Art by Medium: Paper

Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected ...

Myril Adler "Hierophany" c.1960s Collagraph ink on paper 2"x2" ash wood gallery frame 9.5"x9.5 Signed and titled in pencil Myril Adler, was born on September 22, 1920 in Vitebsk, R...

Permanescence N496-D is a unique ink and acrylic on paper diptych painting by Japanese contemporary artist Hachiro Kanno, dimensions are 65 × 100 cm (25.6 × 39.4 in). The artwork is...

Bold abstract monoprint by Roxanne Lu (20th Century). This piece is composed of botanical shapes laid across large patches of magenta, olive green, grey, and pale blue. Signed, dated, and marked with the artist's chop in the lower right corner (Roxanne Lo...

'Composition with Circles', gouache on paper, by James Pichette (circa 1970s). A dynamic, lively abstract composition by an artist known for such stunni...

DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characteriz...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Provenance: Marlborough Gallery David McKee, Inc. Manny Silverman Gallery Private collection, Los Angeles

Modern abstract painting of grass and leaves in browns, grays, and reds by artist Spe, 2013. Signed lower right. Original artwork on paper displayed on a white mat with a gold bor...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Against a orange-bronze and pink background, the artist has attached several objects, including plastic letters, paper cutouts, and glass slides...

Original multicolored hand-cut paper and ink on illustration board layered paper sculpture by Charles Clary measuring 16"h x 21"w. This piece ships in the pictured black frame. Cha...

'Lily in Charcoal' 2023 From raw energy to sublime. 'Lily in Charcoal' is an expression piece combining an abstract charcoal drawing with a live lily...

Artist Statement: My work falls somewhere between abstraction, formalism and narrative painting. I see the content and story when I look at my work, but shape and color are equally ...

Plastically materializing the energetic atmosphere typical of the meditative mental space and thereby inducing states of contemplation and introspection has been the purpose of the w...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Remains (Body in the Field 2), 2022 oil on paper 16 17/32 H x 11 13/16 W in. 42 H x 30 W cm Signed on reverse Zsolt Berszán embodies in his works the dissolution of the human body...

Artist Statement: My work falls somewhere between abstraction, formalism and narrative painting. I see the content and story when I look at my work, but shape and color are equally...

This is an archival pigment print depicting an abstracted still life printed on Hahnemuhle Photo Rag 308 gsm by artist Paul Cava. It is from the "Table Top" series, which is one of t...

68 x 44 inches

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Peter Halley Cell with Explosions I, 1993 Line Engraving on Japanese Wahon Creme Kozo Paper with glazed surface Hand signed and numbered 49/50 by the artist on lower front Original frame included: matted and framed in a wood frame Rarely to market, this hand signed and numbered 1993 Peter Halley print is held in its original 1990s vintage frame. It's on elegant Japanese Wahon cream paper which is 100% Kozo paper with glazed surface. The specs on the paper are part of the design process. Measurements: Frame: 19 x 19 x 1 inches Visible: 12 1/4 x 12 1/4 inches Sheet: 15 7/8 x 15 1/4 inches Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Photography, abstract, limited edition of 5, will be signed. For me reflecting a very strong emotion.

As a reflection on the value we give to objects, this series exposes examples of objects that we use daily and for different reasons ended up gaining very high prices. By redrawing t...

Wolfgang Leidhold is a prominent contemporary German painter, drawing upon mythological, geometric, religious, and historical themes to depict his whimsical vision of the world. Infl...

Luis Feito (Spain, 1929-2021) 'Untitled V', 2017 lithograph on paper 27.6 x 39.4 in. (70 x 100 cm.) Edition of 35. Original 46, 35 of the regular edition and B.A.T.: 1, P/A: 5, H.C.:...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Antoni Tapies (Spain, 1923-2012) 'Dentelle', 1977 lithograph on paper 28.6 x 39.6 in. (72.5 x 100.5 cm.) Edition of 99 Unframed ID: TAP1162-019 Hand-signed by author Catalog raisonné...

