Art by Medium: Watercolor

Circa 1950 tapestry by Jean Lurcat 1892-1966 and woven at Atelier Suzanne Goubely-Gatien in Aubusson, France. Handwoven in wool.  Jean Lurçat, French painter and designer who is freq...

The artwork on paper will be sent unframed to you. Maciej Olekszy was born in 1982, Poland. Graduated from the Academy of Fine Arts in Poznan, Poland in 2007. Faculty of Painting i...

Grey,blue,Britany,Harbor,Nord France,Sea Life in Brittany Harbor Douarnenez Blue and gray colors of the sea of northern France Henry Maurice CAHOURS (Paris, 1889 – Vence, 1974) He...

Antique American modernist landscape oil painting. Oil on canvas, circa 1940. Signed illegibly lower left. Image size, 36L x 24H. Housed in a period modern frame.

In the artist's abstract print series, Pink Cosmos, 2023 by a.muse represents an imaginary cosmos - the universe as a place of longing, dreams, wonder, and ethereal beauty. A 13.75" ...

'Africa' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches co...

David Ambrose’s fascination with paper began as a child as when convalescing from major surgery on his right leg at the age of seven. Paper became the playground for his imagination ...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...

David Cox Junior (1809-1885) (attr.) A sketch of Richmond Castle, North Yorkshire Graphite and wash on paper 17.6 x 25.8 cm.; (within frame) 35.6 x 43.4 cm. Provenance: Private Co...

In this botanical cyanotype painting in watercolor, gouache, India ink and cyanotype on Arches platine paper, meticulously detailed geraniums, ferns and a hummingbird are depicted in...

Interior design paintings. The artwork was done with watercolor on watercolor paper 300g. The works are 15 by 11 inches in size, framed (black) with a styrene face on a mat board in ...

Title: Reclining Figure Artist: Josine Vignon (French 1922-2022) Medium: signed watercolour on artists paper stuck on board, glass covered Size: 9.75 (height) x 9 (width) Conditi...

Judith Brenner Sophie Dancing 1 Original Figurative Drawing Acrylic Paint, Pan Pastel, Ink and Watercolour Pencil on Paper Sheet Size: 84.1cm x W 59.4cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indication of how a piece may look. Sophie Dancing 1 is an original nude drawing by Judith Brenner.The figure is continuously moving and the final work is a composition made in an attempt to capture the rhythm of the dance. This abstract-impressionistic work is evocative of Francis Bacon’s style...

India ink and watercolor landscape in black done with expressive, linear brushstrokes featuring tall redwood trees with cabin windows peaking through the ...

France circa 1850 The Bohème artist in his workshop Watercolor on paper 15.5 x 21.5 cm In good condition except a small tear (visible on the photographs) on the upper right border. I...

This beautiful water color painting was done in the heart of Mexico City. The maguey plant dramatically blooms only once – at the end of its lifespan of up to 35 years. Its trunk-lik...

Martha Mans 7 x 7 image size and 16 x 16 matted and shrink-wrapped The painting process has been an evolving experience for me from the time I was very young and first started paint...

My non-objective watercolor compositions come from the dynamic interplay between medium and mind—a visual language where color, form, and movement exist for their own sake, liberate...

Neige (Abstract painting) Collage, Gouache, acrylic and oil pastel on Arches paper — Unframed Marie de Lignerolles is an artist, designer, illust...

Metamorphosis Insectorum Surinamensium, Plate No. 6; Thistle and Moths. The Netherlands: 1705. Engraving with hand coloring in w...

'The Parade Ring at the Races', gouache and pastel on art paper, by Maurice Empi (circa 1970s). The Parade Ring, otherwise known as the paddock, is the pla...

Bench Overlooking the Azure Mediterranean Tony Minartz (French, 1873 - 1994) watercolour on artist paper painting : 17 x 13 inches Provenance: private collection in the South of F...

Original painting on paper by Agnese Negriba- The artwork depicts a female garden spirit in a moment of rest. Artwork invites to enter a space that is full of fragrance, humming soun...

"Three Colored Hibiscus" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Romin...

"Anthuriums and Poppies" is an illustration style painting of exotic flowers bouquet. Red flowers, expressionist gestures, and intricate textures come together in this artwork to cr...

