Anderson & Low Art

In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction. She turns to a highly austere and restrained reductionist geometry and distilled formal purity, connecting the interior to the exterior, the visible to the hidden. These reflections cause one to linger, as they merge to create a dynamic equilibrium of tension, spaces and rythms. AD14558 (She Disappeared into Complete Silence) 60" x 45" / 152cm x 114cm edition of 8 + 2AP 40" x 30" / 102cm x 76cm edition of 8 + 2AP limited edition photograph is printed under artist supervision and accompanied by signed artist certificate: artist signature labels are 8x10 in size signed, editioned, dated and titled by the artist, and stamped for authenticity label __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Mona Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Kuhn's monograph titled Bushes and Succulents has been published by Stanley/Barker Editions, with a debut at Jeu de Paume in Paris, In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2025 Mona Kuhn: Works, Museum of Contemporary Art, Malaga, Spain 2024 Mona Kuhn: The Schindler House, A Love Affair, Galerie XII, Los Angeles Mona Kuhn: Between Modernism and Surrealism, Houk Gallery, New York, NY 2023 Mona Kuhn: Kings Road, Galerie XII, Paris, France Mona Kuhn: Kings Road, Kunsthaus-Göttingen, Germany Mona Kuhn: Kings Road, Jackson Fine Art, Atlanta 2022 Mona Kuhn: 835 Kings Road, Art, Design & Architecture Museum, Santa Barbara 2021 Mona Kuhn: Works, Galerie XII, Paris Mona Kuhn: Works, Edwynn Houk Gallery, New York Mona Kuhn: Works, Flowers Gallery, London Mona Kuhn: Works, Galerie XII, Los Angeles + Paris + Shanghai Mona Kuhn: 835 Kings Road, Art, Design and Architecture Museum, Santa Barbara 2020 Still Light, Jardin du Bra'haus, Montée du Château, Clervaux, Luxembourg Mona Kuhn: Early Depictions, Flowers Gallery, London Mona Kuhn: Intimate, UP Gallery, Taipei, Taiwan 2019 Bushes and Succulents, Euqinom Gallery, San Francisco Mona Kuhn: She Disappeared, Jackson Fine Art, Atlanta Mona Kuhn: Experimental, Fruit Factory, Durham Triangle, North Carolina 2018 Mona Kuhn: New Works, Part II, Galerie Catherine Hug, Paris, France 2017 Mona Kuhn: The First Chapter, Euqinom Projects, San Francisco, California 2016 Mona Kuhn: New Works, Galerie Catherine Hug, Paris, France Acido Dorado, Galeria Pilar Serra, Madrid, Spain Mona Kuhn: New Works, Euqinom Gallery, San Francisco, California 2015 Private, Ravestijn Gallery, Amsterdam, The Netherlands Private, Galerie Ernst Hilger, Vienna, Austria 2014 Acido Dorado, Edwynn Houk Gallery, New York Acido Dorado, Flowers Gallery, London, UK Private, Jackson Fine Art, Atlanta, Georgia 2012 Bordeaux Series, Galerie Particuliere, Paris, France Native, Galeria Pilar Serra, Madrid, Spain Bordeaux Series, Jackson Fine Art, Atlanta, Georgia Bordeaux, Flowers Gallery, New York Native, Brancolini Grimaldi, Florence, Italy 2011 Bordeaux, Flowers Gallery, London, UK 2010 Native, Flowers Gallery, London, UK Native, Flowers Gallery, New York 2009 Native, M+B Gallery, Los Angeles, California Native, Jackson Fine Art, Atlanta, Georgia 2008 Evidence, Jarach Gallery, Venice, Italy 2007 Evidence, Scott Nichols Gallery, San Francisco, California Evidence, Charles Cowles Gallery, New York Mona Kuhn, Estiarte Gallery, Madrid, Spain Evidence, Jackson Fine Art, Atlanta, Georgia Less Than Innocent, M+B Gallery, Los Angeles, California 2005 Mona Kuhn – Recent Color Work, Charles Cowles Gallery, New York Mona Kuhn-Close, Jackson Fine Art, Atlanta, Georgia Unbounded Youth, Fahey/Klein Gallery, Los Angeles, California 2004 Mona Kuhn-Color, Camerawork, Berlin, Germany New Work, G. Gibson Gallery, Seattle, Washington Corporeal Space, Galerie F5.6, Munique, Germany Mona Kuhn - Color Photographs, Scott Nichols Gallery, San Francisco, California Still Memory, PhotoEye...

