Art by Medium: Screen

This striking screenprint by Ann Aspinwall is defined by a rich red palette and finely calibrated linear abstraction that conveys both movement and depth. Crepe de Chine IV is compos...

Screenprint from 20 screens with embossing. On Velin Arches mould-made paper Based on 'Lotus', textile dyes on hand-made Indian paper, 1978 Signed and dated in pencil, lower centre. ...

Gerd Leufert Title: Erebos Signed, titled, dated ‘91 and inscribed P/A in pencil (lower center) Screenprint on paper 23⅝ by 22⅜ in. / 60 by 56.8 cm. Executed in 1991, this work is an artist’s proof from an edition of 35 plus 1 artist’s proof. Provenance: Private Collection, Venezuela - Acquired from the above by the present owner - Sotheby's Auction “The first duty of the creator: restlessness,” Gerd Leufert wrote in 1985, looking back on his 30-year career as an artist, designer, museum worker, and professor of art in Venezuela.1 Bridging the worlds of commerce and culture in Caracas, Leufert’s impact on art and design owed to his interdisciplinary approach: the influence of cutting-edge developments in abstract art appeared in his graphic design, while the efficiency and bold contrast of mid-century design characterized his paintings. An immigrant born in German-controlled Lithuania at the cusp of the first World War, Leufert studied arts and design in Hannover, Mainz, and, finally, in Munich with the German typographer Fritz H...

2001 Screenprint in colors, on wove paper, with full margins Edition of 90 I. 41.7 x 72.7 cm ( 16.4 x 28.6 inches) S. 61.5 x 91.3 cm ( 24.2 x 35.9 inches) Signed, dated and numbered ...

'Reflection', 2011 Alex Katz Etching in color 40.9 x 31 in. / 104 x 79 cm. Edition of 30, Signed by Artist The specific information regarding edition will be provided at the time of...

David Shrigley  

Witness My Joy (2022)

Limited edition screenprint numbered and signed by the artist.

16 colour screenprint with a varnish overlay
75 x 56 c...

Sun is an original screen print realized by Luigi Veronesi in 1995. Excellent condition on a white cardboard. Hand-signed with pencil by the artist on the lower left corner. Luigi...

Sarah Morris (American, born 1967) Total Lunar Eclipse, 2012 Medium: Screenprint in colors Dimensions: 50.2 × 50.2 cm (19 3/4 × 19 3/4 in) Edition of 108: Hand-signed and numbered Co...

Anni Albers (1899-1994) ST, 1971 Medium: Screenprint on cardboard Dimensions: 83 × 62 cm (32 7/10 × 24 2/5 in) Edition: Hand-signed and numbered in pencil Condition: Very good

Colour enamel screen printing on paper, edited in 1992. Limited edition, numbered as PA (Prova d'Artista) (Artist's proof) in lower left corner.
 Hand-signed by artist in pencil in l...

Edition of 200 Coney Island Philomena Marano is known for her colorful cut paper technique. She worked with Robert Indiana. Ms. Marano's work is in m...

Artist: John Hultberg Title: Sketch Medium: Serigraph Signed: Hand Signed Edition: From the edition of 200 Measurements: 32.5" x 24" Note: This piece is sold UNFRAMED Condition...

2015 Monochrome screenprint on wove paper 52.8 x 82 cm 20.8 x 32.3 inches Edition of 75 Signed, dated and numbered by Riley in pencil Bridget Riley is one of the most influential fi...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of abstract painters that radically defined Modern painting in Ameri...

Takesada Matsutani Propagation - 1971 Print - Silkscreen print on Somerset Paper 24'' x 19'' inches Edition: Signed in pencil, titled, dated and marked 1/75 A contemporary Japanese painter...

'Blue Hat', 2003 Alex Katz Etching and Aquatint 33.5 x 66.9 in. / 85 x 170 cm Edition of 75, Signed by Artist The specific information regarding edition will be provided at the time...

Artist: Josef Albers Title: Homage to the Square Medium: Screenprint Date: 1977 Edition: 1500 Image Size: 8 1/4" x 8 1/4" Sheet Size: 9" x 9 1/2" Frame Size: 14 7/8" x 14 7/8" Signat...

Color screenprint on J. B. Green paper, 1970-71. Initialed by the artist and numbered 123/150 in pencil, lower right. Printed by Kelpra Studio, London. Published by Marlborough Gra...

Sylvia Wald (October 30, 1915 – March 24, 2011) Monnlight, 1954. Screen print on paper, image measuring 14 x 25 inches. Framed measurement: 21 x 32 inch...