Duchándome, May 28th by Celso Castro-Daza From the Duchándome Series Watercolor and ink on an archival paper Individual size: 19.5 in. H x 13.75 in. W Sheet Size: 19.5 in. H x 27.5 i...

A sensitively drawn and highly-detailed study for a three-panel set of stained glass windows showing the ascension of Jesus by angels and mortals. Initialed, lower right, 'EB-J', an...

View over Nice Tony Minartz (French, 1873 - 1994) signed watercolour on artist paper painting : 12.75 x 17 inches Provenance: private collection in the South of France, Condition: v...

Edith Isaac-Rose "Black Mountain Landscape c.1960 Gouache on paper 8.5"x10.5" unframed Unsigned Born in Chicago in 1929, and neé Ganansky-Teitelbaum, she graduated from The Art Inst...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...

“Boats” landscape painting by Aleksandra Strokina captures a serene coastal scene, where two boats rest peacefully on calm waters. Gentle ripples reflect the vessels, adding a sense ...

The artwork on paper will be sent unframed to you. Untitled 02, From the Series "Iron Stove" Maciej Olekszy was born in 1982, Poland. Graduated from the Academy of Fine Arts in Poz...

A secluded ancient site with lush foliage overlooking a brilliant blue cove is the subject of this watercolor triptych combined in single framing by artist Isabel McCauley...

A finely detailed silhouette of a Victorian gentleman. Hinton Gibbs (1783-1839) Portrait of a gentleman, bust length, turned to the left, wearing coat and cravat watercolour, revers...

This painting depicts an interior scene done in Paris. The fun details are what make this painting so attractive and desirable; there is a wine bottle and flowers on top of the table...

Botanical Watercolour watercolour drawing on artist paper, unframed drawing: 9.75 x 7.5 inches Provenance: Private collection Condition: Great condition Description: This beautiful...

Donald Stacy "Pink Floor" c.1950s Gouache paint on paper 17.25" x 17.25" unframed Signed in pencil lower right Came from artist's estate *Custom framing av...

Persian School This miniature is an interesting conundrum as several elements fall outside of known examples. The overall style, depiction of architecture elements, ornamentation an...

A 1926 watercolor of ships at a dock by artist Harold Haydon. Image size: 9" x 12". Framed size: 14" x 18". Provenance: Estate of the artist. Harold Emerson Haydon was born in...

At the beach. Watercolor. Signature to be identified. Watercolor (at sight): 22.5 x 31.5 cm Frame: 37.5 x 46.5 cm

Title: French Watercolor of Moulin de Daudet in Fontvieille, Provence by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper Size: 12.25 x 16...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

This charming French Impressionist watercolour painting was painted in 1914 and is indistinctly signed. The composition is a market scene with various stalls under trees. The colouring is lovely and it is housed in a superb, gilded oak frame...

In this contemporary drawing on cut paper with carefully drawn dots and lines in soft shades of indigo blue with light pink flowers, the intricate composition is inspired by patterns...

Densham Hill Pool by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22 inches dated 'May 1987' *FREE SHIPPING ON THIS PAINTING*: ...

Indian Miniature

Mullvihill's work is comprised of Chinese characters written in four directions, creating a mandala effect. His Calligraffiti, employing 'Cut-Up' and 'Permutation' processes, results...

Ernest Fiene China Town, 1925 Signed and dated to lower right ‘Ernest Fiene 1925’. Watercolor on paper 18 1/2 x 14 5/8 inches Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Red Hills Near Abiquiu 22 x 30" image size watercolor, 32 x 40" framed in a whitewash profile with museum quality glass red green blue yellow I document the...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

Stamped, verso, with certification of authenticity for Janet Ament De La Roche (American, 1916-2000) and painted circa 1965. Winner of the Prix Othon Friesz, Janet Ament studied at the Chouinard Art Institute, the Los Angeles Art Center, and at the Otis Art Institute. After World War II, she traveled abroad and continued her studies first with André L’Hote at the Académie de la Grande Chaumière (Paris) and, subsequently, at the Accademia di Belle Arte (Rome) and the Academie des Belles Artes de San Jorge (Barcelona). Ament exhibited internationally with success, including at The Salon d'Automne (1954), The Salon Des Artes Decoratifs (1955), the Museum of Modern Art, Paris (1955), the Gallier Charpentier (1955), the San Francisco Museum of Art and the Los Angeles County Museum of Art. A long-time member of the Carmel Art Association, she is listed in all relevant art reference works. Reference: Art & Artists: Carmel – Monterey...

