Art by Medium: Pigment

Hassan Massoudy Untitled ("You fled to the desert on the wings of the heart. The desert is lost in the realm of your heart" - Rumi 13th c.), 2014 Ink and pigment on paper 29½ x 21¾ i...

Markus Linnenbrink WHYSUNFLOWERSFACETHESUN, 2022 Epoxy resin and pigments on wood 24 5/8 x 96 inches 62.5 x 243.8 cm Signed, titled, and dated (verso) -- German-born, Brooklyn-base...

"Ascension (red reamer)" by John Van Alstine Granite, red pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and m...

Dusty Rose Sage (2022), terracotta concrete abstract face sculpture, metal wire Biomorphic and earthy yet industrial style wall sculpture, she...

Whitewashed Sage (2022), gray and white concrete abstract face sculpture, metal wire, earthy Biomorphic and earthy yet industrial style wall sculpture, shelf sculpture or tabletop s...

Marbled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy Biomorphic and earthy yet industrial style wall sculpture, shel...

Speckled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy Biomorphic and earthy yet industrial style wall sculpture, she...

Biomorphic and earthy yet industrial style wall sculpture, shelf sculpture or tabletop sculpture. Abstracted face sculpture made with concrete, pigment and wire. The piece is smoot...

Biomorphic and earthy yet industrial style wall or tabletop sculpture. Abstract wire form with corrugated hydrocal plaster form. The piece is smooth and...

In Unforeseen, a prominent oval is the principle motif. The rich palette is exemplary of her use of color - which usually consists of earth tones ranging from golden yellows to rust...

Print is also available in a large size: 63'' x 50'' and is priced at: $16,000 Each work is a one-of-a-kind, unique piece that is hand punctured. The work also comes with a black floating frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...

Print is also available in a small size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in ...

A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. Print is also available in large size: 63'' x 50'' and i...

"Woman'' is a unique mixed media, Baked Pigment on Magnesium by Ophear. The artwork comes with a certificate of authenticity. This piece is signed and comes ready hang. OPHEAR is an...

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Two of the oil can sculptures depicted here are sold. Please contact the gallery for specific prices on individual prices and smaller light boxes sold with the sculptures. Prices range from $675 - $2050 including a small lightbox for individual sculptures. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

Part of The Handshake (Käepigistus) Series.

Part of The Handshake (Käepigistus) Series.

Part of The Handshake (Käepigistus) Series.

Modern Art, Portrait Painting, Mixed Media Portrait Art-Lost Between The Lines ABOUT THIS PIECE: “Lost Between the Lines, (Behtyie-A13)” is mixed media portrait art by Addison Jones...

Modern Art, Portrait Art, Black & White Painting-Big Hats And Backgrounds Black A B O U T T H I S P I E C E : “Big Hats and Backgrounds Black (Hannah-A2)” is ...

Portrait Paintings, Black Mixed Media Art, Street Art-Era, You There? A B O U T T H I S P I E C E : “Era, You There?” is mixed media street art by Addison Jones featuring her own po...

In "WEST The American Cowboy", Anouk revisits this enduring iconic symbol of America's pioneering spirit. The new series inspire with a fresh and contemporary perspective of the Amer...

Suzanne McClelland fuses painterly marks with linguistic elements, creating rhythmic canvases that explore both visual and written languages. McClelland often begins with poetic vers...

Inspired by her close connection to nature, and by what she calls “the spirit of investigation and observation of the natural world,” Suzi Davidoff creates mixed-media drawings and p...

Agni Zotis is a multi-disciplinary artist exploring human emotions. Agni studied art at Hunter College, anatomy at the Art Students League and apprenticed with a Serbian monk, learni...