Art by Medium: Pencil

Paul Cézanne Le Sentier ca. 1890 Watercolour and pencil on paper 34.6 x 51.5 cms (13 5/8 x 20 1/4 ins) PC16325

Nancy Lasar’s work is described as “drawing with light”, “condensed energy and flow”, “calm and crazy”, and “organized chaos”. The lines in Lasar’s works that are electrifying. They ...

Art Seiden was born in Brooklyn, NY in 1923. He received a BA at Queens College and studied for eight years (!) at the Art Students League. Mario Cooper was among his instructors. Up...

Pastel Landscape by Irina Hale (British 1932-2022) pastel and pencil sketch on brown artist tracing paper , unframed painting: 4.5 x 3.75 inches provenance: private collection, Cotsw...

Amanda Immurs, an artist hailing from Hamilton, Canada, creates enchanting watercolor artworks that bring whimsical scenes of children, animals, and flora to life. Immurs' art is gro...

Nancy Lasar’s work is described as “drawing with light”, “condensed energy and flow”, “calm and crazy”, and “organized chaos”. The lines in Lasar’s works that are electrifying. They ...

Nancy Lasar’s work is described as “drawing with light”, “condensed energy and flow”, “calm and crazy”, and “organized chaos”. The lines in Lasar’s works that are electrifying. They ...

