Art by Medium: Tempera

Pears, Grapes and Crystal Egg Tempera, Realism It is painted in egg tempera which goes back centuries in the art world. Notice the reflections in the painting. It appears to be 3...

Provenance: Dr. James Henry Lancashire, Manchester-by-the-Sea, Massachusetts, by 1925; probably by descent to: Private Collection, Cumberland Foreside, Maine, until 2018 This unpublished panel is a characteristic work of the Master of the Apollo and Daphne Legend, an anonymous Florentine painter in the circle of Bartolommeo di Giovanni, Domenico Ghirlandaio, and Sandro Botticelli. The artistic personality of the Master of the Apollo and Daphne Legend was independently recognized by Everett Fahy and Federico Zeri at roughly the same moment in time. Fahy originally dubbed this artist the Master of the Ryerson Panels but later adopted Zeri’s name for the artist, which derives from his eponymous works from the Samuel H. Kress collection (Figs. 1-2). Fahy posited that the artist was most likely a pupil of Ghirlandaio active from roughly 1480 to 1510, and that he may be identifiable with one of Ghirlandaio’s documented pupils to whom no works have been securely attributed, such as Niccolò Cieco, Jacopo dell’Indaco, or Baldino Baldinetti. The present painting was first attributed to this master by Everett Fahy in 1989, who became aware of its existence only after publishing his definitive studies on the artist. The surviving body of work by the Master of the Apollo and Daphne Legend is largely composed of series of panels treating the same theme. In addition to the works illustrating the legend of Apollo and Daphne, there are also series on the themes of Susanna and the Elders and the story of Saint Joseph, among others. The subject of the present panel is drawn from Genesis 24, the story of Isaac. It is possible that our painting relates to another work by the artist depicting the Sacrifice of Isaac formerly in the collection of E. A. McGuire in Dublin, Ireland (Fig. 3), and that these two panels were originally part of a decorative scheme based on the story of Isaac. Although the Master’s paintings of this type have traditionally been considered painted fronts of wedding chests, known as cassoni, the scale of these paintings and the fact that they are often part of a series indicates that they are more likely spalliera panels—paintings set into furniture or the wainscoting of a room. The biblical episode depicted in this painting centers on the theme of marriage, which suggests that this work was likely commissioned for the domestic interior of a newly married couple. The Master has transcribed into paint even the minute details of this Old Testament story, in which Abraham sends a servant to travel by camel to the land of his father and seek out a wife for his son Isaac. The servant is here shown at the well...

CONDUCTOR, 100x70 cm, tempera/ paper

Rene Portocarrero Figura Ornamentada, 1978 Plaka on paper laid down on board 25 x 19 in Signed on lower left

Born in Hollywood and raised in the urban sprawls of Los Angeles, Julio’s artistic aesthetic was shaped early on by the platinum light and expansive concrete horizons of southern Cal...

Honore Sharrer (1920 - 2009) Woman Listening Signed lower right Caseine on paper 15 x 20 inches Provenance: Forum Gallery, New York Private Collection ...

Costume for Aida is a drawing in tempera and watercolor on brownish paper realized in 1920 ca. by an Anonymous Italian artist of the early 20th Century. In very good condition. The...

Egyptian Queen is an artwork realized by an unknown in mid-20th Century. Tempera on Papyrus. 77 x 51 cm ; 94 x 48 cm with frame. Good conditions!

SINGER, 100x70 cm, tempera/ paper

Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: 2 Year: 1984 Medium: Tempera on Paper, signed and dated Size: 40 in. x 25 in. (101.6 cm x 63.5 cm)

Composition. 1973, canvas, synthetic tempera, cold encaustic, 87x64 cm Cubistic composition in red, yellow, green, blue colors

"Blue Dancer” 27.5x19.5in / 70x50cm Part of my Blue Nude series, inspired by Matisse. Ultramarine tempera on paper. Shipped rolled in a tube, directly from the artist's studio. Ship...

"The Unconscious Mind” 27.5x19.5in / 70x50cm Part of my Blue Nude series, inspired by Matisse. Ultramarine tempera on paper. Shipped rolled in a tube, directly from the artist's st...

"Carnival" Part of my Blue Nude series, inspired by Matisse. Ultramarine tempera on paper. "Carnival" was part of solo show "Nude in Interior" see pictures. Shipped rolled in a tube,...

