Art by Medium: Silver Gelatin

Lifetime Edition Gelatin Silver Print This iconic B&W print of the Terry O’Neill photograph ‘The Beatles Backyard, London’, taken in the backyard of Abbey Road Studios in 1963. ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 25 If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

This is a unique photographic work by Andy Warhol. Diana Ross is the former lead singer of the Motown group The Supremes, after which she went on to have a successful career as a so...

14" x 18" Unframed Limited Edition Archival Photograph of 15 Hand Signed by Simeon Posen

An original silver gelatin black and white photography postcard by Albert Monier, Paris. A view of Notre Dame Cathedral in Paris, circa 1950. Features: The original silver gelatin pr...

From The Jon Gould Collection of Andy Warhol Photographs This work is not signed by the artist, however, each photo is unique and blind embossed “Andy Warhol” in the lower right co...

Gelatin silver print Paper size: 20 x 16 in., Image size: 19 x 12 3/4 in. Signed, titled, and dated in pencil on print verso by Earlie Hudnall, Jr. Earlie Hudnall, who is one of the...

From The Jon Gould Collection of Andy Warhol Photographs This work is not signed by the artist, however, each photo is unique and blind embossed “Andy Warhol” in the lower right co...

Wendy Resting, portrait photograph from Richard Heeps' Man's Ruin series. This artwork is part of a sequence capturing Wendy at the Nevada Rockabilly Weekender, Viva Las Vegas.  Thi...

Gossip columnist, Hedda Hopper sits with a lion in hollywood. Framing options available. Art Shay Hedda Hopper - Hat Lady, Hollywood, 1956 silver gelatin print, printed circa 2016 2...

13.5 x 10.5 inch gelatin silver print, printed circa 1980 Framed to 26.5 x 22.5 inches Signed on verso Berenice Abbott's "New York at Night" is one ...

Amy Winehouse 2007 - Dave Hogan Signed Limited Edition Singer Amy Winehouse arrives at The BRIT Awards 2007 at Earls Court 1 on February 14, 2007 in London, England. (Photo by Dave ...

Lake Tenaya in Yosemite - Black & White Landscape Photograph Beautiful black and white landscape photograph of Lake Tenaya by Jeff Nixon (American, 1952-2022). Along the bottom ...

This vintage silver gelatin print is signed, dated and titled in pencil on the front of the mount. Carmel, California had established itself as a gathering place for artists, photo...

Edition 3/200 Signed, dated and numbered by Harold Feinstein Harold Feinstein was born in Coney Island, New York, in 1931. He began photographing in 1946 at the age of 15 and joine...

This is a black and white photograph by Anderson & Low. Bisse #2 2000/2001 Signed in pencil, verso Gelatin silver print (Edition of 25) 20 x 16 inches (50.8 x 40.6 cm), sheet

Ormond Gigli Girls in the Windows, 1960 Gelatin Silver Print Printed by Artist 24" x 24" Unique Edition AP 3/5 Framed: $20,350 Provenance: Printed...

A unique, original silver gelatin black and white photograph. A family on the road near Paris, France, circa 1930. The car in the background is a Renault KZ. Features: Original Silv...

Listing is for UNFRAMED print. Inquire within for framing. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase...

Chair-O-Planes, vintage fair ride in action. Richard has visited the Haddenham Rally many time since the first one when he was a child, his parents took pictures with their Box Brown...

Alberto Rizzo, Cut Out I from Cut Out Paper series Silver Gelatin print 1987 Edition of 25 Paper size is 20 x 16 inches Image size is 16.25 x 12.25 inches Alberto Rizzo was a multi...

ICES Kiosk, Richard recisited the location of his best selling artwork, capturing this cute vignette of the seaside kiosk. This artwork is a limited edition of 25 gloss photographic...

This is a unique photographic work features a portrait of young Reza Pahlavi, son of Mohammad Reza Pahlavi, the last Shah of Iran, taken by Andy ...

Inscribed with titled and numbered on publisher's label affixed to reverse Silver gelatin print mounted to board, printed 1973 11 3/4 x 9 1/2 inches From a portfolio of 10 silver gel...

