Walnut Prints and Multiples

Frank Stella Centennial Medal for the Metropolitan Museum of Art, 1970 17 Color enamel on rhodium plated bronze plaque (incised signature an...

J.B. Thompson "Photon" Mixed Media Etching w/ Copper and Aquatint Limited Edition J.B. Thompson (American, 1932-1984) Fantastic pencil signed and numbered mixed media etching with ...

El Anatsui uses typically discarded resources such as liquor bottle caps, cassava graters and newspaper printing plates, to create both floor-based sculptures and shimmering wall pie...

Truth, 2017 Print on Museum Glass, Hand gilded with Lemon and Moon Gold 31 x 31 cm/ 12.2 x 12.2 in (custom framed) Edition of 5 This print is from a series of images made from a collection of honesty seeds gathered at the end of baking hot summer... The papery enclosures are like parchment through which the light filters with a pale gold delicacy." The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "My fascination with colour goes back a long way. One of my earliest creative recollections has me sitting at a table endlessly mixing paints in a valiant but ultimately futile attempt to 'invent a new colour'. It was an imperative that kept me occupied for some time as I recall. The result was always the same - and unedifying fudge of pale peach and silver." - Valda Bailey...

Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board. Edition of 50.

Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board. Edition 35/50. Sold as Lantern Flowers, Feb 10, 2017 suite of four prints for $11,500.

Ana Rosa de Ycaza’s’s Copper Etching III is a black and white engraving copper minimalist abstract mixed media with a french oak frame measuring 14 x 14 priced at $1000. Ana Rosa de Ycaza an artist born in 1915 was affiliated with Atelier 17 a studio that attracted the likes of Mark Rothko, Joan Míro, William de Kooning...

Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board.

Robert Indiana Star of Hope, 1972 Enamel on Metal with Artists Stamped Name. Date and Copyright Artist stamped name and copyright on lower right front Frame Included: held in a white...

Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board.

Aquatint copperplate printing on BFK Rives paper 250 g. Edition 14/16. This artwork is sold as a triptych. Each image size is 26 x 26 cm/10.2 x 10.2 inches, full paper is 65 x 50 cm/25,5 x 19,6 inches Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him to further explore notions of time and perspective. Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude and orientation over time. Pierre Muckensturm is a French abstract painter and print maker. His visual language is one of harmony, calm and timelessness built around softly textured surfaces and a muted, black and white palette. Born in Strasbourg, France, he currently lives and works in Colmar. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude, and orientation over time. In 2004, Muckensturm began working with oil on large-scale canvases. He isolates gestural elements, enlarging them on the picture plane to explore their presence in relation to the surrounding emptiness. He develops the paintings methodically, exploring the process of transformation the canvas undergoes in the painting process. Working the surface into a texture that belies its age, Muckensturm achieves a balance of intensity and tranquility. INSPIRATION Muckensturm is inspired by the concepts of calmness, constancy, and temporality. His work visually expresses a sense of harmony with time. Initially a figurative painter, he discovered abstraction in 2004 on a visit to Notre Dame du Haut, a Modernist chapel in Ronchamp, France, designed by Charles-Edouard Jeanneret-Gris, otherwise known as Le Corbusier. The simplicity of its forms brought Muckensturm a feeling of tranquility. He began seeking ways to directly express how felt that day. His search brought him into contact with the work of Julius Bissier, whose simple, organic, gestural brushstrokes, evocative of Taoist painting...

Artist's proof of hand copper application and aging techniques by Patricia Pearce (American, b. 1948). Unsigned, but was acquired with other Patricia Pearce pieces. Presented in a ne...