Masked Beauty in Blue , pencil and tempera on paper, inspired by Matisse. Part of Nude in Interior series. Shipped rolled in a tube, directly from the artist's studio. See pictures, ...

"After Party", nude, pencil and tempera on paper, inspired by Matisse. Part of Nude in Interior series. Female Nude seen by a female artist - female gaze. Size is 27.5x19.5in / 70x50...

Costume for Aida is a painting in tempera and watercolor on brownish paper realized in 1920 ca. by an Anonymous Italian artist of the early 20th Century. In very good condition. Th...

Born in Hollywood and raised in the urban sprawls of Los Angeles, Julio’s artistic aesthetic was shaped early on by the platinum light and expansive concrete horizons of southern Cal...

Conditions : Very good original Conditions including a beautiful frame. Framed under glass, this rare composition for sale is an exceptionnel piece for Art collectors. Signed and d...

Painting by Noche Crist (1909 - 2004). Work is titled "The Sanctuary" and signed. Painting is casein paint and plaster on board. Catalogue of an exhibition in 2008 at the Katzen...

Costume for Aida is a drawing in tempera and watercolor on brownish paper realized in 1920 ca. by an Anonymous Italian artist of the early 20th Century. In very good condition. The...

The Evangelist Mathew after a Russian Icon. School of Moscow, 15th century. Egg tempera, gold leaf, and gesso, over a wooden board. Dimensions: (H) 52 x (W) 36 x (D) 3 cm. Saint Matthew, the Evangelist, is represented at his own desk, a true artisan laboratory. THE THECHNIQUE This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with an agate. Gold leaf is real 24 carat gold . Now does the actual process of painting begin. Egg tempera is made fresh from egg yolk, water and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger...

The concert is a modern artwork realized in 19th century. Ink and tempera on paper. Includes frame. Good conditions.

Tempera on paper. Image dimensions: 17.5 x 22.5 cm Certificate of authenticity provided by the Galleria Russo. Provenance: Galleria F. Russo, Rome. Mario Sironi was an Italian paint...

Costume for Aida is an original painting in tempera and watercolor on brownish paper realized in 1920 ca. by an Anonymous Italian artist of the 20th Century. In very good condition....

Costume for Aida is a drawing in tempera and watercolor on brownish paper realized in 1920 ca. by an Anonymous Italian artist of the early 20th Century. In very good condition. The...

Red Optical Composition is an original artwork realized by the Italian contemporary master, Carlo Montesi in 1966. In good conditions. Tempera, oil pai...

Woman dancing is al drawing realized by Andrea Preger in 19th Century. Beautiful watercolour and tempera drawing on ivory-colored paper. Included passport...

Segnali is an original Contemporary artwork realized in 1988 by the italian Contemporary artist Leo Guida (1992 - 2017). Original drawing in beautiful colored tempera on ivory-c...

Il Kaiser is an original drawing in China ink and tempera on creamy cardboard realized by Gabriele Galantara (1865-1937). In good conditions. This artwotk presents on the back som...

Nell'ovale is a Contemporary artwork realized in 1988 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original drawing in beautiful colored tempera and watercolor on...

Music and Strawberries Egg Tempera Realism American Artist Reflection Framed by realist painter Mark Thompson is 7 x 11 inches. Notice the reflections in the marbles and other o...

S. Thérèse is a small and meaningful artwork realized by Paul Bony, a famous French artist active especially in the middle of the last century. The artwork is painted on branded pape...

Interior of a Dacha is an original painting in tempera on paper realized by Leonid and Rimma Brailowsky. Hand-signed on the lower right. The state of preservation of the artwork i...

Vladimir Glushenkov (1948-2009) (May 21, 1948, Riga - December 26, 2009, Riga) - painter, graphic artist, poet, translator. Vladimir Glushkenkov was born in family with Russian-Poli...

Composition is a beautiful original painting in tempera applied on cream-colored paper, realized at the beginning of XX century by the Greek-French artist Mathéos Alkis, Signed on lo...

Paese in estate is an original Contemporary artwork realized in 1988 by the italian Contemporary artist Leo Guida (1992 - 2017). Original drawing in beautiful colored tempera on...

Madame in the blossom garden is an original painting realized by Lucie Navier in the 1931. Original tempera on paper. Very good conditions. Colorful composition representing a f...

Woman with Basket is an original Modern artwork created by Gabriele Galantara (1865-1937) in 1905. The artwork has been realized in China ink, tempe...

