Art by Medium: Plastic

Acrylic on polyester film - Unframed This work is part of a series whose inspiration comes from Witch Hazel, a deciduous shrub in New York City. It blooms in January with bright yel...

Acrylic, plastic bags and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at the same time a...

Screech of ice series 43 (Abstract drawing) Colored pencil and graphite on plastic paper. Unframed. Screech of Ice is a new series of drawings made by holding a bunch of pencils in...

Time Collides (Abstract Painting) Acrylic on polyester resin film - Unframed. This work is part of a series titled Year of Color and is about time-keeping. Debra Ramsay captured ti...

Big Melt #10 (Abstract drawing) Pigment pencil and water on mylar - Unframed. This work is from a series titled Big Melt. It has been created with pigment pencils and ice. It captu...

Chromogenic Print face-mounted 3mm matt plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request - 4 week turnaround Edition o...

Acrylic on polyester resin film - Unframed This work is part of a series whose inspiration comes from Witch Hazel, a deciduous shrub in New York City. It ...

DNA of AI 7.0 x 41.0 x 7.0, 20.0 lbs CDs, plastic Hand signed by artist Artist's Commentary: "Recycled CD dics are forming the DNA spiral. All CDs are representing information li...

nformation about the artist: Jimmie is an established luxury brand and designer since 2004, based in London, United Kingdom. The duo, Jimmie Karlsson and Martin Nihlmar are known for...

Remembering Gold is a limited edition photograph by Nancy C. Woodward. This is a limited edition photograph with a plexifacemount framing. It 24" x 24". It is filled with Gold colors and white. It is $1,850. This is an edition of 30. It was originally photographed in 2019. Nancy C. Woodward is an award winning photographic and mixed media artist. Her shadow portraits...

Mary Borgman’s work captivates the viewer in several ways. First is their scale. They hang like medieval tapestries, with figures standing as tall as eight feet. There is also their texture – created by using charcoal on Mylar, and the results are richly gestural, with distinct charcoal strokes and eraser marks animating the figure and ground alike. With a flat surface, she creates volume and life. And perhaps the most powerful of all, the viewer is caught be the gazes of the models, who stare forcefully out of the picture. They seem to be examining us every bit as much as we are examining them. These larger-than-life portraits stem from chance encounters that grow into meaningful connections between the artist and her subject. Most are strangers that she approaches on the street. They capture her attention with expressive eyes that show experience and wisdom, distinctive shapes and a casual body language. “I try to honor the people I am drawing by centering them in the format and shooting from slightly below their eye level. I choose an expression that exudes intelligence, self-awareness and complexity. I try to convey their humanness. I want the viewer to feel this person might be someone interesting to know”, says Borgman of her subjects. The intensity with which she conveys the eyes may stem from her many years of communicating in sign language, which is based on sustained eye contact. Borgman loves the directness of drawing. It is immediate, there is no lag time. There is no time waiting for the paint to dry. She works solely in charcoal which she can manipulate to achieve varying degrees of darkness and opacity. It is messy and the artist loves that. Mary Borgman Portrait of Justin Shanitkvich, 2022 charcoal on mylar 53h x 40w in 134.62h x 101.60w cm MBG009 [This work is custom framed in shadow box style with non-reflective Tru-Vue Museum Glass] FRAMED DIMENSIONS 55.25h x 42.50w x 2.25d in 140.34h x 107.95w x 5.71d cm Mary Borgman b. October 4, 1959 St. Louis, MO SELECTED EXHIBITIONS 2017 Grand Opening: Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2013 SOFA Chicago 2013, Ann Nathan Gallery, Navy Pier, Chicago, IL Portraiture Now: Drawing on the Edge, National Portrait Gallery, Arkansas Art Center, Little Rock, AR 2012 Portraiture Now: Drawing on the Edge, National Portrait Gallery, Washington D.C. SOFA Chicago 2012, Ann Nathan Gallery, Navy Pier, Chicago, IL SOFA NY, Ann Nathan Gallery, New York, NY 2011 Gallery Group Ann Nathan Gallery, Chicago, IL SOFA NY, Ann Nathan Gallery, New York, NY 2010 SOFA Chicago 2010: Special Installation at SOFA Café, Navy Pier, Chicago, IL What’s the Buzz on the Playground: Art of Today from St. Louis curated by Mary Sprague...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Chromogenic Print Face-mounted 4.5mm Matt Plexiglas - Unframed Backed with Dibond and C-channel hanging system + keyhole option. Edition: 1/3 + AP Paul Snell combines traditional ...

