Art by Medium: Resin

Tom Nussbaum is known for a variety of work including drawings, paper cuts, prints, sculpture, children’s books, animations, functional design objects, and site-specific commissions....

Montauk (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstracti...

Obsidian Blue (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel - Unframed. The images Yntema creates are the result of accumulated, semi-translucent layers...

Vincent van Gogh (Abstract Painting) Acrylics, resin, phosphorescence, on wooden board - Unframed This artwork is exclusive to IdeelArt. Danny Giesbers is a Dutch, autodidact ab...

Wimereux (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work continues the exploration of colour as both subject and object. In a formal ...

The Whisper Of Solitude (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panels. Unframed. This work is from a series of formal compositions of quiet horizontal ...

Michelangelo (Abstract Painting) Acrylics, resin, phosphorescence, on wooden board - Unframed This artwork is exclusive to IdeelArt. Danny Giesbers is a Dutch, autodidact abstra...

Vincent van Gogh (Abstract Painting) Acrylics, resin, phosphorescence, on wooden board - Unframed This artwork is exclusive to IdeelArt. Danny Giesbers is a Dutch, autodidact ab...

Mark Rothko (Abstract Painting) Acrylics, resin, phosphorescence, on wooden board - Unframed This artwork is exclusive to IdeelArt. Danny Giesbers is a Dutch, autodidact abstrac...

Nagano (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstractio...

Celedon Mist (Abstract Painting) Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. Image size: 20 cm x 31 cm, 7.75” x 12” mounted on archiva...

Chartreuse Over Cerelean (Abstract painting) Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series of works on paper...

Chuchotis (Abstract painting) Beeswax, resin and pigment on canvas mounted on panels. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstra...

Michelangelo (Abstract Painting) Acrylics, resin, phosphorescence, on wooden board - Unframed This artwork is exclusive to IdeelArt. Danny Giesbers is a Dutch, autodidact abstra...

Turning The Wheel (Abstract Painting) Beeswax, resin and pigment on panel. Within a process of repetitive application and reduction of paint, this work explores the energies of tra...

Atlantis (Abstract Painting) Beeswax, resin, pigment and paper on panel - Unframed. The images Yntema creates are the result of accumulated, semi-translucent layers of color. The...

The Whisper Of Solitude (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panels. Unframed. This work is from a series of formal compositions of quiet horizontal ...

Atlantis (Abstract Painting) Beeswax, resin, pigment and paper on panel - Unframed. The images Yntema creates are the result of accumulated, semi-translucent layers of color. The...

Prussian Blue (Abstract painting) Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series ...

Murmur (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panels. Unframed. This work is from a series of formal compositions of quiet horizontal abstraction, base...

Wimereux (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work continues the exploration of colour as both subject and object. In a formal ...

Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. Image size: 20 cm x 31 cm, 7.75” x 12” mounted on archival board 41 cm x 51 cm, 16” x 20” m...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, technology and futurism. Recalling the colour-field and the elemental geometry of mid to late twentieth century post painterly abstraction, minimalism and op-art, these works use digital imaging as a means to navigate the territory between photography and painting, mixing references to photography, painting and television...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Beeswax, resin and pigment on panel - Unframed. The images Yntema creates are the result of accumulated, semi-translucent layers of color. The beeswax gives a dimensional quality t...

Beeswax, resin and pigment on panel - Unframed. The images Yntema creates are the result of accumulated, semi-translucent layers of color. The beeswax gives a dimensional quality t...

Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series of works on paper exhibited in the solo show: “The Temperature o...

Beeswax, resin, pigment and paper on panel - Unframed. The images Yntema creates are the result of accumulated, semi-translucent layers of color. The beeswax gives a dimensional q...

Beeswax, resin and pigment on canvas mounted on panel - Unframed. The images Yntema creates are the result of accumulated, semi-translucent layers of color. The beeswax gives a di...

Beeswax, resin and pigment on panel. Within a process of repetitive application and reduction of paint, this work explores the energies of transparencies and densities of monochroma...

Beeswax, resin and pigment on canvas mounted on panels. Unframed. This work is from a series of formal compositions of quiet horizontal abstraction, based in the Venetian tradition ...

Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work continues the exploration of colour as both subject and object. In a formal compositions of quiet horizont...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

Anila Quayyum Agha Deconstructed Paradise II (Mughal Gardens-Green/Blue), 2022 Resin 47 x 47 inches (119.4 x 119.4 cm) AQA083 Signed on verso Anila Quayyum Agha (b. 1965, Lahore, Pa...

Acrylic and texture on solid maple , mahogany and matte clear coat Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mi...

Abstract geometric painting on canvas. About the Artist: My text based paintings build upon the theme of myth vs. memory, which has been the focus of past paintings and sculpture...

The sculpture is being offered with a work and authenticity certificate

The sculpture is being offered with a work and authenticity certificate

Kim Jae-Il Vestige (edd-gold), 2019 Acrylic on fiberglass resin 22⅜ x 34⅝ x 1¾ inches 57 x 88 x 4.5 cm KJI027 Raised and educated in Seoul, Kim Jaeil works in a manner similar to an earlier generation of artists who lived through the Korean War. Beginning in the 1970s, those artists began producing abstract works in a conscious shift away from the realist...

Acrylic on canvas with whispers of glitter coated with heavy resin.

Abstract geometric painting on canvas. About the Artist: My text based paintings build upon the theme of myth vs. memory, which has been the f...

