Art by Medium: Plexiglass

Rodrigo Katayama Nature Abstraction #10, 2018 71 x 48 inches Edition of 5 Archival Pigment Print Framed

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Edition of 5 Mounted in Plexiglas Kai Schäfer is an acclaimed German photographer with a passion for vinyl records and iconic turntables. The World Records series celebrates some of...

Edition of 5 Mounted in Plexiglas Kai Schäfer is an acclaimed German photographer with a passion for vinyl records and iconic turntables. The World Record...

Cyril Porchet Crowd #3, 2012 50 x 62 inches 125 x 156 cm Edition of 7 C-Print Matt Plexiglas

Cyril Porchet Crowd #1, 2012 50 x 62 inches 125 x 156 cm Edition of 7 C-Print Matt Plexiglas

Cyril Porchet Crowd #2, 2012 50 x 62 inches 125 x 156 cm Edition of 7 C-Print Matt Plexiglas

This piece can be framed for an additional $1,500. 4" white border

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

Fernanda Naman Desejos #6 Yves Saint Laurent 40 x 60 inches Edition of 9

Edition of 5 Alexandre Manuel explores the natural tension between absence and presence, the man and his place in nature and between the evolution of the landscape and the permanenc...

Edition of 5 Mounted in Plexiglas Kai Schäfer is an acclaimed German photographer with a passion for vinyl records and iconic turntables. The World Record...

chromogenic print mounted on aluminum with UV ultra non-glare plexiglass
 editions of 10 available in: 
16 x 16 in. $4000 
20 x 20 in. $5000
 24 x 24 in. $6000
 30 x 30 in. $8000
 42...

chromogenic print mounted on aluminum with UV ultra non-glare plexiglass
 editions of 10 available in: 
16 x 16 in. $4,000 
20 x 20 in. $5,000
 24 x 24 in. $6,000
 30 x 30 in. $8,000...

Edition of 10 Unframed

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Cheryl Maeder is a Fine Art Photographer and Filmmaker Maeder was born in Elmwood Park, New Jersey, USA, and in her early 20s moved to Zurich, Switzerland, where she studied photogr...

Ed of 5 + 2AP Among the contributors to the contemporary art world’s boundary-breaking experimentation in media, Kim Keever has hit on something truly unique—a photographic art in w...

chromogenic print mounted on aluminum with UV ultra non-glare plexiglass
 editions of 10 available in: 
16 x 16 in. $4,000 
20 x 20 in. $5,000
 24 x 24 in. $6,000
 30 x 30 in. $8,000...

This is a set of 8 works, each one is 12 x 25 inches. They are sold separately or as a set. Each piece is $1,100 per work. Specific color commissions are also available for sale. ...

C print on plexiglass Please allow 3-4 weeks for printing and mounting. Price does not include any mounting or framing. Can be shipped in a tube.

Title: River Pebbel, ca. 1970 Technique: Original Signed Stone, Photograph, Velvet and Plexiglass Object size: 17 x 12.5 x 13.5 cm / 6.7 x 4.9 x 5.3 in Additional Information: A u...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size,...

Manitoba - Swallowing the Unknown -2017 Digital print, made in 12 numbered copies, presented in an aluminium box in Plexiglas. The optical rendering sublimates the colors. Manitoba ...

Peter Klasen, NGK Table Original work of 8 copies + 4 EA. Signed, dated and numbered by the artist. Plexiglas and glass. Work screen printed on Dibond plateau and completed with obje...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size,...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size,...

This beautiful layered floral work is by Cara Enteles. Her work is motivated by a fascination with nature and a concern for the environment. She splits her time between NYC and rural...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

Peter Klasen, SY 1 Table Original work of 8 copies + 4 EA. Signed, dated and numbered by the artist. Plexiglas and glass. Work screen printed on Dibond plateau and completed with obj...

Medium: Archival pigment print under museum acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Signed by the artist. Edition of 5. Paul-Émile Rioux is a Montreal-based artist a...

X-ray digital C-type mounted onto Dibond, with Plexi face We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays to strip back layers and show what is under the surface. Often, integral beauty adds intrigue to the familiar and challenges our automatic reaction to physical appearance by highlighting the beauty inside. Society is being increasingly inhibited by security and surveillance. Take a flight or go into a high-profile courtroom and your belongings will be x-rayed. The post arriving in corporations and government departments is often x-rayed. Security cameras...

Blaasbloemen Blow Flowers Pinhole Photo on Dibond with UV Resistant Plexiglass Bethany de Forest Born in Stoneham, Massachusetts, 1966 - USA Gradua...

Tulpvlinder Idea Tulip Butterfly Pinhole Photo on Dibond UV Resistant Plexiglass Bethany de Forest Born in Stoneham, Massachusetts, 1966 - USA Graduat...

Pink Tulip Lake Pinhole Photo on Dibond with UV Resistant Plexiglass Bethany de Forest Born in Stoneham, Massachusetts, 1966 - USA Graduated in Phot...

Vlindertrek 2 Butterfly Flight Pinhole Photo on Dibond UV Resistant Plexiglass Bethany de Forest Born in Stoneham, Massachusetts, 1966 - USA Gradua...

City Lights Pinhole Photo on Dibond Aluminium with UV Resistant Plexiglass Bethany de Forest Born in Stoneham, Massachusetts, 1966 - USA Graduated ...

Eyeplants Photography on Aluminium Dibond with UV Resistant Plexiglass Bethany de Forest Born in Stoneham, Massachusetts, 1966 - USA Graduated in ...

Butterflies at Jiuzhaigou lake 蝴蝶在九寨沟湖 Pinhole Photo on Dibond UV Resistant Plexiglass Bethany de Forest Born in Stoneham, Massachusetts, 1966 - USA...

Waterfall butterflies 瀑布蝴蝶 Pinhole Photo on Dibond with UV Resistant Plexiglass Bethany de Forest Born in Stoneham, Massachusetts, 1966 - USA Gradu...

Rabarberbos Rhubarb Bush Pinhole Photo Dibond Aluminium UV Resistant Plexiglass Bethany de Forest Born in Stoneham, Massachusetts, 1966 - USA Grad...

Viola Vlinder Butterfly Pinhole Photography on Dibond UV Resistant Plexiglas Bethany de Forest Born in Stoneham, Massachusetts, 1966 - USA Graduate...

Medium: Archival pigment print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Signed by the artist. Edition of 5. Artist and photographer Paul-Émile Rioux lives in Mo...

Archival photo print under acrylic glass. Dimensions: 24 x 72 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a ...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...