Art by Medium: Plastic

Acrylic latex

3-D hand made artwork using Perler beads and mixed media in a found painting in a vintage frame the artist lives and works out of Sweden and is represented by Krause Gallery in NYC

Title: Lantern Column II Year: 1998 - 2014 Medium: Mold blown glass, cast polymer, steel, cast iron Size: 46 inches Price: $6,500 Niho Kozuru is a Japanese-born mixed media artist based in Boston, MA. Kozuru casts and reconfigures molds of her own designs, classical and industrial turned architectural forms in unexpected materials. Using rubber, glass and clay she creates columns with undulating silhouettes. The “Lantern Columns” are a group of 7 towers, ranging from 4 feet to 7 feet tall. They have been shown in various configurations in multiple US States as well as the Fukuoka City Museum in Kyushu, Japan. Kozuru made 60 components by blowing glass into molds of her own designs while at Artists in Residency at Penland School of Crafts in North Carolina. After traveling the world, the Lantern Columns have been arranged into their final configuration, with a steel armature within and each topped with a vivid cast iron final...

Divyendu Anand - Eternal Beauty Liquid Metal Coating over Composite of Stone Glass & polyester Resin Black Granite H 31 x W 18.5 x D 19 inches, 2020 Growing up with the thoughts of ...

Mark Ryden - BABY BOS - BLUSH Date of creation: 2022 Medium: Vinyl figure Edition: 500 Size: 15.25 cm height Condition: In mint conditions, brand new inside its original package Desc...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

The work is built up with the acupuncture used needle cases threaded on bright pink elastic and sits well on a surface , Susan had made a smaller one of these on residency in German...

Artist: Ian Hornak (1944-2002) Title: Les Fleurs à la Manière de Redon #7: Anemones Year: 1998 Medium: Oil on masonite Size: 16 x 13.5 inches Condition: Good Provenance: Estate of Ia...

Standing Chief (Shield) by Yoram Wolberger, 2016 Additional information: Medium: Reinforced cast fiberglass composite and pigmented resin Dimensions: 84 × 65 × 29 in (213.4 × 165.1...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Kop in de Wolken Head in the Clouds Polyester Cortensteel Coating Sculpture Evert den Hartog (born in Groot-Ammers, The Netherlands in 1949) followed his education to be a sculptor ...

Annick b. Cuadrado, a French artist, born and working in Paris, introduces in her works of art the most famous products of our consumer life. She has convinced the owners of the most...

Divyendu Anand - Roots Liquid Metal Coating over Composite of Stone Glass & Polyester Resin Black Granite H 32 x W 20 x D 18 inches, 2019 Growing up wi...

Worn like a bolo tie around the neck. This is new old stock vintage Jewelry from the legendary Acme Studio collection, which created many revolutionary jewelry items. It was handmade in the 1980s using the intricate cloisonné process, an ancient technique for decorating metal; hence any imperfections within the colors are to be expected and inherent which makes it unique and one-of-a-kind. The Memphis...