Kenn Duncan (1928-1986). Male Model, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. From the estate of William Como, Editor in Chief, After Dark Magazine. Kenneth Duncan was born September 22, 1928, in New Jersey. He began his career as a skater and then a dancer. After breaking his foot and taking a six-week course on photography at a YMCA, he became a photographer. Duncan worked as a principal photographer for After Dark and Dance Magazine. His photographs also regularly appeared in Vogue, Harper's Bazaar, Life, Time, and Newsweek. In addition, he photographed a score of Broadway shows, including Hair, Applause, The Elephant Man, and Sophisticated Ladies and many dance and Broadway stars including Chita...

Rondal Partridge Silver Gelatin Estate Print Embossed Imogen Cunningham signature on mat, labeled on verso. Dry mounted outer dimensions 16x20"

Hand Signed by Barrie Wentzell

Jacques Lowe stamp and various inscriptions on print verso. Sheet size 11 x 13.9 inches. Image size approx 9 x 13 inches. Frame size approx 18.5 x 22.5 inches. Certificate of authen...

Bunker Filing cabinet, vintage interior photograph from Richard Heeps' Vietnam series, This is not America. This artwork is a limited edition of 25 gloss photographic print, accompa...

Ormond Gigli Old Woman, Portugal, Nazare (1952) Vintage Gelatin Silver Print Printed by Artist 27.25 x 23.25 Unique: $4900 Signature: Signed en verso Prove...

Wendy Resting, portrait photograph from Richard Heeps' Man's Ruin series. This artwork is part of a sequence capturing Wendy at the Nevada Rockabilly Weekender, Viva Las Vegas.  Thi...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

Ave Maria, with a neon halo, captured in a perfectly kitsch Catholic Church in Ho Chi Minh City. Photograph from Richard Heeps' series, This is Not America, a journey through Vietnam...

LINA SCHEYNIUS (*1981, Sweden) Untitled (Diary) 2015 Fibre-based silver gelatin print Sheet 26,75 x 40 cm (10 1/2 x 15 3/4 in.) Edition of 3, plus 2 AP; Ed. no. 2/3 Print only Touc...

Neon Cross, photograph from Richard Heeps' Vietnam series, 'This is Not America'. This artwork full of detail has a fun religious kitsch vibe, the neon really pops contrasting the ca...

Lido Life, Venice 1957 C print Signature stamped and hand numbered edition of 150 with certificate of authenticity from the Slim Aarons estate. A waiter ...

Anthony FRIEDKIN (*1949, America) Clockwork Malibu, Rick Dano on P.C.H., Malibu, California, U.S.A., 1977 Silver Gelatin Print, later print 40.6 x 50.8 cm (16 x 20 in.) Edition of 25...

Utopian Corridor, Brutalist architecture interior photograph from Richard Heeps series, A Short History of Milan. A Short History of Milan, began in November 2018 for a special proj...

Kati Horna Leonora Carrington, from the series 'Ode to Necrophilia', 1962 Signed and stamped with artist's copyright ink stamp on reverse Silver gelatin print, printed later 10 x 8 i...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20 This image is a part of Robin Rice Gallery's current exhibition-- The Summertime Salon 2018. Shipping tim...

DAIDO MORIYAMA (*1938, Japan) "How to Create a Beautiful Picture 6: Tights in Shimotakaido" 1987/2021 Silver gelatin print, later print Sheet 34 x 26.5 cm (13 3/8 x 10 3/8 in.) not p...

Signed limited edition print of Miles Davis on stage at the legendary Filmore East, New York City in 1970 by photographer Glen Craig. Miles Davis recorded Miles Davis at Fillmore ov...

Chris Smith (b.1937) Float like a Butterfly 1971 silver gelatin fibre based print 20 x 30 in. / 34.5 x 48 in. / 46 x 66 in. signed and numbered printed later This work is available in the following sizes (paper size): 20 x 30 in., edition of 25 plus 2 AP, £3,000 GBP (inc. 20% UK VAT) 34.5 x 48 in., edition of 50 plus 2 AP, £6,600 GBP (inc. 20% UK VAT) 46 x 66 in., edition of 25 plus 2 AP, £9,600 GBP (inc. 20% UK VAT) Provenance: Direct from the artist’s studio Notes: All photographs are signed and numbered and accompanied by a certificate of authenticity signed by the photographer. 'Float Like a Butterfly, Sting Like a Bee...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook. Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations. The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden. The earth-toned image contains the unpredictable streaked effect of developed instant film. In another image, entitled “Sitting Room”, we see a positive image of a film negative. Most notable is the hanging rhinoceros head towering impressively over two antique sitting chairs...