This beautiful triptych by Eran Shmueli will bring color to any room it will be placed in. These are 3 hand made pieces that comes rolled in a tube but can also shipped framed with ...

68 x 39 inches

Armando 18.09.1929 Amsterdam Landschaft Giclee on heavy, hand-made cotton paper Year: 2018 Hand-signed and numbered Edition: 25 Condition: In good condition Dimensions: 48.0 x 47.7 on 61.0 x 58.7 cm ARMANDO (Amsterdam 1929 - Potsdam 2018) Sculptor, Writer, Film and documentary maker, Violinist Education: Armando studied art history in Amsterdam for a number of years. He lived in Amstelveen and worked in Amsterdam. Armando (Amsterdam 1929) is one of the most important post-war Dutch artists and he is appreciated nationally and internationally. His work, based on his personal experience of the Second World War in Amersfoort, deals with existential and universal themes that he describes in terms of power and powerlessness, perpetrators and victims, memory, transience and melancholy. Fascination for violence and evil determines his work from the outset. Amazed by the treacherous beauty of this violence, Armando uniquely elaborates his theme in every discipline that he practices. Driven by the desire for insight into evil and for the mastery of the techniques to shape his theme, he explores the possibilities of every medium to the extreme. Armando's work comprises series of monumental paintings, pasty and worked through in black and white with here and there traces of color, subtle, poetic drawings and graphics. From 1989 onwards sculptures appear that seem to be shaped and bent by forces of nature. Armando's prose and poetry have their own place. In a very specific language, the unspeakable, surrounded by a lot of white, is expressed. Documentaries in which both perpetrators and victims have the floor, films, theater and theater performances complete an oeuvre of which both visual and literary work have been awarded several times. As a violinist of the Armando Quartet, Armando expresses the feeling of melancholy and melancholy that has a place in all his work, in music. Exhibitions and prices: 1984 - The Multatuli Prize for those in power, reports from Berlin and Tuscany. 1985 - The first Jacobus van...

Ihor Volkov-Tkachynskyi reinterprets the legacy of El Greco, deconstructing his classical imagery to create a dynamic, contemporary vision. In this work, he breaks apart traditional ...

"Flavio Garciandia (Cuba, 1954) 'Sin título IV', 2004 silkscreen on paper 39.4 x 27.6 in. (100 x 70 cm.) Edition of 106 ID: GAR1570-004-106"

Sea See 9 by Stacey AS Pritchard Painting, Water Color, Great Pacific Garbage Patch, Environment, Nature, Water scape, Landscape, Outdoors, Trash, Water, Bright Colors, Earth Tones,...

Artwork size (without frame): 30"h x 22"w

An abstract, whimsical and bold depiction of a woman standing gracefully in a white gown against a sea foam green and pruple background with delicate details. This piece captures the...

This 27.5" x 39" screen print by artist David Mladjovic depicts an abstract design of striking lines and shapes in a palette of mauve, black, blue, and purple. Mladjovic credits scre...

Permanescence N495 is a unique ink and acrylic on paper painting by Japanese contemporary artist Hachiro Kanno, dimensions are 65 × 50 cm (25.6 × 19.7 in). The artwork is signed, so...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

An abstract composition capturing the dramatic interplay between vibrant crimson and stark white elements. The photograph presents a swirling vortex of deep red textures that dominat...

Time Travel Gouache on 1957 Encyclopedia page Feminist Art and Contemporary Feminist / Geometric Abstraction / Gestural Abstraction / Abstract Art / Mini...

'Composition in Orange and Red', gouache on paper, by James Pichette (circa 1970s). A dynamic, lively abstract composition by an artist known for such s...

