Art by Medium: Porcelain

KPM Berlin Porcelain Plaque of a Female Beauty Finely painted rectangular portrait plaque after works by Angelo Asti of a brunette beauty, in diaphanous red and white drapery. Late...

KAWS (Brian Donnelly) Ceramic Plate Set (Red/White) — Set of Four KAWS × Qatar Museums Doha Fire Station Exclusive, 2019 A pristine, complete set of four limited edition ceramic pl...

Pierced Gargoyle Box Materials : Wood Fired Porcelain Date : 2016 Dimensions : 4.5″ x 4.5″ x 4″ Description : Wood fired cast and altered box with pierced ga...

This "Puppy Platter" by Jeff Koons, created in 1992, is a special edition piece for the San Francisco Museum of Modern Art. Limited to an edition of 125, this enamel on porcelain pla...

Bio MOLLY SCHULPS is an artist and educator living in both California and Oregon. She grew up in Southern CA and was deeply influenced by her father who was a successful educator and...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

Bio MOLLY SCHULPS is an artist and educator living in both California and Oregon. She grew up in Southern CA and was deeply influenced by her father who was a successful educator and...

"Cream Oval Pinch" - Pinched Oval Porcelain sculptural vase with cream satin glaze. Size: 8 x 5 x 3 in Mary Jaffe creates functional and sculptural ceramics inspired by vast landsca...

This cup is one of 48 that make up the installation, “Fragments of Our Love Story.” These cups feature feminine forms which recall the Venus of Willendorf and other historical fertil...

Her poetic porcelain plates examine and reimagine the history of art in a way that values ​​women not only in body, but in wholeness, power, and love. Focusing on the narrative quali...

“Eyes that are..” Eyes that are at once too sharp and too wild. Seeing everything crystal clear makes the whole world blind. Makes me fill my head with clouds, Pretending these smoke...

Frank Stella Porcelain Ashtray in hand designed bespoke box, 2000 Porcelain dish in original box Limited Edition of 2000 Signed in plate, Artists incised signature on box. 4 1/2 × 3...

Melanie Sherman Vase with Patterns (Hand-Painted, Gold Luster, Asian Imagery) Hand Built & Painted Vase Year: 2024 Porcelain, Glaze, China Paint, Gold & Platinum Luster Fired: Electr...

In this new series of wall plaques, titled "Behind Closed Doors," the artist reimagines original images from a book titled In Praise of the Backside. The book's collection features w...

In this new series of wall plaques, titled "Behind Closed Doors," the artist reimagines original images from a book titled In Praise of the Backside. The book's collection features w...

Seated Japanese Amida Nyorai Buddha Polychrome porcelain Japan, Meiji era, early 20th century Satsuma Kilns 11 1/2 x 6 1/3 x 6 1/3 inches ...

"The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...

(MADE TO ORDER) (Sabbath, Kiddush, Unique, Gold Luster) *Lead Time may vary between 1-3 weeks Melanie Sherman "Just A Little Tipsy" Year: 2021 Porcelain, Glaze, ChinaPaint, 24k Germ...

Diva II Plate is an original decorative limited edition porcelain plate realized in the 1990s. This very rare plate was produced for House Of Ertè in fi...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

This vessel is the first of the Unsung Muses series, and it references two compositions by Cezanne in which women are seen bathing, undisturbed by the voyeurism of the artist and/or viewer. However, in my version, the two women on the “back” are staring straight out at the audience as if they are perturbed by our interruption. The text reads from front to back, “we are not here for / your viewing pleasure.” This piece is meant to speak to the way women are constantly objectified and ogled for male gratification while offering a firm statement on our autonomy. Unsung Muses is a group of large-scale vessels, wall pieces, and small sculptures which comprised a solo exhibition at the University of Georgia's School of Art in October 2015. The works were accompanied by an excerpt from an Adrienne Rich poem titled "Transcendental Etude." The excerpt reads: "But in fact we were always like this, rootless, dismembered: knowing it makes the difference. Birth stripped our birthright from us, tore us from a woman, from women, from ourselves so early on and the whole chorus throbbing at our ears like midges, told us nothing, nothing of origins, nothing we needed to know, nothing that could re-member us." Alex Hodge...

Melanie Sherman Made-To-Order Tile (Hand-Painted, Gold Luster, Platinum Luster, Vintage Imagery) (Fully Decorated Example) Porcelain, Glaze, Chinapaints, 24k German Gold Luster, Pla...

Melanie Sherman Made-To-Order Vase (Hand-Painted, Gold Luster, Platinum Luster, Vintage Imagery) (Fully Decorated Example) Porcelain, Glaze, Paints, 24k German Gold Luster, Platinum...

This white ceramic vessel’s organic shape was inspired by nature. The ethereal ceramic work of Paula Murray is valued for its timeless beauty. The Canadian artist’s work is often in...

Untitled #10 (female bust), 2016 from Los Infortunios De La Virtud series Antique porcelain bust with the intervention of oil, gold, silver, lea...

“Your name plays…” Your name plays like a prayer in my mind. I hear it coming out of my heart, not with longing, but with hope. You are my hope for this world and I pray your name ag...

