Art by Medium: Thread

The Sorcerer, 2020, acrylic, oil, graphite, pastel, thread and yarn on canvas. Green, blue, pink, abstract. Custom framed in a white floating frame.

This abstract boat wall sculpture by Danish artist, Jane Balsgaard, is constructed with iron, bamboo, willow, fishing line and handmade plantpaper...

A pair of original wire mesh figurative sculptures by American contemporary artist Randy Cooper.

It is signed in a stitch Omaggio a Depero, Ivana, 2000 Fortunato Depero (1892 – 1960) was an Italian futurist artist and painter, writer, sculptor and graphic designer who worked in...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments of fabric, scrolls, drawings, and books collected during his travels. This kite entitled "Boro" is patterned with Japanese indigo-dyed fabric scraps, sewn together to form a patchwork of contrasting patterns and shades of blue. The kite's design recreates the traditional practice of Boro stitching...

From the artist's 2017 Brigitte Bardot series Ink, lace + thread hand stitched on paper

Memory, Kyoko Kumai, stainless steel filaments, 41” x 19” x 19”, 2017. This steel thread woven wall sculpture was constructed by Japanese fiber artist, Ky...

Pathways of Desire (2009) - block printed, manipulated, stitched, heat-set polyester, cotton thread. This contemporary abstract tapestry is by UK-based contemporary textile artist, Caroline Bartlett...

From the artist's 2017 Bridget Bardot series Ink + thread hand stitched on plywood with 24kt gold leaf

Kristy Chettle (American, born 1968) "Untitled No. 27" 2022 Oil Paint, Mixed Media, Mesh, Canvas, Stretcher Bars The artist signed the back of the artwork. "Untitled No. 27" showcas...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

This found object sculpture titled "Thermos and Mug" is an original artwork by Ulla-Stina Wikander made of needlepoint embroidery and vintage object. Her intricate textile constructi...

Analog photographs printed on different layers of threads manually intervened

Adela Akers (b. 1933, Santiago de Compostela, Spain) is a Spanish-born textile and fiber artist. She is Professor Emeritus (1972 to 1995) at the Tyler Scho...

Rachel Denny's work is an exploration of the seductive beauty of our natural world and the imprint that human intervention has made on its flora and fauna...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

This piece titled "My Jam" is an original artwork made from collage, hand embroidery, and latex paint on canvas by Kelly Kozma. This piece is shipped in the pictured white frame and ...

A wall-mounted contemporary fiber sculpture, Specimen 44 reads as an artistic rendition of a beautiful sea specimen. Luminous hand-dyed violet blue and purple embroidery thread is wr...

This piece titled "Spinner" is an original artwork made from collage, hand embroidery, and latex paint on canvas by Kelly Kozma. This piece is shipped in the pictured white frame and measures 6"h x 6"w framed. The catalyst for this new body of work was a jar of leftover magazine cutouts from a collage I made in 2010. Reusing leftover materials as well repurposing items that might end up thrown away, has become a very important part of my process the past decade. Stumbling across this jar of coin sized images that had waited patiently on a shelf for 12 years, ignited my creative process and drove me to explore collage in a new way. Unlike the piece from 2010 in which I assembled the images by piecing them together, I decided to examine each individual cut out on its on. By removing the image from any other context it allows you to focus solely on its meaning, purpose or feelings that it may evoke. Each image is embedded in a field of French knots which felt like a way of creating a time capsule of sorts for the object. Another inspiration behind this collection is my six year old son and his endless piles of sticks, stones, leaves, etc in our home. Only to him they aren’t sticks and stones, they are treasures. His ability to find a tiny twig or scrap of paper and not only cherish it but give it a backstory of why it is so special, is a beautiful thing and one I have tried to tap into with my new work. By placing a picture of a rubberband ball or a set of Dracula teeth or a banana in this embroidered box...

Leaves are precisely arranged and intricately embroidered, rendering them earthly and otherwise, fibrous in both a natural and textile sense. Black in Gold (2017) by Hillary Waters F...

This piece titled "Rainbot" is an original artwork made from collage, hand embroidery, and latex paint on canvas by Kelly Kozma. This piece is shipped in the pictured white frame and...

comes with original packaging

This piece titled "Candyland" is an original artwork made from collage, hand embroidery, and latex paint on canvas by Kelly Kozma. This piece is shipped in the pictured white frame a...

Dakota Nightshade (Native American, Indian piece) Mixed media (ink, paint etc. red thread stitching) Framed 43 X 57 sheet 36 X 49 Hand signed, dated and titled by artist. (with a l...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Acrylic, oil, thread, and fabric on canvas Eozen Agopian (b.1960), is an artist of Armenian descent born in Athens, Greece. She has received a Master of Fine Arts degree from Pratt...

Podroz (Journey) from the Kolodia series, linen, sisal, wool 60" x 56", 1986. This mid-century modern woven textile wall sculpture was done by fiber artist, Agnieszka Ruszczynska-Sza...