This incredibly rare, early silver gelatin print mounted to "shirt" board was likely printed in the 1940s. The Virginia Adams Collection stamp with her inventory number in pencil on ...

Celebrity Photography - Black & White Hand Signed by Lynn Goldsmith About the Artist: Lynn Goldsmith's imagery is in numerous collections: The Smithsonian, The Polaroid Collection, The Museum of Modern Art, the Chicago Museum of Contemporary Photography, and the permanent collection of Museum Folkwang. She is a multi-awarded portrait photographer whose work has appeared on and between the covers of Life, Newsweek, Time, Rolling Stone, People, Elle, The New Yorker, etc. Her subjects have varied from entertainment personalities to sports stars, from film directors to authors, from the extra-ordinary to the ordinary man on the street. Her forty years of photography have not only been an investigation into the nature of the human spirit, but also into the natural wonders of our planet. Twelve books of her photography have been published. She has been on The New York Times Best Seller list...

Steel Pier, Atlantic City, seaside architecture photograph by Richard Heeps. Captured in the early morning following a storm, the misty sea air under the dramatic structure creates a...

A unique, original silver gelatin black and white photograph. International Decorative Arts Exhibition in Paris, October 1925. The view from inside the USSR Pavilion. Features: Origi...

Gramophone, vintage interior photograph from Richard Heeps series, Forward to the Past, from a commission to document Preston Hall Museum in Stockton-on-Tees before it underwent remo...

André Kertész (1894 - 1985) was a Hungarian-born photographer renowned for his trailblazing contributions to both photojournalism and the medium as an art form. Expected by his fam...

Unique black & white solarized photography artist print from Mona Kuhn's architecture inspired series Kings Road (2022). In this series Mona Kuhn lyrically reconsiders the realms of time and space within the midcentury architectural elements of the iconic Schindler House in Los Angeles. Built by Austrian architect Rudolph M. Schindler in 1922, the house was both a social and design experiment and an avant-garde hub for intellectuals and artists in the 1920s and ’30s. The body of works incorporates chromogenic color prints, reflecting vignettes and materials of the building's emotional architecture, juxtaposition with unique solarized gelatin silver prints capturing traces of an ethereal human presence. Update: we are excited to announce that 12 solarized photographs from Mona Kuhn’s Kings Road series, including Spectral (2021), have been acquired by the J. Paul Getty Museum. This in-depth acquisition, facilitated by Manfred Heiting, expands the museum’s holdings of Kuhn’s work, joining Portrait 37 from her Bordeaux Series (2011). Spectral (2022) Kings Road: A Rudolph Schindler House 30" x 40" / 76cm x 102cm /edition of 12 15" x 20" / 38cm x 56cm / edition of 12 true size solarized gelatin silver print printed at artist darkroom in Los Angeles (10 days handling time) limited edition solarization photograph printed by the artist + accompanied by signed artist certificate: artist signature label (8x10") signed/editioned/dated/titled by the artist + stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes & Succulents in 2018. In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road (2022) with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2026 Mona Kuhn: Dialogues, Bildhalle & Walde, Zürich, Switzerland Mona Kuhn: Kings Road, UPGallery, Taipei, Taiwan Mona Kuhn: Kings Road Multimedia Screening, Hsinchu Image Museum, Taiwan 2025 Mona Kuhn: Shimmering, Bildhalle, Zürich, Switzerland Mona Kuhn: Y Tu Desnudo será Un Gran Poema, Museum of Contemporary Art, Malaga, Spain Mona Kuhn: Kings Road, Lianzhou Museum of Photography, China 2024 Mona Kuhn: The Schindler House, A Love Affair, Galerie XII...

This is a unique photograph was taken by Warhol in the bathroom at Baur au Lac Hotel in Zurich. Toilets were a common subject of Warhol's photos. This photo is dated 'Mar 9 1982' (on...

