Art by Medium: Pastel

Title: Mid-20th Century French Pastel Landscape of Forest Trees in Les Laudes by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 14.75 inches (hei...

Title: Mid-20th Century Pastel of Riverside Village and Boat in France by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 10.5 inches (height) x 1...

Title: Mid-Century French Pastel Landscape of Birch Trees in Summer Light by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper, mounted on pap...

Wolf Kahn Summer Studio, 2012 Signed lower center Pastel on paper 9 x 11 1/2 inches An important member of the second generation New York School, Wolf ...

Portrait of a Nude Lady French School, circa 1960's chalk and pastel on artists paper, unframed stamped size: 18.5 x 11.5 inches condition: very good and ready to be enjoyed provena...

"Valley View" (ca. 2000) by Jann T. Bass is an original handmade pastel painting that depicts two cows next to a rural barn in a warm landscape. This painting measures 9 x 12 inches,...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

This piece is framed measuring 33 by 27 inches. Based in Carrollton, Georgia, Erin Dixon is a mixed media artist whose work bridges realism and surrealism. Her work is often heavily...

Title: Interconnected Dream Bold Abstract Contemporary Colorful Masculine Investment Red Yellow Grey Blue Orange Texture Detail This series expresses our unity and our interconnecte...

Swiss artist Fredi Gertsch creates lively colorful pop-folk art paintings with one inexhaustible element: the Emmentaler cow. Humor and optimism are essential traits of the artist: "...

Currently Under restoration by professionnal. Free US CONTINENTAL shipping, incl Europe and Asia. Presale order accepted. Yes. Paul Hoeniger studied at the art academies in Ber...

Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. Throughout his artistic career, Castro has exalted the figure and genitality of the Latin American man, putting into tension the limits imposed by the sex/gender system that are part of an unquestionable patriarchal and phallocentric order. The majority of those portrayed are inhabitants of the Colombian coast, also constructing alternative ways of conceiving Latin American identity. By breaking taboos about corporality and male sexuality, his work has been censored on numerous occasions due to public accusations of immorality and pornography. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. From the Duchándome Series Ink, pastel and watercolor on cotton paper 1. Duchándome 2. Pensando & recordando a Luis Caballero...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Contemporary Impressionist pastel of a landscape by French/Belgian artist Francis Besson. Signed to the very bottom right. A whirl of colours and designs shape this gorgeously sump...

Untitled Pastel on paper, 1922 Initialed lower right (see photo) Exhibited: Francis Nauman, Leon Kelly: Draftsman Extraordinaire, New York, April 4 - May 23, 2014. Condition: Excell...

Portrait of a young boy and his dog in oil pastel on paper on linen by Maurice B. Rosenbaum (American, 1868-1942) An American portrait painter form New York. Notable paintings includ...

Arieh (Leo) Lubin, Israeli, 1897-1980 Drawing in pencil and pastel of two seated Arab or Sephardic Jewish figures. Hand signed in Hebrew upper left. Dimensions: (Frame) H 18" x W 2...

This elegant pastel painting on paper was created by John Alfred Begg (1903 - 1974). This artwork has a beautiful blue-gray cubist nude study with contrasting black lines. There is no visible signature.  This artwork comes from the artist's estate. Newly reframed in an elegant blue-silver textured wood frame with black matte and acrylic glass protection. Measurements: With frame: 15 in wide (38 cm) x 19.69 in high (50 cm). Opening view: 7.32 in wide (18.5 cm) x 12 in (30.5 cm). (The last two pictures show the piece of art before framing). Biography: John Alfred Begg was born in New Smyrna Beach...

"Paysage avec batteuse a Montfoucault (Landscape with Thresher at Montfoucault)" is a pastel by French Impressionist Camille Pissarro. The artwork is signed lower right, "C. Pissarro". The framed piece measures 20 1/2 x 25 x 2 3/4 in. Camille Pissarro was born on July 10th 1830 on the Caribbean Island of St. Thomas. He live...

This wall-hanging artwork titled "Familiar Marks, Unfamiliar Places Number 11" is an original artwork by Kelly Knaga made of photography, digital print, an...

The sunrise is a unique pigments, acrylics and pastel on canvas painting by contemporary artist Franco Salas Borquez, dimensions are 120 × 200 cm (47.2 × 78.7 in). The artwork is si...

Black_X, 2016 pencil, white pastel on black cardboard 27.55 H x 19.68 W in. 70 H x 50 W cm Alina Aldea's drawings project all the possible forms which appear to rapidly disappear, w...

Acquired by the gallery directly from the artist UNFRAMED: 12" x 16" FRAMED: 20" x 24" x 1.75" Artist Statement “It is always exciting seeing the remnants of a storm rolling out t...

landscape mixed media on canvas 46x65 cm 2021 original art Original Created:2021 My painting tells of the relationship between man, nature and time, the landscape, the sign and the...

Leon Dolice Chrysler Building Signed lower right Watercolor on paper 19 x 12 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the yo...

French Landscape signed by Josine Vignon (French 1922-2022) ...

TECHNIQUE PHOTO-PAINTING- DIGITAL PROCESSING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was my invention in 1994. In fact...

