Art by Medium: Plexiglass

"Arabesque (No42)" Photography 45 x 45 inch Ed. of 18 by Yevgeniy Repiashenko Photography Year photo was taken: 2018 This picture is a part of Spirit series. Magic dance movement...

Assemblage, violin, paper collage on board, plexiglass case. Chiari freely uses painting, objects, drawing and collage of photocopies and photographs to create intriguing works. Exhibitions: Back to Future, Glenda Cinquegrana: lo Studio, 17.07-24.09.2013, Milan, Italy Giuseppe Chiari...

Steve Baris is interested in the interconnections of the built environment and spatial experience. His artwork is a response to a largely overlooked type of landscape that is emerg...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

A unique artwork crafted from Plexiglas, featuring an engraved phrase that adds depth and meaning. Perched atop the artwork’s frame is a small figurine, creating a playful yet though...

This grandiose work is a beautiful depiction of an 18th-century Italian grotto, a secret haven adorned with lush foliage and cascading waterfalls. The scene encapsulates the historic...

Anastasia Pelias was born in New Orleans, LA to a Greek immigrant mother and a first generation Greek-American father. She received her BFA from the Newcomb College of Tulane Univers...

Drawing inspiration from cultural icons and global events, Soren Grau's street art-infused Neo-expressionism invites art enthusiasts to be a part of a narrative larger than life. In ...

Electric, remote controlled wall or table sculpture created with mixed media: LED's, Mi-Ttentes paper & plexiglass from abstract light installation and mixed media artist Sophia Dixo...

No Title (No 62) Ballet Photography 32 x 32 in Ed. of 25 by Yevgeniy Repiashenko Year photo was taken: 2021 This picture is a part of Spirit series. Magic dance movement. "Editio...

Geister or 'Ghost Ship' series from Nina Dietzel. Stunning on own, or paired with other images from the series. Surface mounted to polished plexiglass so that the photograph appears ...

Akiko Sugiyama (Japanese/American, B.1947) Collage, Lucite Shadow Box Painting, mixed media Japanese paper sculpture in plexiglass display box...

Mystery is a unique Statuario Carrara marble and plexiglass sculpture by contemporary artist Francesca Bernardini. The dimensions are 10 × 40 × 30 cm (3.9 × 15.7 × 11.8 in). The scu...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Sculpture combining a Plexiglass box displaying a plastic/resin character enhanced with acrylic paint and real customized candies are scattered around the base of the sculpture. Ins...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Artist: Petra McCarthy, British Title: Yellow Abstract Year: circa 2005 Medium: Acrylic on Canvas with Painted Plexiglass Size: 40 x 40 x 3 in. (101.6 x 101.6 x 7.62 cm)

Breathe # 202205 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Red perspex box inc. 4 lithos, 4 books, photo and article, 30x30cm, 30X30X30 cm. Red perspex box including: A book by Hans Richter, Dada Kunst und Antikunst, 2. An article in a Swiss newspaper from February 1966, 50 Years to Dada, 3. 50 years to Dada catalogue, Kunsthaus Zurich, Musee National d'Art Moderne, Paris, 4. A book from the Goethe Institut, Munich, Dada 1916-1966, 5. 4 rolled lithographs: Hans Arp, Raoul Hausmann, Marcel Janco and Hans Richter, 25X35 cm each, signed and dated 83/300, 6. Dada, document in German by Richard Huelsenbeck. An edition by Rene Simmen, Zurich 1966. This Dada – Tresor...

No title (No 16) Ballet Photography 45 x 45 in Ed. of 18 by Yevgeniy Repiashenko No title (No 16) by Yevgeniy Repiashenko Year photo was taken: 2017 Limited Edition of 18 Picture s...

Annick b. Cuadrado, a French artist, born and working in Paris, introduces in her works of art the most famous products of our consumer life. She has convinced the owners of the most...

Focus Gold is a series of limited edition sculptures created by Jose Soto. There are two sizes available in two separate editions. Focus Gold, series of 10 - 6"x 3.25"x 3.25" are $2...

