Art by Medium: Thread

From the artist's 2017 Brigitte Bardot series Ink, lace + thread hand stitched on paper

The contemporary artist, Augustina Droze, uses animals as symbols to describe her personal lived experiences. Her current body of work explores her life as a foreigner, her gaze upon...

Kristy Chettle (American, born 1968) "Untitled No. 27" 2022 Oil Paint, Mixed Media, Mesh, Canvas, Stretcher Bars The artist signed the back of the artwork. "Untitled No. 27" showcas...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

At the End of My Rope by John Garrett, 540 x 3 inch, cotton and polyester thread John Garrett was raised in southern New Mexico by parents who were both educators. They instilled i...

Åse Ljones’ hand-embroidered tapestry Sound on the Fjord reflects Ljones’ upbringing on a small rural farm, where sea and nature were close by. Ljones start...

Pagter’s minimalism is emblematic of the shared sensibilities of Scandinavian and Japanese artists, popularly termed 'Japandi'. Into Blue is one in a three part series. “In the refi...

Leaves are precisely arranged and intricately embroidered, rendering them earthly and otherwise, fibrous in both a natural and textile sense. Black in Gold (2017) by Hillary Waters F...

This piece titled "This Bouquet" is an original artwork made from collage, hand embroidery, and latex paint on canvas by Kelly Kozma. This piece is shipped in the pictured white fram...

Eozen Agopian’s "Light Once More" (2025) exemplifies her signature mixed-media practice, fusing fabric collage, stitched thread, and expressive paint. In this work, geometric forms i...

Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt so...

Pagter’s minimalism is emblematic of the shared sensibilities of Scandinavian and Japanese artists, popularly termed 'Japandi'. Into Black is one in a three part series. “In the ref...

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around questions of trust, inte...

Love at First Sight (Bite) is a contemporary photograph, which explores attraction, seduction, and symmetry. Four mirror images of a photograph of a butterfly pair is sewn with white...

This is a one of a kind original surrealist figurative encaustic wax painting by San Diego artist, Tiffany Bociek. It's dimensions are 11.1"x11.1"x2". I...

Oil, acrylic, pastel, and mesh. Unframed and un-stretched canvas.

"Security Blanket" is an original work by American artist Kelly Kozma made from hand-cut security envelopes, hand-stitched together with embroidery th...

Photorealistic Embroidery, Framed, Landscape, Big Sky, Clouds, Trees, Fiber Art “The stitches are like pencil hatching. Different colors of thread are layered throughout each piece ...

Color silkscreen collage with relief, embossing, thread and cut paper Signed 'Alan Shields', titled 'Houston Oil', dated '74 and numbered 4/21 on the front Houston Oil (1974) is a ra...

Esther Traugot obscures natural objects within hand-crocheted coverings, in a curious and aesthetically intriguing attempt to preserve nature and prevent its decay. She refers to the...

Brocade: The royal courts of the Maharajas of India were symbols of extravagance. The opulent Brocade or Zari textile was used lavishly to ornament the interiors. Brocade is a heavy weight drape, woven in intricate raised patterns of motifs or all over floral scrolls. What grants this fabric its royal stature is the use of gold and silver metal threads to weave the designs. These wall panels depict the rich affluent luxury of the Brocade. Gold corded thread embroidered on deep plush velvet creates raised patterns. The artwork is designed to exaggerate the opulence. A note on handmade: A handmade product is always appealing due to the irregularities in its workmanship. This is what sets it apart from machine made or computerized; the perfection they offer feels synthetic or artificial. Especially when one speaks of art and craft. These wall panels are works of hand worked embroideries. Imperfections such as an occasional puckering of the base material are expected with the kind of embroidery stitches used. You are assured these artworks are embroidered by highly skilled artisans (it is not possible for craftsmen of lesser experience to create these pieces) The materials used for the embroideries are of superior quality only. About: Shabbir Merchant...

High Hopes Acrylic and mesh on canvas 40 x 40 inches 2018 Park abstract paintings are spontaneous and intuitive. Inspired by colors in nature, textiles and design, she paints with a ...

