$13,000
"Drifting" Quartz Crystal and Indonesian Rosewood Modern Organic Sculpture
Located in Las Vegas, NV
Drifting captures the essence of fluidity and movement, as if suspended in time and space. The gracefully shaped Indonesian Rosewood curves and bends like a gentle current, while the...
Rosewood
$11,000
" Universal Harmony " Rosewood and Quartz Crystal Modern Organic Sculpture
Located in Las Vegas, NV
Universal Harmony is a stunning balance of natural beauty and refined elegance, featuring the grounding warmth of Rosewood and the luminous energy of Quartz Crystal. The rich, organi...
Rosewood
$1,300
H 11.82 in W 7.09 in D 7.09 in
"Smile 2.0" Abstract Sculpture, Textile & Wood, Handmade, 30x18 cm
Located in Zofingen, AG
This series of sculptures is called Emotional States. It was created in 2023 in Kyiv (Ukraine). I lived and worked all year in my hometown in the middle of a Big war. I experienced a...
Textile, Wood, Acrylic
$925
H 20 in W 13 in
Transmission #1 2-2 Hand-Cut Wood Collage, Abstract, 21st Century
Located in Philadelphia, PA
"Transmission #1 2-2" is an original hand-cut wood collage by Matt R. Phillips measuring 20"h x 13"w. The piece ships in the pictured, artist-made, wood floater frame. The artist us...
Wood, Mixed Media
$3,800
H 19 in W 43.5 in D 8 in
Sanctuary 43 - Wall-Mounted Porcelain Sculpture, Abstract, 21st Century
By Paula Murray
Located in Bloomfield, ON
This wall-mounted ceramic sculpture is by award-winning Canadian artist Paula Murray. In her Quebec studio, ceramic artist Paula Murray uses her own recipe for porcelain clay that s...
Porcelain, Wood
$3,000
H 26 in W 12 in D 12 in
Fluctuation - Large Organic Nature Inspired Modernist Abstract Sculpture
By Jacob Burmood
Located in Los Angeles, CA
This original sculpture is created in cold-cast aluminum, which interacts beautifully with its environment and reflects light in nuanced ways. Because of the reflective surface of aluminum, the sculpture takes on different appearances depending on the lighting conditions: In bright lighting, the sculpture appears more vibrant and silver-toned, showcasing its lustrous finish and fluid contours. The high contrast highlights every curve and swirl, giving it a striking, almost glowing presence. In softer or dimmer light, the tones become more muted and subtle. The sculpture takes on a pewter-like appearance, with deeper shadows and a more understated elegance. This makes it a perfect fit for a variety of settings, adapting to its surroundings and changing mood with the light. The sculpture’s color and finish are consistent; the perceived changes are purely the result of lighting. The color variations in the photos are a testament to the material’s responsiveness to light. If you’re placing it in a room with changing daylight or adjustable lighting, you’ll enjoy how it shifts throughout the day, almost like a living piece of art. Jacob Burmood creates undulating abstract cold cast aluminum sculptures, intuitively redefining aesthetic shapes and visual perceptions. His sculptures draw connections between nature-inspired, organically composed objects, rejecting the rigid structure of geometric abstraction in favor of harmonious compositions that seem to move before the eye. This original cold-cast aluminum sculpture is 26 inches tall by 12 inches wide and 12 inches deep. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping is available. A certificate of authenticity issued by the art gallery is included. The sculpture Burmood's artworks are inspired by modernist and bio-morphic sculpture...
Metal
$4,600
H 24 in W 38 in D 4 in
Over & About: Abstract Geometric Wood Wall Sculpture in Grey, Light Blue, Beige
Located in Hudson, NY
Abstract geometric three-dimensional wood wall sculpture in pale grey, light blue, light taupe, and beige, with accents of stormy blue "In, Out, Over, and About", hand-carved woode...
Wood, Dye, Acrylic, Wood Panel
"Fractured Monolith"
Located in Edinburgh, GB
“Fractured Monolith” is a tall wooden sculpture that captures the restrained power of a single cracked form. Hand-carved from solid wood and partially charred, it resembles a monolit...
Wood, Mixed Media
$4,800
H 20 in W 48 in D 3.5 in
Blue Books: Abstract Geometric 3D Wood Wall Sculpture in Blue, Grey, White
Located in Hudson, NY
Abstract geometric three-dimensional wood wall sculpture resembling stacked books in blue, grey, and white "Blue Books", hand-carved wooden wall sculpture ...