Memory is at its most magical when it conjures up not the event, but its surrounding perceptual and emotional space. Flashes of reflected light, movement seen out of the corner of eye, bits of sound or feeling – these are what ignite memory, giving it form and bringing it to life. Light both beams into and envelops you. Carol Salmanson started working with it in 2003 after painting for many years because of these singular spatial qualities. They enable herto build whole worlds with color and shape, ones that resonate with memory and experience. Painters have often talked about depicting light. Today’s technology allows me to use light as medium as well as subject. Double Diamond is made with layers of light that beam onto reflective material; its two different configurations of diamonds are mounted on a strip that also layers light. The location in the beams creates a glowing frieze that radiates outwards, giving the viewer a first a sense of surprise, and then wonder. Carol Salmanson is an artist working with light and reflective materials to create installations, sculptures, and wall pieces. She received a B.S. in Biological Psychology from Carnegie-Mellon University and an M.B.A. from the University of Chicago. She attended the Arts Students League, the School of Visual Arts as a Public Art Resident, and the National Academy of Fine Arts as an Abbey Mural Workshop Fellow. Public art projects include Water Bubbles, an installation in twenty windows of the abandoned landmark Constructivist White Tower in Yekaterinburg, Russia. Other window installations include the venues Station Independent Projects, Time Equities’ Art-in-Buildings program, OK Harris Works of Art, 254 Park Avenue South, and Mixed Greens Gallery, all in New York. Her outdoor sculptures include Tri-Quadular Cone in Summit, NJ, and Lot’s Ex-Wife in Brooklyn. She will have an installation, Crown Colony, in the window at 266 W. 37th St, in September of this year. Solo and two-person exhibition venues include SL Gallery (NY), Slag Contemporary (Brooklyn), Station Independent Projects (NY), Brian Morris...

W3-Dimensional 28, Felipe Pantone, 2018. Comes in custom box with Certificate of Authentication. Rare piece, very beautiful! 13.2 in x 13.6 in

Since 1995 I have used a great deal of my time to study the lines and curves of the female body. Long before that I already had the idea that the female body contains every line, eve...

"Elephant Theater", photography by Dimitri Bourriau. Print mounted on aluminum with plexiglas, framed. Edition of 15. "Dimitri Bourriau is a French p...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

Luc Tuymans (Belgian, b. 1958) Altar (documenta 11 edition), 2002 Medium: Frame box with 3D-collaged digital print behind sand blasted opaque plexiglass Dimensions: 60 x 80 x 5 cm (2...

Ettore Sottsass 1917 - 2007 “Festone“ ceiling lamp mod. 12625, 1956 White lacquered metal, violet, blue, red and yellow Plexiglas, brass mod. 12625 “Festone“ ceiling lamp. Edition Ar...

Edmund De Waal 1964 - Current Who shall I listen to IV, 2018 1 porcelain vessel, 1 porcelain shard, 1 alabaster fragment, 1 alabaster block and gold leaf in an aluminium and plexigla...

José Soto creates works of art that explore the physical experience of looking through photography and invite the viewer to reexamine his/her own perception of form, light, and space...

Memory is at its most magical when it conjures up not the event, but its surrounding perceptual and emotional space. Flashes of reflected light, movement seen out of the corner of eye, bits of sound or feeling – these are what ignite memory, giving it form and bringing it to life. Light both beams into and envelops you. Carol Salmanson started working with it in 2003 after painting for many years because of these singular spatial qualities. They enable herto build whole worlds with color and shape, ones that resonate with memory and experience. Painters have often talked about depicting light. Today’s technology allows me to use light as medium as well as subject. Double Diamond is made with layers of light that beam onto reflective material; its two different configurations of diamonds are mounted on a strip that also layers light. The location in the beams creates a glowing frieze that radiates outwards, giving the viewer a first a sense of surprise, and then wonder. Carol Salmanson is an artist working with light and reflective materials to create installations, sculptures, and wall pieces. She received a B.S. in Biological Psychology from Carnegie-Mellon University and an M.B.A. from the University of Chicago. She attended the Arts Students League, the School of Visual Arts as a Public Art Resident, and the National Academy of Fine Arts as an Abbey Mural Workshop Fellow. Public art projects include Water Bubbles, an installation in twenty windows of the abandoned landmark Constructivist White Tower in Yekaterinburg, Russia. Other window installations include the venues Station Independent Projects, Time Equities’ Art-in-Buildings program, OK Harris Works of Art, 254 Park Avenue South, and Mixed Greens Gallery, all in New York. Her outdoor sculptures include Tri-Quadular Cone in Summit, NJ, and Lot’s Ex-Wife in Brooklyn. She will have an installation, Crown Colony, in the window at 266 W. 37th St, in September of this year. Solo and two-person exhibition venues include SL Gallery (NY), Slag Contemporary (Brooklyn), Station Independent Projects (NY), Brian Morris...

