Art by Medium: Pastel

Charcoal, pastel lace Audrey Anastasi states: "The paper doll series was created first in the presence of a live model, working quickly, in charcoal an...

Chinezim Moghalu 1992 - Current Communion, 2024 Acrylic and pastel on canvas 137 x 127 cm 54 x 50 in

Portrait of Andy Warhol with Purple Hair in Pastel and Gouache on Paper Whimsical portrait by Ricardo de Silva (Brazilian, 20th Century). Andy Warhol is l...

In creating this work, I delved into the quiet mystery of a moonlit pond, the way the light hits the water and leaves, inviting self-questioning. March night fragrance with color pal...

Signed to the lower right. Presented in a painted wooden frame. On paper.

Marie-Paule Carpentier French, 1876-1915 Versailles Pastel / Paper 12 by 16 in. W/frame 18 by 22 in. Signed on lower left Marie-Paule Carpentier Marie-Paule Carpentier painted i...

Depravity Jane by Carol Magnatta Painting, Pastel, Pastel Colors, Dark Colors, Pop of Color, Women, Feminine, Sexy, Provocative, Body, Home Decor, Wall Decor Wall Art

Signed "Nell Blaine" upper left in pencil. Signed, titled, dated verso on sheet. Signed, titled, dated verso on backing panel. The artist. Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Purchased by private collectors c.1994. By descent. Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). From her November 15, 1996 NYT obituary: Nell Blaine, a widely respected New York landscape painter and watercolorist, died yesterday at Mount Sinai Hospital. She was 74 and had homes in Manhattan and Gloucester, Mass. Ms. Blaine, who had been hospitalized since July, had been confined to a wheelchair since 1959, when she contracted polio. Ms. Blaine was born in Richmond, Va., in 1922, and first studied at the Richmond School of Art, now part of Virginia Commonwealth University. She moved to New York in 1942 to study painting with Hans Hofmann and later studied etching and engraving at Atelier 17 with Stanley William Hayter. During her first years in New York, her work, which had previously been tightly realist, turned abstract, inspired by Mondrian, Leger and Jean Helion. At one time she was the youngest member of the American Abstract Artists. She was also a founding member of the Jane Street Gallery, one of Manhattan's earliest artists' cooperatives, and had her first solo show there in 1945. Just as Ms. Blaine was becoming known as a promising abstract painter, and gaining the admiration of such critics as Clement Greenberg, she started to shift back to representation. Inspired in part by a trip with Larry Rivers in 1950 to Paris, where she was especially impressed by the work of Vuillard and Bonnard, she immersed herself in the tradition of 19th-century European painting. From the mid-1950's, she cultivated an increasingly painterly and colorful style, usually working directly from nature, or still life, with particular emphasis on the forms and hues of flowers. Her work retained a sense of all-over structure and pulsating energy that she nonetheless credited to abstract art. ''It all goes back to Mondrian,'' she would say. In the 1950's, Ms. Blaine was prominent among a circle of New York artists and poets that included John Ashbery, Frank O'Hara, Kenneth Koch, Mr. Rivers, Jane Freilicher, Leland Bell, Louisa Matthiasdottir, Robert De Niro Sr. and Rudy Burckhardt. She had her first solo show of representational work at the Tibor de Nagy Gallery in 1953 and was represented by the Poindexter Gallery until it closed in 1978, and, in recent years, by the Fischbach Gallery. During the 1950's she supported herself as a commercial artist, designing brochures for art galleries. In 1955, she designed the original logo, column heads and layout for The Village Voice. In 1957, Ms. Blaine was featured in Life magazine as one of five leading young female artists in America. In 1959, after several months of traveling and painting in Greece, she contracted severe bulbar polio on the island of Mykonos. ''To Nell Blaine,'' an exhibition organized at Poindexter to raise money for her hospital bills, included the work of 79 artists, including Saul Steinberg, Robert Motherwell, Elaine and Willem de Kooning, Philip Guston, Mr. Rivers, Ms. Freilicher and Robert Rauschenberg. After eight months in a New York hospital, including five months in an iron lung...

This is a soft pastel on toned archival paper suitable for framing under glass . The artist has signed and dated the work on the bottom right.

Soft pastel on toned archival sanded paper with border suitable for framing under glass. Signed and dated on bottom left hand corner

Pastel on green paper by Max Ackermann from 1972. This work is signed and dated in pencil at the bottom right. The pastel is registered in the Ackermann Archive. Max Ackermann (Be...

"Untitled" Mid 20th Century American Abstract 1960s Color Field Abstraction James Daugherty (1887 – 1974) Untitled 12 ¼ x 15 ¼ inches Initialed and dated February 21, 1966 lower ri...

