Art by Medium: Photographic Paper

Carlton Hotel, 1958 - Carlton Hotel Canne French Riviera South of France by Slim Aarons 16" x 16" print on 16" x 20" paper. Limited Edition Estate Stamped Print. Edition of 150. Pri...

49 Via Dezza at Sunset, Italian architecture street photography from Richard Heeps series, A Short History of Milan. A Short History of Milan' began in November 2018 for a special p...

Gunter Sachs &  Mirja Larsson is a black and white vintage photo, realized in 1960s. The photo depicts the photographer, Gunter Sachs  with his second wife, Mirja Larsson. Good con...

Touching (Till Death do us Part) - 2005 48x58cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print print, based on the original Polaroid. Certificate and Signature label artist...

Light reflections of glistening sunlight on turquoise aquamarine water surface, large format photograph of sun reflecting on a summer pool, an homage to th...

May 27, 1963: American Heavyweight boxer Cassius Clay (later Muhammad Ali) lying on his hotel bed in London. He holds up five fingers in a prediction of how many rounds it will take ...

Listing includes free shipping, and a 14 day return policy. The artwork will ship from London. Immaculate Conception, Villa De'este (2015) 24 ...

ABOUT THIS PIECE: French photographer Ludwig Favre recently visited New York City. His pictures of New York's iconic architecture carry the same romantic feel of a Parisian shooting ...

large format monochromatic photograph Zeppelin by Christian Stoll 48 x 69 inches (122 x 175cm) edition of 7 signed 28 x 40 inches (71 x 102cm) edition of 25 signed archival fine ...

Original photo transfer on acetate and colored paper mounted on paper. Hand signed on front by the artist. Authenticated by Andy Warhol Art Authentication Board...

'Barton Broad' photographed by Richard Heeps in one of his favourite areas of Britain on the east coast in Norfolk. This peaceful almost monochrome landscape/waterscape creates a fee...

'Hula Doll', from Richard Heeps 'Man's Ruin' Series, captured at Viva Las Vegas, this fun artwork has a cool kitsch vibe. The photograph itself has a lo-fi effect. This artwork is a...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. ...

from a series of large scale photographs capturing a mesmerizing color palette of classic blue and sky tones SEASCAPE VIII by Frank Schott 60 x 48 inches / 152cm x 122cm edition o...

Foyer IV, from Richard Heeps series A Short History of Milan which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has become ...

The Diva (Beachshoot) - 2005 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid Certificate and Signature label, artist Inventory # 1461. Not mounted. Beachshoot ...

The three acrobats is a black and white vintage photo, realized in 1950s. The photo depicts the acrobats on a circus platform in Milan. Good conditions and aged. It belongs to a h...

Lollipop (Beachshoot) - 2005 80x80cm, Edition 1/5. Analog C-Print, hand-Printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Under glass with a white wooden...

Tricksy (Beachshoot) - 2005 featuring Radha Mitchell 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Arti...

Light streams through a window illuminating an alcove in Hadrian’s Palace in Rome. A place to meditate over a book perhaps or record one’s thoughts in a journal – The Spaces in Bet...

Skylark (Stranger than Paradise) - 1997 43x59cm, Edition 3/5. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature Label and Certificate. Artist Inventory...

Portrait of Galla Placidia and Children-  Vintage Photo is a black and white photograph realized by  Alinari in Brescia in the early 20th century. Good condition.

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for more information. ABOUT THIS ARTIST: Natasha Martin is an LA-based photographer who loves color and infusing dre...

Cy Twombly Earle and Carolyn Brown at the Stevenson's in Brewster, 1955 Identified and inscribed on the reverse by the sitter Carolyn Brown Photograph on paper 8 x 8 inches Provenance Gift of the artist Estate of Carolyn Brown, New York, 2025. Cy Twombly gained fame for his art that combined cultural, historical, and poetic elements—particularly those from classical antiquity—with abstract shapes and his distinctive script. Born Edwin Parker Twombly, Jr. on April 25, 1928, in Lexington, Virginia, he began his artistic journey under the guidance of Pierre Daura and Marion Junkin at Washington and Lee University. This initial training was complemented by his formative experiences at the Arts Students League of New York and Black Mountain College, where he established enduring friendships with influential figures like Robert Rauschenberg, John Cage, and Merce Cunningham. A pivotal moment for Twombly was his 1952 trip to Italy and North Africa with Rauschenberg, funded by a grant from the Virginia Museum of Fine Arts. This journey allowed Twombly to engage deeply with the rich cultural history that would inform his future artistic endeavors, leading to the creation of significant early pieces. Twombly made his way back to Italy in 1957 and 1958, during which he presented his first solo exhibition in Italy at Galleria La Tartaruga, owned by Plinio De Martiis. In 1959, he married Luisa Tatiana...