Created for the 2017 Whitney Biennial, Aurora uses a photograph of a dense, lush landscape captured at dawn. For this work, Soto developed a technique using layers of face-mounted, l...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

President Wolodymyr Painting In his work, Ralf Schmidt combines elements of illustration, graphic design, and painting to create a distinctive, stylized realism with Pop Art influen...

Drawing inspiration from cultural icons and global events, Soren Grau's street art-infused Neo-expressionism invites art enthusiasts to be a part of a narrative larger than life. In ...

Drawing inspiration from cultural icons and global events, Soren Grau's street art-infused Neo-expressionism invites art enthusiasts to be a part of a narrative larger than life. In ...

Drawing inspiration from cultural icons and global events, Soren Grau's street art-infused Neo-expressionism invites art enthusiasts to be a part of a narrative larger than life. In ...

Drawing inspiration from cultural icons and global events, Soren Grau's street art-infused Neo-expressionism invites art enthusiasts to be a part of a narrative larger than life. In ...

Ryan Thomas Monahan hails from Yorkville, Illinois. Utilizing a combination of physical and imaginative exploration Ryan creates miniaturized three dimensional portraits of urban lan...

This is a one of a kind original mixed media (Paper, ginkgos, acrylic paint and plexiglass) abstract painting depicting beautiful golden Gingko leaves by California artist and educat...

Bleed # 202390 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 1/3...

An inspiring digital photography on plexiglass art work by the contemporary artist Marc Vandermeer ( American, 1950's). The photography entitled " Night on Broadway...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

The installation, Orchestrations, explores the vernacular in vintage piano roles. The physical perforations in the piano roll paper, coded notations for sound, act as a vehicle for l...

Abstract composition reverse-painted on an acrylic sheet (Plexiglas) by Laurel Morley (American, b. 1969). Acrylic sheet is mounted on a steel structure with "wings" on either side. ...

Space Race Silkscreen on Acrylic hand signed and dated 1970, MOON WALK, color screenprint on Plexiglas depicting the moon landing, from the numbered edition of 150, size 30 x 30” L...

Digital C-print mounted on Plexiglas Signed, dated, and titled, verso Numbered, verso This photograph is offered by ClampArt, located in New York City. Price includes framing. About...

Fine serigraphy on plexiglass 1973, hand signed and numbered (edition of 600), in good condition. After Arman's so-called "allures d'objets", in which objects are inked and stamped o...

In this striking photograph by artist Fidel Santos, an old stained glass window features the ethereal image of Mary Magdalene surrounded by clouds. Despite the dust and cracked panes...

This captivating photograph features an aging statue of the beautiful and slumbering Aglaea, one of the three graces, sculpted from polychromed wood. Despite the passage of time and ...

In Fidel Santos' work, Saint Peter Chanel, a sense of pure exuberance is captured through the depiction of the sculptural remnant of the head of the saint, The first martyr of the So...

Edition: 1/3 Paul Snell is an Australian artist who blurs the boundaries between photography and painting, creating contemplative works that replace constant image saturation with m...

This art work is a photo of the Tel Aviv beach taken by Pardo and then manipulated to make it look as a surreal beach. The people were there, playing, su...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Following a visit to the Paris studio of Yves Klein in 1957, Bernard Aubertin was inspired to follow in Klein’s footsteps and passionately work within the field of monochromy, a styl...

Unique. Paul Snell is an Australian artist who blurs the boundaries between photography and painting, creating contemplative works that replace constant image saturation with moment...