Art by Medium: Pigment

Unique artwork Signature: Hand-signed by artist Authenticity: Sold with certificate of Authenticity from the artist Sculpture: Textiles, object, embroidery, Organic materials, Pig...

Mixed media, acrylics, pigments on canvas

Artist: Francisca Sutil, Chilean (1952 - ) Title: Thebes Year: 1986 Medium: Paper Pulp and Pigment Multiple, signed and numbered in pencil Edition: 75 Image Size: 22.5 x 14.5 inches ...

"The work explores the interconnection between organic nature and circuits, reflecting the relationships between human beings. On the canvas, organic shapes are displayed that evoke ...

"The work explores the interconnection between organic nature and circuits, reflecting the relationships between human beings. On the canvas, organic shapes are displayed that evoke ...

'Untitled (Callas)' is an original work of art from Kenyan born African-American artist. Stephen Namara's work is a testament to technical mastery and emotional depth. His artistic e...

This drawing by Frank Girard is created with Chinese ink and pigment Colors, on 300g/m2 neutral white paper. It is not framed. Through drawings, the masterful French artist Frank Gi...

Bessie Malarvie was born 1st April 1958 at Kirkimbie Station in the Northern Territory. She is of Jaru (desert) skin. Bessie attended school at Halls Creek, however at age 13 was pro...

Stephen Namara's work is a testament to technical mastery and emotional depth. His artistic execution showcases a level of skill that is both rare and commanding. His ability to rend...

The artist finds inspiration in the exploration of various discarded materials, transforming them into three-dimensional sculptures full of transparency and life. She uses small piec...

The artist finds inspiration in the exploration of various discarded materials, transforming them into three-dimensional sculptures full of transparency and life. She uses small piec...

The artist finds inspiration in the exploration of various discarded materials, transforming them into three-dimensional sculptures full of transparency and life. She uses small piec...

"Night Train" is built around a single, arresting gesture — a rounded rectangular void cut through the right side of the Tadelakt plaster panel, opening completely through the work t...

Black textured painting, Black abstract painting, dark moody painting, Zarah TITLE : "Zarah" CANVAS SIZE : H 60 in x W 48 in x D 1.5 in FRAMING : Comes unframed. *Custom framing op...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Abstract Contemporary Ceramic Sculpture, Glazed Stoneware Vessel, Green Krater Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous research...

Kronos "Kronos" David Stern (Germany, b. 1956) Acrylics and pigments on cotton 52 inches by 65 inches Hand signed by artist, certificate of authenticity available Colors: Purple, Bla...

Crash Out - (Kronos) David Stern (Germany, b. 1956) Acrylics and pigments on cotton 52 inches by 65 inches Hand signed by artist, certificate of authenticity available Colors: Purple...

The Wager David Stern (Germany, b. 1956) Acrylics and pigments on cotton 52 inches by 65 inches Hand signed by artist, certificate of authenticity available Colors: Purple, Black, Or...

Dominika Krechowicz is a professor at the Gdansk GUT Institute Flags , 53x65 cm, acrylic, pigment on paper, 1996, composed of 4 elements, a single part is 24 x 30 cm. Works from th...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land into mixed-media paintings with rich texture and reverberating, monochrome color. Using pres...

Breeze II is a unique painting by contemporary artist Chen Yi Ching. The painting is made with mineral pigments, gold and silver leaf on Japanese paper mounted on wood, dimensions ar...

Bellflowers is a unique painting by contemporary artist Chen Yi Ching. The painting is made with mineral pigments, Japanese paper mounted on wood, dimensions are 61 × 50 cm (24 × 19....

“Contrast” Abstract Black and Natural Beige, Handmade Paper, Organic Wall Art is a contemporary artwork created from handmade paper embedded with natural plant materials, including b...

Mountain Path is a 2020 landscape work by Maki Kuchida. This is a much sought-after landscape work by Maki, demonstrating her delicate painting skills with so much details in one work - the nature environment, trees with various forms and shapes, flowers, the river and the colorful coyotes as if all inside a mirage of the mountain. The mountain path leads you into a stage where the sky and the earth merge into one universe, the realm of the soul. Maki combines the Japanese landscape painting technique with the Chinese one thus her landscape work is unique in its own way. Coyotes are mascots that appear very often in Maki's landscape paintings. The painted size of the work is approx. 54 x 38cm, while the framed size is approx. 74x58cm. It is framed with archival grade mount. There will be a certificate of authenticity issued with your acquisition. Maki's paintings may seem deceptively simple at first but indeed the colors and texture are achieved through a labor-intensive and time-consuming process as painting on silk for one color requires at least 8 layers of pigments. Maki paints using mineral pigments on...

Dean Levin Untitled , 2014 signed "Dean Levin" on the stretcher Oil and pigment on canvas 103.5 x 77.8 cm Dean Levin’s process-based paintings reflect his training in architecture, ...

Please send zip code for best shipping/delivery costs and timeline -- I will work with you to get you the best price. Mat Tomezko's "Price" series of mixed media paintings are const...

This green color changing piece is a striking statement work that seamlessly complements a wide range of interior styles. The reflective gold elements interact beautifully with natur...

"Trois coquilles et cuillère" by Thierry Genay, 2018 Printed with pigmentary inks on Fine Art paper, laminated on Dibond, framed. Edition of 6 copies. ...