NOTE: There is NO CHARGE for the frame on this work Philomena Marano has spent decades “penetrat[ing] the soul of Coney Island to reveal its twin promises of candy-colored paradise and garishly ornate nightmare,” as Ann Aptaker describes, through the prints and cut-paper collage in her “American Dream-land” series (1979-). These colorful, graphic style works evoke the energy and amusement of Coney Island through depictions of the rides, the boardwalk, clowns, and food vendors. Many are large-scale papier collé installations, a technique Marano learned from Robert Indiana in whose studio she formerly assisted. In conjunction with “American Dream Land,” in 1981 Marano and Richard Eagan co-founded the Coney Island Hysterical Society, which undertakes projects such as restoring old rides in response to the alarming rate at which they were shutting down in the fabled amusement park of their childhood. Ms. Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster...

Artist: Larry Zox Title: Niagara Series No. 5 Year: circa 1980 Medium: Screenprint, signed and numbered in pencil Edition: 175 Image Size: 34 x 13 inches Paper Size: 39 in. x 20.5 i...

Hand signed and numbered 69/120 on the front in ink (unique variant) Dazzling mid century modern (1952) mixed media silkscreen and gouache by Hans Hofmann - one of the most influenti...

Sarah Morris (American, born 1967) Deviancy is the Essence [Sound Graph], 2023 Medium: Screenprint on 400 g/m Hahnemühle Dimensions: 42 × 42 cm (16.5 x 16.5 in) Edition 40 + 8 AP: Ha...

Peterdi, Gabor (American, born Hungary, 19150-2001) . BLOOMING ICE. Combined technique (intaglio and screenprint) in six colors, 1965. P.228. Edition of 25. 20 x 32 inches, 504 x 813...

This original screenprint is hand signed and dated by the artist in pencil "Motherwell" at the lower right margin. It is also hand numbered in pencil from the edition of 250, at the ...

Jules Olitski (1922-2007) is one of Caviar20's favorite abstract artists of the 20th century. Over the course of his career his aesthetic evolved in startling and fascinating ways. ...

Screen print on paper. Hand signed. One of 20 Artist's proofs. Excellent condition.

Leo Castelli Gallery Exhibition Announcement for Frank Stella Paintings, November 25 – December 23, 1967. With a later complimentary autograph Uniquely signed in ink by Frank Stella ...

Robert Indiana (American 1928-2018) Title - LOVE. INDIANA. STABLE MAY 66 Medium - Screen Print Edition size - unknown Print Size: 32 x 24.25 in. Year printed - 1971, original desig...

Untitled (SF129s) dating to c.1974-1976 is a mixed media, silkscreen monotype on handmade paper, 30 x 22.5 inches sheet size and estate-stamped verso (copy of Francis estate certific...

François Morellet (French, 1926-2016) Untitled (from 6. Kölner Kunstmarkt 72), 1972 Medium: Screenprint on paper Edition of 180: Hand-signed Dimensions: 45 x 65 cm Condition: Excellent

Artist: Howard Hodgkin Title:Tropic Fruit Medium: Color screenprint Year: 1981 Initialed and dated lower center 'HH 81' and numbered lower right, '80/100' aside from the artist's pro...

Judy Chicago Reaching/Uniting/Becoming Free 1979 Silkscreen artist proof from the edition of 100 signed dated Very rare! Born Judy Cohen in Chicago, Illinois, in 1939, Chicago att...

'Fruit and Flowers Series' (Group of 10), 1990's Donal Sultan Screen prints in colors on Arches paper 22 x 22 in. / 56 x 56 cm. Edition of 125, Signed by the artist The specific inf...

"Night Reflections". Screen printing on paper, edited in 1968. Limited edition of 100 copies , numbered as 60/100 in lower left corner.
 Hand-signed by artist in pencil in the lower...

Sol LeWitt (1928-2007) is an important contributor to the 20th century's most cerebral "isms" notably minimalism and conceptual art. Many of his works were created from elaborate a...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

Screen print on paper, realized by the Italian artist and pioneer of Abstract art  Mario Radice  (1898-1987), in 1964. Hand-signed and numbered in pencil on the lower margin. Editi...

Elegantly framed and ready to hang! Frank Stella Luis Miguel Dominguin, from the Aluminum Series Lithograph and silkscreen in gray and silver on Special Arjomari paper Signed, dated...

The work of Ruth Leavitt (1944, Saint Paul, Minnesota) employs computation to manipulate and alter abstract forms by virtually stretching, rotating and deforming them across three ax...

