Art by Medium: Tissue Paper

David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. The surfaces of his paintings are made from textured wallpaper collaged with a technique similar to marquetry. Colour and composition are the key aspects of his work. He studied Fine Art at Middlesex University (2001) and gained an MA in Painting from the Royal College of Art, London (2003). David Wightman’s solo exhibitions include My Atalanta, Long & Ryle, London (2020), In Arcadia, DuranMashaal Gallery, Montréal (2018), A Devotion, Someth1ng Gallery, London (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009), and Aspirations, William Angel Gallery, London (2008). In 2010, David Wightman was awarded the Berwick Gymnasium Arts Fellowship – a sixmonth residency in Berwick-upon-Tweed, Northumberland, funded by Arts Council England and English Heritage. In 2013, he was selected by the curator of House Arts Festival, Mariele Neudecker...

David Wightman (b. 1980, Stockport, Greater Manchester, UK) is a British painter and printmaker based in London, UK. He creates beautiful paintings and prints of fictional landscapes. The surfaces of his paintings are made from textured wallpaper collaged with a technique similar to marquetry. Colour and composition are the key aspects of his work. He studied Fine Art at Middlesex University (2001) and gained an MA in Painting from the Royal College of Art, London (2003). David Wightman’s solo exhibitions include My Atalanta, Long & Ryle, London (2020), In Arcadia, DuranMashaal Gallery, Montréal (2018), A Devotion, Someth1ng Gallery, London (2018), EMPIRE, Long & Ryle, London (2016), New paintings + Akris collaboration, Akris, 30 Old Bond Street, London (2014), Redux, 10 Gresham Street and Halcyon Gallery (2014), Hero, commission for House Arts Festival (2013), Paramour, Halcyon Gallery, London (2012), Homage to Loreleia, Berwick Gymnasium Gallery, Berwick-upon-Tweed, Northumberland (2011), Secret Name, Sumarria Lunn, London (2010), Behemoth, Cornerhouse, Manchester (2009), and Aspirations, William Angel Gallery, London (2008). In 2010, David Wightman was awarded the Berwick Gymnasium Arts Fellowship – a sixmonth residency in Berwick-upon-Tweed, Northumberland, funded by Arts Council England and English Heritage. In 2013, he was selected by the curator of House Arts Festival, Mariele Neudecker...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing and conveying its contents, with particular involvement of methodologies from geography, anthropology, sociology to cultural studies. Her works have been in the past approached to the works of Anselm Kiefer (b. 1945) and Giovanni Battista Piranesi (1720-1770), but in Gullotta's paintings the absence of color makes the spaces particularly ethereal, allowing them to be ideally lifted to new places and to new life. An artist of international caliber who has decided to entrust her return to her homeland to Almach Art Gallery in Milan, while maintaining connections with important galleries, such as Marlborough Fine Art in London and Galerie Koch in Hanover. The artwork represents the famous Velasca Tower in Milan. This artwork was exhibited during the Daniela Gullotta...

Abstract investigation of the world with acrylic paint and tissue paper leads to known-unknown, demarcation of sky meeting earth, sea, buildings or something out there. How we see wh...

After living and working in the various disciplines of Japanese culture from long-bow archery to tea ceremony Majio began to cultivate a different relationship to things. No longer p...

Hand Study is an original modern artwork realized in Italy in the first years of the XX Century. Original drawing on tissue paper. Very good conditions. Beautiful anatomical study of a hand...

Reclining Nude is an original modern artwork realized the half of the XX Century by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original black china ink on tissue pa...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing and conveying its contents, with particular involvement of methodologies from geography, anthropology, sociology to cultural studies. Her works have been in the past approached to the works of Anselm Kiefer (b. 1945) and Giovanni Battista Piranesi (1720-1770), but in Gullotta's paintings the absence of color makes the spaces particularly ethereal, allowing them to be ideally lifted to new places and to new life. An artist of international caliber who has decided to entrust her return to her homeland to Almach Art Gallery in Milan, while maintaining connections with important galleries, such as Marlborough Fine Art in London and Galerie Koch in Hanover. The artwork represents the famous Velasca Tower in Milan. This artwork was exhibited during the Daniela Gullotta...

