Art by Medium: Plastic

FOCUS is a public art sculpture about photographic vision and how it shapes the way we see the world. It is concerned with the viewer’s growing visual perception and bodily experienc...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

This modular domino wall sculpture is executed in foam clay and acrylic on a black painted wood panel. The composition pairs a deep matte ground with a sculpted white shell and two g...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

ABOUT THIS PIECE: 23.5x19.6, edition of 15 — FACEMOUNTED TO PLEXI This piece is available face mounted to plexi glass giving a modern, durable, and sleek finish. Every print is fully...

Interspaceograph - multidimensional silkscreen print on plexiglass pane and mirror. There is space between the silkscreen printed plexiglass pane and silkscreen printed mirror in th...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: As a child, I was the flower girl in the wedding of a family friend. After much coaxing, I only agreed to walk down the aisle once I was promised gummy bears...

Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt so...

Christo (American-Bulgarian, b. 1935) Corridor Store Front, Project, 1967-1968 Medium: Two-part screenprint with hinges, to be opened (front print die-cut, mounted on acetate; rear p...

Elena Zolotnitsky is a Russian American painter whose work explores beauty, adolescence, and the passage of time. Her paintings emphasize the tactile physicality of paint, creating s...

The act of painting becomes a form of meditation. Marino explains that the time and process of creating work are at the core of what the painting wants to mean, declaring: that is ho...

Planter square. Customization possible and designed in 2010. Also available to order in stainless steel. Here you will find a sturdy and high quality planter for use in your garden ...

Antonia's Line, named after the Dutch film written and directed by Marleen Gorris. The film has been described as a "feminist fairy tale." It tells the story of the independent Anton...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: Based in New York, Caitlin McGauley is an artist and illustrator with...

Turkish-born Derya Ozparlak is known for her provocative and uniquely beautiful hand-hammered sculptures. Rendered in fine detail, a steel rendering of horse blinders...

ABOUT THIS PIECE: 23.5x19.6 (edition of 50) – AVAILABLE FACEMOUNTED TO PLEXI ONLY This piece is available face mounted to plexiglass giving a more modern, durable, and sleek fin...

In Untitled 10.4.25, Bryan Ricci creates small, deliberate strokes that gather across the surface, accumulating into layered fields of blooming color. These marks oscillate between p...

John Grant White Peony, 2010 60x60 inches -Ed.10 Archival Pigment Print - Plexiglas Signed

The ‘Astro Boy’ in vivid color was re-imagined by KAWS in collaboration with Original Fake and created by Medicom Toy. This collectable art figurine is made of vinyl and is part of t...

This evocative photograph captures the essence of an aging statue depicting the enchanting and slumbering Thalia, one of the three graces. Despite the gentle march of time and the de...

Ryan Thomas Monahan hails from Yorkville, Illinois. Utilizing a combination of physical and imaginative exploration Ryan creates miniaturized three dimensional portraits of urban lan...

Steven Baris Stations of Attention D7, 2024 oil on Mylar 24 x 21 in. (bari096) Artist Statement I characterize my work as diagrammatic, a far more apt term than the nearly meaningl...

Kerry James Marshall MOCA LA Street Banner (Museum of Contemporary Art, Los Angeles), 2017 Silkscreen on Vinyl 95 × 34 inches Original Gigantic Flagpole Banner exhibited on the stree...

**NEW YEAR FINAL 90 DAYS SUPER SALE UNTIL MARCH 31ST** **STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** **EVERYTHING MUST GO UNTIL APRIL1ST!** ...

ABOUT THIS PIECE- Unframed Print FRAMING OPTIONS ALSO AVAILABLE: 23.5x17, edition of 25-This piece is available FRAMED with or without a mat in a white, black, natural, walnut, br...

White foam-clay domino wall relief in mixed media on black wood panel, a tactile modular sculpture exploring form, void and repetition. This mixed-media wall sculpture employs foam ...

ABOUT THIS PIECE: Amanda Pratt is known and admired for the energetic, inspiring brand of whimsy she brings to photography. Countless clients have benefitted from her technical preci...

