Art by Medium: Textile

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. CURRENT EXHIBITION - runs through December 31, 2017. Any framed photographs purchased during the show will be after December 31st. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. ABOUT The idyllic and playful world of The Peconic Bay in Southampton, NY dances to life in Luciana Pampalone’s first solo exhibition. Each location was scouted by Pampalone and transformed into a vintage 1930s setting by the use of her models and props. A Graphlex camera, aviator goggles, parasols, retro bathing suits...

ABOUT After 30 years of only exhibiting fine art photography, the Robin Rice Gallery is pleased to present a group exhibition featuring a selection of her gallery photographers and t...

Signed, titled, and dated in ink on print margin. American street photographer Don Donaghy (1936 - 2008 b. Philadelphia, Pennsylvania), was a fourth-generation native of Philadelp,h...

Edition of 15 Signed, titled, dated, print date, and numbered. Paper size: 36 x 54 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of...

This photographic triptych Titled "Ribbons" 1998 is a gelatin silver print on paper by noted American/Canadian artist Carol Marino, born 1943. It is hand signed, dated 1998 and titled in dark red ink by the artist. The size of each photograph is 16 x 11 inches, sheet size is 16. 5 x 11.5 inches. The three together is 34.65 x 11.5 inches, framed is 29.25 x 43 inches. Framed in a silver and maple frame. The photographs are in excellent condition, the frame has some minor scratches and will be replaced by a similar or better new frame before shipping, which will make the overall condition excellent. About the artist: CAROL MARINO (Canadian, b. United States, 1943) In reaction to the industrial landscape of Pittsburgh, where she grew up, Carol Marino responds to her present, comparatively untouched environment with a certain instinctive attachment to it. Photographing near and around her home in northern Ontario, she focuses on flora and fauna in their natural habitats. For her, photography is a vehicle to express her concern for and engagement with her natural surroundings and her work often shows the influence of artists such as Edward Weston or Imogen Cunningham, particularly in its sensuality. Marino generally makes only a single print from each negative, often grouping three or four images together to create assemblages. The occasional addition of patterned colour-pigmented Select Solo Exhibitions 2006 Newfoundland, Corkin Shopland Gallery, Toronto 2001 New Work, Jane Corkin Gallery, Toronto 1999 Recent Work, Jane Corkin Gallery, Toronto 1996 Jane Corkin Gallery, Toronto 1993 Jane Corkin Gallery, Toronto 1991 The Koffler Gallery, Toronto New Work, Jane Corkin Gallery 1988 Works in Colour, Jane Corkin Gallery 1986 Recent Work, Jane Corkin Gallery 1984 Jane Corkin Gallery, Toronto 1983 Kodak Gallery, Rochester, New York 1982 Jane Corkin Gallery Kensington Fine Art Gallery, Calgary 1981 Marcuse Pfeifer Gallery, New York 1980 Jane Corkin Gallery 1978 The David Mirvish Gallery, Toronto 1976 The David Mirvish Gallery, Toronto 1973 The Baldwin Street Gallery, Toronto Select Group Exhibitions 2002 Four Canadian Photographers, Samuel P. Harn Museum of Art, University of Florida 1997 Hot Art for Hot Days, Jane Corkin Gallery 1996 Gallery Artists, Jane Corkin Gallery 1995 Contemporary Animals, Jane Corkin Gallery 1994 15th Anniversary Exhibition, Jane Corkin Gallery 1992 Women on Women, Jane Corkin Gallery 1991 Four Canadians, Vision Gallery, San Francisco 1990 Is There Still Life in Still Life or is Nature Morte?, Watson de Nagy, Houston, Texas 1989 Contemporary Canadian Photography, Hotel La Citadelle, Montreal, PQ 1988 Figurative Force, The Gallery / Stratford, Ontario 1987 An Exhibition of Works in Colour, Jane Corkin Gallery Summer Gardens – Summer Flowers, Jane Corkin Gallery 1986 Masterpieces from the Gallery Collection, Jane Corkin Gallery Canadian Contemporary Photography, Watson de Nagy, Houston, Texas 1985-6 Retrospective, Jane Corkin Gallery 1985 Jane Corkin Gallery 1984 Santa Claus Exhibition, Jane Corkin Gallery Summer Salon ’84, Jane Corkin Gallery 1983 Galerie Zur Stockeregg, Zurich, Switzerland 1981 Le Troisième Salon, Jane Corkin Gallery 1979 Canadian Images Conference, Trent University, Peterborough, ON Opening Exhibition, Jane Corkin Gallery 1978 The Baldwin Street Gallery, Toronto 1975 National Film Board - International Women’s Year Exhibition Select Solo Museum Exhibitions 1987 Life Forces, Agnes Etherington Art Centre, with Catalogue, Queen’s University, Kingston, ON Select Group Museum Exhibitions 2009 Dancing While Driving, Corkin Gallery, Toronto 2000 From the Collection: Flowerpieces, Canadian Museum of Contemporary Photography 1995 The Hat My Father Wore, Agnes Etherington Art Centre, Kingston 1992-4 Flora Photographica: The Flower in Photography...

Nesting Tree Study #2 by Keith Carter presents a group of white egrets perched in a grove of bald cypress trees. The branches hold nests for the birds, creating a habitat in the swampy landscape of the Big Thicket. Edition 8 of 25 Archival pigment print Paper size: 17 x 22 in., Image size: 16 x 20 in. Signed, titled, dated, and numbered in pencil on print verso by Keith Carter Series: Ghostlight Keith Carter is an American photographer who is known for his dreamlike black and white photographs of the figure, animals, and meaningful objects. He began photographing new and unknown realities using East Texas natives as subjects. This population and background setting spoke to the folklore, religious, and cultural motifs Carter was visually exploring. Since his start in Texas, his work continues to push imaginative realms while reaching prestigious artistic and technical status. In 1970, Carter earned a Business Management degree from Lamar University and began his career as a commercial photographer while working on personal projects. These personal projects have become a strong and highly sought after collection that have become twelve published monographs. Carter currently teaches photography at Lamar University as a Distinguished Faculty Lecturer. He travels worldwide providing photography lectures and workshops for artists. Carter’s fine art photography collections...

No Edition Signed, titled, and dated in pencil on verso by Don Donaghy Gelatin silver print, 13 1/4 x 9 in. American street photographer Don Donaghy (1936 - 2008 b. Philadelphia, Pe...

A set of two photographs by Andy Warhol. “Farrah Fawcett Photo Shoot” is a set of two silver gelatin prints by American Pop Artist Andy Warhol. The artw...

Muhammad Ali / 5th Street Gym - Miami Beach by Al Satterwhite is a black and white contact sheet of a photoshoot following the famous boxer. Many iconic photographs of Muhammad Ali a...

This is a 17 x 22 inches archival giclée black and white print on archival exhibition paper. It is part of a limited edition of 10 plus 2 AP. It shows a woman looking straight into...

Listing is for FRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produce...

This photograph of The Beatles drummer Ringo Starr's cowboy boot with spurs, resting on the toilet seat was taken in 1975 in England. It is a print on exhibition fiber paper, signed on the lower right side "Nancy Lee Andrews...