"Mandarin" (2022) by Susanne Zuehlke (b. 1962) is a warm and inviting painting that evokes the richness and vitality of its namesake fruit. The canvas is dominated by a vibrant orang...

Reindeer In Forest Tempera on silk, gold leaf frame under glass, by Chinese artist Ma Hai Feng born 1958.

Fred Wessel's "Jack-In-The-Pulpit" is a stunning egg tempera painting on gold leaf. Created in 2023, this piece features two stems of Aresaema Triphyllum, resting in an ornate gold l...

Surreal abstract expressionist painting of a group of clowns in the style of Belgian painter James Ensor. Combining the macabre with the playful, the work features distorted clowns a...

Watercolour portrait on Fabriano 320 msg cotton rough paper prime quality. "Thanks to this psychological analysis, my paintings show emotions that people never experience in the mi...

Artist 17th Century French School Circa 1660 'Diana, Goddess of the Chase' Signature: not signed Medium: tempera on paper applied to oak panel Dimensions: image size 23.5 x 18.5 cm...

Virgin of the Sign (Orans), with the Christ Child Emmanuel and Cherubim Artist: Oliver Samsinger Technique: Egg tempera on gesso and wood, with 24-karat gold leaf application. Dimens...

Fred Wessel's "The Constellation Sagittarius" is a stunning egg tempera painting on gold leaf. Created in 2018, this piece depicts a young woman, holding an arrow and looking in the ...

An original realist egg tempera painting by American artist Catherine Koenig created during her travels to Mexico. This work will be featured in the gallery's upcoming exhibition "Dr...

Aditya Basak - Untitled - 36 x 30 inches (unframed size) Acrylic & Tempera on Canvas ** This work will be shipped in a roll form. "Through the medium of the fantasy, Basak probes...

Lalu Prasad Shaw Ganesha Tempera on Board 26 x 20 Inches 2016 Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu Prasad Shaw’s works lay the...

Fred Wessel's "Modesty" is a stunning egg tempera painting on gold leaf. Created in 2016, this piece depicts a young woman in a simple patterned gown, looking down and embracing hers...

Abstract Cubist Construction Collage Mid 20th Century American Modernism Cubism Vaclav Vytacil (1892 - 1984) Abstract Construction #2 Caesin on board collage 11 x 13 1/2 th inches S...

The School of Stoics brings the viewer into an airy evening discussion at an agora overlooking the Aegean Sea. Amidst the silent water and grained marble, a group of stoics debate logic, reason, and nature. Agreement and disagreement prevail in the noble gestures of their bodies. Soon you see an individual's gaze directed towards you, raising their hand, calling you to join the conversation. Technical: 53” x 39”. Tempera on panel with 24k gold water-gilded frame. Painting and frame produced by artists Justas and Vilius Varpucanskis. This piece utilizes the "rules of craftsmanship" as outlined in Cenino Cennini's Il Libro dell'Arte. 21st century contemporary artwork that employs techniques, philosophy, and visual language of the Italian High Renaissance...

