Art by Medium: Porcelain

Bio MOLLY SCHULPS is an artist and educator living in both California and Oregon. She grew up in Southern CA and was deeply influenced by her father who was a successful educator and...

Bio MOLLY SCHULPS is an artist and educator living in both California and Oregon. She grew up in Southern CA and was deeply influenced by her father who was a successful educator and...

Bio MOLLY SCHULPS is an artist and educator living in both California and Oregon. She grew up in Southern CA and was deeply influenced by her father who was a successful educator and...

Bio MOLLY SCHULPS is an artist and educator living in both California and Oregon. She grew up in Southern CA and was deeply influenced by her father who was a successful educator and...

Bio MOLLY SCHULPS is an artist and educator living in both California and Oregon. She grew up in Southern CA and was deeply influenced by her father who was a successful educator and...

Bio MOLLY SCHULPS is an artist and educator living in both California and Oregon. She grew up in Southern CA and was deeply influenced by her father who was a successful educator and...

Bio MOLLY SCHULPS is an artist and educator living in both California and Oregon. She grew up in Southern CA and was deeply influenced by her father who was a successful educator and...

Her poetic porcelain plates examine and reimagine the history of art in a way that values ​​women not only in body, but in wholeness, power, and love. Focusing on the narrative quali...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally drop...

Vases with wires - set of two 2009, porcelain, wire, h 19,5 cm, h 43 cm These vases are hand-painted with a light-colored base and adorned with pink dots. The use of light hues cre...

In this sculptural jar series, the artist draws on iconography surrounding nature, women and the history of Western art to question our place in the order of things. Women and nature...

Totem designed by Alessandro Mendini (1931–2019), crafted in ceramic with a vibrant high-gloss glaze. The piece is composed of four independent sections, making it fully detachable a...

“Marin” is a one-of-a-kind sculptural vessel from Heather Knight’s Coeur Collection, created in her Savannah-based Element Clay Studio (est. 2007). With its softly undulating silhou...

Sara Fine-Wilson's "Levitate" is an abstract mixed media sculpture in neutral tones. Multiple ceramic elements were previously hand formed and extruded, then fired and incorporated i...

Anton Büschelberger (1869 Eger - 1934 Dresden), Pointer, around 1930, made by the Karl Ens porcelain manufactory in Volkstedt (Thuringia), model number 2478, 6. Porcelain with underg...

This piece is an original bowl by Wayne Fischer. It is a double-walled bowl made from porcelain and features delicate and subtle coloration. 11" diameter Milwaukee ceramist current...

Johannes Nagel 1979 - Current Untitled, 2022 Ceramic 30 x 15 x 15 cm 11 3/4 x 5 7/8 x 5 7/8 in

Edmund De Waal 1964 - Current Lidded bottle, 1990 - 2005 Light celadon porcelain bottle with one red recessed mark and its lid 24.8 x 8 cm 9 3/4 x 3 1/8 in

Edmund De Waal 1964 - Current Lidded bottle, 1990 - 2005 Light celadon porcelain bottle with two red recessed marks and its lid 22.4 x 5 cm 8 7/8 x 2 in

As part of the Robert Rauschenberg retrospective exhibition in 1997, the Guggenheim Museum produced this highly-regarded set of screenprints featuring Rauschenberg's photographs on p...

Drop. Small abstract sculpture from porcelain, h 16 cm Elina Titane represents the younger generation of modern ceramic art in Latvia. Emoti...

“I could start fires..” I could start fires with what I feel for you. Destructive love. Engulfing flames. Burn the world until the ashes fly into space. Nothing left but feeling. “...

“Your pulsing giant heart..” Your pulsing giant heart bringing you to your knees. Praying while you pull it out. Shove it into the earth and let it be home. May flowers grow where th...

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"Take Out (Csirke-Fogo)" is an original lithograph on Gampi paper, and glazed porcelain artwork by Yoonmi Nam measuring 5”h x 13”w x 16”d (variable). Yoonmi...

The panel paintings "Expanded Metal Tile Paintings" are the closest to the classic art of painting. Firstly glaze is applied by roller brush and a piece of expanded metal onto a bloc...

The panel paintings "Expanded Metal Tile Paintings" are the closest to the classic art of painting. Firstly glaze is applied by roller brush and a piece of expanded metal onto a bloc...

The panel paintings ""Expanded Metal Tile Paintings"" are the closest to the classic art of painting. Firstly glaze is applied by roller brush and a piece of expanded metal onto a bl...