Margaret Koscielny (b.1940). Floating Images, 1974. Plexiglass sculpture. !0 x 10 x 10 images. Light base is new. Margaret Koscielny's work has been recognized in Who's Who in American Art; International Who's Who; Contemporary American Sculptors: An Illustrated Bio-Bibliographical Dictionary; Dictionary of American Women Sculptors; with articles in Kalliope (interview, photographs), The Florida Times-Union, Jacksonville Journal, Jacksonville Magazine; St. Petersburg Times; Atlanta Constitution and Journal; essays, by Joseph Jeffers Dodge, Drawings in Light and Space ; and Elihu Edelson, Arts Assembler; and reviewed in various newspapers, including a general review by John Canady, for The New York Times, of the American Drawing Competition, Moore College of Art, Philadelphia, (in which Koscielny was a participant). Influences and Early Background A native of Florida, Margaret Koscielny grew up in a family of classical musicians. Her mother, a violinist, was a descendent of an American Revolutionary war hero who, according to family legend, was related to William Pitt, the Elder, Prime Minister of Great Britain. Her father, a violist, was a graduate of the Leipzig Conservatory, emigrating to the US in 1929, where he became a music pioneer in Florida, teaching, directing bands and orchestras, and developing music education for string ensembles in the public schools. Her sister, Anne Koscielny, a concert pianist, was also a professor of piano for over 4 decades. Her step-brother, Gordon Epperson, was a prominent cellist, writer and college professor. Her niece, Cécile Audette, is a singer and choral conductor, and her grandniece, Renée, a violinist. Both sets of grandparents were musical, as well. This has influenced Koscielny's work the most, as it has provided inspiration and a sense of layers and the element of time in the construction and architecture of her work. Early Education and Career, 1960's Margaret Koscielny began her art studies at Texas Woman's University with Toni La Salle, (a student of Hans Hoffman). La Salle was the first, and most important influence on Koscielny's approach to drawing and art. Ms. La Salle's paintings reflected the ideas she developed under Hoffman's instruction, and she was Koscielny's first encounter with an Abstract Expressionist painter. Koscielny then attended the University of Georgia, where she earned the degrees of Bachelor of Arts in Art History and Master of Fine Arts in Art. Printmaking and drawing were the primary interests of her graduate work while studying with Charles Morgan, (a student of Jimmy Ernst, son of Max Ernst, the Surrealist). German Expressionism, surrealism and Abstract Expressionism were important influences during this time. The painters, Howard Thomas, James Herbert, and a fellow student, Jim Sitton were important mentors. She began, independently, the exploration of a technique evolved from printmaking combined with transparent media, and created her first "three-dimensional drawing-sculpture" in 1966. During the next two decades, Plexiglas was to be her primary format for drawings engraved, lighted and formed into assemblages. Teacher, Museum Curator, Artist, 1970's After a brief career teaching in public and private schools as well as Jacksonville University, she became Assistant to the Director of the Cummer Museum of Art and Gardens, (then called Ninah M. H. Cummer Gallery of Art). Margaret Koscielny was responsible for the organization and installation of exhibitions, publications, the training of Docents, and lectures on art history. During that time she also appeared regularly on television to discuss works of art in the museum's permanent collection. In December of 1973, Koscielny made a solo month-long tour of 9 major artistic capitals of Russia and the Ukraine in the former Soviet Union. This journey became the subject of nine lectures to capacity audiences at the Cummer Museum. She left the museum in 1974 to focus her activities primarily on her artwork. The 1970's were a time of numerous commissions, private and corporate for Koscielny, and she won the first National Endowment for the Arts grant in conjunction with the Florida Arts Council in 1975. This allowed her to execute three large sculptures in plexiglas which were exhibited at the Cummer Museum in 1976. Numerous other exhibitions throughout the Southeast followed. She also founded an independent group of 10 artists, Art Celebration! in 1973, because of the lack of galleries in Jacksonville.The success of the group's exhibition over a 5 year period precipitated new galleries to be established. Koscielny finished the decade with an invitation for a One Person Show at Vanderbilt University, also winning an international competition for the new Atlanta Hartsfield International Airport in 1979-80. She was one of only 3 women out of 13 artists, chosen from 500 competitors.The resulting three-dimensional assemblage, "Whole Sight," was in four parts, each 9 x 13 feet. They were installed on four walls over a descending 40 foot escalator. In late 1979, she was invited to produce and design an original ballet...

At first glance, Mark Bartkiw’s artwork looks like another beautiful photograph. Look again and you’ll see a clever collage of images that creates an almost magical, ethereal landsca...

Stainless steel - unique artwork marked with stamp from the artist Sculpture sold with fiberglass pedestal Artwork located in Seoul, South Korea at the artist's studio Choi Han-Ji...

KAWS Astro Boy, 2012 Painted cast vinyl Size 37.5 × 15.2 × 11e cm From Limited edition 300 with 'Medicom Toy 2012 China' and 'Tezuka Productions Designed by Kaws' stamp on the under...

Susan English Cascading Folds (with footer) No.74, 2025 tinted polymer on Yupo paper 32 x 26 in. (eng286)

Created in 1953, this Madoura big turned vase of white earthenware clay with decoration in engobes and paraffin (red, black), knife engraved is numbered from the edition of 75. This Picasso ceramic vase is stamped with the 'MADOURA PLEIN FEU' and 'EMPREINTE ORIGINALE DE PICASSO' pottery stamps on the bottom. A spectacular work to witness in person, Pablo Picasso Gros oiseau Picasso...

ABOUT THIS PIECE: 23.5x19.6, edition of 15 — FACEMOUNTED TO PLEXI This piece is available face mounted to plexi glass giving a modern, durable, and sleek finish. Every print is fully authenticated with a signed and numbered Certificate of Authenticity. As a child, I was the flower girl in the wedding of a family friend. After much coaxing, I only agreed to walk down the aisle once I was promised gummy bears...