Artist: Adja Yunkers, American (1900 - 1983) Title: A II Year: 1972 Medium: Screenprint, Signed and Numbered in Pencil Edition: 2/50 Image size 40 x 30 inches Size: 41 x 31 in. (104....

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Artist: Ray Elman Title: G.S. came as an Artichoke Year: 1979 Medium: Serigraph and Collage, signed and numbered in pencil Edition: 99 Paper Size: 38 in. x 3...

Artist: Charlie Hewitt, American (1946 - ) Title: Untitled - E Medium: Woodblock, Signed and Numbered in Pencil Edition: 100 Size: 20 in. x 24 in. (50.8 cm x 60.96 cm)

Coloured serigraphy on Arches paper, edited in 1990 Limited edition of XX copies , numbered as P.A VII/XX (Artist's proof) in lower left corner. Hand-signed by artist in pencil in th...

"Untitled" geometric abstract multi-color serigraph and collage by artist Max Bill from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise money to house families of children hospitalized with cancer. Hand-numbered 66/100 in lower left corner. Hand-signed bill...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg exhibition Deutsche Kunst nach 45 (German Art after 1945) at the Stedelijk Museum Amsterdam: for the first time after World War II, Contemporary German Art is shown abroad. 1955: Participates in the exhibition Peintures et sculptures non-figuratives en Allemagne d’aujourd’hui in Paris. This is the first time, 10 years after the war's end, that René Drouin shows contemporary German art at the Cercle Volney in France. 1956: While searching for new media and materials, Schumacher creates his first 'Tastobjekte' (tactile objects). Conrad von Soest Preis (Conrad-von-Soest Award), Münster, Germany. 1958: Travels to Spain, Italy and Tunisia. Participates in the XXIX. Venice Biennale, Italy. 1958–1960: Professorship at the Hochschule für bildende Künste Hamburg (University of Fine Arts) in Hamburg, Germany. 1959: Participates in the documenta II in Kassel, Germany, as well as the V. São Paulo Art Biennial, Brazil. First solo exhibit in New York at the Samuel M. Kootz Gallery. 1962: Travels to Libya and Tunisia. Summer stay in Anguillara, Lago di Bracciano, Italy. 1963: Solo exhibit as German contribution to the VII. São Paulo Art Biennial, Brazil. Travels to Brazil, Argentina, Uruguay, Peru and Bolivia. Once again summer stay in Anguillara, paintings that originated during the stay are shown in the Galeria La Medusa in Rome. 1964: Participates in the documenta III in Kassel, Germany. 1965: Travels through Yugoslavia, to Montenegro, the Herzegovina, and Bosnia. 1966–77: Professorship at the Academy of Fine Arts, Karlsruhe. 1967–68: Guest professorship at the Minneapolis School of Art, Minneapolis, USA. In Minneapolis, a series of works on paper are created. This series called Minneapolis Suite was exhibited at the Lefebre Gallery in New York and at the Galerie de Montréal in Montréal, Canada. Extensive travels through the USA. 1969: Winter stay on the Island of Djerba in Tunisia. Here, the Djerba gouaches were created over the course of the following years. 1971: Since 1971, frequent stays on Ibiza during spring and summer. 1974: Autumn stay in Cunardo, Lago Maggiore where the first ceramic works are created in Ceramica Ibis. 1983: Travels to Morocco where Suite Maroc, encompassing 36 pages, is created. 1985: Guest of Honor of the German Academy of Rome, Villa Massimo, Italy. 1988: In October 1988, a 10-day stay in Iraq. Design and creation of a 20 m long ceramic wall mural in the new building of the Landtag of North Rhine-Westphalia. 1991: Guest professorship at the Concorso Superiore Internazionale del Disegno of the Fondazione Antonio Ratti, Como, Italy. 1996: Schumacher designs a 20 m long and 3 m high mosaic wall for the Colosseo (Rome Metro) in Rome, Italy. 1998: Commission for mural in the Reichstag building, Berlin (executed in 1999). 1999: Member of the Academy of the Arts of Saxony (Sächsische Akademie der Künste), Dresden, Germany. Publication of the Israeli book 'GENESIS' with 18 Serigraphies in the edition Har-El, Jaffa/ Jerusalem / Israel. Awards 1948: Kunstpreis junger westen from the city of Recklinghausen, Germany. 1955 Art award from the city of Iserlohn, Germany. 1958: Karl Ernst Osthaus Preis (Karl-Ernst-Osthaus Award), 1958: Guggenheim Award (National Section), New York. 1959: Award from the Japanese Cultural Minister in celebration of the V. International Art Exhibition, Tokyo. 1962: Premio Cardazzo, XXX Venice Biennale, Italy. 1962: First prize silver medal, Bang Danh-Du Award in celebration of the 1st International Arts Exhibition, Saigon, Vietnam. 1963: Großer Kunstpreis (Great Art Award) of North Rhine-Westphalia, Düsseldorf, Germany. 1966: Prize of the Governor of Tokyo, in celebration of the 5th International Biennale Exhibition of Prints, Tokyo, 1968: Member of the Academy of Arts Berlin, Germany. 1974: Award of the city of Ibiza in celebration of the Graphic-Biennial 1974. 1978: August Macke Prize of the city of Meschede 1983: Receives Grand Cross of Merit with Star from the Order of Merit of the Federal Republic of Germany. French art critic Michel Tapié named the influential European movement that during the 1950s paralleled Abstract Expressionism in the U.S, Art Informel. Art Informel is and expressionist, artist-oriented abstraction rooted in the works of Wassily Kandinsky, Paul Klee, Jean Dubuffet, and Tachiste and Surrealist automatism. A style primarily of painting that developed in 1945/46 as reaction to geometric abstraction prevailing in post war Paris in the following of the École de Paris. Informel painting emphasises the spontaneous act of painting, the unconscious side of artistic creativity. The process of painting is often more important than what comes out of it. Informel is an international style and can be subdivided into various schools. Tachism [French: "tache" = blot], Action painting, Abstract Expressionism and Art Brut [French = "raw art"] are also considered Informel. By that definition, leading exponents of Informel in the US were Jackson Pollock and Willem de Kooning and in France Wols, Jean Fautrier and Jean Dubuffet. In Germany Informel was at its height in the 1950s and 1960s. The leading exponents of German Informel are Hans Hartung, Emil Schumacher, Karl Fred Dahmen, K.O. Götz, Gerhard Hoehme...