“As you pray...” As you pray, saying only my name, so I might save you from the monotony of waking up on a Wednesday by playing piano. My fingers only tap the keys that make you sing...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

“And you blink..” And you blink and we are in another moment. Fingertips pulsing pure passion into placating lust. Brushing the dust off your lips.. This cup is one of 48 that make ...

Equipped (also known as Women’s Work) Porcelain with black stain 58 × 49 × 12 cm / 22.8 × 19.3 × 4.7 inches Equipped — alternately titled Women’s Work — is a striking contemporary ...

This vessel is the first of the Unsung Muses series, and it references two compositions by Cezanne in which women are seen bathing, undisturbed by the voyeurism of the artist and/or ...

This sculptural jar features two women gazing at one another in a domestic setting, which is signaled by the seated figure’s chair and the jar’s pattern ...

In this new series of wall plaques, titled "Behind Closed Doors," the artist reimagines original images from a book titled In Praise of the Backside. The book's collection features w...

This vessel is one of many in the series titled Unsung Muses and illustrates some of the enigmatic narratives surrounding Lilith. In one frame she soaks up the full moon in all her glory, and in another, she is seen eating a child. The story goes that she was punished for not being submissive to Adam; in one tale, she is cursed to eat her own children and in another to watch 100 of her babies die...

“Growing out of my ribcage...” Growing out of my ribcage, just to let your softness multiply into a whole sky of lush clouds crowning the forest, so we can become a jungle dense with...

In this new series of wall plaques, titled "Behind Closed Doors," the artist reimagines original images from a book titled In Praise of the Backside. The book's collection features w...

“No one ever fed you..” No one ever fed you. The taste of unanswered love. No one ever taught you. Love is not a question, not an answer. But an exclamation, requiring no response bu...

Title: Candy Coated Bittersweet Materials : Porcelain, Glaze and Decals Signed COA provided Rain Harris uses her artistry with material to create a conversation between good taste, beauty, and tawdriness. By developing a piece with unrefined materials and bringing it to the point of refinement, she is creating art that asks where good and bad taste meet. This contemporary ceramic piece features a delicate array of porcelain flowers, berries, and leaves mounted on an organically shaped wooden plinth. The light green resin reflects the image of the porcelain bouquet.

“You wanted something..” You wanted something perfect. Delicately pure. Weak. I grew against your darkness. Never giving you the satisfaction of my face, my gaze. The strength of me:...

This wall piece centers on the narrative of Job, with the woman being a direct pastiche of Leon Bonnat’s painting of Job. The woman is surrounded by the shadow of a halo and concentr...

Her poetic porcelain plates examine and reimagine the history of art in a way that values ​​women not only in body, but in wholeness, power, and love. Focusing on the narrative quali...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

Erica Iman received her BFA in Ceramics and BSE in Art from the University of Missouri Columbia in 2005 and obtained her MFA in Ceramics from Southern Illinois University Edwardsvill...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

In the world of ceramics, Richard Shaw is a professor and the master of trompe l’oeil (French for “fool the eye”) sculpture, a style often associated with paintings intended to give...

Large 35" tall, fine detail porcelain Dehua Blanc de Chine figure of Kwan Yin, early 20th Century. The goddess is clothed in a voluminous flowing robe which is open at the chest to r...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

Ruth Duckworth Untitled, 1982 Porcelain on plywood mount 20 x 88 x 88 cm 7 7/8 x 34 5/8 x 34 5/8 in

This piece is part of the Historic Jar Collection and celebrates the tenacity and vulnerability of women and clay, an interplay of history and hope. The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...

In the world of artistic collaboration, Zao Wou-Ki's limited edition plate, "Pierre de Feu" crafted by Bernardaud, emerges as a symphony of Limoges porcelain—a masterpiece that trans...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

This piece recalls Manet’s painting of the same name. While Manet sought to confront the viewer with Olympia’s gaze, as she was a known sex worker, Hodge’s ...

Mystic Plate is an original decorative limited edition porcelain plate realized in the 1990s. This very rare plate was produced for House Of Ertè in fin...

This piece recalls the art historical depictions of Mary Magdalene. Though she is often contextualized as the one who washed Jesus’s feet, Hodge centers her as the subject and asks “Who takes care of her?”. She answers with the scene of another woman washing her feet, which speaks to the ways that women’s care for one another is often unseen. The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...

This figurative ceramic and bronze bust sculpture highlights a fragmented surface that evokes repair, continuity and embodied memory. Part of the Xentes series by Spanish sculptor Óscar Aldonza...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

"Two Tone Grey Oval Pinch" - Pinched Oval Porcelain sculptural vase with grey and white crackle glaze. Size: 7 x 5 x 3 in Mary Jaffe creates functional and sculptural ceramics insp...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

This vessel is one of the first from the series of pots Unsung Muses and prioritizes the narrative of Hatshepsut, as she was perhaps the most successful female pharaoh of Egypt. She brought prosperity and peace to Egypt through her work to improve infrastructure and trade routes. Her success was so great that her male successors attempted to erase her from history by literally chiseling her image off the walls and attempting to destroy all statues of her. By honoring her existence in this large vessel, I center the narrative of women’s power...