Art by Medium: Walnut

Gentleman with sword in a blacksmith’s forge. Italy, first half of the 17th century Oil on walnut panel Panel size: 22 × 18.5 cm Frame: 28.5 × 25 cm (not original) A forge. Tools n...

Artist John Whitehead crafted four octahedrons from stepped layers of alternating, high-grade mahogany and walnut wood. The rotatable wood shapes are meticulously honed, balanced, an...

Dana Younger's (US based) "Bighorn Sheep" is an original, handmade Bas-relief sculpture on Maple and Walnut that depicts a Bighorn Sheep's head in profil...

King is a modern mixed media wall sculpture. Made from Italian plaster paint, paint, birch panel, and MDF. From the artist: This is the second piece I made as I begin to experiment w...

Beautiful late 15th-century Burgundian Netherlandish portrait of a woman. Carved walnut. Original polychrome has been removed with traces at base and lower portions of figure. Minor ...

Raul Diaz (Argentina, b.1950). Abstract Figure, ca. 1970s. Canved Walnut. Measures 17 inches tall including wood base. Carved signature in lower region. Excellent condition. An ear...

Male classical torso.

This is a framed mixed media ink painting (sumi inks, India inks, and walnut inks) on paper in red, black, and earth tones. It is framed in a contemporary white wood shadowbox frame. Organizing the composition is a moon motif. This series was created by Antonio Puri during an artist's residency in Australia. Can be displayed in any orientation. This piece works especially well when paired with "Rhythm Hut #17", listed separately. Antonio Puri was born in Chandigarh, Punjab, India and raised in the Himalayas around Buddhist monks before studying at the Academy of Art in San Francisco, Coe College, and the University of Iowa. He established his studio in Philadelphia where he practiced for many years before relocating to Bogotá, Colombia. During this time, Puri completed several artist residencies all over the world, including in New York, Hungary, Bulgaria, Colombia, South Africa, Serbia, Mauritius, India, Denmark, Trinidad and Tobago, and Romania. Puri’s range of geographical and cultural experiences are embedded in his work, where he commonly explores the relationships between his eastern and western cultural connections. Puri has exhibited his work all over the world, including at the Museo de Arte del Tolima in Colombia; Sundaram Tagore Gallery Singapore; Government Museum and Art Gallery Chandigarh, India; Art Depot, Austria; La Cometa Gallery, Bogota; Museo Casa Conde Rul, Mexico; The Guild, NY; Nu Art...

Medium: Walnut As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The fi...

Signed large scale original framed photograph of the Mediterranean marble quarries in Carrara, Italy, iconic material source of classic Italian art and architecture, captured with a ...

Deceptor is a minimalist, monochromatic and contemporary wall sculpture. It is constructed with birch panels, acrylic washes and completed with a satin lacquer finish. The paint is s...

No.091122 is an abstract walnut wood, India ink and walnut ink patina sculpture by French sculptor Thierry Martenon. Marked by its vertical form and symbolic motifs, this piece echoe...

This is a framed mixed media ink painting (sumi inks, India inks, and walnut inks) on paper in red, black, and earth tones. It is framed in a white painted wood shadowbox frame. Orga...

Deceptor is a minimalist, monochromatic and contemporary wall sculpture. It is constructed with birch panels, acrylic washes and completed with a satin lacquer finish. The paint is s...

Exceptional and expressively carved solid walnut near life Size statue of nude woman raised on attached fluted column pedestal base in overall beautifully aged original rich surface ...

Monumental panel of 15 handmade fibreglass relief sculptures from the artist's own home. Each sculpture is signed and unique, with beautiful tarnished...

"Hats" by Heiko Weiner represents an intersection between art and mathematics. This abstract wall sculpture utilizes  a 13 sided shape known as "The Hat," discovered by mathematician...

30LOVE is an elegant modern and minimalist contemporary wall sculpture. It is constructed with birch panels, acrylic and latex washes with a satin lacquer clear coat finish. The pain...

NOTE: This is a commission piece, made after the original. It can be commissioned in custom sizes and colors. Allow 3-4 weeks plus shipping. Achtung VI is a vibrant large-scale mi...