"[Masakazu Kobayashi's] woven Waves in dyed threads rank[s] among the most perfect in aesthetic effectiveness ever produced by contemporary weaving….This Japanese way of conjuring up such transparency with threads, of perceiving the thread itself as something creative is highly artistic. They celebrate aesthetic beauty in a way no one can elude.” From “Textile Art and the Avant-garde,” Erika Billeter (Contemporary Textile Art: the Collection of the Pierre Pauli...

Jane Reichle (b. 1998, Bryan, TX) is a hand embroidery and textile artist based in Austin, Texas. When most people hear "embroidery," they think of pastel flowers and domesticity. Th...

Grace Awe's "Submission to Authority (1)" is an original 2024 artwork that intertwines thread and acrylic on a 20 x 16 inch canvas. The portrait, rich in texture and color, reflects ...

This abstract geometric wall sculpture was done by fiber artist, Jin-Sook So (b. 1950, Korea). So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transpar...

Overview Paper collage 4.5 x 4.5 unframed

Meeting Point by Caroline Bartlett, Mono-printed, stitched and manipulated linen, cotton threads 60” x 16.5,” 2020. UK fiber artist, Caroline Bartle...

Embroidery by Yanne Kintgen: "Poetry 30". Born in Redon (France) on April 26, 1960, Yanne Kintgen has been a painter and illustrator since 1985. To ente...

Realistic brown and red toned intricately embroidered portrait of a woman in Hollywood glam style. Work is unsigned. Framed in a thick black wooden frame. Dimensions Without Frame: ...

Linda Kamille Schmidt plays with emotional connections and memory in her smaller, framed works. In their encasements, each collage appears as a portal; a...

Recycled textiles, thread, batting, glazed ceramic, metal table, spray paint 34 x 22 x 18 inches Artist Statement I hand-sew compound sculptural forms that are constructed from clot...

"Framed and Draped: Material Collection", acrylic on abaca, dyes on rayon; woven, 63" x 38", 1989. This contemporary abstract mixed media tapestry was done by California-based Ameri...

Stony Signs, wool, sisal, copper, 35" x 90", 1978. This Mid-Century Modern abstract woven tapestry was done by Postwar and Contemporary Polish textile...

"View" captures an environment exposed through an obstructions such as streaks on glass. This painting is is part of an on-going series that explores the light and landscape in Tenne...

Elfi Schuselka (Austrian, b. 1940), Abstract Composition, Acrylic on Tarlatan, with dried paint elements, mounted on dried paint square, signed to verso. 39.5" H x 36.5" W. Provenanc...

This painting is part of a series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the ...

Gold Laugh (1980-85) metallic and acrylic thread, cotton. Gold, Metallic Woven Abstract Textile Sculpture. Textile artist, Micheline Beauchemin (1929-2009) was born in Longqueuil, Quebec, Canada. She has created a repertory of various works which includes theatre curtains, tapestries, wall hangings, embroidery murals, flexible walls, stained glass works, scale models, collages, toys, costumes and illustrations. Micheline Beauchemin began her career making stained-glass windows but early on turned to weaving and embroidering spectacular wall hangings in vibrant colors, including blues and greens. travelled and studied in Japan, China, India, North Africa, the Canadian Arctic and the Andes, adding depth and mystery to the love of light, water, wings and nets that is evident in her body of work. Beauchemin’s works are included in the collections of the National Gallery of Canada, Ottawa; the Montreal Museum of Fine Arts; the Musée du Québec; Pearson Airport, Toronto; the Canada Council, Ottawa; the Canadian Museum of Civilization, Gatineau; the Bibliothèque Centrale, Quebec; the Taxation Data Centre, Shawinigan; the Revenue Building, Québec; North York...

Thin Green Horizon, sisal, linen and flax, 45.5” x 55.5”, 2017. Gudrun Pagter is a Denmark-based artist that is known for creating exquisite woven tapestries. Pagter creates strong...

Funny Weather is part of my latest series: Roots of a City. Each painting in this series is based on the urban environments of places that I have visited or lived in. There is an emo...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Acrylic, graphite and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at the same time a tra...

