

This is a reproduction of the original work titled Le Verre de Vin (The Wine Glass) created by Man Ray in 1936. This work captures a pear, cleverly arranged with a painted shadow and...

This impressively large advertisement poster was created by acclaimed illustrator Mark English to promote the Masterpiece Theatre television adaptation of "Strangers & Brothers," bas...

“Pinetrees, Seashore” by Ansel Adams, published by Little, Brown and Co. in 1990, is a captivating reproduction that encapsulates the serene beauty and stark majesty of coastal lands...

Dennis Oppenheim Directed Seeding -Wheat, Historic Yvon Lambert Gallery Poster (Hand Signed and Addressed by Dennis Oppenheim), 1969 Offset lithograph poster. Hand signed, inscribed. Postmarked and addressed to Oppenheim's dealer, John Gibson 23 × 16 inches Hand Signed and inscribed by Dennis Oppenheim lower right in blue marker in 2006, hand addressed by Dennis Oppenheim in 1969 in red marker Unframed This is an extremely uncommon vintage poster/mailer announcing the May 20th, 1969 opening reception (Vernissage) for the exhibition of works by American conceptual art pioneer Dennis Oppenheim at the Yvon Lambert Gallery in Paris. The poster is historic in that it was originally mailed to John Gibson, the East 67th Street dealer, who famously gave Dennis Oppenheim his first New York exhibition in 1968, and it is hand addressed to Gibson, bearing the original Paris, France postmark of 1969. It is, exceptionally, hand signed and dedicated by Dennis Oppenheim to a collector who acquired the poster from John Gibson's collection, and then secured Dennis Oppenheim's autograph in 2006, making this an especially valuable collectors item. More information about the project from the Tate Gallery archives, which acquired the work: This work brings together two interventions Oppenheim created on a field owned by farmer Albert Waalken in Finsterwolde, north-eastern Holland, in 1969. It comprises four distinct elements mounted on board: a colour photograph of a wheatfield being sowed by a tractor in parallel curving lines seen from high up; a negative image in black and white of a map of the area of Finsterwolde onto which two sections of text have been collaged; and two black and white aerial photographs of the same field being traversed by a tractor cutting an X into the wheat. The first two elements relate to the action Directed Seeding. For this the field was seeded according to a line plotted by following the road from the village of Finsterwolde, the location of the field, to Nieuweschans, another village where the farmer’s storage silo for wheat was located. Oppenheim reduced this curved line by a factor of six in order to direct the trajectory of seeding. The tractor then carved a series of curved parallel lines on the surface of the field as it dug up earth and scattered seed. From an aerial perspective the patterning of parallel lines may be viewed as a form of line drawing on the landscape. The precise location of the field and the silo are indicated on the map, showing the trajectory of the road. The two sections of text collaged onto the upper portion of the map briefly describe the two interventions. Explaining the action Cancelled Crop, the artist wrote: In September the field was harvested in the form of an X. The grain was isolated in its raw state, further processing was withheld. This project poses an interaction upon media during the early stages of processing. Planting and cultivating my own material is like mining ones own pigment (for paint) – I can direct the later stages of development at will. In this case the material is planted and cultivated for the sole purpose of withholding it from a product-oriented system. Isolating this grain from further processing (production of food stuffs) becomes like stopping raw pigment from becoming an illusionistic force on canvas. The esthetic is in the raw material prior to refinement, and since no organization is imposed through refinement, the material’s destiny is bred with its origin. (Quoted from artist’s statement in Tate acquisition file.) Directed Seeding and Cancelled Crop are two separate works, brought together in several different versions of which Tate’s is one. The collage presents three ways in which human action may marks the land. For the first two, agricultural machinery is used to create straight lines, in the process of harvesting as in the X of Cancelled Crop, or curved lines, during the process of planting seed in the contours photographed for Directed Seeding. The map shows a third (and more ancient) way of marking the land, through the construction of roads. The use of the landscape – natural, industrial or urban – as a canvas on which to act is typical of Oppenheim’s work in the late 1960s and early 1970s. In a related action, Directed Harvest, 1966 (Tate T07590) and Directed Harvest 1968 (Kröller-Müller Museum, Otterlo, Netherlands), the artist caused a field to be harvested in linear patterns which he then had photographed in its progressive stages. In Reverse Processing: Cement Transplant, East River, NY, 1970, 1978 (Tate T07591) Oppenheim drew large crosses on the roofs of barges transporting raw cement that he found moored on the New York East River banks. All these works centre on process as an agent of change and utilise materials, elements and locations on which the artist can have no permanent claim, making them deliberately ephemeral. Such actions as seeding a crop and harvesting it several months later operate within time parameters dependent on the cycles of the seasons rather than the will of man, mixing human processes with those of nature. Oppenheim’s analogy between the prevention of a crop from entering the food chain and the halting of the expressive, ‘illusionistic’ force of paint deconstructs the sophisticated processes of art-making and the food industry to the elemental notion of making simple marks on the environment. In this way, the artist highlights contemporary man’s dependency on complex chains...

Paper Size: 28 x 23 inches ( 71.12 x 58.42 cm ) Image Size: 28 x 23 inches ( 71.12 x 58.42 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: ...