The Black Panther Trials - In this historically significant work, African American Artist Vicent D. Smith functions as an Art Journalist/ Court Reporter as much as a Artist. Here, he depicts, in complete unity, 21 Black Panther Protestors raising their fist of defiance at the White Judge. Smith's composition is about utter simplicity, where the Black Panther Protestors are symmetrically lined up in a confrontation with a Judge whose size is exaggerated in scale. Set against a stylized American Flag, the supercilious Judge gazes down as the protesters as their fists thrust up. Signed Vincent lower right. Titled Panter 21. Original metal frame. Tape on upper left edge of frame. 255 . Panther 21. Framed under plexi. _____________________________ From Wikipedia In 1969-1971 there was a series of criminal prosecutions in New Haven, Connecticut, against various members and associates of the Black Panther Party.[1] The charges ranged from criminal conspiracy to first-degree murder. All charges stemmed from the murder of 19-year-old Alex Rackley in the early hours of May 21, 1969. The trials became a rallying-point for the American Left, and marked a decline in public support, even among the black community, for the Black Panther Party On May 17, 1969, members of the Black Panther Party kidnapped fellow Panther Alex Rackley, who had fallen under suspicion of informing for the FBI. He was held captive at the New Haven Panther headquarters on Orchard Street, where he was tortured and interrogated until he confessed. His interrogation was tape recorded by the Panthers.[2] During that time, national party chairman Bobby Seale visited New Haven and spoke on the campus of Yale University for the Yale Black Ensemble Theater Company.[3] The prosecution alleged, but Seale denied, that after his speech, Seale briefly stopped by the headquarters where Rackley was being held captive and ordered that Rackley be executed. Early in the morning of May 21, three Panthers – Warren Kimbro, Lonnie McLucas, and George Sams, one of the Panthers who had come East from California to investigate the police infiltration of the New York Panther chapter, drove Rackley to the nearby town of Middlefield, Connecticut. Kimbro shot Rackley once in the head and McLucas shot him once in the chest. They dumped his corpse in a swamp, where it was discovered the next day. New Haven police immediately arrested eight New Haven area Black Panthers. Sams and two other Panthers from California were captured later. Sams and Kimbro confessed to the murder, and agreed to testify against McLucas in exchange for a reduction in sentence. Sams also implicated Seale in the killing, telling his interrogators that while visiting the Panther headquarters on the night of his speech, Seale had directly ordered him to murder Rackley. In all, nine defendants were indicted on charges related to the case. In the heated political rhetoric of the day, these defendants were referred to as the "New Haven Nine", a deliberate allusion to other cause-celebre defendants like the "Chicago Seven". The first trial was that of Lonnie McLucas, the only person who physically took part in the killing who refused to plead guilty. In fact, McLucas had confessed to shooting Rackley, but nonetheless chose to go to trial. Jury selection began in May 1970. The case and trial were already a national cause célèbre among critics of the Nixon administration, and especially among those hostile to the actions of the FBI. Under the Bureau's then-secret "Counter-Intelligence Program" (COINTELPRO), FBI director J. Edgar Hoover had ordered his agents to disrupt, discredit, or otherwise neutralize radical groups like the Panthers. Hostility between groups organizing political dissent and the Bureau was, by the time of the trials, at a fever pitch. Hostility from the left was also directed at the two Panthers cooperating with the prosecutors. Sams in particular was accused of being an informant, and lying to implicate Seale for personal benefit. In the days leading up to a rally on May Day 1970, thousands of supporters of the Panthers arrived in New Haven individually and in organized groups. They were housed and fed by community organizations and by sympathetic Yale students in their dormitory rooms. The Yale college dining halls provided basic meals for everyone. Protesters met daily en masse on the New Haven Green across the street from the Courthouse (and one hundred yards from Yale's main gate). On May Day there was a rally on the Green, featuring speakers including Jean Genet, Abbie Hoffman, Jerry Rubin, and John Froines (an assistant professor of chemistry at the University of Oregon). Teach-ins and other events were also held in the colleges themselves. Towards midnight on May 1, two bombs exploded in Yale's Ingalls Rink, where a concert was being held in conjunction with the protests.[4] Although the rink was damaged, no one was injured, and no culprit was identified.[4] Yale chaplain William Sloane Coffin stated, "All of us conspired to bring on this tragedy by law enforcement agencies by their illegal acts against the Panthers, and the rest of us by our immoral silence in front of these acts," while Yale President Kingman Brewster Jr. issued the statement, "I personally want to say that I'm appalled and ashamed that things should have come to such a pass that I am skeptical of the ability of a Black revolutionary to receive a fair trial anywhere in the U.S." Brewster's generally sympathetic tone enraged many of the university's older, more conservative alumni, heightening tensions within the school community. As tensions mounted, Yale officials sought to avoid deeper unrest and to deflect the real possibility of riots or violent student demonstrations. Sam Chauncey has been credited with winning tactical management on behalf of the administration to quell anxiety among law enforcement and New Haven's citizens, while Kurt Schmoke, a future Rhodes Scholar, mayor of Baltimore, MD and Dean of Howard University School of Law, has received kudos as undergraduate spokesman to the faculty during some of the protest's tensest moments. Ralph Dawson, a classmate of Schmoke's, figured prominently as moderator of the Black Student Alliance at Yale (BSAY). In the end, compromises between the administration and the students - and, primarily, urgent calls for nonviolence from Bobby Seale and the Black Panthers themselves - quashed the possibility of violence. While Yale (and many other colleges) went "on strike" from May Day until the end of the term, like most schools it was not actually "shut down". Classes were made "voluntarily optional" for the time and students were graded "Pass/Fail" for the work done up to then. Trial of McLucas Black Panther trial sketch...

Provenance: Frédérique Tison, Château de Chassy (Burgundy-Franche Comté - France) Bibliography: J. Clair, V. Monnier Balthus, catalogue raisonné of the complete works, Gallimard, Pa...

Maria Deely Positano 2025 Original Drawing with Colored Pencils Size: 14 x 11 inches (35.56 x 27.94 cm) Signed COA provided In this drawing, Maria Deely captures the vibrant spirit ...

Violence-corruption-clericalism is a modern artwork realized by Gabriele Galantara (1865-1937) in 1908. Watercolor, tempera, ink and pencil on paper. Hand signed on the left margin....

Pastel Landscape by Irina Hale (British 1932-2022) pastel and pencil sketch on brown artist tracing paper , unframed painting: 3.75 x 4.5 inches provenance: private collection, Cotsw...

A stylish, vintage, 1940s fashion study featuring colorful designs for women's hat, suit, shoes & coat. Artwork size: 11 x 8 1/4 inches. Archivally matted to 16 x 12 inches. ...