Listing is for UNFRAMED print. Inquire within for framing. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 10 If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous. Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment. The collection of black and white images conveys a sense of effervescence and Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City. Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more. In “Mercer Street...

"Nelson Algren's Chicago: Photographs by Art Shay", page 34. Hugh Hefner liked Algren and vice versa. After Hefner purchased several of his short stori...

THIS VINTAGE SILVER GELATIN PRINT IS FROM AN EDITION OF 3. The photograph of Tanner were originally shot on a Polaroid Land 360 from my series ‘Diary Non Diary’. Sebastian Perinotti...

Birds, Mexico by George Krause is a 13.5 by 18.75 inch silver gelatin print. This photograph features birds sitting on a fence. The photograph is signed and dated in pencil on print margin by George Krause. The paper size for this print is 15.25 x 20 inches. George Krause is an American photographer, born in Philadelphia, Pennsylvania, in 1937. Krause studied at the Philadelphia College of Art where he explored painting...

Silver gelatin print, studio stamp (verso), 19cm x 19cm (print size), (50cm x 40cm in mount), unframed, but contained within archive quality mount. Tress is one of the most renowned and innovative photographers of his generation. Citing his influences as Hokusai, Frank Lloyd Wright, Picasso, El Lissitzky, Duane Michaels...

Silver print, titled (verso) by Paul Cadmus, 11cm x 13cm, (33cm x 38cm framed). the work is framed behind museum quality non-reflective UV glass. In 1937, the painters, Paul Cadmus...

Silver gelatin print, 19cm x 19cm (print size), (50cm x 40cm in mount), unframed, but contained within archive quality mount. Tress is one of the most renowned and innovative photographers of his generation. Citing his influences as Hokusai, Frank Lloyd Wright, Picasso, El Lissitzky, Duane Michaels...

THIS VINTAGE SILVER GELATIN PRINT IS FROM AN EDITION OF 3, Bryce was taken in Osaka, Japan at Abeno Harukas, Japan’s tallest building. The photograph was shot on 35mm film on a Contax T3 Sebastian...

Contemporary figurative sepia toned photograph of nude male model Sepia toned silver gelatin print, edition 3 of 25 Image size: 8 x 8 inches 17.5 x 16.5 x 1 inches framed with 8-ply white mat and non reflective glass. Signed and dated below image with atelier stamp This contemporary figurative photograph was taken by David Halliday in 1998. The sepia toned silver gelatin print beautifully captures a standing male model on a simple monotone background. The nude model's flawless skin complements the similarly toned sepia backdrop, while contrasts in light and shadow accentuate his toned back and shoulder muscles. The figure's casual pose lends a serene atmosphere to the image. This print, 3rd in the edition of 25, is framed in a custom brown wood Larson Juhl frame with an 8 ply white mat and non reflective glass. The print is signed with an atelier stamp on the lower right. About the Artist: David Halliday's photographs are about beauty, pure and simple. His primary subjects are carefully composed still lifes, portraits and landscapes which he shoots in black and white film with only natural light. He is a purist behind the lens, rarely manipulating his negatives in any way, and a master in the darkroom. His work has an ethereal quality that's translated not only through the subject, but also by the warm colors and sepia tones he uses in his printing. More about the work: A master of light, David Halliday produces lush and elegant images that are both classical and modern. Celebrated for his ‘purist’ eye, he poetically captures the nude male body in a selection of sepia-toned prints from 1996. Rarely revealing the model's face, Halliday prefers to focus on the natural drape of limbs, soft folds of flawless skin, and curvature of the spine. Overall, a stunningly intimate portrayal of the male form done with elegance and charm. Resume: Born 1958, Glen Cove, New York Lives in Schodack Landing, NY EDUCATION 1998 Penland School of Crafts, Penland, North Carolina 1988 The Maine Photographic Workshops, Rockport, Maine 1976-79 Syracuse University, New York 1974-76 Wooster School Community Art Center, Danbury, Connecticut SELECTED SOLO EXHIBITIONS 2013 Threadbare/New Photographs, Arthur Roger Galley, New Orleans, LA McMurtrey Gallery, Houston, TX 2012 The Past Still Present, Ogden Museum of Southern Art, New Orleans, LA 2010 Arthur Roger Gallery, New Orleans, LA Wessel+O’Connor Fine Art, Lambertville, NJ Julie Heller...

Silver gelatin print, studio stamp (verso), 19cm x 19cm (print size), (50cm x 40cm in mount), unframed, but contained within archive quality mount. Tress is one of the most renowned and innovative photographers of his generation. Citing his influences as Hokusai, Frank Lloyd Wright, Picasso, El Lissitzky, Duane Michaels...