'Balloon Swan' (Yellow), 2017 Jeff Koons Limoges porcelain with chromatic coating 9.5 x 8.3 x 6.5 in. / 24 x 21 x 17 cm. Edition of 999, Signed and numbered The specific informatio...

“Is beating me from the inside..” …Is beating me from the inside. Breaking my ribcage just to reach you. The palm trees are rustling, making secrets with the wind. The water is rumbl...

“So I lay here..” So I lay here curled in a home that is not my home (anymore). The sound of the memory. Tire whirring on asphalt. Echoing against the trees, becoming a hum. This cu...

“I could start fires...” I could start fires with what I feel for you. Destructive love. Engulfing flames. Burn the world until the ashes fly into space. Nothing left but feeling... ...

“Your lipstick left a bruise..” Your lipstick left a bruise on my wrist. I tried to wipe it away, but my pulse was still thumping. The honey on your tongue left me sticky. Sweating s...

oil and gold leaf on porcelain tile signed, dated, title on verso Neo-romantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes...

“Here I learn..” Here I learn the smallest of sounds become thunder if you let them. So I gave you silence to hear every frequency of you, echo off every frequency of the forest... ...

Joan Lurie Untitled #3801 Glazed Porcelain 22" x 12" x 12" 2014 Artists Statement: My interest is in exploring ways of building structural forms in ceramics. Many ideas for the ...

Porcelain plate - A cyclist with wings. 2016, d 36 cm This Porcelain Plate depicting a figure in motion is a remarkable piece of art that combines whimsy and creativity. Crafted from delicate porcelain, this plate has a diameter of 36 cm, making it a visually striking and sizable decorative object. The central focus of the plate is a cyclist, portrayed with wings, adding a touch of fantasy and imagination to the artwork. This composition suggests a sense of freedom, adventure, and the ability to transcend boundaries. It symbolizes the joy of movement and the exploration of new horizons. Inese Margevica (1960) Education: 2004 – LU, master's degree of educational sciences in art pedagogy; 2001 – LMA, Master of Arts degree; 1990 – LMA, Department of Applied Decorative Arts; 1981 – Riga Applied Arts Secondary School; 1977 – Riga 5th secondary school; Professional unions: 1992 – Artists' Union of Latvia; 1991 – ceramics association "Logs" Personal exhibitions: 2006 – "Black and white", in "Apsida" gallery, Riga; 2005 – "Touch", in the "Apsida" gallery in Riga; 2003 – "Black and white stories", in Satakunta Museum, Pori (Finland); 2003 – "Black and white stories", in the gallery "Apsīda" in Riga; 2000 – "Ceļabiedri", in the gallery "Apsīda" in Riga; 1998 – "Gaisma", Unibank branch in Riga; 1996 – "Feast over water", in the gallery "Jāņas sēta" in Riga; 1994 – "Ornamentalism and figuralism", in the gallery "Kolonna" in Riga; 1993 – "Chamots", in Reiterna House in Riga; Exhibitions: 2006 – Exhibition dedicated to the Assembly of the International Academy of Ceramics "Clay is everywhere" at the Museum of Decorative Arts and Design in Riga; 2006 – International mini-ceramics exhibition at the Riga Porcelain...

Moonstruck 1994 3D porcelain ceramic plate. limited edition. Red Grooms (born Charles Rogers Grooms on June 7, 1937) is an American multimedia artist best known for his colorful pop-art constructions depicting frenetic scenes of modern urban life. Grooms was given the nickname "Red" by Dominic Falcone (of Provincetown's Sun Gallery) when he was starting out as a dishwasher at a restaurant in Provincetown and was studying with Hans Hofmann. Grooms was born in Nashville, Tennessee during the middle of the Great Depression. He studied at the Art Institute of Chicago, then at Nashville's Peabody College. In 1956, Grooms moved to New York City, to enroll at the New School for Social Research. A year later, Grooms attended a summer session at the Hans Hofmann School of Fine Arts in Provincetown, Massachusetts. There he met experimental animation pioneer Yvonne Andersen, with whom he collaborated on several short films. Grooms follows in the tradition of William Hogarth and Honoré Daumier, who were canny commentators on the human condition. In 1969, Peter Schjeldahl compared Grooms to Marcel Duchamp, because both embodied "a movement of one man that is open to everybody." In the spring of 1958, Grooms, Yvonne Andersen and Lester Johnson each painted twelve-foot by twelve-foot panels, which they erected with telephone poles on a parking lot adjacent an amusement park in Salisbury, MA. Inspired by artist-run spaces such as New York's Hansa Gallery and Phoenix, and Provincetown's Sun Gallery, Grooms and painter Jay Milder opened the City Gallery in Grooms' second-floor loft in the Flatiron District. When Phoenix refused to show Claes Oldenburg, Grooms and Milder dropped out of Phoenix and City Gallery presented Oldenberg's first New York exhibition, as well as that of Jim Dine. Other artists who showed at City Gallery include Stephen Durkee, Mimi Gross (daughter of Chaim Gross and Red grooms wife), Bob Thompson, Lester Johnson, and Alex Katz. Inspired by George Méliès's 1902 film A Trip to the Moon...