Cedars - A dense stand of western red cedar guard the path into the darkness beyond the lamplight. A gap in the foliage creates a void, an invitation to enter into an unknown and unc...

Hand-coloured portrait of a human larvae bursting out of their cocoon, immobilised in marble. Representative of a safe and isolating space, the cocoon is both a cage and a shelter. This tale is a​ study of transformation, of breaking apart and coming back together as the larvae emerges from the silken threads. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical sculpture...

King is a modern mixed media wall sculpture. Made from Italian plaster paint, paint, birch panel, and MDF. From the artist: This is the second piece I made as I begin to experiment w...

'Valley of the Fires' by Irwin Whitaker, enamel on copper, initialed lower-left corner. Enamel measures: 8" W x 6" H, frame measures: 12.75" W x 11" H. Irwin A. Whitaker was a versa...

This extraordinary walnut wood painter's mannequin, dating from the 19th century, is a rare and fascinating piece, perfect for collectors and art enthusiasts. Its completeness, inclu...

'Abstraction 1' Enamel on copper plate by Irwin Whitaker, Walnut frame , 1960s Oklahoma-born artist who was prolific in California, Taos and Austin. We have a number of his works ava...

The automaton has been completely overhauled and tuned. The spring housing has been adjusted. Comb has been completely tuned. The case has been overhauled. 10 plates are included...

Mark Morrison (1895-1964) Baboon, ca. 1940 Carved and weathered Walnut 12" wide, 12" deep, height is 26.5" Please note the bottom surface is not perfectly flat and the piece lean...

Cedars - A dense stand of western red cedar guard the path into the darkness beyond the lamplight. A gap in the foliage creates a void, an invitation to enter into an unknown and unc...

Polyphon Record Automaton 1890-1900 Music Large luxury model Sounds beautiful in its original condition and has been retuned. Records are approximately 40 cm in diameter. Polyphon ...

NOTE: This is a commission piece, made after the original. It can be commissioned in custom sizes and colors. Allow 3-4 weeks plus shipping. Achtung25 (Not the 25th version, but w...

HEATHER ZUSMAN is a wood sculptor and artist originally educated in fine furniture making. Born and raised in California, she sought training at Waters and Acland Furniture School in...

Channeling the Midwest and Western landscapes as sources for his mood-rich paintings, Bogosian has developed an extensive and breathtaking body of work. According to Bogosian, “My wo...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

NOTE: This is a commission piece, made after the original. It can be commissioned in custom sizes. Allow 3-4 weeks plus shipping. Modulus is a striking mid century modern inspired...

Medium: Walnut As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The fi...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Medium: Walnut As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The fi...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Trail of Prayers by Denny Haskew Figurative Female Bust on custom pedestal 66x16x20" Bronze/Walnut, signed and numbered #11/20 ​sold out edition...

Hand-coloured tableau of a weeping spirit and her guardians, immobilised in marble. A disjointed narrative looking at recovery and protection, the angels shield the spirit with tender embraces and cry for her when alone. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Medium: Walnut and paint As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual langua...

Medium: Walnut As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The fi...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Classical female torso, polished walnut.

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Timothy Berg and Rebekah Myers are a studio art collaborative based in Claremont, California. Berg and Myers have participated in multiple solo exhibitions including On the bright side... at the Falconer Gallery at Grinnell College (2016); Site Unseen at the American Museum of Ceramic Art in Pomona, CA (2014); Honest to Goodness at Santa Barbara City College (2014); An embarrassment of riches at Dean Project Gallery in New York, NY (2013); and As Luck Would Have It at Nääs Konsthantverk Galleri in Göteborg, Sweden (2009). Berg and Myers have also participated in numerous group exhibitions in the US, Mexico, South Korea, Qatar and Kuwait. Their work is included in many private and public collections including The Betty Woodman Collection at the University of Colorado...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...