Clarence Holbrook Carter (American, 1904-2000) Transection with Architectural Forms, c. 1980s Acrylic and graphite on board 12 x 20 inches A surrealist mid-century figural abstract ...

Portrait is an artwork realized by the french Artist Jacqueline Barbet (1902-1975), in 1938. Pencil, pastel and charcoal rawing on paper. Hand-signed and dated in pencil in Roman nu...

Sketches of People is an Original Pencil Drawing realized by an Unknown artist in mid-20th Century. Good condition on a yellowed paper. No signature.

Title Signed French Modernist Seated Male Nude Figure Pencil Life Drawing Artist Jacqueline Boisselot French late 20th century Medium Graphite pencil on thin artist paper unframed Si...

Title Signed French Modernist Double Male Portrait Study Pencil Drawing Artist Jacqueline Boisselot French 20th and 21st century Medium Pencil and chalk on textured artist paper unfr...

A stylish, vintage, 1940s fashion study featuring colorful designs for women's red Robin Hood hat, suit and coat. Artwork size: 11 x 8 1/4 inches. Archivally matted to 16 x 12 in...

Oscar Bluemner Elmhurst, N.J. 6 January, 1904, 1904 Signed, Titled, Dated, and Monogrammed Graphite on Paper 4 1/4 x 7 3/4 inches The son and grandson of architects, Bluemner was b...

Title Two Male Portrait Studies French Modernist Pencil Drawing Artist Jacqueline Boisselot French late 20th century Medium Graphite pencil on artist paper unframed Size 20.5 x 25.75...

Title Seated Male Portrait Profile French Modernist Sanguine Drawing Artist Jacqueline Boisselot French late 20th century Medium Red chalk or sanguine on artist paper unframed Size 1...

Artist Still Life Sketch by Jacqueline Boisselot, French late 20th century size: 19.75 x 25.5 inches pencil drawing on thin paper, unframed condition: very good and ready to enjoy pr...

Patrick Procktor (British, 1936 – 2003) Seagull at the window Pencil and watercolour Signed and dated ‘Patrick Procktor 00’ (upper right) and further signed ‘Patrick Procktor’ (lower...

Title Standing Female Nude Profile French Modernist Ink Figure Drawing Artist Jacqueline Boisselot French late 20th century Medium Black ink and graphite pencil on artist paper unfra...

Title Two Vessels and Folded Drapery French Modernist Graphite Still Life Drawing Artist Jacqueline Boisselot French late 20th century Medium Graphite pencil on artist paper unframed...

Title Bottle and Folded Paper Still Life French Modernist Graphite Drawing Artist Jacqueline Boisselot French late 20th century Medium Graphite pencil on textured artist paper unfram...

Title Abstract Interior Forms French Modernist Charcoal Drawing Artist Jacqueline Boisselot French late 20th century Medium Charcoal on artist paper unframed Size 25.75 x 19.75 Heigh...

Title Abstract Architectural Forms French Modernist Charcoal Drawing Artist Jacqueline Boisselot French late 20th century Medium Charcoal on artist paper unframed Size 19.75 x 25.75 ...

Marie LAURENCIN Lovers, 1953 Original ink and pencil drawing Signed by artist stamp On paper 24.5 x 19.5 cm (c. 9.6 x 7.6 inch) Good condition, one small tear on the right edge an...

Silverpoint and colored pencil on paper, 29 x 23 in. Signed (at lower right): Joseph Stella Executed about 1919 EXHIBITED: Hirschl & Adler Galleries, New York, November 23, 1985–January 4, 1986, American Masterworks on Paper: Drawings, Watercolors, and Prints, pp. 6, 46 no. 47 illus. // (probably) Richard York Gallery, New York, October 5–November 17, 1990, Joseph Stella: 100 Works on Paper, no. 36 // Norton Museum of Art, West Palm Beach, Florida; High Museum of Art, Atlanta, Georgia; Brandywine Museum, Chadds Ford, Pennsylvania, October 1, 2022–September 24, 2023, Joseph Stella: Visionary Nature EX COLL.: [Dudensing Galleries, New York]; sale, Christie’s, New York, December 7, 1984, lot 324; [Hirschl & Adler Galleries, New York, 1984]; to private collection, 2006 until the present An independent-minded artist who adhered to the credo “Rules don’t exist,” Joseph Stella explored a range of styles, media, and themes, willfully ignoring the “barricades erected by ... [the] self-appointed dictators” of the art establishment (Joseph Stella, “On Painting,” Broom 11 [December 1921], pp. 122–23; Joseph Stella, “Discovery of America: Autobiographical Notes,” Art News 59 [November 1960], p. 41). By doing so, he produced a diverse and highly eclectic body of work, ranging from realist figure subjects, pulsating Futurist cityscapes, and modernist religious...