Artist: Michael Argov, Austrian/Israeli (1920 - 1982) Title: untitled 2 Year: 1969 Medium: Serigraph, signed and numbered in pencil Edition: 43 Image Size: 19 x 16 inches Size: 27.5...

Silkscreen, lithograph, linoleum block with hand-colouring, marbling and collage, 1989, on T. H. Saunders and Somerset paper, signed, dated and numbered from the edition of 60, publi...

Jack Sonenberg (Canadian/American, 1925-2012), "Dimensions VI (I)", Serigraph in Colors, titled and numbered edition "11/50" lower left, signed in pencil lower right, silver-tone fra...

Artist: Tony Bechara, Puerto Rican (1942 - ) Title: Shandaken Year: circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 35 Image Size: 20 x 20 inches Size: 2...

Screen print on paper, hand signed and numbered in pencil. Edition of 100, in roman numbers. Excellent condition.

Luis Feito red original engraving limited edition painting. framed In this abstract expressionist, engraving, Luis Feito's palette has been simplified to black, red and purple. The d...

This screenprint from 1967 is an unsigned copy which was edited alongside the portfolio "SP": portfolio with 12 colour screenprints on Schöllers Hammer Board. The edition comprises ...

Donald Sultan is an American painter, sculptor, and printmaker. He is particularly well-known for large-scale still life paintings, and one of the first to employ a wide range of ind...

Collage was an important part of Louise Nevelson's practice. The process mirrored her approach to sculpture; taking disparate elements and assembling or uniting them into a complex whole. Similar to many of her American contemporaries, Nevelson delved into printmaking. She worked with the leading printing studios in America adopting new techniques while expanding her aesthetic and oeuvre considerably. This collage was the final maquette or design, that would be screen printed becoming "By the Lake" (from "Façade: In Homage to Edith Sitwell"). Nevelson worked with Chiron Press in New York, which had opened in 1962 and was just a stone's throw from her 11th Street home studio. The works in this series were dedicated to the British poet Edith Sitwell who passed away in 1964. Sitwell had published a book of abstract poems titled Façade, the poems' rhythms were counterparts to music set by the famed English composer, William Walton...

George McNeil Untitled Figure, 1986 Lithograph on paper. Publisher's and Printer's Blind Stamps Hand-signed, numbered 78/84 and dated by the artist on the front with publisher's and...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that are a definitive survey of the artis...

Burton Wasserman Geometric Abstraction, 1977-1978 Silkscreen on wove paper Hand signed, dated and annotated on the front 9 3/4 × 7 3/4 inches Unique ...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and...