Marcus Leatherdale (1952 - 2022) Silver gelatin print with copper leaf mount 1987 Titled: High Priest. From the Demigod series. Hand signed and dated and bears artist studio stamp verso. Provenance: Greathouse Gallery (with label & information verso) Edition: 1 of 10. Dimensions mage measures 12" x 5", total measurements are 24" x 13" Marcus Leatherdale was a Canadian portrait photographer. Marcus Andrew Leatherdale was born on 18 September 1952, in Montreal, Canada, to Jack Leatherdale, a veterinarian, and Grace Leatherdale, a homemaker. He attended the San Francisco Art Institute. Leatherdale arrived in New York City in 1978, where he attended the School of Visual Arts. started his career in New York City during the early eighties, setting up a studio on Grand Street. Leatherdale first served as Robert Mapplethorpe office manager for a while and was photographed in the nude by the master, grabbing a rope with his right hand and holding a rabbit in his left. Thereafter he worked as an assistant curator to Sam Wagstaff. He soon became a darling of the then vibrant club scene and the fashionable media: Interview, Details, The New Yorker, Vanity Fair, and Elle Decor presented his work. Later on he was featured in artsy publications as Artforum, Art News, and Art in America. Leatherdale was the Cecil Beaton of downtown New York, He photographed a not-yet-famous club kid named Madonna in her ripped jeans and his denim vest. The performance artist Leigh Bowery was majestic in a tinseled mask, a corset and a merkin. Andy Warhol was a Hamlet in a black turtleneck. Susanne Bartsch, the nightlife impressaria, was a towering presence in red leather. He documented the New York City lifestyle, the extraordinary people of Danceteria and Club 57 where he staged his first exhibits in 1980. Leatherdale was an acute observer of the New York City of the nineteen eighties. His models were the unknown but exceptional ones – like Larissa, Claudia Summers or Ruby Zebra – or well known artists – like Madonna, Keith Haring, Andy Warhol, Winston Tong and Divine, Trisha Brown, Lisa Lyon, Andrée Putman, Kathy Acker and Sydney Biddle Barrows, otherwise known as the Mayflower Madam, Jodie Foster, and fellow photographer John Dugdale. He Married Claudia Summers, theirs was not a traditional marriage, but they were best friends, and he was Canadian, so it made life easier if they wed. His boyfriend for a time was Robert Mapplethorpe, whose photography studio Mr. Leatherdale also managed. He and Mapplethorpe were a striking pair, dressed like twins in leather and denim, their faces as if painted by Caravaggio, and they often photographed each other. Jean-Michel Basquiat was often hanging out there, playing his bongo drums; so were friends like Cookie Mueller, the doomed, gimlet-eyed author and Details magazine contributor who was for a time Mapplethorpe’s and Ms. Summers’ drug dealer, and Kathy Acker, the performance artist and novelist. For quite a while Leatherdale remained in Mapplethorpe's shadow, but was soon discovered as a creative force in his own right by Christian Michelides, the founder of Molotov Art Gallery in Vienna. Leatherdale flew to Vienna, presented his work there and was acclaimed by public and press. This international recognition paved his way to museums and permanent collections such as the Rheinisches Landesmuseum Bonn, the Art Institute of Chicago, the Australian National Gallery in Canberra, the London Museum in London, Ontario, and Austria's Albertina. He was included in the MoMA exhibit New York/New Wave along with Kenny Scharf, William Burroughs, John Crash Matos, Larry Clark, Nan Goldin, Lawrence Weiner and Stephen Sprouse. Above all, his arresting portraits of New York City celebrities in the series Hidden Identities aroused long-lasting interest amongst curators and collectors. In 1993, Leatherdale began spending half of each year in India's holy city of Banaras. Based in an ancient house in the centre of the old city, he began photographing the diverse and remarkable people there, from the holy men to celebrities, from