Art by Medium: Walnut

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

'Valley of the Fires' by Irwin Whitaker, enamel on copper, initialed lower-left corner. Enamel measures: 8" W x 6" H, frame measures: 12.75" W x 11" H. Irwin A. Whitaker was a versa...

Artwork made with acrylic on solid maple, walnut and matte clear coat Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and...

The automaton has been completely overhauled and tuned. The spring housing has been adjusted. Comb has been completely tuned. The case has been overhauled. 10 plates are included...

Walnut, brass, Black Osmo finish

This is a framed mixed media ink painting (sumi inks, India inks, and walnut inks) on paper in red, black, and earth tones. It is framed in a contemporary white wood shadowbox frame. Organizing the composition is a moon motif. This series was created by Antonio Puri during an artist's residency in Australia. Can be displayed in any orientation. This piece works especially well when paired with "Rhythm Hut #17", listed separately. Antonio Puri was born in Chandigarh, Punjab, India and raised in the Himalayas around Buddhist monks before studying at the Academy of Art in San Francisco, Coe College, and the University of Iowa. He established his studio in Philadelphia where he practiced for many years before relocating to Bogotá, Colombia. During this time, Puri completed several artist residencies all over the world, including in New York, Hungary, Bulgaria, Colombia, South Africa, Serbia, Mauritius, India, Denmark, Trinidad and Tobago, and Romania. Puri’s range of geographical and cultural experiences are embedded in his work, where he commonly explores the relationships between his eastern and western cultural connections. Puri has exhibited his work all over the world, including at the Museo de Arte del Tolima in Colombia; Sundaram Tagore Gallery Singapore; Government Museum and Art Gallery Chandigarh, India; Art Depot, Austria; La Cometa Gallery, Bogota; Museo Casa Conde Rul, Mexico; The Guild, NY; Nu Art...

The title of Benjamin Heller’s group of sculptures, “Inner Tidal” refers to an “Intertidal Zone”, which is the edge of an ecosystem that is alternately above and below the waterline ...

The title of Benjamin Heller’s group of sculptures, “Inner Tidal” refers to an “Intertidal Zone”, which is the edge of an ecosystem that is alternately above and below the waterline ...

Jean-Pierre Brissart Centenary olive tree 2, 2017 Walnut husks, pigments and inks on paper 100 x 70 x 3 cm Artwork sold with invoice of the gallery and certificate of authenticity Wo...

Individually numbered from sold out edition of 75, with bespoke mounting hardware included. Translating the boldly fragmented geometry of his painting into a wall-mounted wooden sc...

Information: It was Arun's initiative, whose passion for creating beauty from seemingly mundane materials led him to transform scrap metal into stunning works of art. Arun and Gaurav...

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on grey cardboard

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on canson paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on canson paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on canson paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on canson paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on canson paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on canson paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

Indian ink, carbon black, walnut husk, gouaches & blue oil on canson paper

Solid and veneered walnut, brass. Asher Israelow was born in New York City and graduated from the Rhode Island School of Design with degrees in fine arts and architecture. Back in New York, he currently works at the Brooklyn Navy Yard, designing buildings and building furniture. Drawing on his training as an architect and a love of lore, Asher designs work for the modern explorer. All the materials are ethically and locally sourced, building upon the importance of origins. Each piece narrates the story of its materials, with an honest approach to joinery and a touch of conceit. The studio produces all original and small batch pieces designed to last for generations. The work emphasizes a handcrafted and emergent vision of contemporary culture. This piece exemplifies the new age of brown furniture.

"High Plains" Artist: Heiko Weiner Material: Decorative plate; Tulipwood, Padauk, Peruvian Walnut, Curly Maple, Wenge Diameter: 14" Depth: 1.75" Abo...