Art by Medium: Tempera

Small Tempera is an original artwork realized by Alkis Matheos in the XX Century. Tempera with details in pencil. The name of the artist appears on the back of the work. Very go...

Green Portico is an original artwork realized by Alkis Matheos in the XX Century. Mixed media on cardboard. The name of the artist appears on the lower right corner. Very good c...

Violet Buildings in Venice is an original artwork realized by Alkis Matheos in the XX Century. Original tempera on cardboard. The name of the artist appears on the back of the sh...

The Runner is an original artwork realized by Maurice Rouzée in the 1940s. Signed by the artist on the upper left margin. Good conditions, except for a sma...

Oil and tempera on cardboard

Lacrimella is an original artwork realized by Italo Orsi in the 1930s. Tempera on paper. The artwork consists of four sheets numbered on the back; the sheets represent the artist's ...

Harlequin with Nude is an original painting realized by Maurice Rouzée in the 1940s. Tempera on paper; good conditions, except for some small folds on the lower right corner and a sm...

Paysage d'Alsace is a beautiful mixed-media artwork, tempera and watercolor on cardboard. Hand-signed by the artist on the lower right. Micheline Frouin was born in Paris on 7 Septe...

Paysage d'Alsace is a beautiful mixed-media artwork, tempera and watercolor on paper. Hand-signed by the artist on the lower left. Micheline Frouin was born in Paris on 7 September ...

Mixed media, acrylics, pigments, tempera on canvas

Marine is an original artwork realized by Jacques Meunier. Original tempera on heavy cardboard. Hand-signed on the lower right corner. Very good conditions. The artwork represen...

"Three Men with Horse & Building" is an original tempera painting by an unknown Persian artist from the late 19th century. It features a number of figu...

About the artist: Susan Cohen’s paintings are exhibited with New York City galleries: George Billis, Garvey Simon, First Street,The Painting Center; and the Cynthia Winings Gallery...

Egg tempera on canvas, Shadow joint frame Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North Ge...

Egg tempera on canvas, Shadow joint frame Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North Ge...

Egg tempera on canvas, Shadow joint frame Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North Ge...

Egg tempera on canvas, Shadow joint frame Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North Ge...

Tempera on pith- paper. Chinese production, Guangzhou, Qing era, ca. 1860. Collection of twenty-eight paintings depicting Chinese courtiers, literati and merchants. They were origina...

Oil, tempera, acrylic, Japanese mineral pigment, gold leaf on paneled linen Hiromi Sengoku is a Japanese artist born in 1982 who lives and works in London, UK. Since 2008, she parti...

A large minimal abstract painting on paper by Yasmin Brandolini. Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: 6A Year: 1984 Medium: Tempera on Paper, sig...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 42" x 2" About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

Oil and tempera on canvas Miyuki Takanashi is a Japanese artist born in 1961 who lives & works in Sapporo in Japan. She is graduated from Hokkaido University of Education Iwamizawa ...

Original painting by Mavis Smith

Le chemin de Mandy by Lélia Pissarro (b. 1963) Tempera and gold on paper 18.4 x 13.7 cm (7 ¹/₄ x 5 ³/₈ inches) Signed lower left, Lélia Pissarro Signed, titled and dated VI. 23 on th...

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists s...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Bibliography Art in America, April 1951, p.78 About this artists: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

Le Pou Saint Tres Pieux Tempera on Panel Creature Surrealism In Stock Gérard Willemenot (1943, Paris, France) graduated as an architect at the School of Art in Paris. After working ...

Watercolor on paper, Framed 40 x 30 x 2 cm

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists since 2006. He paints everyda...

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists s...

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists since 2006. He paints everyda...

About the artist: Susan Cohen’s paintings are exhibited with New York City galleries: George Billis, Garvey Simon, First Street,The Painting Center; and the Cynthia Winings Gallery...

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists since 2006. He paints everyda...

"Sommerspaziergang" (2023), by Susanne Zuehlke (b. 1962), meaning "Summer Walk," is a vibrant exploration of color and form, featuring dynamic rectangles in a warm, playful palette. ...

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists since 2006. He paints everyda...