Indian ink, carbon black, walnut husk, gouaches & blue oil on AMT paper

Bronze heron by American sculptor Wayne Williams. Signed and dated 1993. Edition 2/2. Mounted on a walnut base. From Finger Lakes Magazine 2001: Art is everywhere in the Finger Lakes. Inspired by the region’s diverse scenery and lifestyles, artists pursue their creativity outdoors, in studios and in workshops. In the many well-established museums and galleries or at the newer fledgling arts organizations, a wide array of artistic styles and talents are represented. Often the artists, like Wayne Williams, share their artistic skill and passion through teaching at local colleges. Williams, who is retired after a 35-year career at Finger Lakes Community College, found his calling there. “I didn’t want to teach in public schools,” explains Williams of his career choice. “I wanted to be at the college level. CCFL (the Community College of the Finger Lakes, as it was then known) was literally creating a college, right from scratch.” The year was 1968 and Williams was charged with coordinating the new college’s art program. Rand Darrow, a CCFL student in that first year, remembers attending Williams’ art classes in a commercial building on Main Street just south of the railroad tracks in Canandaigua. Darrow appreciated his instructor’s relaxed manner. “He was a great teacher,” recalls Darrow, “cracking jokes all the time.” Darrow graduated with a major in Liberal Arts and continued on to SUNY Oswego where he earned a BA in fine arts. He taught art to elementary and middle school students for 30 years. These days Williams and Darrow typically cross paths at the Wayne County Arts Council in Newark where Williams and his wife, Marleen, are heavily involved. Williams offers classes in figure drawing and sculpture and hangs the gallery’s shows, including his former student’s “Slavic Tales of Novgorod” this past August. “I’d like to take a sculpture class from him,” says Darrow. In 2003 when Williams retired, the college honored him and another retiring art professor, Tom Insalaco, by renaming its art gallery the Williams-Insalaco Art Gallery. It was known formerly as Gallery 34 to recognize its origins at 34 North Main Street in Canandaigua. Williams held professor’s rank from 1976 and served as director of the art gallery beginning with its opening in 1983. Williams, who was born and raised in Newark, New York, says he began doing art at about age 8. By the time he was in junior high school his career direction seemed clear. He received local and national awards for his art and a scholarship to Syracuse University, from which he graduated in 1958 with a Bachelor of Fine Arts in sculpture. He continued with graduate work at Syracuse, receiving an MFA in sculpture in 1962. He worked full time as a sculptor until he began teaching. At one point Williams admits he wanted to be a painter, but didn’t want to adopt the abstract expressionist style in vogue in the 1950s, preferring to pursue the realist tradition. He advises any would-be artist to “do what you do because you love it.” After graduation he traveled abroad, spending time in Belgium, the land of his ancestors. “My family’s name was originally Willems,” explains the 73-year old who still relishes the time spent in the Flemish countryside. Williams speaks excitedly about art, referencing the lives of great artists. He acknowledges that American artists do not have the same stature as those in Europe, where Old Masters like Brueghel and Rembrandt are national heroes. These days the energetic Williams, known primarily as a sculptor, is active at the Phelps Arts Center where he is on the board of directors. In mid-September when a group of visitors on a motor coach tour explored artworks displayed in the beautiful church-turned- gallery, they were treated to a large number of Williams’ bronze and metal sculptures, along with his charcoal drawings. “I’ve always loved his work because he deals with things, people, and animals you understand,” says the center’s Director Emeritus Marion Donnelly, who has known him for many years. Outside the Phelps Community Historical Society, Williams’ life-size figure of a farmer raises his pitchfork above a colorful flower garden on the front lawn. Inspired by the peasants working the fields in Europe, the metal figure is shown with wooden shoes. This is Williams’ largest copper piece, loaned to the Phelps museum in connection with Artistry in Sculpture, a community exhibition in 2009. Williams added a new base using a metal wagon...

The title of Benjamin Heller’s group of sculptures, “Inner Tidal” refers to an “Intertidal Zone”, which is the edge of an ecosystem that is alternately above and below the waterline ...

Walnut wood and brass, linseed oil

Walnut, brass, Black Osmo finish

Channeling the Midwest and Western landscapes as sources for his mood-rich paintings, Bogosian has developed an extensive and breathtaking body of work. According to Bogosian, “My wo...