Margaret VIII, flax, sisal and wool, 57" x 39", 1977. This Mid-Century Modern abstract woven tapestry was done by Postwar and Contemporary Polish textile...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

Leaves are precisely arranged and intricately embroidered, rendering them earthly and otherwise, fibrous in both a natural and textile sense. Space Between (2017) by Hillary Waters Fayle. Magnolia leaves...

"Turtleneck (two)" is a one-of-a-kind piece created by Eustace Mamba. This sewn mixed media and oil paint on stretched canvas artwork measures 28”h x 26”w. It ships with a gallery-i...

Åse Ljones’ hand-embroidered tapestry Sound on the Fjord reflects Ljones’ upbringing on a small rural farm, where sea and nature were close by. Ljones start...

Acrylic, oil, thread, and fabric on canvas Eozen Agopian (b.1960), is an artist of Armenian descent born in Athens, Greece. She has received a Master of Fine Arts degree from Pratt...

Gold Laugh (1980-85) metallic and acrylic thread, cotton. Gold, Metallic Woven Abstract Textile Sculpture. Textile artist, Micheline Beauchemin (1929-2009) was born in Longqueuil, Quebec, Canada. She has created a repertory of various works which includes theatre curtains, tapestries, wall hangings, embroidery murals, flexible walls, stained glass works, scale models, collages, toys, costumes and illustrations. Micheline Beauchemin began her career making stained-glass windows but early on turned to weaving and embroidering spectacular wall hangings in vibrant colors, including blues and greens. travelled and studied in Japan, China, India, North Africa, the Canadian Arctic and the Andes, adding depth and mystery to the love of light, water, wings and nets that is evident in her body of work. Beauchemin’s works are included in the collections of the National Gallery of Canada, Ottawa; the Montreal Museum of Fine Arts; the Musée du Québec; Pearson Airport, Toronto; the Canada Council, Ottawa; the Canadian Museum of Civilization, Gatineau; the Bibliothèque Centrale, Quebec; the Taxation Data Centre, Shawinigan; the Revenue Building, Québec; North York...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

"Window IV" captures the sun peering in behind sheer curtains. This painting is is part of an on-going series that explores the light and landscape in T...

Oil, thread, and fabric on canvas Eozen Agopian (b.1960), is an artist of Armenian descent born in Athens, Greece. She has received a Master of Fine Arts degree from Pratt Institut...

"Summer's End " captures the soft patterned shadow of the leaves. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates a...

Ina Kaur (b. 1980) is a multidisciplinary artist whose conceptually driven work responds to imbalances and injustices within social, cultural, and ecological environments. Her practi...

Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt so...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

This abstract geometric mixed media piece was done by fiber artist, Jin-Sook So (b. 1950, Korea). So grew up in Seoul, Korea where she received a master's degree in textile art, afte...

The work of Sam Gilliam is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, ...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

Sand-cast glass, steel mesh, silver mesh, and metal. 60"H x 45"W x 20"D Yasemin Aslan Bakiri specializes in sand-cast glass techniques using ideas relating to the natural world...

Recycled textiles, thread, batting, glazed ceramic, metal table, spray paint 34 x 22 x 18 inches Artist Statement I hand-sew compound sculptural forms that are constructed from clot...

Meeting Point by Caroline Bartlett, Mono-printed, stitched and manipulated linen, cotton threads 60” x 16.5,” 2020. UK fiber artist, Caroline Bartle...

This painting was created by Heather Hartman for her exhibit "Kudzu Season," at Channel to Channel Gallery. A black silhouette of Kudzu leaves crowd...

Saba's Garden, linen, sisal and wool, 84" x 92", 1978. This mid-century modern woven textile wall sculpture was done by fiber artist, Agnieszka Ruszczynska-Szafranska (b. 1929, Warsa...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

This is a one of a kind original encaustic mixed media artwork by Tiffany Bociek. Its dimensions are 13.4 x 19.5 x 2 in. A certificate of authenticity will follow delivery. Create...

"INTRO MELODY INTRO REPRISE" is an original artwork by Hyland Mather made of acrylic and aerosol with string and pins on canvas, the work is presented in a solid wood tray frame. It ...

Pagter’s minimalism is emblematic of the shared sensibilities of Scandinavian and Japanese artists, popularly termed 'Japandi'. Into Red is one in a three part series. “In the refin...

"INTRO BEAT 01 OUTRO" is an original artwork by Hyland Mather made of acrylic and aerosol with string and pins on canvas, the work is presented in a solid wood tray frame. It measure...

LESLEY DILL ONLY, 2004 bronze, paint, ink, wire, thread 58 x 19 x 14 in. 147.3 x 48.3 x 35.6 cm.

Photorealistic Embroidery, Framed, Landscape, Big Sky, Clouds, Trees, Fiber Art “The stitches are like pencil hatching. Different colors of thread are layered throughout each piece ...

This archival pigment print on linen with cotton embroidery features hues of yellow, blue and purple. Tokie Rome-Taylor is inspired by the works of Harmonia Rosales...

This contemporary wall mounted fiber sculpture, Specimen 24 reads as an artistic rendition of a beautiful sea specimen. Rich, jewel-toned purple hand-dyed cotton thread is wrapped ar...