16 layer hand cut stencil, spray paint on genuine 10 Pound banknote, C-Type semi gloss printed detail, signed and dated edition of 10 2 7/8 x 5 3/4 in 7.2 x 14.5 cm Edition of 10 plu...

On paper, acrylic paint and marking implements; graphite and Art Graf, a water-soluble kinetic media in tailor’s squares that easily fits into the hand to use the edges or the flat s...

Something Blue: This contemporary abstract painting places emphasis on simplified composition. A heavy textured herringbone pattern created with lush brush stokes adds dimension, inv...

DOGWOOD (WHITE), NO. 10, by artist Jeri Eisenberg is green, and soft white, and tint of grey contemporary quad made of Archival pigment ink on Japanese Kozo with encaustic medium, that measures 36 x 45.5 and is priced at $4,200. DOGWOOD (WHITE), NO. 10 Edition: 1/12, 2012 *Price differs with top bars only $4000* Jeri Eisenberg works primarily with non-traditional and alternative photo-based techniques. She represses or subverts traditional photography’s emphasis on the representational qualities of the medium, and emphasizes instead the medium’s expressive nature. She employs a strong sense of materiality and seductive surfaces in her work, to evoke sense memories and visceral connections. Her work steadfastly serves as an affirmation of beauty in the everyday natural world, but is tinged with the bittersweet - a reminder of the temporal condition, and an elegy for life. EDUCATION MFA, Art Institute of Boston, Lesley University, Cambridge, MA JD, Boston University, Boston, MA BA, Kirkland College, Clinton, NY SELECTED SOLO EXHIBITIONS 2014 Cumberland Gallery, Nashville, TN 2013 Foster/White Gallery, Seattle, WA 2012 Wallspace Gallery, Santa Barbara, CA Putnam Gallery, The Dublin School, Dublin, NH 2011 Kathryn Markel Fine Arts, New York, NY John Cleary Gallery, Houston, TX Griffin Museum, Winchester, MA 2009 Corden Potts Gallery, San Francisco, CA John Cleary Gallery, Houston, TX Lanoue Fine Art, Boston, MA 2008 Galerie BMG, Woodstock, NY 2007 Gallery Saintonge, Missoula, Montana MT Exposed Gallery of Art Photography, Delmar, NY 2006 Julie Kinzelman Art, Houston, TX 2005 Galerie BMG, Woodstock, NY Carrie Haddad Gallery, Hudson, NY 2004 Lapham Gallery, Glens Falls, NY Siena College, Loudonville, NY 2003 Fulton Street Gallery, Troy, NY Adirondack Lakes Art Center, Blue Mountain Lake, NY 2001 Perella Gallery, Fulton-Montgomery Community College, Johnstown, NY Greene County Council on the Arts, Catskill, NY Carrie Haddad Gallery, Hudson, NY Northwest Nazarene University, Nampa, ID 2000 University of La Vern, La Vern, CA 1999 Spencertown Academy, Spencertown, NY Fulton Street Gallery, Troy, NY Carrie Haddad Gallery, Hudson, NY 1998 LRC Gallery, Hudson Valley Community College, Troy, NY 1996 Shelnutt Gallery, RPI, Troy, NY SELECTED GROUP EXHIBITIONS 2013 Multiple Focus: Contemporary Photography from the Collection, Albany Institute of History and Art, Albany, NY Summer Portfolio, Corden Potts Gallery, San Francisco, CA A Few of My Favorite Things, Lanoue Fine Art, Boston, MA Rejuvenation, Furchgott Sourdiffe Gallery, Shelburn, VT Have a Nice Day, Gilman Contemporary, Ketchum, ID Soft Focus, Carrie Haddad Gallery, Hudson, NY 2013 Wax is Hot, Amy Simon Gallery, Westport, CT 2012 Corden Potts Gallery, San Francisco, CA Snail Mail, Museum of Fine Arts, Houston, TX Small Packages, Cumberland Gallery, Nashville, TN Encaustic Works 2012 Invitational, R&F Gallery, Kingston NY Photograph: New Work, Carrie Haddad Gallery, Hudson, NY Deck the Walls, Catherine Couturier Gallery, Houston, TX 2011 Fotografias – Colecao Joaquim Paiva, Museu de Arte Moderna do Rio de Janeiro, Brazil Women...