Wood, Acrylic, Wood Panel
$5,500
H 36 in W 36 in D 1.5 in
All That Jazz XXI / ceramic wall sculpture - cream, white, neutral 36 x 36 in
Located in Burlingame, CA
Minimal Abstract Ceramic 36 x 36 inch wall sculpture in glossy and matte white ceramic tiles that are mounted to a white wood panel. A neutral work showcasing an "X" in matte white s...
Ceramic, Wood, Paint
$65,000
H 37 in W 191 in D 4 in
Monumental Leroy Setziol 1963 Architectural Douglas Fir Wall Sculpture
Located in Camden, ME
Leroy Setziol Monumental Carved Douglas Fir Wall Sculpture for United States National Bank of Oregon, 1963 This monumental wall sculpture by Leroy Setziol (1915–2005) was commission...
Wood
Departure
Located in Brooklyn, NY
Walnut abstract inspired by nature
Wood
"Tectonics 022"
Located in Edinburgh, GB
This work continues the Tectonics series, exploring structure, fragmentation, and surface tension through carved and burned wood. The form is divided into two parts, held in balance ...
Wood
1980 Italy Wood Abstract Kinetic Sculpture
Located in Brescia, IT
This sculpture is one of a kind piece, no other one exists, and it was realized in 1980 by the well known Italian artist Bruno Chersicla. This is a kinetic abstract sculpture, most ...
Wood
Sold
H 48 in W 25 in D 1.5 in
American Contemporary Sculpture by Scott Troxel - Bois de Rose
By Scott Troxel
Located in Paris, IDF
Artwork made with Acrylic, enamel, Rosewood, ebony, lacqueron MDF
Enamel
Beginnings Abstract
By Brian Willsher
Located in Soquel, CA
Rosewood abstract Sculpture by Artist Brian Willsher circa 1988 (United Kingdom, 20th Century) Brian carves the forms and glues the assembly together for a dramatic 3 dimensional effect. Size, 22"H x 9"W x 4"D. Signed on bottom "Brian Willshire '88." "Brian Willsher sculptures: a collector’s perspective on a lesser known mid century classic The work of British mid century sculptor Brian Willsher echoes the work of the St Ives school; there is a fluidity in the forms of Willsher’s sculptures that is reminiscent of Henry Moore and Barbara Hepworth. We ask Collector Gary Howard about what first drew him to Brian Willsher’s sculptures and the friendship that followed. Born in Catford, South London, Brian Willsher studied engineering between 1945 and 1948, and then drifted through a succession of occupations, before finally qualifying as a dental technician. In 1954, he suffered a near fatal motorbike accident, and spent six months convalescing. During this time he began making plaster objects using techniques learnt through dentistry, and resolved to commit his time to some form of creative work. In 1956, Brian Willsher began working with wood, applying his experimental forms to lamp bases. This fusion of abstract shapes with everyday domestic articles resulted in immediate success. Geoffrey Dunn, of Dunn’s department store in Bromley, Kent, offered him his first exhibition in their shop window, which they called ‘Brian Willsher’s Things’. Shortly afterwards Christopher Heal, of 1960s department store Heal’s, asked him to supply table lamps and lighting for his flagship store on Tottenham Court Road, London. These proved very popular, but Brian Willsher tired of the monotonous production process and of his neighbours’ complaints about the noise of the circular saw. He purchased a bandsaw, which was much quieter, and which allowed him to pursue what he called ‘doodling in wood’. This was the start of Brian Willsher’s career as a sculptor. In 1966, Heal’s give him his first solo exhibition, which proved so successful that a second one followed in 1967. In June 1968, Customs and Excise disputed the status of Brian Willsher’ work, claiming that his creations were ornaments rather than sculpture, and therefore subject to a 40% manufactured goods tax. Some respected names leapt to his defence, as was reported in The Guardian: ‘Here’s pure sculpture, indeed! More than that, memorable sculpture!’, wrote Sculptor Sir Henry Moore. In spite of such praise, Brian Willsher refrained from showing his work in commercial galleries throughout the 1970s and ‘80s, instead subsisting by selling sculpture...
Rosewood, Glue