At some point, the fine art/museum world will recognize how truly brilliant a trailblazing artist like Coby Whitmore is. His exploration of bold colors, flattened, simplified space, ...

The work is mostly black and white to indicate that this is a night scene. On closer inspection, you will see areas of magenta and ivory throughout The publisher's label on verso ide...

"Modern Egyptian Figure Drawing by Joan Brotat." Pencil drawing on paper. Signed lower right. Artwork: 25.5 × 18 cm (10 × 7.1 in.). Framed: 45.5 × 37.5 cm (17.9 × 14.8 in.). Origina...

The scrivener is a modern artwork realized by Gabriele Galantara (1865-1937) in 1909. Watercolor, ink, tempera and pencil on paper. Hand signed on the left margin. Good conditions ...

Image dimensions: 11.3 x 28.2 cm. Praying Woman is a beautiful original pencil drawing on paper, realized around the half -end of XIX century by the French artist Pierre Nicolas Br...

Blizzard in Woods Graphite on paper, c. 1945-1963 Unsigned Provenance: Sid Deutsch Gallery, New York Annotated with notes for completing the drawing. Deutsch Gallery has handled Bur...

WPA Mural Study Mid-Century Modern American Scene Social Realism Workers Anton Refregier (1905-1979) Mural Study, Untitled 7 ¾ x 22 inches (sight) Gouache, pencil, and charcoal on board, c. 1940s Unsigned Provenance: Estate of Seymour Fogel, noted verso Thomas McCormick Gallery...

A stylish, vintage, 1940s fashion study featuring elegant designs for women's day dresses. Artwork size: 11 x 8 1/2 inches. Pencil on paper. Artwork is unframed, archivally matte...

Amanda Immurs, an artist hailing from Hamilton, Canada, creates enchanting watercolor artworks that bring whimsical scenes of children, animals, and flora to life. Immurs' art is gro...

Amanda Immurs, an artist hailing from Hamilton, Canada, creates enchanting watercolor artworks that bring whimsical scenes of children, animals, and flora to life. Immurs' art is gro...