'Library' London, United Kingom 2024 Limited edition of 20. The photograph is signed front and back and comes with a Certificate of Authenticity. Carefully placed in a secure cardboard package and shipped with an insured express delivery service. Please feel free to contact if you have any questions. About the artist: Ugne Pouwell is a fine art photographer originally from Lithuania. Today she makes most of her creative work in London, United Kingdom. Her main focus is black-and-white landscape and floral photography. Mainly using a large format 4x5 Linhof camera to express the timeless beauty of the subject in focus. Many of the influences come from 20th-century photography. She processes her work from start to finish: film processing, scanning and printing. Her work is mainly printed on the world's oldest paper-producing houses Hahnemühle and Awagami and some more exclusive work on organic linen and cotton fabrics. Paper and canvas choices are mainly based on organic feeling also adding more special feeling to her work. 2016 Ugne finished her studies at the University of Westminster Photography and Digital Imaging Technologies. She continued her practice by applying scientific knowledge to her everyday work in fine art photography. Awards: 2023 Black Spider Awards, Honourable mention in Still Life 2022 Black Spider Awards, Honourable mention in Still Life 2022 IPA International Photography Awards, Honourable mention in Analogue / Film Fine Art 2021 Mono Visions...

The Old Days - Historical Photo is a black and white vintage photo, realized in the early 20th century.  It belongs to historical album including historical moment, royal families, ...

Who's That (Beachshoot) - 2005 featuring Radha Mitchell 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. A...

