Art by Medium: Pastel

"Dragon," by Quang Ho, is a secondary market work with one previous owner. It is signed and dated (1988) on the lower left. The painting comes with it's original frame (measures 50 x...

Signed lower left, 'M. Kestor' for Mary Peterson Kestor (American, 1948-2021) and painted circa 1965. Born in Iowa, Mary Kestor first studied at the University of Northern Iowa, whe...

Abstract Expressionist Composition in Acrylic on Paper A bold abstract composition by California-based artist, Ricardo de Silva (American/Brazil, 20th C). A bold black character tak...

John Rattenbury Skeaping. English ( b.1901 - d.1980 ). Into The Final Furlong, 1965. Pastel On Buff Paper. Signed & Dated 1965. Image size 18.9 inches x 27.6 inches ( 48cm x 70cm )...

These recently discovered 1983-84 oversize pastels on archival papers were created working quickly, in pastel. The series shows the last existing obs...

This artwork "Landscape" c.1940 is a pastel on paper by noted California artist Edwin C. Siegfried 1889-1955. It is signed at the lower right corner by the artist. The artwork size i...

Philip Leslie Hale New England Autumn, 1910 Pastel on canvas 25 x 30 inches Provenance: Estate of the artist Sotheby's New York, American Paintings, Drawings and Sculpture, May 24, 1990, Lot 125 R. Anne McCarthy Rose Art Museum, Waltham, Massachusetts (gift from the above) Private Collection, Massachusetts Exhibited: Philadelphia, The Pennsylvania Academy of the Fine Arts, Tenth Annual Philadelphia Watercolor Exhibition, November 10 - December 15, 1912, no. 13. Painter, teacher and writer, Philip Leslie Hale is recognized for his decorative paintings of the female figure and for his interior scenes with figures as well as for his progressive approach to painting. However, his career went through several phases that included sporting scenes, figural studies of women including nudes, portraits, and allegorical works reflecting the overwhelming forces of nature. Of the Boston painters of his time, he seemed the most fully committed to Impressionism, and his technique suggests the influence of French impressionist Edgar Degas. In most of his paintings, the landscape was more important than the figure. He was a prolific writer in local newspapers and periodicals about the contemporary art scene, discussing the work of his Boston colleagues. He also wrote numerous books on art and art history including a study of Vermeer that was published in 1913. Among his writings are 1892 newspaper columns for Arcadia Magazine titled "Letters from Paris", art criticism for the Boston Herald from 1905 to 1909; and art criticism for the Boston Evening Transcript. He argued for the Boston School of Art as led by Edmund Tarbell whose style was based on Impressionism with elements of Realism, especially figure painting. Hale was born in Boston in 1865, the son Reverend Edward Hale, a Boston clergyman and a relative of Nathan Hale. He studied with Ellen Day Hale, his sister, and Edmund Tarbell at the Boston Museum School, with J. Alden Weir at the Art Students League in New York City, and then went to Paris for further studies at the Academie Julian and the Ecole des Beaux-Arts. He remained in France for fifteen years, returning to America about 1895. During that time, from 1888, he spent summers at Giverny, France with his good friend, artist, Theodore Butler, and became well acquainted with Claude Monet. Traveling throughout Europe, Hale visited the major museums, and copied the works of Ingres, Vermeer, Watteau and Michelangelo. Hale married Lilian Westcott Hale...

Kim Lordier's "Evening Comes" (2023), a beautiful pastel painting on archival board, depicts an autumn desert landscape cast over by the warm evening sunset, with horses resting unde...

Beautifully vivid early 20th century Pebble Beach, Carmel landscape. Signed illegibly lower right. Condition: Good. Presented in vintage frame with new mat. Image size: 7"H x 10"W.

"Country Fields" by Camille Meriot (French 1887-1975) pastel on unframed paper paper: 6.75 x 9.5 inches Fine original French Impressionist painting by the well listed and popular F...

landscape, fishing, England, 1910,pastel,green,blue Edouard CHAPPEL (Anversa, 1859 – Cagnes-sur-Mer, 1946) MUSEI BELGIO Anversa Musée Royal des Beaux-Arts FRANCIA Paris Musée d...

"Remember Me" is a poignant piece of art that evokes a powerful sense of nostalgia and remembrance. The piece centers around the face of a character, depic...

Sketch is an original Drawing on paper realized by the painter Henri Lehmann (1814-1882). Drawing in Pastel. Good conditions. The artwork is represent...