Joseph Stella was a visionary artist who painted what he saw, an idiosyncratic and individual experience of his time and place. Stella arrived in New York in 1896, part of a wave of Italian immigrants from poverty-stricken Southern Italy. But Stella was not a child of poverty. His father was a notary and respected citizen in Muro Locano, a small town in the southern Appenines. The five Stella brothers were all properly educated in Naples. Stella’s older brother, Antonio, was the first of the family to come to America. Antonio Stella trained as a physician in Italy, and was a successful and respected doctor in the Italian community centered in Greenwich Village. He sponsored and supported his younger brother, Joseph, first sending him to medical school in New York, then to study pharmacology, and then sustaining him through the early days of his artistic career. Antonio Stella specialized in the treatment of tuberculosis and was active in social reform circles. His connections were instrumental in Joseph Stella’s early commissions for illustrations in reform journals. Joseph Stella, from the beginning, was an outsider. He was of the Italian-American community, but did not share its overwhelming poverty and general lack of education. He went back to Italy on several occasions, but was no longer an Italian. His art incorporated many influences. At various times his work echoed the concerns and techniques of the so-called Ashcan School, of New York Dada, of Futurism and, of Cubism, among others. These are all legitimate influences, but Stella never totally committed himself to any group. He was a convivial, but ultimately solitary figure, with a lifelong mistrust of any authority external to his own personal mandate. He was in Europe during the time that Alfred Stieglitz established his 291 Gallery. When Stella returned he joined the international coterie of artists who gathered at the West Side apartment of the art patron Conrad Arensberg. It was here that Stella became close friends with Marcel Duchamp. Stella was nineteen when he arrived in America and studied in the early years of the century at the Art Students League, and with William Merritt Chase, under whose tutelage he received rigorous training as a draftsman. His love of line, and his mastery of its techniques, is apparent early in his career in the illustrations he made for various social reform journals. Stella, whose later work as a colorist is breathtakingly lush, never felt obliged to choose between line and color. He drew throughout his career, and unlike other modernists, whose work evolved inexorably to more and more abstract form, Stella freely reverted to earlier realist modes of representation whenever it suited him. This was because, in fact, his “realist” work was not “true to nature,” but true to Stella’s own unique interpretation. Stella began to draw flowers, vegetables, butterflies, and birds in 1919, after he had finished the Brooklyn Bridge series of paintings, which are probably his best-known works. These drawings of flora and fauna were initially coincidental with his fantastical, nostalgic and spiritual vision of his native Italy which he called Tree of My Life (Mr. and Mrs. Barney A. Ebsworth Foundation and Windsor, Inc., St. Louis, illus. in Barbara Haskell, Joseph Stella, exh. cat. [New York: Whitney Museum of American Art, 1994], p. 111 no. 133). Two Wood Ducks...

Study of lion is a beautiful original drawing on ivory-colored paper realized in the mid-20th Century by the German artist Wilhelm Lorenz, also known as Willi Lorenz. Hand-signed o...

Unknown Artist - Embrace, Medium: Color Pencil, Ink and Acrylic on Paper, signed in pen lower left, Image Size: 15 x 11 inches, Size: 16.75 x 14 in. (42.55 x 35.56 cm)

Amanda Immurs, an artist hailing from Hamilton, Canada, creates enchanting watercolor artworks that bring whimsical scenes of children, animals, and flora to life. Immurs' art is gro...

The Cattery by Orovida Pissarro (1893-1968) Oil and pencil on canvas 61 x 51 cm (24 x 20 ⅛ inches) Signed and dated upper right Orovida 1964 Provenance Estate of the artist G Hassel...

Signed and dated center right, Seam down center where two sheets attached is original. Some slight surface smudging outside figure area .

Oscar Bluemner Morris Canal E of Berkley Bridge 2-19 (Bloomfield NJ), 1919 Signed, Titled, Dated, and Monogrammed Graphite on Paper 4 1/4 x 5 1/2 inches The son and grandson of arc...

Portrait is a drawing realized by an anonymous artist in 1872. Pencil drawing on paper. Hand-signed by the artist, illegible. Good conditions, aged with foxing. The artwork is re...

Nude Figure Sketch by Jacqueline Boisselot, French late 20th century size: 25.5 x 19.75 inches pencil drawing on thin paper, unframed condition: very good and ready to enjoy provenan...

Nude Female Sketch by Jacqueline Boisselot, French late 20th century size: 19.75 x 11 inches pencil drawing on thin paper, unframed condition: very good and ready to enjoy provenance...

China ink and pencil drawing. Not signed. Good condition.

China ink and pencil drawing on paper. Not signed. Good condition.

China ink and pencil drawing on paper. Not signed. Good condition.

Pencil drawing. Not signed. Very good condition.

Nude Figure Sketch by Jacqueline Boisselot, French late 20th century size: 25.5 x 19.75 inches double sided pencil drawing on thin paper, unframed condition: very good and ready to ...

China ink and white lead on paper. Not signed. Good condition.

China ink and pencil drawing on paper. Not signed. Good condition.

Pencil drawing on paper. Not signed. Good condition.

Pastel Landscape by Irina Hale (British 1932-2022) pastel and pencil sketch on brown artist tracing paper , unframed painting: 4.5 x 3.75 inches provenance: private collection, Cotsw...