royalty to tribals, carefully negotiating his way among some of India's most elusive figures to make his portraits. From the outset, his intention was to pay homage to the timeless spirit of India through a highly specific portrayal of its individuals. His pictures include princesses and boatmen, movie stars and circus performers, and street beggars and bishops, mothers and children in traditional garb. Leatherdale explored how essentially unaffected much of the country was by the passage of time; and it has been remarked upon that this approach is distinctly post-colonial. In 1999, Leatherdale relocated to Chotanagpur (Jharkhand) where he focusing upon the Adivasis. Later Serra da Estrela in the mountains of central Portugal became his second home base. Leatherdale's matte printing techniques, which adapt nineteenth-century processes and employ half black, half sepia colorations, reinforce the timelessness of his subjects. Tones and matte surfaces effectively differentiate his portraits from the easy slickness of fashion photography. In 2019, Mr. Leatherdale compiled his work from 80s in a book entitled “Out of the Shadows”, written with Claudia Summers. During his time in New York City, he dated Robert Mapplethorpe, whose photography studio Leatherdale managed. His partner of two decades, Jorge Serio, died in July 2021 Major exhibitions 1980 Urban Women, Club 57, NYC 1980 Danceteria, NYC 1981 Stilvende, NYC 1982 The Clock Tower, PS1, NYC 1982 544 Natoma Gallery, San Francisco 1982 Eiko And Koma, Stilvende, NYC 1983 Form And Function Gallery, Atlanta 1983 Galerie in der GGK Wien, Vienna, Austria 1983 The Ring, Vienna (organized by Molotov) 1983 London Regional Art Gallery, London, Ontario, Canada 1984 Performance, Greathouse Gallery, NYC 1984 Social Segments, Grey Art Gallery, NYU 1984 Rheinisches Landesmuseum, Bonn 1985 Ritual, Greathouse Gallery, NYC 1985 Artinzer, Munich 1985 Leatherdale/Noguchi, Gallery 291, Atlanta 1985 Paul Cava Gallery, Philadelphia 1986 Poison Ivy, Greathouse Gallery, NYC 1986 Wessel O’Connor Gallery, Rome 1986 Hidden Identities, Michael Todd Gallery, Palladium, NYC 1987 Demigods, Greathouse Gallery, NYC 1987 Collier Gallery, Scottsdale, Arizona 1987 Tunnel Gallery, NYC 1988 Claus Runkel Fine Art Ltd., London, UK 1988 Madison Art Center, Madison 1989 Wessel-O’Connor Gallery, NYC 1989 Summer Night Festival, Onikoube, Sendai 1990 Bent Sikkema Fine Art, NYC 1990 Fahey-Klein Gallery, Los Angeles 1990 Faye Gold Gallery, Atlanta 1990 Mayan Theatre, Los Angeles 1991 Runkel Hue-Williams Gallery, London 1991 Galerie Michael Neumann, Düsseldorf 1991 Arthur Rogers Gallery, New Orleans 1992 Arthur Rogers, NYC 1992 Galerie Del Conte, Milwaukee 1993 Galerie Bardamu, NYC 1996 Fayf Gold Gallery, Atlanta 1996, 1997, 1998, 1999 Bridgewater/Lustberg, NYC 1998 Rai Krishna Das...

Bitter Campari, Italian architecture street photography from Richard Heeps series, A Short History of Milan. 'A Short History of Milan' began in November 2018 for a special project ...

Ilse Bing Boxing, Moulin Rouge, Paris, 1931 Stamped with photographer's credit ink stamp on reverse Silver gelatin print 6 1/2 x 8 1/4 inches Ilse Bing (1899-1998), working with a L...

"Natalia Makarova " is an gelatin print , silver bromide, numbered and signed photograph offered to " serge Lifar " by Max Waldman . Artist proof . Ser...

Parry Lodge, photograph from Richard Heeps' Dream in Colour series. This roadside America sign has a cinematic style, take in Kanab, and area used as Western movie locations due to i...

Round Up (B&W Photograph from 1950s of amusement park ride and apartments) by Arthur King, 1958 Silver Gelatin print on Archival paper 24 x 20 in, 28 x 27in framed All prints are Li...

Ed. 10/10, includes black frame with white mat. This is the final edition available in this size. A Long Island native, von Hohenberg has always been a world traveler and took an in...

Merle Oberon, 1934 - Cecil Beaton (Fashion Portrait Photography) Inscribed 'Merle Oberon' in unknown hand and stamped with photographer's and Sotheby's Ce...