Art by Medium: Tissue Paper

Thresholds, entries, and apertures are not always marked discreetly, but require a ritual pause before entry. The pause contains a gathering of wherewithal. It is an energetic practi...

Diptych Rainbow Landscape- cold wax, tissue paper, found object, and oil stick over acrylic paint on panel, 2023, through a rainbow as a lens into the landscape. The many layers of l...

Art still has a shamanic component that is often unrecognized, yet nevertheless functions through symbols. Symbols here are not a psychological interpretation, but rather work you as...

Tissue paper on paper. Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intuiti...

David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. The surfaces of his paintings are made from textured wallpaper collaged with a technique similar to marquetry. Colour and composition are the key aspects of his work. He studied Fine Art at Middlesex University (2001) and gained an MA in Painting from the Royal College of Art, London (2003). David Wightman’s solo exhibitions include My Atalanta, Long & Ryle, London (2020), In Arcadia, DuranMashaal Gallery, Montréal (2018), A Devotion, Someth1ng Gallery, London (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009), and Aspirations, William Angel Gallery, London (2008). In 2010, David Wightman was awarded the Berwick Gymnasium Arts Fellowship – a sixmonth residency in Berwick-upon-Tweed, Northumberland, funded by Arts Council England and English Heritage. In 2013, he was selected by the curator of House Arts Festival, Mariele Neudecker...

Tissue paper on paper. Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intuiti...

Ancestors, a new series using cold wax, oil stick, and layers of marked tissue paper with monoprints, explores through transparent layers of overlapping images the subtle awareness a...

16 layer hand cut stencil, spray paint on genuine 10 Pound banknote, C-Type semi gloss printed detail, signed and dated edition of 10 2 7/8 x 5 3/4 in 7.2 x 14.5 cm Edition of 10 plu...

Daniela Gullotta - "Nocturne op.9 n.1" (2026) Discover the quiet intensity of Daniela Gullotta’s 20x20 cm oil and mixed media painting—a compact yet powerful exploration of space, m...

Large Format Paintings in the Layers of Reality Series are composed of monoprints and various markings on tissue paper with cold wax, a transparent layering with oil paint over acryl...

The first layer of this painting was an ardent bare-breasted woman warrior reaching for a sword. The next layer that emerged, influenced by the Monk Series, was the outline of a trad...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing and conveying its contents, with particular involvement of methodologies from geography, anthropology, sociology to cultural studies. Her works have been in the past approached to the works of Anselm Kiefer (b. 1945) and Giovanni Battista Piranesi (1720-1770), but in Gullotta's paintings the absence of color makes the spaces particularly ethereal, allowing them to be ideally lifted to new places and to new life. An artist of international caliber who has decided to entrust her return to her homeland to Almach Art Gallery in Milan, while maintaining connections with important galleries, such as Marlborough Fine Art in London and Galerie Koch in Hanover. The artwork represents an ideal abandoned church...

Sleeping Woman is an original modern artwork realized the half of the XX Century by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original pen drawing on paper. Hand-...

The Couple is an original modern artwork realized in the first years of the XX Century. Mixed media on tissue paper. Black china ink and colored pastels. Very good conditions. N...

Daniela Gullotta - "Canary Wharf Station" (2014) Distinguished Provenance This work represents a significant moment in Daniela Gullotta's career, having been exhibited at the presti...

Abstract II Absence of Impetus, Acrylic paint on canvas. Impetus denotes the transmission of power from mover to moved. Want of impetus is not necessarily a lack of impetus. L...