New York Window, 1986, mixed media on illustration board, signed and dated lower right, 31 x 20 inches (image), 36 ½ x 28 inches (sheet) Marina Stern was a multifaceted New York-based artist whose works ranged from Expressionism and Pop Art to the Neo Immaculate paintings and pastels for which she is best known. A native of Venice, Stern and her family fled in 1939 to escape Italy’s repressive racial laws. After living in England for several years, the family arrived in the United States in 1941. A bright and capable student, Stern graduated from New York’s Julia Richman High School at age 15 and soon enrolled in the Pratt Institute to pursue an interdisciplinary education in the arts. Despite majoring in advertising design, Stern favored her fine art courses. She graduated from Pratt in 1946 at age 18 and began working for advertising agencies. After a brief marriage which ended in divorce, Stern married her second husband, who encouraged the artist to study at the Art Students League of New York, under the renowned Japanese American modernist, Yasuo Kuniyoshi. In Fall 1953, Stern gave birth to her first child, Michael, as she continued to study at the Arts Students League. Later in the Spring of 1957, Stern gave birth to her daughter Nina, as she continued to balance motherhood with her fine art practice and commercial art and design work. Stern’s first significant exhibitions were in 1962 at the Waverly Gallery and the Osgood Gallery, both in New York, followed by inclusion of her work in the Bertha Schaefer Traveling Collage Show from 1963 to 1964. Stern made a splash in the avant-garde art world in 1964 when Time magazine reviewed a show at Amel Gallery which featured three of her audio-visual paintings. Time’s critic noted that Stern created the “cleverest noisemakers” in the exhibition. Time dubbed this work “Talkie Pop,” a label which Stern rejected. Following this recognition, Stern was selected for inclusion in The New American Realism at the Worcester Art Museum—a major showcase of leading artists, including Andy Warhol, Robert Indiana, Roy Lichtenstein, and Jasper Johns. After the Worcester exhibition, Stern began to shift away from her “talking” Pop paintings to mysterious, interior scenes with orange, blue or black walls with windows or doors rising above black and white floors, often depopulated, but sometimes with figures. One of these works, Seven Minus Twenty-One Equals Seven, entered the permanent collection of New York’s Museum of Modern Art in 1966. By 1969, Stern began to incorporate industrial images into these scenes, and in the early 1970s, Stern created her first Neo-Immaculate works of rural, and urban landscapes, which she described as her most satisfying work. Stern often depicted locations that she held close -- New York, New Jersey, Iowa (where her son attended college), Sharon, Connecticut (where her family spent weekends and vacations) and her native Venice, Italy. Stern’s success as a Neo Immaculate painter led to consistent New York gallery representation for over two decades, first with Lee Ault & Co and James Yu Gallery, and then Forum Gallery, where she had six solo shows. In 1971, Stern completed a Neo-Immaculate mural commission for the Port Authority of New York, George Washington Bridge #1 and #2, followed by another commission from the NY Cityarts Public Art Program in 1976 for a mural on Mulberry Street. Stern also enjoyed solo exhibitions in Boston (Eleanor Rigelhaupt Gallery), Connecticut (Silo Gallery, the Hotchkiss School, J. Rosenthal Fine Arts Gallery, Tremaine Gallery, and Staib Gallery), Chicago (Michael Rosenfeld Gallery), and Santa Fe (Santa Fe East Gallery). Her work was included in group shows at over a dozen public institutions, including The National Academy of Design, The Staten Island Museum, Worcester Art Museum, the Oklahoma Art Center, and the Arkansas Art Center. The Southern Alleghenies Museum of Art hosted a retrospective of four decades of Stern’s work from January 19 to April 22, 2007, entitled Perception and the Cultural Environment: The Paintings of Marina...

Sergio Ranalli Caribbean Sea, Aerials, 2017 44 x 60 inches Edition of 10 Archival Pigment Print Unframed Ask us for framing options.

A moody sky looms large over turquoise waters and a bright white shore. Mark Bartkiw’s mesmerizing ethereal photographs play with our perception of reality by slightly distorting ima...

This minimalist abstract sculpture is by artist Benny Katz. A bouquet of flowers is the inspiration for this fun, glossy, brightly coloured table-top sculpture by the Israel-based a...

Dennis Sheehan New England Splendor, circa 2025 Signed lower right Oil on canvas laid to foam 7 1/4 x 8 inches Dennis Sheehan was born in Boston in 1950. His work is based upon the...

KAWS:HOLIDAY KAWS:HOLIDAY INDONESIA - Figure (Black) SPECIFICATION • Material: Vinyl • Dimension: L11.5 inches • Certificated NFC chip of authenticity For this tenth stop on the tou...

Bussie Parker Kehoe’s Bounty exemplifies her innovative practice of transforming recycled house paint into sculptural paintings. Built entirely from layered and carved pigment, the w...

"Untitled" is a dramatically placed individual who appears to be withdrawing into herself surrounded by a soft pinkish color. She has a sad look in her non-reflective eyes. This pain...

ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huicho...

"Alliance" is a captivating, large acrylic painting where vibrant hues dance across the plastic canvas. The artist masterfully employs a fine art approach, building the composition w...

Weaving is a form of drawing, of plotting and connecting lines. Fabricating a three-dimensional, transparent object using thin strips of paper with differing colors on either side re...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...

'Feeling of Being', oil on paper mounted on panel features a chair for two. The painting is part of Zolotnitsky's 'Extinct Series' that focuses on abandoned chairs. The artwork is 35...

A figure appears when looking straight in the middle of the piece Acrylic, STRAWS, Plexiglas. Sang Sik Hongs' work is all made by hand; each straw is hand placed, a contrast to the...

SAFE IN THE MIDDLE is a mixed media wall sculpture by Vera Vizzi that juxtaposes urban sketching with organic relief. Executed in foam clay, acrylic paint and enamel on a 34 × 40 × 3...