Living in a Dream (Till Death do us Part) - 2005 20x20cm, Edition of 10, Archival C-Print print, based on the Polaroid. Certificate and Signature label, artist Inventory No. 9781. Not mounted. on offer is a piece from the movie "Till Death do us Part" Stefanie Schneider’s Till Death Do Us Part or “There is Only the Desert for You.” BY DREW HAMMOND Stefanie Schneider’s Til Death to Us Part is a love narrative that comprises three elements: 1. A montage of still images shot and elaborated by means of her signature technique of using Polaroid formats with outdated and degraded film stock in natural light, with the resulting im ages rephotographed (by other means) enlarged and printed in such a way as to generate further distortions of the image. 2. Dated Super 8 film footage without a sound track and developed by the artist. 3. Recorded off-screen narration of texts written by the actors or photographic subjects, and selected by the artist. At the outset, this method presupposes a tension between still and moving image; between the conventions about the juxtaposition of such images in a moving image presentation; and, and a further tension between the work’s juxtaposition of sound and image, and the conventional relationship between sound and image that occurs in the majority of films. But Till Death Do Us Part also conduces to an implied synthesis of still and moving image by the manner in which the artist edits or cuts the work. First, she imposes a rigorous criterion of selection, whether to render a section as a still or moving image. The predominance of still images is neither an arbitrary residue of her background as a still photographer—in fact she has years of background in film projects; nor is it a capricious reaction against moving picture convention that demands more moving images than stills. Instead, the number of still images has a direct thematic relation to the fabric of the love story in the following sense. Stills, by definition, have a very different relationship to time than do moving images. The unedited moving shot occurs in real time, and the edited moving shot, despite its artificial rendering of time, all too 2009often affords the viewer an even greater illusion of experiencing reality as it unfolds. It is self-evident that moving images overtly mimic the temporal dynamic of reality. Frozen in time—at least overtly—still photographic images pose a radical tension with real time. This tension is all the more heightened by their “real” content, by the recording aspect of their constitution. But precisely because they seem to suspend time, they more naturally evoke a sense of the past and of its inherent nostalgia. In this way, they are often more readily evocative of other states of experience of the real, if we properly include in the real our own experience of the past through memory, and its inherent emotions. This attribute of stills is the real criterion of their selection in Til Death Do Us Part where consistently, the artist associates them with desire, dream, memory, passion, and the ensemble of mental states that accompany a love relationship in its nascent, mature, and declining aspects. A SYNTHESIS OF MOVING AND STILL IMAGES BOTH FORMAL AND CONCEPTUAL It is noteworthy that, after a transition from a still image to a moving image, as soon as the viewer expects the movement to continue, there is a “logical” cut that we expect to result in another moving image, not only because of its mise en scène, but also because of its implicit respect of traditional rules of film editing, its planarity, its sight line, its treatment of 3D space—all these lead us to expect that the successive shot, as it is revealed, is bound to be another moving image. But contrary to our expectation, and in delayed reaction, we are startled to find that it is another still image. One effect of this technique is to reinforce the tension between still and moving image by means of surprise. But in another sense, the technique reminds us that, in film, the moving image is also a succession of stills that only generate an illusion of movement. Although it is a fact that here the artist employs Super 8 footage, in principle, even were the moving images shot with video, the fact would remain since video images are all reducible to a series of discrete still images no matter how “seamless” the transitions between them. Yet a third effect of the technique has to do with its temporal implication. Often art aspires to conflate or otherwise distort time. Here, instead, the juxtaposition poses a tension between two times: the “real time” of the moving image that is by definition associated with reality in its temporal aspect; and the “frozen time” of the still image associated with an altered sense of time in memory and fantasy of the object of desire—not to mention the unreal time of the sense of the monopolization of the gaze conventionally attributed to the photographic medium, but which here is associated as much with the yearning narrator as it is with the viewer. In this way, the work establishes and juxtaposes two times for two levels of consciousness, both for the narrator of the story and, implicitly, for the viewer: A) the immediate experience of reality, and B) the background of reflective effects of reality, such as dream, memory, fantasy, and their inherent compounding of past and present emotions. In addition, the piece advances in the direction of a Gesammtkunstwerk, but in a way that reconsiders this synaesthesia as a unified complex of genres—not only because it uses new media that did not exist when the idea was first enunciated in Wagner’s time, but also because it comprises elements that are not entirely of one artist’s making, but which are subsumed by the work overall. The totality remains the vision of one artist. In this sense, Till Death Do Us Part reveals a further tension between the central intelligence of the artist and the products of other individual participants. This tension is compounded to the degree that the characters’ attributes and narrated statements are part fiction and part reality, part themselves, and part their characters. But Stefanie Schneider is the one who assembles, organizes, and selects them all. THE RELATIONSHIP BETWEEN THIS IDEA (above) AND PHOTOGRAPHY This selective aspect of the work is an expansion of idea of the act of photography in which the artistic photographer selects that which is already there, and then, by distortion, definition or delimitation, compositional and lighting emphasis, and by a host of other techniques, subsumes that which is already there to transform it into an image of the artist’s contrivance, one that is no less of the artist’s making than a work in any other medium, but which is distinct from many traditional media (such as painting) in that it retains an evocation of the tension between what is already there and what is of the artist’s making. Should it fail to achieve this, it remains, to that degree, mere illustration to which aesthetic technique has been applied with greater or lesser skill. The way Til Death Do Us Part expands this basic principle of the photographic act, is to apply it to further existing elements, and, similarly, to transform them. These additional existing elements include written or improvised pieces narrated by their authors in a way that shifts between their own identities and the identities of fictional characters. Such characters derive partially from their own identities by making use of real or imagined memories, dreams, fears of the future, genuine impressions, and emotional responses to unexpected or even banal events. There is also music, with voice and instrumental accompaniment. The music slips between integration with the narrative voices and disjunction, between consistency and tension. At times it would direct the mood, and at other times it would disrupt. Despite that much of this material is made by others, it becomes, like the reality that is the raw material of an art photo, subsumed and transformed by the overall aesthetic act of the manner of its selection, distortion, organization, duration, and emotional effect. * * * David Lean was fond of saying that a love story is most effective in a squalid visual environment. In Til Death Do Us Part, the squalor of the American desert...

Untitled (Beachshoot) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory # 21398. Not...

The seductive blue sky and the seductive milkshakes make you feel as if you are sitting in the car at this "Americana style" Roadhouse in Welkom, South Africa. It is typical of Richa...