TILL IT'S TIME TO GO, NO. 8, by artist Jeri Eisenberg is green, and soft pink contemporary quad made of Archival pigment ink on Japanese Kozo with encaustic medium, that measures 36 x 44.5 and is priced at $4,200. TILL IT'S TIME TO GO, NO. 8 Edition: 1/12, 2014 *Price differs with top bars only $4000* Jeri Eisenberg works primarily with non-traditional and alternative photo-based techniques. She represses or subverts traditional photography’s emphasis on the representational qualities of the medium, and emphasizes instead the medium’s expressive nature. She employs a strong sense of materiality and seductive surfaces in her work, to evoke sense memories and visceral connections. Her work steadfastly serves as an affirmation of beauty in the everyday natural world, but is tinged with the bittersweet - a reminder of the temporal condition, and an elegy for life. EDUCATION MFA, Art Institute of Boston, Lesley University, Cambridge, MA JD, Boston University, Boston, MA BA, Kirkland College, Clinton, NY SELECTED SOLO EXHIBITIONS 2014 Cumberland Gallery, Nashville, TN 2013 Foster/White Gallery, Seattle, WA 2012 Wallspace Gallery, Santa Barbara, CA Putnam Gallery, The Dublin School, Dublin, NH 2011 Kathryn Markel Fine Arts, New York, NY John Cleary Gallery, Houston, TX Griffin Museum, Winchester, MA 2009 Corden Potts Gallery, San Francisco, CA John Cleary Gallery, Houston, TX Lanoue Fine Art, Boston, MA 2008 Galerie BMG, Woodstock, NY 2007 Gallery Saintonge, Missoula, Montana MT Exposed Gallery of Art Photography, Delmar, NY 2006 Julie Kinzelman Art, Houston, TX 2005 Galerie BMG, Woodstock, NY Carrie Haddad Gallery, Hudson, NY 2004 Lapham Gallery, Glens Falls, NY Siena College, Loudonville, NY 2003 Fulton Street Gallery, Troy, NY Adirondack Lakes Art Center, Blue Mountain Lake, NY 2001 Perella Gallery, Fulton-Montgomery Community College, Johnstown, NY Greene County Council on the Arts, Catskill, NY Carrie Haddad Gallery, Hudson, NY Northwest Nazarene University, Nampa, ID 2000 University of La Vern, La Vern, CA 1999 Spencertown Academy, Spencertown, NY Fulton Street Gallery, Troy, NY Carrie Haddad Gallery, Hudson, NY 1998 LRC Gallery, Hudson Valley Community College, Troy, NY 1996 Shelnutt Gallery, RPI, Troy, NY SELECTED GROUP EXHIBITIONS 2013 Multiple Focus: Contemporary Photography from the Collection, Albany Institute of History and Art, Albany, NY Summer Portfolio, Corden Potts Gallery, San Francisco, CA A Few of My Favorite Things, Lanoue Fine Art, Boston, MA Rejuvenation, Furchgott Sourdiffe Gallery, Shelburn, VT Have a Nice Day, Gilman Contemporary, Ketchum, ID Soft Focus, Carrie Haddad Gallery, Hudson, NY 2013 Wax is Hot, Amy Simon Gallery, Westport, CT 2012 Corden Potts Gallery, San Francisco, CA Snail Mail, Museum of Fine Arts, Houston, TX Small Packages, Cumberland Gallery, Nashville, TN Encaustic Works 2012 Invitational, R&F Gallery, Kingston NY Photograph: New Work, Carrie Haddad Gallery, Hudson, NY Deck the Walls, Catherine Couturier Gallery, Houston, TX 2011 Fotografias – Colecao Joaquim Paiva, Museu de Arte Moderna do Rio de Janeiro, Brazil Women...

Fox with Bees 2025 Acrylic paint, cold wax, monoprints, oil stick on canvas. The first layer of this reality is a sweet red-haired woman. In the next layer, she looks out from a two-...

Large Format Paintings in the Layers of Reality Series are composed of monoprints and various markings on tissue paper with cold wax to create transparent layers with oil paint over ...

True Happiness, cold wax- tissue paper, found object, and oil stick over acrylic paint on canvas, 2025. A child stands as a shaman in his understanding of what creates true happiness...

Diptych Landscape Pogonip-cold wax, monoprints, mulberry paper on canvas, 2025. There are many overlapping histories in the local terrain of Pogonip, a word borrowed from the Shoshon...