"Reflections in the Pond" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworld...

The loose style of this drawing comes together quickly to convey the relaxed state of this nude female. The pastel accents bring a beautiful warmth to this drawing. Christopher Ganz Woman at Rest, 2013 pastel and charcoal on green paper 23h x 18w in 58.42h x 45.72w cm CG0062 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

DANNY GALIEOTE Study for Beach Bun Pastel & Conte' on Archival Paper 17 x 11 inches 30 x 24 inches, Framed Danny Galieote has a propensity for capturing the quintessentials of Amer...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing an...

Bari-Lynn Friedlander is a vibrant Miami-based abstract artist known professionally as Bari-Lynn Art. Originally from New York City's design and fashion world, working for major luxu...

"Hula Study" is an energetic and unique charcoal on paper by Patsy McArthur showing a female figure dancing with a hula hoop. It is created using charcoal and pastel on pale pink Mur...

This is a soft pastel on toned archival paper signed on bottom left. It depicts a masked Woman in a courtyard during a masquerade event. Note the jeweled necklace and scar on her upp...

Soft pastel on archival toned paper signed and dated top left. Part of an ongoing series by the artist of artist and model subject matter

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Soft pastel on toned archival sanded paper signed and dated bottom right corner. One of many pastel nudes by the artist who has done extensive work in the medium in addition to his o...

Evocative figurative painting of a woman seated in a studio by an unknown artist (20th Century). A woman dressed in red is sitting in a chair atop a platform. There are studio lights...

Girl Sitting is an artwork made by Suzie Bernardeau (1875-1970) during the 20th century. Good condition. Signed on the back. Drawing made with crayons. 

Man Sitting is an artwork made by Suzie Bernardeau in the mid-20th century. Good condition. Drawing made with crayons.

This artwork titled "La Danseuse Espagnol Rosita Segovia: c.1950. Is a pastel and black stone on paper by noted French artist Jean Target, 1910-1997. It is hand signed an titled at t...

Nude of Woman is an artwok realized by the French Artist Emile André Leroy. Pastel Drawing on paper. Hand Signed in the left margin. Good conditions except fo a small tear in the r...

pastel on toned paper signed bottom left

"7" Abstract Painting 47" x 39" inch by Yevhenii Shapovalov ATT: SHIPS ROLLED IN TUBE ABOUT: Yevhenii Shapovalov is a highly talented Ukrainian ...

Landscapes is an artwork made by Suzie Bernardeau during the 20th century. Pastel drawing. Signed. Good condition.

"Two Ladies in White" is an original pastel drawing by Sue Bartfield in white and purple. 27 1/4" x 40 3/4" art 33 5/8" x 48" framed Artist's Statement: "You might be surprised to...

Unsigned. Presented in a contemporary white frame. On paper.

Un Chemin dans la Forêt by Paulémile Pissarro (1884-1972) Pastel and charcoal on paper 24 x 31 cm (9 ¹/₂ x 12 ¹/₄ inches) Stamped lower middle-right, Paulémile Pissarro Provenance E...

(Painted on thick gallery-wrapped professional canvas, ready to hang or be framed if you prefer. A video has been included to provide a dimensional view of the piece.) Artist's Stat...

Untitled (Woman's Head in Profile) Watercolor and pastel on paper laid down on board, 20 x 13 inches (50.8 x 33 cm) Framed dimensions: 27 x 20 inches Signed upper left: Joseph Stella...

Figure  is an artwork realized  in the Mid-20th Century. Pastel Drawing.  The artwork is in good conditions . The artwork is depicted skillfully through confident strokes with a d...

Acrylic, enamel, lacquer & pastel pencil on canvas

Soft pastel on archival toned paper signed and dated bottom right corner. Mounted on archival foam board for suitable framing. Part on an ongoing series of Mermaids by the artist.