For Love Nor Money - 3 Layer Hand-Cut Stencil Painted on 24k Gold Banknote

Monk Series began with flashes of mendicant monks in Japan, South Korea and Hare Krishna monks prevalent in coastal cities of California since the 60’s. The practice of these mendica...

Haiku-mind, being of the ancient Japanese poetic form, is traditionally a tool in which acute observation “brings in the moment” as a springboard juxtaposing the universal. This agel...

Multi pass UV cured print CMYK inks, on genuine vintage 1 Rouble banknote, circa 1898, signed and dated edition of 20 3 x 5 3/4 in 7.5 x 14.5 cm Edition of 20 plus 1 artist's proof

Magnolia, No. 10, by artist Jeri Eisenberg is a soft pink, and green contemporary triptych made of Archival pigment ink on Japanese Kozo with encaustic medium, that measures 36 x 34 and is priced at $3,150. Magnolia, No. 10 Edition: 4/12, 2010 *Price differs with top bars only $3000* Jeri Eisenberg works primarily with non-traditional and alternative photo-based techniques. She represses or subverts traditional photography’s emphasis on the representational qualities of the medium, and emphasizes instead the medium’s expressive nature. She employs a strong sense of materiality and seductive surfaces in her work, to evoke sense memories and visceral connections. Her work steadfastly serves as an affirmation of beauty in the everyday natural world, but is tinged with the bittersweet - a reminder of the temporal condition, and an elegy for life. EDUCATION MFA, Art Institute of Boston, Lesley University, Cambridge, MA JD, Boston University, Boston, MA BA, Kirkland College, Clinton, NY SELECTED SOLO EXHIBITIONS 2014 Cumberland Gallery, Nashville, TN 2013 Foster/White Gallery, Seattle, WA 2012 Wallspace Gallery, Santa Barbara, CA Putnam Gallery, The Dublin School, Dublin, NH 2011 Kathryn Markel Fine Arts, New York, NY John Cleary Gallery, Houston, TX Griffin Museum, Winchester, MA 2009 Corden Potts Gallery, San Francisco, CA John Cleary Gallery, Houston, TX Lanoue Fine Art, Boston, MA 2008 Galerie BMG, Woodstock, NY 2007 Gallery Saintonge, Missoula, Montana MT Exposed Gallery of Art Photography, Delmar, NY 2006 Julie Kinzelman Art, Houston, TX 2005 Galerie BMG, Woodstock, NY Carrie Haddad Gallery, Hudson, NY 2004 Lapham Gallery, Glens Falls, NY Siena College, Loudonville, NY 2003 Fulton Street Gallery, Troy, NY Adirondack Lakes Art Center, Blue Mountain Lake, NY 2001 Perella Gallery, Fulton-Montgomery Community College, Johnstown, NY Greene County Council on the Arts, Catskill, NY Carrie Haddad Gallery, Hudson, NY Northwest Nazarene University, Nampa, ID 2000 University of La Vern, La Vern, CA 1999 Spencertown Academy, Spencertown, NY Fulton Street Gallery, Troy, NY Carrie Haddad Gallery, Hudson, NY 1998 LRC Gallery, Hudson Valley Community College, Troy, NY 1996 Shelnutt Gallery, RPI, Troy, NY SELECTED GROUP EXHIBITIONS 2013 Multiple Focus: Contemporary Photography from the Collection, Albany Institute of History and Art, Albany, NY Summer Portfolio, Corden Potts Gallery, San Francisco, CA A Few of My Favorite Things, Lanoue Fine Art, Boston, MA Rejuvenation, Furchgott Sourdiffe Gallery, Shelburn, VT Have a Nice Day, Gilman Contemporary, Ketchum, ID Soft Focus, Carrie Haddad Gallery, Hudson, NY 2013 Wax is Hot, Amy Simon Gallery, Westport, CT 2012 Corden Potts Gallery, San Francisco, CA Snail Mail, Museum of Fine Arts, Houston, TX Small Packages, Cumberland Gallery, Nashville, TN Encaustic Works 2012 Invitational, R&F Gallery, Kingston NY Photograph: New Work, Carrie Haddad Gallery, Hudson, NY Deck the Walls, Catherine Couturier Gallery, Houston, TX 2011 Fotografias – Colecao Joaquim Paiva, Museu de Arte Moderna do Rio de Janeiro, Brazil Women...