In the tondo photograph, Los Insectos Eternos, Fidel Santos conjures a fragile world of beauty and disintegration. At the heart of the composition lies a delicate web of fine thread,...

Acrylic, plastic bags and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at the same time a...

Klaus Leidorf was born on June 5th 1956 in Bonn (Germany. After a few years working as research assistant at the University of Marburg and employee at the Bavarian State Office for t...

Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Available on request - 4 week turnaround. Backed with extruded polystyrene, concrete, acrylic, enamel and pigments (5...

LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty...

Found plastic & tree Environmental theme

Artist Commentary: As a continuation of the screens series, I experimented with adding air between layers to show the organic process and the play with not only reflected light from behind, but also shadow. (Photo files include one angled shot, and one closeup.) Keywords: abstract, transparent, brush...

C Print mounted on dibond and face-mounted on plexiglass Mounting and framing is additional. Also available as: 30 x 45 in. - $6,500 (ed. of 7) 48 x 72 in. - $11,000 (ed. of 3)

Whispers of the Deep: Intertwined Desires stands among Hiro Ando’s most daring sculptural explorations, where Japanese heritage encounters the contemporary sensibility of the Nippon ...

Pigment pencil on Mylar - Unframed. The Maelstrom Series include the most iconic and known of Peerna's works. Starting from the center on a tilted table, she extends her fingers ...

"Summer Surprise I" by James Chadwick from his Wall Flower series is inspired by the deeply saturated images of Bertram Park from the 1930's and 40's. Inc...

This work is framed 8mm face and 65mm depth. Chromogenic print face-mounted 8 mm plexiglass. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 1/3. Paul...

"Little Man" is an original mixed media artwork by Volker Kuhn. The work is an homage to Giacometti, hand-signed by the artist below the artwork on the mat. 51 x 43 cm framed in a si...

Chromogenic Print face-mounted 3mm matt plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request - 4 week turnaround Edition o...

Flying with his own plane, one hand of the wheel and the other with his camera, Klaus shoots these amazing aerials. None have been manipulated or color corrected. This image can cust...

From the 2017 Collection. Black, white and pink vinyl BFF Companion Open Edition figurine with upright pose, trademark X-form eyes, textured surface, movable limbs and brand stamp at...

Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request 5-6 week turnaround. Edition: 1/3. ...

Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Available on request 5-6 week turnaround. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 1/3. ...

1/10 One out of a series of Ten signed and numbered Photos mounted on non glare Plexiglass with a wood frame on back to hang floated on wall. Born in Tallahasee Fl, William started...

Edition of 3 Mounted on Plexiglas Framed Kai Schäfer is an acclaimed German photographer with a passion for vinyl records and iconic turntables. The World Records series celebrates ...

Inviting the accidental while painting, the artist's materials continue to reveal limitless possibilities for improvisation, like jazz music. Influenced by scientific theories-both real and imagined, kitsch, music, decorative art and indigenous textiles, Fagan's abstract paintings and interactive performance build connections between color and surface to sound. This exploration has led to creating a series of interactive games with viewers, the most recent being The Alphabet Game. To play, viewers select, from colored squares, the color(s) that best represent each note in the familiar ABC Song melody. Through these playful interventions their thoughts about color and music are explored in-depth. Documenting their responses in the form of photographs and notes in journals, Fagan has compiled the results of fifteen artists who played the Alphabet Game during a lecture on color where the artist was the guest presenter in order to create this particular painting. Fagan distilled the data gathered and painted this visualization of a color/sound alphabet based on the colors selected by this artist's group. These alphabet paintings introduce a wonderful completion to this pseudo-scientific investigation and celebrate painting...

Crafted by the famed jeweler and sculptor Andreas von Zadora-Gerlof, this compelling stainless steel and polymer sculpture brings to life the work of the gr...

Acrylic on polyester film - Unframed This work is part of a series whose inspiration comes from Witch Hazel, a deciduous shrub in New York City. It blooms in January with bright yel...