Diptych Ribs of Tyme, Cold wax, monoprints, oil stick on canvas, 2024. Ribs infer a biological or even geological structure. In this study, we are taking time out of the world of co...

The Ringmaster is in the guise of a Japanese feudal lord, acrylic paint with cold wax, tissue paper monoprints on canvas. Ever the showman, his lordship’s vision relates to Juvenal, ...

Revolution in Tyme, Cold wax, monoprints, transfer, oil stick on canvas, 2024. Revolution can be an orbit or gyration, an uprising or insurrection. All require movement in space/time...

Daniela Gullotta - "Interno con mezzo busto" (2024) Step into the evocative world of Daniela Gullotta, where architecture and memory intertwine through richly layered compositions. ...

Daniela Gullotta - "Interno con Discobolo" (2024) A hauntingly evocative meditation on classical beauty and domestic intimacy, this exquisite small-scale work by Italian artist Dani...

Tyme of Revolution, cold wax, monoprints, transfer, oil stick on canvas, 2024. Within history, culture binds values and meaning to time through symbols. These images of flags and gas...

These works reflect the animism of Japanese culture and Zen training. Living in temples and the countryside with craftsman communities in Japan for over a decade, Majio was deeply in...

JoyFool with acrylic paint, cold wax, monoprints on tissue paper, and oil stick, evolved from an inquiry into the difference between joy and happiness. This led to the insight that h...

Hierophant with acrylic and cold wax tissue paper monoprints on canvas is the interpreter of the mysteries with the X-ray of a mouth in her hands. She transmits wisdom from a structu...

In the Layers of Reality Series, the Shaman/child is depicted. In anthropologist Manvir Singh’s definition of shaman, there are three basic features: entering non-ordinary states, en...

In the Layers of Reality Series, the Shaman/child is depicted. In anthropologist Manvir Singh’s definition of shaman, there are three basic features: entering non-ordinary states, en...

Large Format Paintings in the Layers of Reality Series are composed of monoprints and various markings on tissue paper with cold wax to create transparent layers with oil paint over ...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing an...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing an...

After living and working in the various disciplines of Japanese culture from long-bow archery to tea ceremony Majio began to cultivate a different relationship to things. No longer p...

Skyline, acrylic on canvas, is an abstract investigation of the world with acrylic paint and tissue paper leading to the known as well as the unknown. As in the demarcation of sky me...

The Fan-Shape Series represents how an iconic image manifests with many connotations. Like oracular coins, these fan shapes look like sonograms foretelling the immediate future of a ...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing and conveying its contents, with particular involvement of methodologies from geography, anthropology, sociology to cultural studies. Her works have been in the past approached to the works of Anselm Kiefer (b. 1945) and Giovanni Battista Piranesi (1720-1770), but in Gullotta's paintings the absence of color makes the spaces particularly ethereal, allowing them to be ideally lifted to new places and to new life. We often speak of a "brain drain," but in this case we are truly happy to be able to say that this is a "return," and an important one: an artist of international caliber who has decided to entrust her return to her homeland to Almach Art...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing an...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing and conveying its contents, with particular involvement of methodologies from geography, anthropology, sociology to cultural studies. Her works have been in the past approached to the works of Anselm Kiefer (b. 1945) and Giovanni Battista Piranesi (1720-1770), but in Gullotta's paintings the absence of color makes the spaces particularly ethereal, allowing them to be ideally lifted to new places and to new life. An artist of international caliber who has decided to entrust her return to her homeland to Almach Art Gallery in Milan, while maintaining connections with important galleries, such as Marlborough Fine Art in London and Galerie Koch in Hanover. The artwork represents the famous Velasca Tower in Milan. This artwork was exhibited during the Daniela Gullotta...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing an...

Diptych Moloka’i Spirit Dances, Art Graf, monoprint, tissue paper on Rives BFK, 2021. The island natives appear to be part of the earth. With a swinging gait, their body language is ...

Diptych San Miguel Comida, Art Graf, graphite, monoprints, tissue paper on watercolor paper, a two-tabled neighborhood eatery wraps tacos in checkered paper. San Miguel de Allende h...