"Book Seed" is a contemporary modern abstract wall sculpture by UK artist Mari-Ruth Oda. Made from Bath Stone Jesmonite, a fine art composite material based on acrylic resin, fibergl...

This new work by Tal Nehoray is from her latest body of works called "1000 MG Love Pills". All are hand made with Fiberglass and hand painted with automotive paint. It stands on a bl...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Original handmade fibreglass relief sculpture from Ron Hitchins' own home. Uniquely handmade and signed by the artist. Part of a series of 3 (see our other listings for the other two...

This film, a VHS transfer of the 16mm black and white film "Henry Geldzahler" by Andy Warhol is offered by CLAMP in New York City.

"The Top Dog" Polystone 宝丽石 Childhood is not just a transitional time before adulthood. It is a meaningful lifetime for children to create their wonderlands exclusively. It is also ...

Helder Batista is a self-taught artist who works both sculpture and painting. He was born in 1964 in Paris where he attended the evening classes of the Beaux-arts. He lives and works...

Turkish-born Derya Ozparlak is known for her provocative and uniquely beautiful hand-hammered sculptures. Rendered in fine detail, a steel rendering of horse blinders...

1.75 x 3.75 x 2 Mixed Media 2023 Each mini is a unique and original artwork. Biomorphic sculpture that draws you to play with it.

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Brian Russell Jobe (American, b. 1981) is an artist and non-profit director based in Knoxville, Tennessee. Jobe's studio practice is focused on sculptur...

2015, Unique Artwork resin and pigments polychrome on fiberglass under protective plexiglass cap with LED 12 1/5 × 31 1/2 × 13 in - 31 × 80 × 33 cm The artwork is signed by the Artis...

OPEN FOR COMMISSIONS!!! ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol a...

Born in Columbus, Ohio in 1968, Ronald Johnson received an MFA from Virginia Commonwealth University in 2003. Since then, Johnson has exhibited widely both nationally and internatio...

Raphael Macek Calceus, 2020 - Afresco series 71 x 48 inches 180 x 120 cm Archival Pigment Print Edition of 7 Framed Large-scale photograph from the Equine Beauty series. The legen...

In his couture series, Peter Hoffer explores the theater of fashion through a reinterpreted runway. In this mixed media painting, a realistically rendered model for the Italian luxur...

In German, the meaning of the word "niemand" ranges from nobody, none, and no one to anybody. Apply that to Viktor's unique sculptures and a dose of humorous social commentary meets...

Yayoi Kusama Infinity Mirrored Room: The Souls of Millions of Light Years Away: Leather Clutch Purse in Original Box, 2017 Leather outside; polyester inside 6 × 10 × 2 inches This le...

Mixed media on canvas Shape of heart Unique piece Hand signed at the back Mint condition

Planter square. Customization possible and designed in 2010. Also available to order in stainless steel. Here you will find a sturdy and high quality planter for use in your garden ...

Divyendu Anand - Eternal Beauty Liquid Metal Coating over Composite of Stone Glass & polyester Resin Black Granite H 31 x W 18.5 x D 19 inches, 2020 Gr...

Four precisely configured and painted circles form a contemplative pyramid at the foot of a neutral ground. The areas between the shapes in this minimalist still life acrylic on plex...

In this midcentury snowscape photograph, captured by society photographer Slim Aarons, two women recline on improvised sunbeds at the Cranmore Mountain Resort, North Conway, New Hamp...

Love Affair 6 (Abstract drawing) Colour pencil on two layers of Mylar — Unframed. Love Affairs" is a series of drawings on two layers of thin, translucent paper resembling ice. Each...

Curated circles of silver, black, tangerine orange, and cherry red define the dove grey ground of this square minimalist acrylic painting on plexiglass. The areas between the shapes are completed with custard yellow and maroon. This work comes framed. Framed dimensions are approximately 20.5 x 20.5 inches. Cantine's work is a poetic and intellectual exploration of a pictorial problem, color as structure which has infinite variations. Cantine was quoted in the Alberta Biennial of Contemporary Art 2000: "For the past 26 years, I have painted essentially the same still life, which began as a pair of apples and its shadow, and evolved under pressure of color into the present imagery." Cantine may be referred to as a post-minimalist, a term coined by Robert Pincus-Witten in 1971 to describe work with a minimalist tendency but that uses modest materials and aims towards a pure formalist aesthetic. David Cantine is a senior Canadian painter who has been exploring the still life for many years. Cantine was born in Jackson...