TILL IT'S TIME TO GO, NO. 8, by artist Jeri Eisenberg is green, and soft pink contemporary quad made of Archival pigment ink on Japanese Kozo with encaustic medium, that measures 36 x 44.5 and is priced at $4,200. TILL IT'S TIME TO GO, NO. 8 Edition: 1/12, 2014 *Price differs with top bars only $4000* Jeri Eisenberg works primarily with non-traditional and alternative photo-based techniques. She represses or subverts traditional photography’s emphasis on the representational qualities of the medium, and emphasizes instead the medium’s expressive nature. She employs a strong sense of materiality and seductive surfaces in her work, to evoke sense memories and visceral connections. Her work steadfastly serves as an affirmation of beauty in the everyday natural world, but is tinged with the bittersweet - a reminder of the temporal condition, and an elegy for life. EDUCATION MFA, Art Institute of Boston, Lesley University, Cambridge, MA JD, Boston University, Boston, MA BA, Kirkland College, Clinton, NY SELECTED SOLO EXHIBITIONS 2014 Cumberland Gallery, Nashville, TN 2013 Foster/White Gallery, Seattle, WA 2012 Wallspace Gallery, Santa Barbara, CA Putnam Gallery, The Dublin School, Dublin, NH 2011 Kathryn Markel Fine Arts, New York, NY John Cleary Gallery, Houston, TX Griffin Museum, Winchester, MA 2009 Corden Potts Gallery, San Francisco, CA John Cleary Gallery, Houston, TX Lanoue Fine Art, Boston, MA 2008 Galerie BMG, Woodstock, NY 2007 Gallery Saintonge, Missoula, Montana MT Exposed Gallery of Art Photography, Delmar, NY 2006 Julie Kinzelman Art, Houston, TX 2005 Galerie BMG, Woodstock, NY Carrie Haddad Gallery, Hudson, NY 2004 Lapham Gallery, Glens Falls, NY Siena College, Loudonville, NY 2003 Fulton Street Gallery, Troy, NY Adirondack Lakes Art Center, Blue Mountain Lake, NY 2001 Perella Gallery, Fulton-Montgomery Community College, Johnstown, NY Greene County Council on the Arts, Catskill, NY Carrie Haddad Gallery, Hudson, NY Northwest Nazarene University, Nampa, ID 2000 University of La Vern, La Vern, CA 1999 Spencertown Academy, Spencertown, NY Fulton Street Gallery, Troy, NY Carrie Haddad Gallery, Hudson, NY 1998 LRC Gallery, Hudson Valley Community College, Troy, NY 1996 Shelnutt Gallery, RPI, Troy, NY SELECTED GROUP EXHIBITIONS 2013 Multiple Focus: Contemporary Photography from the Collection, Albany Institute of History and Art, Albany, NY Summer Portfolio, Corden Potts Gallery, San Francisco, CA A Few of My Favorite Things, Lanoue Fine Art, Boston, MA Rejuvenation, Furchgott Sourdiffe Gallery, Shelburn, VT Have a Nice Day, Gilman Contemporary, Ketchum, ID Soft Focus, Carrie Haddad Gallery, Hudson, NY 2013 Wax is Hot, Amy Simon Gallery, Westport, CT 2012 Corden Potts Gallery, San Francisco, CA Snail Mail, Museum of Fine Arts, Houston, TX Small Packages, Cumberland Gallery, Nashville, TN Encaustic Works 2012 Invitational, R&F Gallery, Kingston NY Photograph: New Work, Carrie Haddad Gallery, Hudson, NY Deck the Walls, Catherine Couturier Gallery, Houston, TX 2011 Fotografias – Colecao Joaquim Paiva, Museu de Arte Moderna do Rio de Janeiro, Brazil Women...