Moloka’i Beach, Art Graf, impasto textures, tissue paper on Rives BFK, 2021. On this island, to prevent us from flying away, there is a sense that our great central sun fastens each ...

San Miguel de Allende has a colorful cross-section of life: a contemporary international art community, structures of colonialization, and traces of the pre-Aztec civilization. Indig...

Diptych Lost and Found, graphite, cold wax, tissue, and mulberry paper on Arches, Losing things and finding things is a ritual repeated throughout our days. Sometimes inconsequently...

Untitled (ID 1293) (Abstract painting) Tissue paper on paper. Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies ...

David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. The surfaces of his paintings are made from textured wallpaper collaged with a technique similar to marquetry. Colour and composition are the key aspects of his work. He studied Fine Art at Middlesex University (2001) and gained an MA in Painting from the Royal College of Art, London (2003). David Wightman’s solo exhibitions include My Atalanta, Long & Ryle, London (2020), In Arcadia, DuranMashaal Gallery, Montréal (2018), A Devotion, Someth1ng Gallery, London (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009), and Aspirations, William Angel Gallery, London (2008). In 2010, David Wightman was awarded the Berwick Gymnasium Arts Fellowship – a sixmonth residency in Berwick-upon-Tweed, Northumberland, funded by Arts Council England and English Heritage. In 2013, he was selected by the curator of House Arts Festival, Mariele Neudecker...

David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. The surfaces of his paintings are made from textured wallpaper collaged with a technique similar to marquetry. Colour and composition are the key aspects of his work. He studied Fine Art at Middlesex University (2001) and gained an MA in Painting from the Royal College of Art, London (2003). David Wightman’s solo exhibitions include My Atalanta, Long & Ryle, London (2020), In Arcadia, DuranMashaal Gallery, Montréal (2018), A Devotion, Someth1ng Gallery, London (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009), and Aspirations, William Angel Gallery, London (2008). In 2010, David Wightman was awarded the Berwick Gymnasium Arts Fellowship – a sixmonth residency in Berwick-upon-Tweed, Northumberland, funded by Arts Council England and English Heritage. In 2013, he was selected by the curator of House Arts Festival, Mariele Neudecker...

David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. The surfaces of his paintings are made from textured wallpaper collaged with a technique similar to marquetry. Colour and composition are the key aspects of his work. He studied Fine Art at Middlesex University (2001) and gained an MA in Painting from the Royal College of Art, London (2003). David Wightman’s solo exhibitions include My Atalanta, Long & Ryle, London (2020), In Arcadia, DuranMashaal Gallery, Montréal (2018), A Devotion, Someth1ng Gallery, London (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009), and Aspirations, William Angel Gallery, London (2008). In 2010, David Wightman was awarded the Berwick Gymnasium Arts Fellowship – a sixmonth residency in Berwick-upon-Tweed, Northumberland, funded by Arts Council England and English Heritage. In 2013, he was selected by the curator of House Arts Festival, Mariele Neudecker...

Collection of Three Painted and Collage Glass Bottles, comprising: small bottle with gold painted accents, 1977, signed "HA" and dated to the underside, one bottle with silver-painte...

Garments can represent status, power, religious covenants, identity, and self-expression. Garment's nonverbal communication creates our perceptions of gender, age, ethnicity, profess...

Garments can represent status, power, religious covenants, identity, and self-expression. Garment's nonverbal communication creates our perceptions of gender, age, ethnicity, profess...

Garments can represent status, power, religious covenants, identity, and self-expression. Garment's nonverbal communication creates our perceptions of gender, age, ethnicity, profess...

Garments can represent status, power, religious covenants, identity, and self-expression. Garment's nonverbal communication creates our perceptions of gender, age, ethnicity, profess...

This diptych, Markings, with a leather-like finish of cold wax and layers of marked tissue paper on wood, reads as an ancient surface immersed in the markings of time. Fragments of m...

This Diptych Taking Form with a leather-like finish of cold wax with layers of marked tissue paper on wood reflects the theory that all physical form takes place first in consciousne...