Acrylic paint on polystyrene. An unusual choice of material that gives the piece depth. Vibrant colours swirl through the painting and draw the eye into the intricate patterns that c...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* The "Lucky Baby Elephants" series is exclusive of Artist Mauro Ol...

"GORBUNOK" Sculptural Lamp by 25" x 13" inch Grigorii Gorkovenko A desk lamp which is made of genuine wood and filled with special energy and handmade work by the “GV design” master...

Dana Bloom's Measurement features a gilded human figure that challenges the viewers' perception of presence and absence, while exuding a dreamlike, timeless...

In the body of work for “Child’s Play” Roleke has created diminutive worlds in which toys tell the story of consumption, consumerism, war, and the misuse of power and religion. The m...

Two rectangular shapes one in painterly brown the other in dark navy are topped with white and beige. These enigmatic and humorously titled "things with tops" are contrasting outcrop...

Raphael Macek Domino, 2020 Afresco series 60 x 40 inches Archival Pigment Print Edition of 10 Framed Large-scale photograph from the Equine Beauty series. The legendary and comple...

“Opening and Cypress Form” mixed media collage of acrylic polymer, paper and charcoal on canvas by American artist Stephen Edlich (1944-1989). Title, signature, date (1979) and 439 ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

A unique, large scale/oversized, expressive artwork, from the Fragments of the Mind series. This series examines the delicate balance of the mind and the intricacies of our thoughts...

Shocks of light -- yellow , indigo, red and white -- zip through the night in this dynamic photographic print by Mark Bartkiw. This C-print is sealed between dibond and plexiglass. T...

Polymer and spray paint on canvas supported by polycarbonate & canvas key frame Unique & hand signed work Gérard Pairé is a French autodidact artist born in 1950 who lives & works i...

This two panel stretched and dyed rubber piece was created by American contemporary artist John Drummer in the early 2000's. This work was featured in the exhibition "Jack Drummer" organized by BT&C Gallery and which coincided with the Burchfield Penney Art Center's exhibition "The Effects of Time". This is currently the only work available for acquisition. The Burchfield Penney exhibition that featured these rare pieces was voted one of the best 10 exhibitions that year in ArtForum's 2016 Top Ten by Matthew Higgs, who would later curate an exhibition of Drummers work for White Columns gallery that was reviewed by Art in America in 2017. John E. (aka “Jack”) Drummer (1935-2013) was an itinerant and mercurial figure. Self-taught as an artist, his earliest works from the late 1950s and early 1960s were included in several key exhibitions in Buffalo and New York City, including the first of Allan Kaprow’s legendary ‘New Forms, New Media’ exhibitions that he curated for Martha Jackson’s gallery in 1960. Drummer’s 1962 solo exhibition at the Gordon Gallery, New York received a rapturous review from critic Brian O’Doherty in The New York Times, who praised Drummer for his ability to “make something out of nothing”, describing his work from this time as “screens for the imagination,” a notion that could equally be applied to his later works on view at White Columns in a 2017 solo exhibition. Despite this early success, Drummer would soon leave New York City, returning initially to Buffalo, before moving to New Orleans and then California, before eventually settling in Hawaii. Very little of Drummer’s early work has survived, including almost none of the 300-odd, often large-scale, styrofoam-based sculptures he produced in Hawaii. On returning to his home-town of Buffalo in the early 1980s, Drummer would embark on an extraordinary body of work that would preoccupy him for the next two decades. Drummer’s late work is clearly related to, and expands upon, the histories of minimal, post-minimal and process-orientated art. His approach is empathetic with that of the Italian Arte Povera artists, sharing their interest and investment in ‘poor’ and quotidian materials. Working almost exclusively with ‘found’ materials, and specifically materials that had previously been employed and subsequently discarded in industrial and manufacturing processes, Drummer’s work of the 1980s-early 2000s was largely overlooked and unexhibited during his lifetime. Drummer’s late works employ the rubber ‘blankets’ – used in offset printing to remove excess ink during the printing process – as supports. These ‘ready-made’ supports often revealed aspects of their ‘histories’: their surfaces are typically marked with ghostly images and texts resulting from the printing process. Drummer would then work directly onto and into these ‘pre-prepared’ supports. Drummer’s late works often incorporate impressions taken directly from the surfaces of walls, floors, and fencing, etc. – ‘images’ created by laying the rubber sheets face down onto a desired surface, and then applying pressure from the back of the sheet to create a subsequent negative impression or image of that surface, likely a physically demanding process, akin to making a ‘brass rubbing...