Female figure, vase, foliage, florals; acrylic ink, flashe and pastel on 300g Arches hot press paper; custom framed, shallow shadow box frame. Deep blue, marigold yellow gold. Fra...

Frammenti Pastel on Paper (Fabriano Elle) 100x70 cm 2023 Original Art Marilina Marchica's research delves into the relationship between Man and Nature and the emotional implications of the relationship between human and dwelling. In this research, the landscape is the protagonist. People today rule over 75% of the land not covered by ice, which has led to modifying and shaping places, ignoring the life-giving forces of nature. The attempts of modern people...

Kim Lordier's "Evening Comes" (2023), a beautiful pastel painting on archival board, depicts a winter scene in a mountain valley, with snow capping the hills of granite. Artist Stat...

Well presented in a gilt effect frame. Signed. On paper.

A finely-drawn, pastel still-life showing red tulips informally arranged in a Chelsea soft paste porcelain Chocolate pot decorated in the Japanese style and set beside a cup and sauc...

Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions, portraits, landscapes, flowers and still life. She is one of the most productive wate...

Jogen Chowdhury - Untitled Dry Pastel on Paper 8.2 x 5.8 inches, 2022 (Unframed & Delivered) Modern Indian artist Jogen Chowdhury executed Still life drawing in Ink, pastel. Always...

Stephen Whittaker (b.1991) is a New Zealand artist, currently residing in Paris. Most recently Whittaker’s work has focused on the weight of tradition and generational ties. The juxt...

Jules Schyl (Sweden, 1893-1977) Title: Ballet Dancers A Ballet Dancer painting is a rare find for an artist mostly known for his oeuvre with Cubism and Expressionist paintings. The current painting has many similarities with Degas sketches...

America Martin "Woman With Knees Up" Pastel & Ink on Paper 24” x 18” AMERICA MARTIN is an internationally represented Colombian-American fine artist based in Los Angeles. America i...

This is a pre-owned painting by Justin Coopersmith. It is a framed mixed media seascape painting. Its dimensions are 16 x 13.5 x 1 in (L x H x D).

Mint condition, vivid colors. Free US CONTINENTAL shipping, incl Europe and Asia. Antoine Calbet: A Master of Academic Realism in the Third Republic A Distinguished Journey Antoine...

Phyllis Ciment Abstract Pastel Painting c.1970s Red, white and blue - Fine colorful abstract painting 24" wide x 18" high The frame measures 33" wide x 28" high Signed by the art...

Original pastel on archival paper by the well known Hudson River artist, George Douglas Brewerton. A Northern California scene near Mount Shasta. Signed lower left and dated 1876. Recently professionally matted and framed in new antique silver style gallery frame. Overall framed measurements are 27 by 36 inches. Under glass. Condition is excellent. Provenance: A Pennsylvania collector. George Douglas Brewerton received lessons in art from Prof. Robert W. Weir at West Point where his father was Superintendent. In 1874, he was detailed to San Francisco as an officer in the Stevenson Regiment. In 1848, he underwent many adventures in Western deserts and mountains with Kit Carson, who crossed the country with news of the California Gold Rush. After serving as an aide to Gen. Rufus Saxton during the Civil War, Brewerton called himself “Colonel,” although he never received an army commission...

"Agra Pearl" is a delightfully subtle pastel on paper piece by Detroit artist Sheldon Iden, one that will accentuate the room that it is in. The title Agr...

Pastel on paper. Signed in the lower left. Well presented in a contemporary off-white frame.

Small stark figurative painting Acrylic and pastel on canvas

Attack From Above, 2020, acrylic, oil, canvas, yarn and thread on canvas. Green, blue, pink, eagle, jet, spider-man, abstract.

Well presented in a simple wood frame. Signed and inscribed to the reverse. With a label from the Ewart Johns Retrospective exhibition fixed to the reverse. On board.

Sole Tree is a drawing realized by Mareal Abougit (1903-1985) in 1974. Pencil, pastel and watercolor on paper. Hand-signed and dated on the lower left. Good conditions with slight...

Landscape mixed media on canvas 46x55 cm 2023 Original Art, Ready to hang Frame option available Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works....

This artwork "Untitled #3" c.1970 is a colors pastel and crayon on thick paper by American artist Jerry Opper, 1924-2014. It is hand signed in pencil at the lower right corner by the artist. The image size is 21.75 x 16.75 inches, sheet size is 24 x 19 inches. It is in excellent condition, there are pastel marks on the margin all around the artwork and also on the back, see picture #1. About the artist: Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945. Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance. Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...

