Art by Medium: Plastic

Ultramarine textural wall relief from the Domino Series combining sculptural surface, material density, and monochrome abstraction on a black panel. This vertical mixed media wall s...

Political play and the fragility of systems converge in this modular domino wall sculpture. Dripping ultramarine foam clay over a black painted wood panel, modular domino wall sculpt...

This late 1950s portrait photograph, captured by society photographer Slim Aarons, features Countess Peter Jean-Baptiste de Manio (left) and Mary-Beth Turner playing backgammon by a ...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _________...

Ettore Sottsass 1917 - 2007 “Festone“ ceiling lamp mod. 12625, 1956 White lacquered metal, violet, blue, red and yellow Plexiglas, brass mod. 12625 “Festone“ ceiling lamp. Edition Ar...

Geister or 'Ghost Ship' series from Nina Dietzel. Stunning on own, or paired with other images from the series. Surface mounted to polished plexiglass so that the photograph appears ...

Large-scale abstract assemblage by Bay Area artist Michael Pauker (American, b.1957). Unsigned, but was acquired with a collection of his work. Unframed. Circa 2010. Canvas size...

"All things arise from emptiness and return to it. The return to the origin returns the calm. Calm allows you to accept destiny. Accepting destiny means knowing eternity. "-Lao Tse The artists were inspired by the universe and gravity. They play with different concentrations of beads to make the Big Bang. It is perfect for Hotel and Apartment Lobbies. The piece transmits movement and tranquility. This piece was made with Tropical Teak...

Wim Van Borm (Belgian, born 1972) "Passage" 2026 Acrylic resin and epoxy on wood The artist signed the back of the artwork. "Passage" is one of those works that draws you in from ac...

“Opening and Cypress Form” mixed media collage of acrylic polymer, paper and charcoal on canvas by American artist Stephen Edlich (1944-1989). Title, signature, date (1979) and 439 ...

Mixed media: oil, fiberglass, metallic pigments on panel, and framed in artist fabricated silver aluminum. Inspired by the cities of France, New York and the Bay Area, French Am...

Wim Van Borm (Belgian, born 1972) "No Direction" 2026 Acrylic resin and epoxy on wood The artist signed the back of the artwork. "No Direction" stops you dead in your tracks. At nea...

TITLE: Plus, Vibrant Geometric Fabric Collage in Blue, Orange, Magenta, and Navy DESCRIPTION: Plus, 2026, fabric, thread, pins, paint, plastic, 10.25 x 12 in. (15.5 x 17 in. framed) ...

Abstracted painting of a man and a woman, the paint has been applied to textured plastic. An abstracted painting of a couple applying paint to the textured plastic surface. Genre Ex...

This mid-1950s photograph, captured by society photographer Slim Aarons, features an evening dress being modelled at a fashion show held by Saks of Fifth Avenue, New York. The audien...

This mid-1950s photograph, captured by society photographer Slim Aarons, features an evening dress being modelled at a fashion show held by Saks of Fifth Avenue, New York. The audien...

Original Painting Acrylic, Latex, Spray Paint on Canvas 24 x 30 inches Signed by the Artist

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

This early 1990s photograph, captured by society photographer Slim Aarons, features Thorne Perkin and his brother Christopher Perkin posing with two girls at Boca Grande, on Gasparil...

Super Nova by Jan Huling, 14.5 x 14 inch, glass seed beads and mixed media Jan Huling was born in Chicago and raised in St. Louis. After attending the Kansas City Art Institute she ...

This vibrant fiber artwork features sheer, layered fabrics in a glowing spectrum of jewel tones, citrus brights, and soft pastels. The geometric composition is both hand- and machine...

Stunning abstract with Native American symbols using earth tones and 3D aspect for increased depth and texture by listed artist Duane Armstrong (American, b. 1938). 1966. Signed and ...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _________...

This sculptural wall relief transforms layered blue and white ocean waves into a tactile seascape inhabited by a solitary miniature figure. Created by Italian artist Vera Vizzi in 2...

This wall-mounted conceptual sculpture by María Magán features a border fully covered with hand-shaped chewing gum forms in alternating tones of soft grey, strawberry pink, and dusty...

Bridge To Total Freedom No.3 (Diminishing Returns) (2017) by Gary Sczerbaniewicz. Wood, laser-cut MDF, cast plastic, plaster, ink, acrylic, paper.

Meditative Fiberglass / Composites Filled Resin Base Gold Graphite Finish 38" x 7" x 6" "I am an artist, a sculptor not by choice but by destiny as each step in the path I followed ...

This late 1950s landscape photograph, captured by society photographer Slim Aarons, features a group of people snorkelling off a small boat in Malta. This is an estate stamped and h...

This piece titled "Airplane Pool" is original artwork made from paper, acrylic, enamel, PVC, inkjet prints, basswood, pastel, reindeer moss by Drew Leshko. This piece measures 15”h x...