Oldsmobile and Sinful Barbie's, from Richard Heeps' 'Man's Ruin' Series. This artwork is part of a sequence capturing Wendy at the Rockabilly Weekender, Viva Las Vegas, these Barbie'...

ABOUT THIS ARTIST: Andrew Zhao is a student of his experiences. Hailing from Washington to Suzhou, China to Washington again, his fascination with art blossomed under the quaint mini...

'Telephone VII' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography featuring a vintage telephone on a nightstand combines gorgeous pastel c...

Edition 1 of 15 Charlotte Brunstein is a French photographer born in 1978 who lives & works in Paris, France. Her work unfolds within a sensitive space where the image seeks to ...

Departure (Bombay all Day) - 2019 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory...

Blue abstract photograph from Richard Heeps' series Trading Paint. Richard Heeps has a history of photographing Drag Racing in the UK, America and Europe. Trading Paint is a term tha...

LA Parking by Frank Schott a burst of red in an urban landscape of striking minimalism from a series of photographs capturing the mid century modern architecture and architectural el...

Santa Maria delle Grazie, religious icon church architecture interior photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in November 20...

Beverly Hills Hotel, 1957 - Sunset Boulevard Hollywood California Landscape by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. Be...

Porto Ercole Beach - Beach Parasols and Water Tuscan Coastline in Southern Italy by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

Palm Springs Poolside, photograph from Richard Heeps, Dream in Colour series. Classic mid-century Palm Springs architecture, featuring cool blue skies and swimming pool with accents...

Pool Slide, from Richard Heeps Dream in Color series. This fun original artwork really shows Richard's unique eye as a photographer, creating this kitsch pop-art picture from an Amer...

large scale original photograph of vintage TV set with iconic western movie in American wild west landscape Cowboy TV by Frank Schott 30 x 40...

Hand signed by the artist on the back and certificate Format 40X50 cm inkjet print on baryta cardboard paper / 2021 Edition numbered /30 ex 1980 euros

Jades, Norfolk, photograph from Richard Heeps On-Sea series. The series captures the essence of the Great British 'Staycation'. Richard has captured iconic signs around the world, wi...

One of the most famous members of the Humanist photography in France. Signed lower right by the artist. Stamp of the artist's studio on the back.

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the bo...

Cavallo Coast - View of Yachts in Turquoise Waters between Corsica and Sardinia by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

Flora 25, 2015 - Marine Flowers Photography by Marisa Culatto Flora 25 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited Edition of 6....

This contemporary modern fine art seascape photo depicting a boat was captured by French artist and photographer Natalya Mougenot in August 2025 in the south of France, and makes par...

Blanco 5 is a 30cm x 30cm digital print on 50cm x 50cm cotton paper in a limited edition of 9 + 2 Artist Proofs. In this print by Rosa Basurto a wintry and misty landscape is enhan...

Algarve Hotel Pool, 1970 - Portugal Hotel Swimming Pool Algarve Summer Resort by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. ...

The iconic Googie Roy's Motel sign on the famous Route 66 which is the backdrop to some of the best American road trips. Photograph by Richard Heeps as part of his Dream in Colour se...

Craig y Don Pool, looking across the bay of Llandudno, Wales in the United Kingdom. Shades of blue symmetry guides your eyes out to sea in this photograph by Richard Heeps. This art...

ABOUT THIS PIECE: Blurring the lines between reality and abstraction Luca searches for rich textures, patiently waiting for the subtle moment when the soft lighting or harsh contrast...

An image to contemplate… a choice of red or blue… a conversation waiting to happen or one long past…. a journey into the light or into incarceration – The Spaces in Between series...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

'Scolt Head Yellow Sand', a circular formatted photograph from an original negative. Everyone has got their own favourite coastline and this is Richard's, in North Norfolk not far f...

Vintage Photo. The Italian Actor Marcello Mastroianni and the Italian Actress Laura Morante in a scene from the movie "Le due vite di Mattia Pascal" by Mario Monicelli.

ABOUT THIS PIECE: A Year Older is from Kimberly's "personal moments of happiness" series. LA based photographer Kimberly Genevieve is known for her use of color and interesting cropp...