From Majio’s visual journal: In Nuance and Power acrylic paint is used to paint this odd shape repeatedly before I recognized the fan. It elicited connection to my years in Japan. Th...

Plumbline Series offers a navigation principle that discerns the difference between axis and plumbline. A plumbline is in relation to the earth, a vertical line defined by gravity bu...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing an...

Monk Series began with flashes of mendicant monks in Japan, South Korea and Hare Krishna monks prevalent in coastal cities of California since the 60’s. The practice of these mendica...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing an...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing an...

A range of materials, from rusted metal to handmade paper on an already highly textured surface create Cross-Roads, echoing an adage cautioning one not to confuse the actual world wi...

In Instruments Waiting, acrylic paint-gold and rust, handmade paper with tissue paper conjures a sense of things found in an ancient site filled with objects yet to be identified. Th...

Living in temples and the countryside with craftsman communities in Japan for over a decade, Majio was deeply influenced aesthetically and by the content of Japanese culture. Her cra...

An ardent bare-breasted woman warrior reaching for a sword becomes a traditional monk still seen in the streets of Kyoto with rounded hat and begging bowl. The over-layered images ex...

Layers of Reality Series is a practice of dropping down beneath what we perceive as the reality into another stream of information. It is a simple inquiry to invite a new perspective...

Emma delicately cuts images, especially trees, from a medium like felt or paper and pins them minutely to their chosen background, raised ethereally from the surface, forming beautif...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing an...

Bird-Woman acrylic, cold wax, monoprints on tissue paper and oil stick embraces polarity manipulating the strings that look to be the x-ray of a mouth. A toy top swirls in her cape, ...

Untitled (ID 1293) (Abstract painting) Tissue paper on paper. Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies ...

Ancient One, acrylic paint and monoprint on canvas is staged with fluttering gingko leaves, the oldest living tree species predating dinosaurs. The central image is hand to mouth---h...

Tissue paper on paper. Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intuiti...

Ancestors, is a series using cold wax, oil stick and layers of marked tissue paper with monoprints. The series explores, through transparent layers of overlapping images, the subtle...

This diptych, Ancestor in Transit, shows ancestors journeying and pausing in their journey with their small traveling bundles. The backdrop is the liminal space between worlds evokin...

These figurative acrylic paintings on canvas have an archetypal quality inviting in a transmission through character. They come from different cultures, times and moments of manifest...

Polymer Paint on Tissue Paper on Canvas

Created in 1952, this Engraving, paper, cut paper, tissue paper and graphite on paper mounted on paperboard is hand-signed by Robert Rauschenberg (Port Arthur, 1925 - Captiva, 2008) in pencil in the lower left margin. Numbered from the edition of 65 in pencil in the lower left margin. About the Framing: Framed to museum-grade, conservation standards, Robert Rauschenberg Untitled (Christian Symbol) from the North African Collage...