Joseph Fucigna is a multi-media artist whose work is rooted in process, play and the innate qualities of the materials used. Through experimentation, play and innovation he creates sculptures, paintings and drawings that are known for their power to transform materials, inventiveness and odd but suggestive subject matter. The ultimate goal is to create an artwork that is a perfect balance between suggestive content, and the formal qualities of the material that allow both to be active participants. Joseph Fucigna received his Masters of Fine Arts degree from the School of Visual Arts in New York City. He also attended the Triangle Workshop in Pine Plains, NY and worked with the renowned sculptor Sir Anthony Caro and critic Clement Greenberg. Fucigna is a full-time Professor of Art at Norwalk Community College and is the Chair of the Studio Arts Program. Fucigna has also taught in the Art Department at the State University of New York, Stony Brook. Presently, he resides and works in Weston, CT. Fucigna has exhibited nationally including shows at the Fitchburg Art Museum in Massachusetts, Real Art Ways in Connecticut, the United Nations, Grounds for Sculpture in New Jersey, the Lyman Allyn Art Museum in Connecticut, the New York State Museum in Albany, NY and the Burchfield Art Center in Buffalo NY. He has had one-person exhibitions at the Fred Giampietro Gallery, Sculpture Barn, Norwalk Community College Art Gallery, Artist Space New Haven and the Bannister...

This late 1950s portrait photograph, captured by society photographer Slim Aarons, features Countess Peter Jean-Baptiste de Manio (left) and Mary-Beth Turner playing backgammon by a ...

This white lunar wall relief by Vera Vizzi is a circular mixed media sculpture made with hand-modelled foam clay, acrylic paint and enamel on fir wood. A pale avalanche-like mass flo...

This white winter wall relief by Vera Vizzi is a mixed media sculpture made with hand-modelled foam clay, acrylic paint and enamel on fir wood. Layered bands form a tactile landscape...

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she takes...

In the body of work for “Child’s Play” Roleke has created diminutive worlds in which toys tell the story of consumption, consumerism, war, and the misuse of power and religion. The m...

Technique: Mixed media - plexiglass, bronze, aluminum, marble, Murano glass, and more Dimensions: 27 cm (base is 7,5 x 8,5 x 1.5 cm) Weight: 1.2kg Edition:  limited edition 5/8 pi...

Title: Impronta Artist: Marilina Marchica (1984, Italian) Year: 2025 Dimensions: 15 x 25 x 3 cm Medium: Silicone cast mounted on handmade iron frame Materials: Silicone, Iron Support...

Joseph Havel Nothin, 2008 Double woven silk taffeta labels, acrylic construction, plywood 24 1/2 x 24 1/2 inches

This mid-1950s photograph, captured by society photographer Slim Aarons, features a couple preparing for a day's skiing in New Hampshire. This is an estate-stamped and hand-numbered...

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

This mid-1950s photograph, captured by society photographer Slim Aarons, features a couple preparing for a day's skiing in New Hampshire. This is an estate-stamped and hand-numbered...

No title (No 03) Ballet Photograph 55 x 55 in Ed. of 12 by Yevgeniy Repiashenko No title (No 03) by Yevgeniy Repiashenko Year photo was taken: 2017 "Edition of 12. Premium Quality: ...

This wall-mounted pop sculpture by María Magán consists of dozens of hand-molded silicone forms arranged in a dense gradient composition within a classical white wooden frame. Made f...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Against a gold background, the artist has attached several objects, ...

This is an Ned Moulton painted plexiglass sculpture . In good condition. Made in a shadow box. Measures 12x14x6

A Cadillac with Florida plates parked outside the Carlton Hotel, Cannes, France, circa 1955. The Carlton Hotel Black and White Photography Slim Aarons E...

In this contemporary mixed media artwork, carefully applied nontraditional materials including light green crushed jade, snakeskin shed, porcupine quills, bonded copper, fossilized w...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

A set of traffic lights on Park Avenue in New York City. Slim Aarons Pulitzer On The Beach Black and White Photography Slim Aarons Estate Edition Numbered and stamped by the Slim Aa...

Limited Edition 30 ex. Free shipment worldwide. Acquired directly from the artist. Arman explores reality. He strives to transform and sublimate artefacts into works of art. Ev...

Moses Bahelfer BAGEL (1908-1995) Moses Bagel (born Moshe Bahelfer) was a Polish-born Jewish artist and graphic designer associated with the original Bauhaus and then the School of Pa...

LABUBU, Kasing Lung, LABUBU, Big into Energy "Have A Seat" Blind Box Unopened Mint Condition Japan, 2025 ABS/PVC/Polyester 6 7/10 × 3 7/10 × 2 7/10 in 17 × 9.4 × 6.9 cm From an open...

In ARCHITECTURAL HYPERBOLE 03, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, arch...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

This late 1940s portrait photograph, captured by society photographer Slim Aarons, features actress Joan Fontaine (1917 - 2003) and co-star Joseph Cotten (1905 - 1994) receive direct...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Against a orange-bronze and pink background, the artist has attached several objects, including plastic letters, paper cutouts, and glass slides...

Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...

"Kryptonite Wares" is a clever and humorous collection of both superfluous and everyday objects purchased from the Dollar Store. It is a wry comment by the artist on the overabundanc...

Focus Gold is a series of limited edition sculptures created by Jose Soto. There are two sizes available in two separate editions. Focus Gold, series of 10 - 6"x 3.25"x 3.25" are $2...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...