Davide Quayola (Italian, b. 1982) "Laocoon Fragment #8_005.003" 2016 Made of Iron, epoxy, fiberglass, mirror-polished steel & wood. Dimensions: 19.7 x 11 x 15.75 inches (50 x 28 x 40 cm) Base Plate Dimensions: .8 x 23.7 x 23.7 inches (2 x 60 x 60 cm) base From the signed and numbered edition of 3 "Quayola employs technology as a lens to explore the tensions and equilibriums between seemingly opposing forces: the real and artificial, figurative and abstract, old and new. Constructing immersive installations, he engages with and re-imagines canonical imagery through contemporary technology. Landscape painting, classical sculpture and iconography are some of the historical aesthetics that serve as a point of departure for Quayola’s hybrid compositions. His varied practice, all deriving from custom computer software, also includes audiovisual performance, immersive video installations, sculpture, and works on paper. His work has been performed and exhibited in many prestigious institutions worldwide including V&A Museum, London; Park Avenue Armory, New York; National Art Center, Tokyo; UCCA, Beijing; How Art Museum, Shanghai; SeMA, Seoul; Palais de Tokyo, Paris; Ars Electronica, Linz; Sonar Festival, Barcelona and Sundance Film Festival. Also a frequent collaborator on musical projects, Quayola has worked with composers, orchestras and musicians including London Contemporary Orchestra, National Orchestra of Bordeaux, Ensemble Intercontemporain, Vanessa Wagner, Jamie XX...

Red riding hood, violent dominations and perils of seduction by Lélia Pissarro (6. 1963) Black acrylic, white resin, vermillon pigment and gold dust 97 x 130 cm (38 ¹/₄ x 51 ¹/₈ inch...

Acrylic on canvas with whispers of glitter coated with heavy resin.

Ontology of Love (To my Muse) by Lélia Pissarro (B. 1963) Acrylic and resin on canvas 65 x 81 cm (25 ⁵/₈ x 31 ⁷/₈ inches) Signed lower left, Lélia Pissarro Inscribed on the reverse ...

The Madame X works exemplify Eric Johnson’s passionate embrace of the sensuality of form. The sculptures are imbued with abstract bursts of color beneath pristine surfaces, which appear to undulate as one moves around their double-helix curves. Seen together, the series is a celebration of the exquisite harmony of depth, structure, color, and lovingly polished surfaces, somewhat blurring the line between painting and sculpture. Interestingly, the Madame X series was inspired by a painting by John Singer Sargent, and pays homage to Sargent’s portrait of the same title, which scandalized the Paris Salon of 1884. While Parisians were shocked by the slip of a dress strap and the alabaster complexion of the portrait’s subject, Johnson was inspired by the sinewy, vertical curves of Sargent’s composition. At the nexus of the L.A. art scene for nearly forty years, Eric Johnson’s work bears a distinctly Southern California hot-rod, materials-based aesthetic. Early on, Johnson was drawn to artists whose work also grew out of L.A.’s surf and car culture sensibilities. Utilizing new materials and industrial products, like resin & plastic, artwork of impossibly slick, sleek character began to emerge and was termed “Finish Fetish”. Johnson’s work is next generation heir to this work, and carries forward the DNA of such legendary Light and Space, Finish Fetish, artists as Craig Kaufman, DeWain Valentine, Billy Al Bengston, Larry Bell, Tom Jenkins and Tony DeLap. Eric Johnson’s works are also acutely personal representations of his life. A severe neck injury, and struggle with intense spinal pain, served as the initial catalyst for his exploration of structural forms, which are also informed by his ancestral heritage - Scottish, Cree Indian, and perhaps a boat-building urge from the Norse. His father, a race-car driver and expert in custom car fabrication, passed on a passion for cars and their restoration. Scouted into the Air Force during the Vietnam war as a fencing instructor (though he never served), Johnson discovered he was color-blind during an eye-exam. Surprisingly, this ignited an interest in color and experiments with layering automotive pigments and clear resins, which Johnson continues with in this series, fabricating molds, which allow him to do multiple iterations of the same shape while investigating variations of color. Eric Johnson attended Valley College; California Institute of Art and received his Masters of Fine Arts degree from University of California at Irvine. Johnson’s work is in many public and private collections, including: Oakland Museum; Laguna Beach Museum; Museum of Art and History (MOAH); Lancaster, CA; C.B.S. Broadcasting, New York, NY; Digital Domain, Venice, CA; Mary Barnes...

Diptych Cold & Fire, 2019, 20x20 cm, acrylic & resin on wood A Flower, 2019, 20x20 cm, acrylic & resin & gold leaf on wood Hochstrasser Cinzia born in 1979 is a Swiss artist who li...

ABOUT THE PAINTING: These extraterrestrial blooms, belonging to a distant and enigmatic planet, carry an aura of mystery and intrigue. Their unsettling beauty challenges traditional ...

This 60" X 60" inch large-scale mixed media piece by Haleh Mashian is a dark colored abstract expressionist figurative painting. ABOUT THE WORK - When one stares at the night sky, o...

Primarily an experimenter, Goldberg’s work is a collection of variations on the theme of water in movement, through drawings, paintings and sculptures She works primarily in resins ...

This 72 inch square textural mixed media painting on canvas is wired and ready to hang. It is hand signed by the artist on the back of the artwork. This piece is brought to life by a...

Primarily an experimenter, Goldberg’s work is a collection of variations on the theme of water in movement, through drawings, paintings and sculptures She works primarily in resins ...