Summer II is a unique painting by contemporary artist Chen Yi Ching. The painting is made with mineral pigments and gold leaves on Japanese paper mounted on wood, dimensions are 50 ×...

Late night snow is a painting by contemporary Taiwanese artist Yiching Chen. In this work, the artist depicts a Japanese street under a light, drizzling snowfall that creates a suspe...

Pigment & acrylic on paper

This Op Art piece by Mary Judge artist uses a technique known as stippling to create several concentric rings made of tiny individual dots. The work ...

Equally fun and compelling, this new contemporary sculpture from Paul Duval immediately engages the viewer. On a large metal chair (la grande chaise) painted a bright blue, a figure ...

Artwork sold in perfect condition - Off-Print # 1 from the portfolio Au Chic Parisien (Coffret Prestige # 8 on 1stdibs) This image was captured on film (1981) The selected negative ...

Artwork sold in perfect condition - Off-Print # 1 from the portfolio Au Chic Parisien (Coffret Prestige # 8 on 1stdibs) This image was captured on film (1981) The selected negative ...

"Jacaranda I & II" is made by applying acrylic over olive branch teased gel medium with metallic and other dry pigments and mystery patina. The piece is currently mounted on a stretc...

'Palm Shade Thinker' by celebrated figurative artist Kim Frohsin, painted in 2018. The artwork is 12 x 10 1/2 inches and it is professionally framed in a museum quality white maple h...

Pigment on watercolor paper - Unframed. Edition of 10. The Emanations series is an attempt to express the spiritual potential of the most essential aspect of photography: light. Ea...

Kathleen Hope MODULAR 26 cement, pigment, plaster 8.00 X 8.00 in $250.00

"Gaze" Abstract Mixed Media Photography 61'x44' inch Edition 1/1 by Ben Cope 2019 Photo on deconstructed paper with oils and paint pigments 61” X 44” inch Ben Cope is a Georgia na...

Gorgeous woodcut in vibrant colors with deckled edges. The piece is signed, titled and noted A/P on the front. It is framed in a beautiful matte silver cube frame under conservation ...

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover traveled to Liege from the US, and the three in combination with two of the factories master glassblowers, realized Mr. Winters' work over six weeks time. A portion of the works, a group of glass heads and hats that the artist had produced at the factory, were exhibited in 1990 at the Centre d’Art Contemporain Geneve in Geneva, Switzerland. Later in the year they were included in his solo exhibition at Brooke Alexander Gallery in New York City. They were also shown at Facts and Rumours, an exhibition at the Witte de With Center for Contemporary Art in Rotterdam, the Netherlands in 1991. Winters had a solo exhibition at Van Esch Galerie in Eindhoven, the Netherlands called I am not Indifferent in 1991. The show consisted of paintings, glass heads, and bronze sculpture. Two years later he had another solo exhibition at the Renaissance Society at the University of Chicago, entitled Human Nature. Several hundred heads, made of glass and ceramic, lined the walls and were arranged in rings on the floor. Also on display were various paintings and bronzes. In 1994 Winters had a show at the Michael Klein Gallery in New York City entitled Notes from the Finishing Room, a solo exhibition of paintings. The artist also collaborated with fellow Benicia natives and glass artists Leroy Champagne and Michael Nourot...

Abstract Contemporary Ceramic Sculpture, Glazed Stoneware Vessel, Red and Blue Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous research...

Contemporary Handmade Paper Artwork with Fern and Elder Flowers, Framed Nature Art. This one-of-a-kind contemporary botanical artwork is created from handmade paper embedded with rea...

Glosoli No. 1 introduces the tone of Paul Hughes’s ongoing series exploring the Nordic idea of the “glow of the soul.” Warm roses, ochres, and distant blues coalesce into a field of...

Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, based in the Venetian tra...

“The Rubble” series consists of seven tapestry-like paintings hanging from hand-wrapped dowels. The color choice and materials identify what can be destroyed, re-formed, and at some ...

Unique. Paul Snell is an Australian artist who blurs the boundaries between photography and painting, creating contemplative works that replace constant image saturation with moment...

Sky of the Sky, 2022, is a circular painting on canvas by Rebecca Johnson. The earthy, folk style image is of a woman depicted in a vessel of water. She has a the stem in her hands o...

Root of the Root, 2022, is a circular painting on canvas by Rebecca Johnson. The earthy, folk style image is of a woman depicted in a vessel of water. She has a seed in her hands tha...

Yvonne belongs to a new generation of artists at Waringarri. Her work is characterised by fresh bold shapes and colour. "I was born in Kununurra Hospital and grew up on the Miriwoong...

Work on c-us frame size 73x89 cm

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land into mixed-media paintings with rich texture and reverberating, monochrome color. Using pres...

Pebbles, sand and pigment on panel, frame not necessary as it has worked edges. Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly differ...

Passages of red and silver in a combination of acrylic paint, marble dust, pigments and wax are balanced by shapes of grey and black in this abstract composition on canvas by Ivo Sto...

This contemporary botanical drawing is part of the series "Golden Roots" by Silvana Ilieva — a body of three-dimensional abstract paintings created on a black relief wooden surface a...

Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, based in the Venetian tra...

The figure of a drummer boy in blue is set against the backdrop of a cultivated garden in this haunting image by Peter Hoffer. In his paintings, Hoffer evokes nostalgia for classical...

Mixed media