DOGWOOD (WHITE), NO. 10, by artist Jeri Eisenberg is green, and soft white, and tint of grey contemporary quad made of Archival pigment ink on Japanese Kozo with encaustic medium, that measures 36 x 45.5 and is priced at $4,200. DOGWOOD (WHITE), NO. 10 Edition: 1/12, 2012 *Price differs with top bars only $4000* Jeri Eisenberg works primarily with non-traditional and alternative photo-based techniques. She represses or subverts traditional photography’s emphasis on the representational qualities of the medium, and emphasizes instead the medium’s expressive nature. She employs a strong sense of materiality and seductive surfaces in her work, to evoke sense memories and visceral connections. Her work steadfastly serves as an affirmation of beauty in the everyday natural world, but is tinged with the bittersweet - a reminder of the temporal condition, and an elegy for life. EDUCATION MFA, Art Institute of Boston, Lesley University, Cambridge, MA JD, Boston University, Boston, MA BA, Kirkland College, Clinton, NY SELECTED SOLO EXHIBITIONS 2014 Cumberland Gallery, Nashville, TN 2013 Foster/White Gallery, Seattle, WA 2012 Wallspace Gallery, Santa Barbara, CA Putnam Gallery, The Dublin School, Dublin, NH 2011 Kathryn Markel Fine Arts, New York, NY John Cleary Gallery, Houston, TX Griffin Museum, Winchester, MA 2009 Corden Potts Gallery, San Francisco, CA John Cleary Gallery, Houston, TX Lanoue Fine Art, Boston, MA 2008 Galerie BMG, Woodstock, NY 2007 Gallery Saintonge, Missoula, Montana MT Exposed Gallery of Art Photography, Delmar, NY 2006 Julie Kinzelman Art, Houston, TX 2005 Galerie BMG, Woodstock, NY Carrie Haddad Gallery, Hudson, NY 2004 Lapham Gallery, Glens Falls, NY Siena College, Loudonville, NY 2003 Fulton Street Gallery, Troy, NY Adirondack Lakes Art Center, Blue Mountain Lake, NY 2001 Perella Gallery, Fulton-Montgomery Community College, Johnstown, NY Greene County Council on the Arts, Catskill, NY Carrie Haddad Gallery, Hudson, NY Northwest Nazarene University, Nampa, ID 2000 University of La Vern, La Vern, CA 1999 Spencertown Academy, Spencertown, NY Fulton Street Gallery, Troy, NY Carrie Haddad Gallery, Hudson, NY 1998 LRC Gallery, Hudson Valley Community College, Troy, NY 1996 Shelnutt Gallery, RPI, Troy, NY SELECTED GROUP EXHIBITIONS 2013 Multiple Focus: Contemporary Photography from the Collection, Albany Institute of History and Art, Albany, NY Summer Portfolio, Corden Potts Gallery, San Francisco, CA A Few of My Favorite Things, Lanoue Fine Art, Boston, MA Rejuvenation, Furchgott Sourdiffe Gallery, Shelburn, VT Have a Nice Day, Gilman Contemporary, Ketchum, ID Soft Focus, Carrie Haddad Gallery, Hudson, NY 2013 Wax is Hot, Amy Simon Gallery, Westport, CT 2012 Corden Potts Gallery, San Francisco, CA Snail Mail, Museum of Fine Arts, Houston, TX Small Packages, Cumberland Gallery, Nashville, TN Encaustic Works 2012 Invitational, R&F Gallery, Kingston NY Photograph: New Work, Carrie Haddad Gallery, Hudson, NY Deck the Walls, Catherine Couturier Gallery, Houston, TX 2011 Fotografias – Colecao Joaquim Paiva, Museu de Arte Moderna do Rio de Janeiro, Brazil Women...

Daniela Gullotta - "Interno con testa di cavallo" (2024) Discover the quiet intensity of Daniela Gullotta’s 20x20 cm oil and mixed media painting—a compact yet powerful exploration ...