The Rat is an original drawing in pastels on paper realized by Leo Guida in 1973. Hand-signed in pencil and dated on the lower right. The state of preservation is good except for ...

D. Tongen "Olive Green and Black" 1980s 19.75"x12.5" Soft pastel and pencil on paper Initialed in pencil lower right

The Bird is an original Drawing on paper realized by the painter Henri Lehmann (1814-1882). Drawing in Pastel. Stamped on the lower. Good conditions. ...

"Untitled" Mid 20th Century American Abstract 1960s Color Field Abstraction James Daugherty (1887 – 1974) Untitled 9 x 16 inches Initialed lower right Dated November 1, 1966 lower ...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing an...

Beach 70x50 cm

World Of Chaos, Original Painting in Acrylic on Canvas, 2021 Artist Commentary: This piece highlights the relationship between nature and humans. Keywords: light, day, abstract, wa...

Arbre à l'Automne à Saint Paul Raymond Thibesart (France, 1874-1968) Circa 1920's Pastel on paper, signed lower left 12 x 9 inches Raymond Thibesart was born into an affluent famil...

Dominatrix Woman is a beautiful watercolor drawing realized by Mino Maccari in the 1970s. The artwork is hand signed by the artist. Oil on panel. Includes frame 48.5 x 35 cm Min...

Francesco Spicuzza (American, 1883-1962) Untitled Landscape, 20th century Pastel on paper Sight size: 24 x 30 in. Framed: 26 1/4 x 32 3/8 in. Signed lower right: Spicuzza Italian-born Francesco Spicuzza was primarily a Wisconsin painter who did portraits, still-lives and local landscapes. He spent the first part of his life in near-poverty to become a painter. An eternal optimist, in 1917, the artist reported: "I am happy and my only ambition now is to paint better and better until I shall have reached the measure of the best of which I am capable." (Spicuzza, 1917, p. 22). His predilection for beach scenes germinated early: reportedly, the five-year-old boy first drew the outlines of his father's fishing boat in the sand on the seashore near their home in Sicily. After setting himself up as a fruit peddler in Milwaukee, Spicuzza's father sent for his family when Francesco was eight years old. For the following six years the boy was unable to attend school because of his job in his father's fruit and vegetable business. The poor lad suffered a caved-in shoulder from carrying a heavy wooden crate. The young Spicuzza was aided by moral and financial support from a sympathetic Milwaukee businessman named John Cramer, publisher and editor of the Evening Wisconsin, who raised Spicuzza's salary as a newspaper assembler so that he could attend school. In 1899 or 1900, Spicuzza began studying drawing and anatomy under Robert Schade (1861-1912), a painter of panoramas who had been trained in Munich under Carl Theodor von Piloty. Spicuzza was also taught by Alexander Mueller (1872-1935), a product of the Weimar and Munich academies. Mueller realized Spicuzza was a colorist and encouraged that orientation (Madle, 1961). Spicuzza found it beneficial to accept an apprenticeship in a lithographic studio for $8 a week, which demanded most of his time. During the St. Louis Universal Exposition in 1904, still a struggling student, Spicuzza attended the fair, thanks to Cramer. It was not long before Spicuzza received a twenty-five dollar portrait commission, and this inaugural success led to new commissions and allowed him to continue as a painter. The earliest influences in his work appear to be from Edward H. Potthast and Maurice Prendergast, though Spicuzza never mentioned either artist. Already in August 1910, Spicuzza was described in a newspaper as "one of the most talented of Milwaukee's rising workers." He undoubtedly received lasting inspiration from his one summer study period in 1911 with John F. Carlson at the Art Students League's Summer School in Woodstock, New York. Certainly Spicuzza would have picked up spontaneity in handling the brush from Carlson. Although he executed numerous still-lives and an occasional religious work, Spicuzza is best known for his Milwaukee beach scenes populated with frolicking bathers in multi-colored attire, not unlike the images of Potthast, who used a similar technique. Many of these are small, preparatory works on canvas board executed between 1910 and 1915. Frequently with even greater animation than Potthast, Spicuzza produced moving images of youthful energy and uninhibited child's play. These beach genre scenes reflect the attitude of American impressionists who depicted the more pleasant side of life. Spicuzza manipulated a successful balance of rich pigment applied in varying degrees of impasto texture with subtle nuances of hue. Working all'aperto, he sought "the soft enticing shades of yellow, blue, green, pink and lavender . . . to get the effects of bright glistening summer air." (L.E.S., n.d.). As a painter whose color not only derived from direct observation but also from a personal theory of color symbolism, Spicuzza traded the linear approach of lithography for dynamic patches of brilliant color. Like Prendergast, he would often tilt the angle of the picture plane to bring the viewer's position above the scene. Spicuzza was unable to enter the 1913 Armory Show or the Panama-Pacific International Exposition two years later but he did submit work to the annual exhibitions of the Pennsylvania Academy of the Fine Arts and those of the Art Institute of Chicago. His first important award was the bronze medal presented by the St. Paul Institute in 1913, which was followed by the silver medal two years later. Before long, Spicuzza had acquired a greater sense of security in his profession and was described by a writer in International Studio (April 1917) as "an independent artist with an assured future. His pastels and water-colours are poetic and joyous bits of nature with a genuine out-of-door feeling." In 1918, his Spirit of Youth, exhibited at the National Academy of Design, sold for $112.50. Four years later, the artist achieved his greatest local recognition by winning the gold medal from the Milwaukee Art Institute. Spicuzza spent a great deal of time painting en plein air and by 1925 he began summering at Big Cedar Lake, near West Bend, Wisconsin to gather his subject matter. Easter Morning (1926) owes something to the Symbolist movement, with its figure of Christ appearing over a seascape. During the difficult era of the Depression, patrons came to Spicuzza's aid and during the 40s, he taught housewives, businessmen and students at the Milwaukee Art Institute, the Milwaukee Art Center, and in his private studio. In the following decade, although his kind of art was no longer popular in the "make-it-or-break-it" New York gallery world, Spicuzza enjoyed regular patronage and sales. His beach scenes became more static and he would experiment with modernist techniques. Spicuzza died at the age of seventy-eight. Sources: L.E.S., "Do Colors Change a Person's disposition? Experiments of a Milwaukee Artist...