Christo Monuments and Projects, 1968 Rare Limited Edition Lithograph and offset lithograph Hand signed, dated and numbered 5/100 by Christo on the lower left front Published by the ICA, University of Pennsylvania, Philadelphia, PA 23.25 x 18.5 inches Unframed This hand signed and numbered offset lithograph is one of the more elusive and desirable early Christo exhibition invitations, published on the occasion of his groundbreaking exhibition at the ICA in Philadelphia, when Christo was only 33 - and hand signed and numbered by Christo on the front, making it a true collectors' item. "...By mid-September 1968, Christo's attention focused on Monuments and Projects, his one-man exhibition opening October 4 at the University of Pennsylvania's Institute of Contemporary Art. It included earlier work and four on-site projects: 1,240 Oil Barrels Mastaba, Two Tons of Wrapped Hay, Two Wrapped Trees, and Seven Wrapped Women. Suzanne Delehanty, the assistant of ICA director Stephen Prokopoff, remembered: "I had to round up fifteen hundred-plus oil barrels, the equivalent of five freight cars full. They were to construct a truncated pyramid in our large fifty-by-fifty-foot gallery. Getting them wasn't easy. It meant disrupting oil companies' operations, since drums are needed at every stage of the delivery cycle. The materials Christo chose engaged this invisible system. Negotiations for loaning barrels were made with various companies by Stephen and Nathaniel Lieb, an ICA board member. I remember that one company wouldn't lend, but insisted on selling their barrels to us; after we returned them, they would give a refund—it was their way of doing a loan receipt. I had to convince the university business office not to worry about the ten- or fifteen-thousand-dollar invoice. We borrowed oil barrels from several companies: some did a straight loan based on an exchange of letters; others used their own system of inventory control. It was fascinating." While the multicolored oil barrels were stacked to form a massive mastaba in the ICA ground-floor entry gallery, two other works, Two Wrapped Trees and Two Tons of Wrapped Hay, took shape on the level above. The installation crew, paid M.F.A. students, alternated between unloading barrels and making forays into the countryside to gather bales of hay. Suzanne Delehanty reflected, "The bales of hay were stacked, creating a bulky structure, covered with tarpaulin and tied with rope." Another ICA work lasted only a few hours. When dinner guests arrived, seven wrapped female nudes awaited them. Each had been placed on a pedestal. Harry Shunk...

Paper Size: 27.75 x 21.75 inches ( 70.485 x 55.245 cm ) Image Size: 27.75 x 21.75 inches ( 70.485 x 55.245 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

This is a framed reproduction of "Woman's Portrait", published in 1999 by LEM with the approval of the Succession Matisse. The piece, part of the permanent collection at the Hermitag...

Paper Size: 24 x 18 inches ( 60.96 x 45.72 cm ) Image Size: 14 x 11.75 inches ( 35.56 x 29.845 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional...

Mirò - Sculptures is a vintage lithographic poster realized after Joan Mirò in occasion of one of his exhibitions at Galerie Maeght. Off...

This rare and highly sought-after poster is a first edition exhibition piece created by Damien Hirst for his "New Paintings" exhibition at the prestigious Gagosian Gallery in New Yor...

Paper Size: 24 x 24 inches ( 60.96 x 60.96 cm ) Image Size: 23 x 23 inches ( 58.42 x 58.42 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Paper Size: 29.5 x 35.5 inches ( 74.93 x 90.17 cm ) Image Size: 29.5 x 35.5 inches ( 74.93 x 90.17 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Su...

This large advertisement poster was created by the legendary graphic designer Yvan Chermayeff to promote the televised adaptation of James Clavell's "The Children's Story" for the Mo...

Paper Size: 39.5 x 27.5 inches ( 100.33 x 69.85 cm ) Image Size: 29.5 x 24.5 inches ( 74.93 x 62.23 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...

Peter Halley New Works, Galerie Bruno Bischofberger (Hand signed), 1994 Offset lithograph poster (signed by Peter Halley) 19 × 26 1/2 inches Boldly signed in black marker on the fron...

This is an original exhibition poster from the 2000 Cindy Sherman exhibition at the Hasselblad Center in Germany. Although this version of the poster is unsigned, it remains a highly...

Bieres De La Meuse is an original colored offset from an original advertising affiche realized by Marc Auguste Bastard in 1896. Good conditions, ex...

Cy Twombly Exhibition Leaflet - Galleria La Tartaruga 1958 is a very rare and precious exhibition leaflet of Cy Twombly. Ivory colored cardboard. ...

Official poster designed and created for the tennis tournament held at Roland Garros French Open every year. The poster is a limited edition of 2000. First edition, unsigned and not ...

Children’s Bath on Lake Lugano is an artwork realized by the Italian artist  Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1954. Phototype print. Good condition. Italian title ...

Muller-Brockmann, Josef. Schutzt Das Kind! Automobil-Club der Schweiz 1953. On linen Offset. Minor imperfection otherwise in good condition 50 x 35 7/8". Pioneer of Swiss Graphic...

Joel Shapiro Poster (Hand Signed), 1990 Offset Lithograph poster Boldly signed and inscribed in black marker on the front 20 × 27 1/2 inches Unframed Hand signed and inscribed by Jo...

Damien Hirst From the Cradle to the Grave, 2005 Limited Edition hardback monograph (Hand signed and numbered) Hand signed and numbered 998/1500 by Damien Hirst on the title page 16 ×...

Shu Takahashi-Volterra is a mixed-colored offset by the Japanese artist Shu Takahashi. Good conditions.

Winter Landscape is an offset print on canvas realized after Josip Generalic in 1961.  Signed on the plate and dated on the bottom center. Good conditions and aged. The artwork re...

Raymond Pettibon Black Flag poster circa 1983: Flea, the Red Hot Chili Peppers bassist once said of Pettibon's Black Flag illustrations and iconic l...

Strukturen und Prinzipien is a vintage poster realized by Almir da Silva Mavignier (Rio de Janeiro, 1925-2018) in 1979. Vintage Poster "stru...

Paper Size: 27.5 x 27.5 inches ( 69.85 x 69.85 cm ) Image Size: 18.5 x 23.75 inches ( 46.99 x 60.325 cm ) Framed: No Condition: A: Mint Shipping and Handling: We ship Worldwide. Fo...