GRAPES & PEARS Size: 28.5 x 34 cm (including frame) Tempera on board A brilliantly executed and charming surrealist still life composition, executed in tempera on board and dated 19...

German expressionist artist Title: Still life with vase of flowers Period: First half of the 20th century Medium: Oil tempera on panel Dimensions: without frame 18.5 × 18.7 cm – with...

About the artist: Susan Cohen’s paintings are exhibited with New York City galleries: George Billis, Garvey Simon, First Street,The Painting Center; and the Cynthia Winings Gallery...

Il figurino di moda è firmato e datato in basso a destra. The croquis is signed and dated on the bottom right. E.Sacchetti 1935. La donna è rappresentata di spalle, con un lungo vest...

Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: 2 Year: 1984 Medium: Tempera on Paper, signed and dated Size: 40 in. x 25 in. (101.6 cm x 63.5 cm)

Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: I Year: 1984 Medium: Tempera on Paper, signed and dated Size: 40 in. x 25 in. (101.6 cm x 63.5 cm)

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists s...

Original painting by Mavis Smith

Oil, casein & ink on panel Paul Lorenz is an American artist born in 1961 who lives & works in Buckeye, AZ, USA. With an education in Bauhaus architecture, fine art, and music compo...

Oil, casein & ink on panel Paul Lorenz is an American artist born in 1961 who lives & works in Buckeye, AZ, USA. With an education in Bauhaus architecture, fine art, and music compo...

Oil, casein & ink on panel Paul Lorenz is an American artist born in 1961 who lives & works in Buckeye, AZ, USA. With an education in Bauhaus architecture, fine art, and music compo...

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists s...

"Christ Pantocrator". After an Icon in the style of the Moscow school (15th century). Somewhat similar to that of Rublev. Author: Oliver Samsinguer Egg tempera and gold leaf on gesso and on wood. Dimensions; (H) 42 x (W) 33.5 x (D) 3.5 cm. (H) 16.54 x (W) 13.19 x (D) 1.38 in. This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with an agate. Gold leaf is real 24-carat gold . Now, the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger...

Oil and tempera on canvas Miyuki Takanashi is a Japanese artist born in 1961 who lives & works in Sapporo in Japan. She is graduated from Hokkaido University of Education Iwamizawa ...

“Flower of the Sun” (Flor del Sol) is JuanCarlos’ iconic series, which revolve around a captivating concept of a Flower of Love (Flor) initially born on Earth, only to grow and exist...

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists since 2006. He paints everyda...

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists s...

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists since 2006. He paints everyda...

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists since 2006. He paints everyda...

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists since 2006. He paints everyda...

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists since 2006. He paints everyda...

Vers Compostelle avec ma Grenouille de Benitiez Tempera on Panel In Stock Gérard Willemenot (1943, Paris, France) graduated as an architect at the School of Art in Paris. After worki...

Philippe le Beau et Jeanne la Folle the Beauty and the Crazy Tempera In Stock Measured without frame Gérard Willemenot (1943, Paris, France) graduated as an architect at the School...

RUTH OWENS graduated in 2018 with an MFA from the University of New Orleans after leaving her medical practice of 25 years. She is represented by the Jonathan Ferrara Gallery, and belongs to the artist collective, “The Front,” both in New Orleans. Owens’ work is concerned with contributing to and preserving the black archive, and she uses personal super-8 film references in her painting and video art. Artist residencies include the Joan Mitchell Center, the Addison Gallery of American Art, the Vermont Studio Center, and the Studios at MASS MoCA. She is slotted to attend the International Studio and Curatorial Program in NY in 2023. Her work is in the permanent collections of the Ackland Art Museum at UNC-Chapel Hill, the Addison Gallery of American Art, the Ogden Museum of Southern Art, the Dale Center for the Study of War and Society, and 21c Museum. The artist says of her work… In the sixties, my father was stationed at a military base in the deep South for several years. Although it was prescribed by law, our mixed race...

Les Mendiants Beggars Tempera on Panel Surrealisme Contemporary In Stock Gérard Willemenot (1943, Paris, France) graduated as an architect at the School of Art in Paris. After worki...