Chimeras, 1974 Acrylic and pastel on textured paper Mid-century figural abstract blue acrylic painting Clarence Holbrook Carter achieved a level of national artistic success that w...

A beautifully vibrant pastel still life showing a jug of vibrant summer flowers on a blue check tablecloth. The artist has signed and dated to the lower right corner and the painting...

JERRY BERNECHE Untitled (Cats & Dogs No. 6) Colored pencil, gouache, and pastel on paper 30 x 22 inches

ODETTA is pleased to present works by Carol Diehl as our Flat File Feature Artist. Opening each drawer in the cabinet presents one in a series of pastel drawings that the artist beg...

Pastel on paper. Signed in the lower left. Well presented in a contemporary wooden frame.

Composition is an original contemporary artwork realized in 1970 ca. by the Italian Contemporary artist Leo Guida (1992 - 2017). Included two original drawings in mixed on ivory-c...

Currently Under restoration by professionnal. Free US CONTINENTAL shipping, incl Europe and Asia. Presale order accepted. Yes. Paul Hoeniger studied at the art academies in Ber...

Rocio Rodriguez July 8, 2013, 2013 pastel, oil pastel, charcoal and pencil on paper 18 x 24 in. This original oil oil pastel drawing on paper by Rocio Rodriguez features abstracted ...

Female figure, foliage, florals; acrylic ink, flashe and pastel on 300g Arches hot press paper; custom framed, shallow shadow box frame. Deep blue, marigold yellow gold. Frame dim...

The boy at the sea is an original drawing on pencil and pastel realized by Anthony Roaland in 1980. Hand-signed and dated by the artist on the lower right margin. In the foregroun...

Beautiful pastel painting of a young boy, very reminsent of Summer From the studio of London based artist Caroline Hands Framed in contemporary wooden frame Image 30x20" Framed 36...

Haymaking time 1930, pastel on paper, 30x39 cm "Haymaking Time" is a serene and evocative artwork that transports viewers to a simpler time, celebrating the beauty of the countryside and the age-old agricultural activities that have shaped the lives of people for generations. The use of pastels and the light figurative style imbue the artwork with a sense of warmth and nostalgia, inviting viewers to appreciate the natural rhythms of rural life. Aleksandra Belcova...

Signed lower right, 'Maria Winkler' (American, 20th century) and dated 1991. Professor Emeritus of the Art Department at California State University, Sacramento, Maria Winkler earne...