The tears of nature -2022 cloth 40x50 cm Mixed media stucco,textile,plastic

Title Joker -2020 Cloth 20x30 cm Mixed material technique,acrilic,plastic mesh

This Buddha head sculpture is a 3D print contemporary take on the traditional Buddha image. The statue can be hanged directly on the wall. It is a limited edition of 25 pieces. The s...

Dorothy Thorpe This wonderful piece was designed by Dorothy Thorpe in America during the 1960s Born in Salt Lake City in 1901, Dorothy Thorpe was a mid-century American artist who de...

Tony Cragg (British, b. 1949) Palette (from For Joseph Beuys), 1986 Medium: Wooden palette covered with coloured plastic granules Dimensions: 75 × 58 × 1.5 cm (29 1/2 × 22 4/5 × 3/5 ...

Artist's Statement: "I typically paint abstractly, but this is part of a recent series of paintings that is loosely figurative. They harken back to 80s neo-Expressionism and Figurat...

This mid-1950s landscape photograph, captured by society photographer Slim Aarons, features a group enjoying a picnic at a rocky coastline in Bermuda. This is an estate stamped and ...

This mid-1950s landscape photograph, captured by society photographer Slim Aarons, features a group enjoying a picnic at a rocky coastline in Bermuda. This is an estate stamped and ...

This mid-1950s landscape photograph, captured by society photographer Slim Aarons, features a group enjoying a picnic at a rocky coastline in Bermuda. This is an estate stamped and ...

This late 1950s landscape photograph, captured by society photographer Slim Aarons, features a group of people snorkelling off a small boat in Malta. This is an estate stamped and h...

This late 1950s landscape photograph, captured by society photographer Slim Aarons, features a group of people snorkelling off a small boat in Malta. This is an estate stamped and h...

Pigment pencil on Mylar. Unframed. The Maelstrom Series include the most iconic and known of Peerna's works. Starting from the center on a tilted table, she extends her fingers t...

Friedrich Gräsel Bochum 1927 - 2013 Osnabrück Untitled, 1968 PVC Monogrammed and dated "68" on the reverse 68 x 59 cm Catalogue raisonné 534 Authenticity guaranteed in writing. The ...

Acrylic on polyester film - Unframed This project, began in April 2013 is about time-keeping. Debra Ramsay captured time passing by documenting the change in color within the lands...

"Abstract Visage I" Abstract Sculpture 18" x 8" inch by Ibrahim Abd Elmalak Double-faced Fiberglass Signed & Dated Sculptures that mostly depict his characteristic figures of femi...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Seeking the Sound of Cobalt Blue is a series of paintings and sculptures that have been created since the spring of 2014. Using domestic construction materials from her garage, extras from home improvement projects or the garden, have been captured, much like a photogram, but with paint, not silver. By blending photography and painting, Fagan finds that the patterns created with industrial, mass-produced objects around the house and garage, speak to her interest in producing paintings that link to sound. These works are portraits of the artist’s home, its history, and the materials used to build that maintain her home. Ellen Hackl Fagan builds connections between color and sound using installations, interactive games, and collaborative projects that combine color-and-texture saturated paintings with music...

"Why", running horse reflected in still water. Edition of 30.

No title (No 90) Ballet Photography 55 x 55 in Ed of 12 by Yevgeniy Repiashenko No title (No 90) Photography Edition of 12 55 x 55 inch Year photo was taken: 2019 This picture is ...

Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...

Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...

Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...

Liquid Sunshine: Spring Moss Hand-dyed cast polymer rubber on painted steel 31.5 X 9.5 X 9.5 Niho Kozuru (髙鶴丹穂) is a Japanese-born mixed media artist based in Boston, MA. Kozuru casts and reconfigures molds of her own designs, classical and industrial turned architectural forms in unexpected materials. Using rubber, glass and clay she creates columns with undulating silhouettes. The “Lantern Columns” are a group of 7 towers, ranging from 4 feet to 7 feet tall. They have been shown in various configurations in multiple US States as well as the Fukuoka City Museum in Kyushu, Japan. Kozuru made 60 components by blowing glass into molds of her own designs while at Artists in Residency at Penland School of Crafts in North Carolina. After traveling the world, the Lantern Columns have been arranged into their final configuration, with a steel armature within and each topped with a vivid cast iron final...

This late 1950s landscape photograph, captured by society photographer Slim Aarons, features holidaymakers on a cafe terrace in Nice on the French Riviera. This is an estate stamped...