Painting of the series “Not a dicky bird”, 100x80cm, acrylic, pastel, canvas

This artwork "Landscape with Lake" C.1940 is a pastel on paper by noted Russian/Canadian artist Alexander (Alexandre) Bercovitch, 1891-1951. It is signed at the lower right corner by the artist. The artwork size is 17 x 23.25 inches, framed is 23.75 x 30.15 inches. The artwork is in excellent condition, the frame is damaged and will be replaced by a new similar or better frame before shipping. About the artist. Alexander Bercovitch was born in Kherson, Russia in 1891. In 1926 he moved to Montreal, Canada. He is known for a vibrant, expressionist painting style. His landscapes also show the strong influence of impressionism. His mediums are pastel, gouache, watercolour and oil. As a child he apprenticing in icon-painting with monks. He also studied at Jerusalem's Art School of Bezalel, the Munich Academy of Fine Arts, and the Bakst-Dobujiinsky school and Stiglitz Academy, both in St. Petersburg. He worked in Odessa and Moscow painting stage decorations, before moving to Turkestan to teach art. He was influenced by the German Symbolist Franz von Stuck, as well as David Burliuk, co-founder of the Russian Primitivist movement and Wassily Kandinsky. After moving to Montreal he worked in decorative painting and set design. In 1927 he participated in the annual Spring Show of the Art Association of Montreal, and in 1933 held his first solo exhibition. He is a founding member of The Eastern Group of Painters and the Contemporary Arts Society (CAS), associating with Louis Muhlstock, John Lyman, Jack Humphrey, Philip Surrey...

Artist: David Fox (American, 1920-2011) Title: Landscape Year: 1992 Medium: Pastel on paper Paper: Wove paper Image size: 10.5 x 13.25 inches Fram...

What would the last tree do? Would it come through a window, a door? There are several of the works that I have generated that express the deep concern I hold for our home planet. Th...

Marsh, Reginald. ACROBATS. Ink, gouache, and pastel on paper, 1922. Signed, lower right. c. 18 1/2 x 14 1/2 inches; framed to 28 x 23 1/2 x 1 1/4 inches. In excellent condition.

This piece is framed measuring 36.5 by 44.5 inches. Based in Carrollton, Georgia, Erin Dixon is a mixed media artist whose work bridges realism and surreal...

Vivid pastel depicting a figure on horseback with horse and buggy traversing a vast landscape by an unknown artist. A steep cliffside illuminated with ...

Alessio Tacchinardi - Young Juventus Talent, UEFA Champions League 1995-96 - The Rise of a Star Technique: Charcoal on paper, Signed and dated '96 Author: Marco Silombria (Savona, 1...

Crystal Latimer employs the method to create depth. Inspired by 16th centenary tapestry, she combines western iconography with the symmetrical design elements of medieval artisans. T...

ODETTA is pleased to present works by Carol Diehl as our Flat File Feature Artist. Opening each drawer in the cabinet presents one in a series of pastel drawings that the artist beg...

ODETTA is pleased to present works by Carol Diehl as our Flat File Feature Artist. Opening each drawer in the cabinet presents one in a series of pastel drawings that the artist beg...

Intricately detailed realist figurative pastel drawing of a woman in Shakespearean clothing by Palo Alto artist Marilyn Thompson (American, 1927-2015), 1989. The woman's pearl necklace and puffy sleeved garment, as well as each individual strand of her graying hair, are depicted in hyper-realist pastel on half tone paper. Signed and dated "Marylin Thompson 1989" in the lower right corner. Presented in a new cream mat with foam-core backing. Paper size: 24.75"H x 19.75"W Marilyn Thompson (American, 1927-2015) was born in Santa Paula. California. She received an art degree from San Jose State in 1950, after which she worked for H. M. Gousha, for whom she drew many illustrations of missions and other California sites. From the mid-1970s on, she did freelance drawing and painting, with lots of commercial work (pamphlet illustrations, posters, custom birthday cards...

"Spring Sassafras" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly real...

English School, Portrait of a Woman, Charcoal and Pastel on Wove Paper, 19th Century, apparently unsigned, giltwood frame. Image: 10.75" H x 8.25" W; frame: 17" H x 14.5" W x 1" D. P...

Pastel on toned paper *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive ...

Ginger Williams Cook is a painter, published illustrator, and arts educator based in Jackson, MS. Her paintings have been featured in numerous exhibitions, publications, and media. G...

Soft pastel on toned sanded paper signed and dated bottom right hand corner. Part of a series of human and animal interactions. This work has some surrealistic and outsider qualities...

White Flags is a pencil and pastel Drawing realized by Mino Maccari (1924-1989) in the 1960s. Hand-signed on the lower. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, ...

This is a pastel painting done on toned archival paper. The title is taken from an old food network show. The artists sardonic humor is well illustrated in this work. A truly one of ...

A whimsical pastel featuring a Mother with her Child on her lap that just pulled a goldfish from it's bowl. A charming large work that is exquisitely framed. Peggy Dodds Williams ...

Julian Ruddock. British ( b.1965 ). The Thief. Pastel On Paper. Signed Lower Left. Image size 29.1 inches x 21.3 inches ( 74cm x 54cm ). Frame size 38.4 inches x 29.9 inches ( 97.5c...

He's The One is a Charcoal, pastel and Pen Drawing realized by Mino Maccari (1924-1989) in 1970s. Hand signed and titled on the lower margin. Good condition on a little cardboard....