French Landscape by Josine Vignon (French 1922-2022) ...

Yvon TAILLANDIER The Propeller Pilot Original pastel drawing Handsigned in pencil On vellum BFK Rives 50 x 65 cm (c. 19.6 x 25.5 in) Very good condition, slight traces of pastel in...

Glass of wine 65x50 cm

Work on tracing paper Workshop stamp on the back of the work

Natalia Bessonova (1963) - Hourglass. 2000. Paper, pastel, 36x37 cm Colorful abstract composition with figures and hourglass in fauvist style

A romantic late 18th-century pastel portrait, attributed to the German portraitist Johann Heinrich Wilhelm Tischbein (1751-1829). Exquisitely presented in its original giltwood frame...

Untitled IV, 2022 by Salvatore Arnone From the Balance series Photography, acrylic and pastel on paper Image size: 50 in. H x 35 in. W Edition of 3 + 1AP Production time is 2 to 3 we...

(Comes framed in a deep-profile maple floater frame, ready to hang.) Artist's Statement: "I was working on my loose, almost graffiti-like "Rosetta" series when this painting took a turn towards formality, and instead of trying to wrench it back into the Rosetta mold I just let it go where it wanted to. Has my usual insane assortment of mediums . . . " “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. Throughout his artistic career, Castro has exalt...

Gertrude A. Larter (1878-1954). Old Fashioned Garden by Lake Landscape. ca. 1920-40 Pastel on sandpaper sheet. Measuring 9 x 11 inches Signed lower right. Unframed. Gertrude A...

This blue and white sculpture titled "Hotel Tudor" is an original artwork by Drew Leshko made of paper, acrylic, basswood, and pastel. This pi...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Earth tones, totem with female figures, dog, florals; lime wash, acrylic ink, flashe and pastel painting on canvas; custom wood float frame; folk art inspired Hand signed by the art...

Original cover for Needlecraft Magazine, published January 1928 A woman in a floral kimono dresses her child for cold winter weather in a knitted hat, scarf, and sweater. Medium: ...

Giovanni Boldini 1842-1931 Italian Portrait of Lucie Gérard by Giovanni Boldini Signed “Boldini” (lower right) Pastel on canvas This exceptional portrait was composed by the great Giovanni Boldini, one of the most important portrait painters of the Belle Époque. The charming work captures the young, elegant French...

"Flowers in Vase with Handles" is an original pastel drawing on paperboard by Francesco Spicuzza. The artist signed the piece in the lower right. This drawing depicts a bouquet of wa...

For your hockey enthusiast! A ca. 1950s, pastel & charcoal on paper drawing of a hockey game by artist Francis Chapin. Artwork size: 9" x 12". Matted to: 14" x 18". Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characteriz...

Dharamsala’ is a small town in the Kangra Vallery in North India. It is the location of the exiled Tibetan Government and home to the Dalai Lama . Colin Taylor...

A charming study of a classical Greek woman in a pastel palette. Unsigned. Presented in a gilt frame with a floral running pattern. On paper.

Beautiful floral still life by American artist Jane Piper (1916-1991) . Pastel, oil crayon and pencil on tracing paper. Image measuring 13 x 15.5 inches in ...

Marker, ink, acrylic, pastel & watercolor on paper, Unstretched Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studi...

Swiss artist Fredi Gertsch creates lively colorful pop-folk art paintings with one inexhaustible element: the Emmentaler cow. Humor and optimism are essential traits of the artist: "...

These recently discovered 1984 oversize pastels on archival papers were created with a live model, working quickly, in pastel. The series shows the l...

A chalk and crayon study for a scuplture by French female artist Marie-Josèphe Bourron. Presented in modern frame with mount under glass. Though not signed the drawing was acquired d...

"Architecture" is an original drawing in mixed media on cardboard, by Anonymous Artist of XIX Century. In aged conditions. Sheet dimension: 73 x 54 cm This is an original drawing ...

Pierre Carrier-Belleuse (1851-1932) Jeune femme ajustant son corset 1893 pastel on canvas 133.4 x 92.7 cm signed and dated 'Pierre Carrier-Belleuse 1893' (upper right) Price: £34,00...

Charles Hinman Untitled Geometric Abstraction (Hand Signed), 1980 Pastel & Graphite painting on Paper Signed and dedicated to "Michael and Rene" in graphite by the artist on the fron...

Landscape Abstract 80x100 cm Ready to Hang one of a kind Shipped with certificate of authenticity and signed on the back Marilina Marchica, born in 1984, was born in Agrigento, w...

Oil on canvas realized by Sirio Pellegrini in 1965. Hand signed in the lower left. Includes a wooden frame 32x37 cm. Very good condition. Sirio Pellegrini, born in Rome on March ...

A striking head and shoulders portrait study of a man wearing a fedora and red suit. He stares straight at the viewer in an almost confrontational stance, with bright blue eyes looki...

Nude Lady Study French School, circa 1960's chalk and pastel on artists paper, unframed stamped size: 18 x 12.5 inches condition: very good and ready to be enjoyed provenance: priv...

Contemporary realistic figurative mixed media drawing on cardboard by Polish artist Andrzej Szypluk. Monochromatic drawing of a female in nude. PROVE...