Large sculptural apple crafted in porcelain and decorated with textured gold leaf with metal leaves.

Glazed porcelain

Bonnie Seeman grew up in Miami, Florida with a propensity towards anatomy illustration and the dazzling colors and rich foliage of the Miami landscape. Developing her technique with...

Grayson Perry ''100% Art'' Ceramic Plate. On the reverse is the classic Grayson Perry Stamp, depicting the Crown, Anchor and 'W' The Plate measures 21cm in diameter.

Women figure. I 2013, porcelain, h 17,5 cm by Ilona Romule, leading sculptor in Latvia ''Women Figure" in porcelain is a small-scale sculpture that emb...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

Königliche Porzellan-Manufaktur (KPM), View cup with Berlin veduta of the Altes Museum, circa 1830. Bell-shaped cup with raised handle ending in a shell palmette. The front with gold...

Unique vases in the shape of human heads made from the finest porcelain by Ilona Romule, leading sculptor in Latvia The artwork titled "Couple" consists of two porcelain vases. Each...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

Her poetic porcelain plates examine and reimagine the history of art in a way that values women, not only in body, but in wholeness, power, and love. Focusing on the narrative qualit...

The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women. The couples care for one another and are so consumed in their connection that the viewer is ignored. They do not exist for the viewer’s fantasy because their desires are already fulfilled. Through these three bodies of work, she creates archival objects which combine to build a narrative of women’s power, based on the Love Ethic, as discussed by bell hooks in her book, All About Love. Furthermore, notions of power are investigated in tandem with Mary Follett’s writings on power, which delineate Western conception as power-over, and the feminist ideal as power-with. Alex Hodge...

The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women. The couples care for one another and are so consumed in their connection that the viewer is ignored. They do not exist for the viewer’s fantasy because their desires are already fulfilled. Through these three bodies of work, she creates archival objects which combine to build a narrative of women’s power, based on the Love Ethic, as discussed by bell hooks in her book, All About Love. Furthermore, notions of power are investigated in tandem with Mary Follett’s writings on power, which delineate Western conception as power-over, and the feminist ideal as power-with. Alex Hodge...

This vase is a derivative of my Portrait collection; the vase features a woman on each side, one with a fire at her throat, and the other with a pattern, which may be interpreted as ...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

“This piece is a part of the Historic Jar Collection and references Bernini’s marble sculpture of the same name. While Bernini created an erotic scene to be housed in the Cornaro Cha...

“This piece is part of the Historic Jar Collection and represents a new perspective on the Pieta. Throughout history, the Pieta is a form of narrative that represents Mary holding Jesus after his crucifixion. By replacing Jesus and loving Mary’s traditional appearance, the two women's images become the apex of women caring for other women.” The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...

This vessel is part of the Unsung Muses series, and it illustrates various versions of the Goddess Astarte in juxtaposition with rows of pattern and text. The text on the body of the...

Rome wolfs - negative relief Litofany, bone porcelain, h 13,7 cm "Rome Wolves" in bone porcelain is a representation of the famous Capitoline Wolf from Rom...

Iren Tete is currently a Visiting Artist at the University of Florida in Gainesville, and holds an MFA from the University of Nebraska-Lincoln. H...

This cup is one of 48 that make up the installation, “Fragments of Our Love Story.” These cups feature feminine forms which recall the Venus of Willendorf and other historical fertility...

Joan Lurie Untitled #4 White Glazed Porcelain 19" x 14" x 13" 2019 Artists Statement: My interest is in exploring ways of building structural forms in ceramics. Many ideas for the f...