This piece depicts a colorful collage composition portrait of Audrey Hepburn, as Jon Davenport explores the process of deconstructing iconic imagery from the past and present. Davenport start’s out with photos of his paint-stained studio floor and collages in articles/advertising from an array of vintage magazines collected over the years; plus any other interesting stuff captured on his travels. He then transfers the images to a panel board, layering them on with gel medium, together with strokes, splashes, drips, and splats of paint. Once it's dry, another layer of gel medium is poured on to give it a melting effect. After it drys off again, another layer of paint is added to embellish a few areas and to accentuate or fade out certain aspects. And then, he finally adds a coat of polyurethane for protection and making the colors pop. This unique work is executed on a wood panel board and comes ready to be displayed with hanging wire on verso, signed by the artist lower right. Art measures 36 x 36 inches From biology student to owning and running a creative agency in London to a career as a fine artist, life has taken Jon Davenport on a rewarding and unconventional journey. Despite his scientific beginnings, he’s always had a strong artistic streak weaving its way through his different career paths. Growing up in Ipswich, UK, Jon was always an avid drawer, and could often be found with a pencil and paper in hand. With the arrival of his first computer, he embraced the new frontier of digital art and had work published in one of those early computer magazines. His creative urges took a backseat to get a biology degree at Brunel University in London. It was afterward, in his first job working at the Archant newspaper group in Ipswich, that he quickly progressed from plate maker to becoming an integral member of the art studio. It was during this time that he taught himself photoshop, desktop publishing, and graphic & web design. After a few years, he set up a design agency, and eventually went full time and moved to London. This proved to be a successful move, working for a number of clients such as Nike and Virgin, and gaining praise from the likes of Richard Branson and Tony Blair. It wasn’t until Jon moved to the USA to marry his wife, Atlanta artist Christy Kinard...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

This mid-1950s photograph, captured by society photographer Slim Aarons, features several skis leaning against the wall of a hut marked 'Ski Instructors Only' in New Hampshire. This...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Artist: Initialled “RG” (British) Medium: Acrylic on paper Date: 1969 Size: 16 x 23 inches Signature: Initialled and dated 1969 Condition: Good condition Description A bold and ener...

The face of a young woman is featured in this oil painting on mylar, mounted on panel that is 12 x 12 inches. Professionally framed in burnished gold leaf over wood with an outer dim...

**NEW YEAR FINAL 90 DAYS SUPER SALE UNTIL MARCH 31ST** **STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** **EVERYTHING MUST GO UNTIL APRIL1ST!** ...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

“Greenhouse Composition 36x24 Series 02” is an original artwork by Roxana Azar, consisting of a digital print on polycarbonate. It measures 36.75”h x 24.75”w framed. Roxana Azar’s w...

Space Holiday Hong Kong KAWS Open unknown edition Unsigned

Edmund De Waal 1964 - Current Who shall I listen to IV, 2018 1 porcelain vessel, 1 porcelain shard, 1 alabaster fragment, 1 alabaster block and gold leaf in an aluminium and plexigla...

This installation imagines a dipping pot that the Radium Girls might have had at a work station. Lit by black light to highlight the neon glow, this object conveys a modern view on t...

Fiberglass / Carbon Fibre Impregnated With Catalysed Polyester Resin Graphite Filled Acrylic Laquor On Filled Polyester Resin Base "Don Frost, sculptor, creator of completely unique...

Miriam LaTour Shapiro Mardi Gras, 1997 Acrylic and mixed media Hand-signed by artist, signed in acrylic paint on the front Unframed (the work was removed from its original vintage fr...

"Breathless Civilization" In this work, I explore the fragility of human systems—the moment when the line between protection and vulnerability begins to dissolve. Gas masks, once symbols of survival, become artifacts here. They no longer protect; instead, they carry the memory of fear and the instinct to endure. I intentionally build a tense, almost fractured surface—through aggressive drips, layered textures, and broken, gestural marks. For me, this is a visual language of urban decay and emotional residue, traces of what remains after overload, anxiety, and loss of control. The fragmented elements within the composition are not just formal—they reflect a world where survival has become automatic, stripped of human presence. I’m interested in that shift—from conscious existence to something mechanical. This work does not follow a direct narrative. I see it as an artifact—a trace of a civilization that adapted too late. Air, in this piece, is not only a physical necessity but also a metaphor for freedom—something increasingly restricted, filtered, and controlled. By merging painting with object, I intentionally blur the boundaries between mediums, reinforcing the central tension of the work: protection and vulnerability, presence and disappearance." Artist Irena Orlov. This original mixed media assemblage, measuring H34" x W57", masterfully incorporates various dimensional elements and techniques, including painting and found objects, to create a captivating abstract piece with a profound global message. Medium and Materials: This extraordinary artwork is a mixed media assemblage on fine art canvas, skillfully hand-stretched over 1" deep wood stretched bars. The artist's creative vision weaves together an intriguing combination of materials, including plastic, original World War 2 chemical gas masks, copper mesh, and small metal round container...

Margulis is a Venezuelan born contemporary artist renowned for his innovative work in geometric 3D sculpture, mixed media, and photography. This Portholes Series is characterized ...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Lion 1, Archival Photographic print reverse mounted to Plexiglass with aluminum hanging hardware- Edition of 10. Max Clifton is a renowned nature photographer who is celebrated not...