Villa is a textile, installation and street artist. Her work primarily explores interconnection. Among her themes are the visionaries creating positive change throughout history, pop culture, social causes, and our reconnection with nature. Influenced by history, culture and human relationships in a fragmented post-digital world, the bold dynamism of her work is revealed in uncut thread. It lends a surreal and unfinished aesthetic that reflects the importance of acceptance of change, evolution and imperfection. Villa’s approach to textile is sensitive and intuitive. She draws inspiration from the craftsmanship and the textile traditions in Mexico and from across cultures, but uses textiles...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5% Endless Line by Chiharu Shiota (b. 1972) Red...

Jane Reichle (b. 1998, Bryan, TX) is a hand embroidery and textile artist based in Austin, Texas. When most people hear "embroidery," they think of pastel flowers and domesticity. Th...

Jin-Sook So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transparent steel mesh cloth, which she burns, paints, electroplates in gold or silver, sews an...

"Plato’s Cave" is a one-of-a-kind piece created by Eustace Mamba. This oils, acrylics, sewn mixed media, jute rope, nylon, dropcloth, canvas, magazine clippings, paint marker, graffi...

Pagter’s minimalism is emblematic of the shared sensibilities of Scandinavian and Japanese artists, popularly termed 'Japandi'. Into Red is one in a three part series. “In the refin...

GINA PHILLIPS is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of both regions influence her wo...

Jaali: Jaali' of Urdu origin meaning netting, is an ornamental open work originally crafted on wood, metal and stone for interiors. A significant feature of Indo-Islamic art, the Jaali is an intricate pattern ranging from delicate trellises to complex floral layouts. The wall panels depict the interlacing design of the Jaali in mid earth tones on silk. The compositions of flowers and the paisley are embroidered in thread with subtle highlightes of shine. A note on handmade: A handmade product is always appealing due to the irregularities in its workmanship. This is what sets it apart from machine made or computerized; the perfection they offer feels synthetic or artificial. Especially when one speaks of art and craft. These wall panels are works of hand worked embroideries. Imperfections such as an occasional puckering of the base material are expected with the kind of embroidery stitches used. You are assured these artworks are embroidered by highly skilled artisans (it is not possible for craftsmen of lesser experience to create these pieces) The materials used for the embroideries are of superior quality only. About: Shabbir Merchant...

Temporary End of Summer Sale. This phenomenal wall-mounted mid-century-modern sculpture is titled "Flight" and was created by internationally recognized textile artist Barbara Barr...

Jane Reichle (b. 1998, Bryan, TX) is a hand embroidery and textile artist based in Austin, Texas. When most people hear "embroidery," they think of pastel flowers and domesticity. Th...

Villa is a textile, installation and street artist. Her work primarily explores interconnection. Among her themes are the visionaries creating positive change throughout history, pop culture, social causes, and our reconnection with nature. Influenced by history, culture and human relationships in a fragmented post-digital world, the bold dynamism of her work is revealed in uncut thread. It lends a surreal and unfinished aesthetic that reflects the importance of acceptance of change, evolution and imperfection. Villa’s approach to textile is sensitive and intuitive. She draws inspiration from the craftsmanship and the textile traditions in Mexico and from across cultures, but uses textiles...

In this contemporary mixed media textile artwork, an eastern redbud leaf is composed of delicately stitched donated clothing, textiles, notions, buttons and guitar string ball-ends, ...

A group of leaves in various shapes are composed of delicately stitched donated clothing, textiles, notions, buttons and guitar string ball-ends, in a soft palette of pale salmon, pi...

This sculpture titled "Magma & Reef" is an original artwork by Kelly Kozma made of assorted & repurposed punched paper, hand-stitched together with embroidery thread. The pie...

Rachel Hellmann Tack, 2023 Fabric, yarn, thread, Dura-lar, paint 17 x 14 in. (19 x 16 in. framed with white frame) $2200. Rachel Hellmann’s Tack (2023) is a contemporary abstract m...

"Heavy Weight 78 / Felt Tip Pen (Linea Pictura)" is an original artwork by Hyland Mather made of acrylic, oil stick, ink, string drawing, and pins on reused canvas. It measures 60"h ...