Sir William Blake Richmond KCB, RA, PPRBSA 1842 - 1921 The Shepherd Egg tempera on wooden panel, signed with initials bottom left Image size: 8 ¼ x 5 ½ inches Period gilt oak frame A newly discovered work by the artist. Sir William Blake Richmond KCB, RA, PPRBSA was an English portrait painter, sculptor and a designer of stained glass and mosaic. He is best known for his portrait work and decorative mosaics in St Paul's Cathedral in London. He was the son of the portraitist George Richmond RA and studied at the Royal Academy Schools in the early 1860s. Influenced by his father and by Sir John Everett Millais, he is best known for his mosaic decorations below the dome and in the apse of St Paul's Cathedral in London. His father, George Richmond, was one of 'the Ancients' who were a group of artists who formed around the visionary artist and poet William Blake. Samuel Palmer was an other of the ancients and a close friend of the family. Our painting could have been inspired by George Richmond’s engraving 'The Shepherd', 1827, but in our panel the shepherd is turned round facing away, and is playing a flute instead of resting on a staff. But the sheep and other elements are there. It is also suggestive of Welby Sherman's engraving after Samuel Palmer of the same name and date, but here the shepherd is sitting but like ours turned away. William Blake's is an altogether happier image given the figure is playing to his sheep. Our painting is playing with some of the same ideas and feels like the same sort of period, and the ‘fresco’ like chalk ground is interesting, as is the pen and ink finishing on the tempera. All three are strongly influenced by Blake's illustrations to Thornton's 'Virgil'. The shepherd and his flock are clearly based on Thenot and his sheep in the Frontispiece to Thornton. Blake Richmond wrote:"If there be the least value in my pictures, it is due to such lovely early impressions derived from the sweet poetic work of many of my father's contemporaries, Calvert, Blake and others, whose shadows are substance still to me" [Sir William Blake Richmond, letter to his father, 50 years after the death of William Blake, from Stirling op. cit p. 28]. Richmond was given private art lessons by John Ruskin before attending the Royal Academy for three years. After that he spent a number of years in Italy, where an encounter with a shepherd called Beppino, 'a splendid speciman of a Sabine Shepherd', could also have gave him the inspiration for the painting we show here. Richmond recalls how he met Beppino on the hillside, and was invited to share the shade of the shepherd's capanna, a wooden hut. 'What a place! In an instant of time I was back into the age of kings, and I knew Romulus had lived and am sure that he lived in a hut exactly like this one'. That night Richmond dined at Beppino's hut 'on roast kid, hard bread dipped in Roman wine, goat's cream and white ricotta'. The shepherd had such an impression on Richmond that he sought him out on a return visit to Italy some years later, but was saddened to hear that Beppino 'had joined his fore-fathers in the shades'. He was moved to write the following, which perfectly expresses the mood of this painting and his tribute to a fleeting companion: 'Little events of this kind unite past times with present, create and emphasis continuity of human instincts, which seem to defy time and make travel so intensely interesting and invigorating to a citizen of this world. One need not go to the palace, far otherwise, or to cities and towns to discover the kernal of enduring civilisations. One finds it, if one wills to do so, in the backbone of the world, an ancient peasantry who have watched and still watch the progress of the stars'. Richmond was influential in the early stages of the Arts and Crafts Movement in his selection of bold colours and materials for the mosaics in St. Paul's Cathedral and in his collaboration with James Powell and Sons...

"Giant At Sea" is an Asian Inspired Painting with a colorful Samurai and sailing boats in the ocean, with lots of white waves. The piece is created using ink, egg-tempera, and a gold...

Provenance: Achillito Chiesa, Milan Luigi Albrighi, Florence, by 1 July 1955 with Marcello and Carlo Sestieri, Rome, 1969 Private Collection, Connecticut Exhibited: Mount Holyoke College Art Museum, South Hadley, Massachusetts (on loan, 2012) Literature: Carlo Volpe, “Alcune restituzioni al Maestro dei Santi Quirico e Giulitta,” in Quaderni di Emblema 2: Miscellanea di Bonsanti, Fahy, Francisci, Gardner, Mortari, Sestieri, Volpe, Zeri, Bergamo, 1973, pp. 19-20, fig. 18, as by the Master of Saints Quiricus and Julitta (now identified as Borghese di Piero). This fine predella panel depicting the Baptism...

GIACOMO BALLA 1871-1958 Torino 1871 - 1958 Rome (Italian) Title: Forms Sound Forme rumore, 1925/30 Technique: Signed Tempera on Card Size: 19 x 22.7 cm. / 7.5 x 8.9 in. Addition...

Beautiful painting in gouache technique depicting a distinguished young lady. The noblewoman presents a pose of rare elegance, with one hand resting on a planter and the other holdin...

The present illuminated folio page contains a fine miniature depicting three figures hunting while on horseback, an image meant to accompany a historic epic. During the medieval period, hunting was an important pastime of male nobility throughout the Islamic world. The Quran itself explicitly endorses hunting and the use of animals to aid in capturing prey: "Lawful to you are foodstuffs that are good to eat and any game that, at your wish, is captured by beasts of prey which train as you do dogs, according to the method that Allah has taught you, after you have spoken the name of Allah over it." (Q 6:4) Muslim princes and nobles enjoyed the chase of the prey via horseback, using bow and arrow, crossbows, and blowpipes to capture their prey Horseback riding itself trained young men in the necessary skills for armed combat and warfare, developing their speed and strength. 12 x 8.25 inches, artwork 19.75 x 15.88 inches, frame accompanied on the back with an image of the verso framed to conservation standards with a 100% rag silk-lined mat in a gold gilded frame A Persian miniature is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents. The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature...

Hand Signed. Passepartout included.