N3, 2021, 42x29,7 cm

Bold, large-scale geometric abstract with primary color blocks by Marianne K. Brown (American, 1928-2019). Red, yellow and blue rectangles are separated with white borders, which are accented with the delicate detail of thin colorful lines. Signed "Marianne K. Brown" in pencil the lower right and was acquired with a collection of Brown's work. No frame. Marianne K. Brown (American, 1928-2019) has taught watercolor and design for thirty years. Her work has been shown in many art magazines, including Watercolor Magic and The International Artist Magazine, and several books on watercolor painting. She was elected secretary of Orange County Art Association in 1964. Listed in the National Watercolor Society. Author, Watercolor by Design Member, East Bay Watercolor Society 1964 - 3rd Place, non-figurative exhibit of Orange County Art Association 1978 - Honorable Mention, Central California Art...

Waiting, 2021, 78x54 cm

Untittle, 2021, 78x54 cm

Women, 2023, 78x54 cm The work is sold without a frame.

Catch a deer, 2023, 78x54 cm The work is sold without a frame.

Eduardo Chillida (Spain, 1924-2002) 'Estampa VI', 1998 It belongs to the folder "La indetenible quietud" that includes 6 etchings by Eduardo Chillida and 32 poems by Clara Janés. aqu...

This series of contemporary black acrylic and pencil on paper was created by Yvonne Lammerich. The masterful Canadian artist has spent decades exploring the nature of the human condi...

Untitled exemplifies Rooskens’ work from the period following 1965, a time when the artist continued to explore fantastical beings, mask- and shield-like imagery, firmly rooted in hi...

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a styrene face on a mat board in w...

Signed and dated lower left

This series of contemporary black acrylic and pencil on paper was created by Yvonne Lammerich. The masterful Canadian artist has spent decades exploring the nature of the human condi...

Newgrange landscape VIII (Abstract painting) Mixed media on paper In this series, Michael Barringer wants to make deeply felt, poetic images, but bring them about by a formal system...

Plastically materializing the energetic atmosphere typical of the meditative mental space and thereby inducing states of contemplation and introspection has been the purpose of the w...

This series of contemporary black acrylic and pencil on paper was created by Yvonne Lammerich. The masterful Canadian artist has spent decades exploring the nature of the human condi...

Modern abstract painting of grass and leaves by artist Spe, 2013. Signed lower right. Original artwork on paper displayed on a white mat with a go...

"Memento Morididdle Movement #111" is an original hand-cut paper sculpture in a found frame by Charles Clary. This piece measures 13in x 15in x 3.5in. Bio // Charles Clary was born...

Bai Ming, is a famous contemporary ceramic artist and painter born in September 1965 in Yugan, Jiangxi Province of China. •Director of the Department of Ceramic Art in the Academy of Arts & Design of Tsinghua University. •Executive Vice Director of the Art Museum in the Academy of Arts & Design, Tsinghua University •Member of the International Academy of Ceramics (IAC) of UNESCO. •Secretary-General of the Ceramic Art Council of China Artists Association (CAA). •Deputy Director of Ceramic Art Institute，China National Academy of Painting. •Member of China Oil Painting Society (COPS). •Art Director of China Ceramic Art Net •Executive Editor of Chinese Ceramist magazine. •Director of “Shangyu Celadon” Contemporary International Ceramic Art Center. In 1998, the organizers of the Taipei International Art Fair held the joint exhibition of Bai Ming’s and Picasso’s ceramic works named “Vallauris in France & Jingdezhen in China”. •In 2000, he was honored with the gold prize of The Invitational Exhibition of China Young Ceramic Artists. •In 2004, he was awarded for Contribution to Promotion of the Contemporary Ceramic Art of China in the Great Hall of the People. •Also in 2004, the book Jingdezhen Traditional Ceramic-Making Techniques which written by Bai Ming received the National Book Award. In 2010, at the invitation of IAC, Chinese Cultural Center in Paris and Confucius Institute of Poitiers University, he held the “Oriental Ceramic Story—Bai Ming Ceramic...