Watercolor illustration for a series of commercial seed packets. Printed by Stecher-Traung Lithograph Corporation, Rochester, NY, circa 1935. Some staining...

Gloucester Harbor Docking the Boat 1900 Gloucester Harbor circa 1900 by C. Bailey Cora was a San Francisco artist in the 19th century. (American), 19th-20th C). Image, 9.75"H x 14.5"...

My 80's Hart "Token 4" 2019, gouache, acrylic, graphite, panel, yellow, orange

Title: Historic Miniature Watercolor of Wine Street Looking to Corn Street in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measure...

A finely detailed silhouette of a Victorian gentleman. Attributed Frederick Frith (1819-1871) The Reverend James Metze, bust length, turned to the left, wearing coat and cravat wate...

Wildlife by Josine Vignon (French 1922-2022) signed pastel/watercolor on paper, unframed painting: 14 x 18 inches good condition provenance: from the artists estate, France Josine ...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

"Workers" Russian Constructivist 1920s Modern Social Realism Cubism Figurative VLADIMIR VASIL’EVICH LEBEDEV (1891-1967) "Workers" Gouache on paper Monog...

The Battle of Dan-no-ura in Yashima, Nagato Province in the First Year of the Bunji Era (1185) Tokyo c. 1830 Woodblock print (nishiki-e) with ink and hand-coloring in watercolor on handmade mulberry paper, 14 7/16 x 9 15/16 inches (367 x 252 mm), ōban tate-e, the full sheet. In good condition with some handling creases. Colors are fresh and extremely vibrant. The right panel from the triptych by Yoshitora depicting one of Japan's most storied naval battles. An impression of this work may be found in the permanent collection of the Honolulu Museum of Art. The great naval battle of Dan-no-ura in 1185 was the final climax in a long series of bitter wars between two powerful families in feudal Japan...

Martha Mans 7 x 7 image size and 16 x 16 matted and shrink-wrapped The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch...

Lawrence Peter "Yogi" Berra was an American professional baseball catcher who later took on the roles of manager and coach. He played 19 seasons in Ma...

Martha Mans 7 x 7 image size and 16 x 16 matted and shrink-wrapped The painting process has been an evolving experience for me from the time I was very young and first started paint...

Judd Mercer's (US based) "011 - Plein Air-Daniels Peak, CO" is a gouache painting depicting a mountainous valley with melting snow. Artist bio/statement Judd Mercer is a contemporar...

Highly precise op-art composition by an unknown artist. A grid of colored squares has been created with various colors, divided by occasional diagonal lines that give the feel of ove...

Large-scale mixed media and gouache abstract by Nancy Louise Jones (American, 20th century), 1980. This large-scale abstract piece features a cool color palette with layered geometric shapes and planes, evocative of outer space and the cosmos. Signed and dated "1980" on the bottom right. Presented in a metal frame. Image size, 39"H x 48"L. About the Artist: Mentors: William Brice, Ron Pekar, Manfred Mueller, Gere Kavanaugh. Permanent Museum Collections: Huntington Library Archive, “Intimate View of LA”, San Marino, CA South Bay Contemporary Museum, Torrance, CA Published Work: 2012 “Nymphas Dissolutio”, The Bride Revisited Mercedes Gertz/ Nancy Louise Jones 2010 Billy IDOL...

Rabbi in the synagogue at prayer wearing tallit and tefillin. Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter. Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment. However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920. A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York. Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change. The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934. He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950. Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including: "The Nell Walden Collection," Kunsthaus Zürich (1945) "Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950) "Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964) "Ungarische Avantgarde," Galleria del Levante, Munich (1971) "Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978) "L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980) "Ungarische Avantgarde in der Weimarer Republik," Marburg (1986) "Modernizmus," Eresz & Maklary Gallery, Budapest (2006) "Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007) Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses. He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...

Fisherton by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22 inches titled and dated 'Oct 1984' *FREE SHIPPING ON THIS PAINTING...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Coleth The Lovers of Venice Carnival Original gouache and ink drawing (c. 1925) Signed bottom right On drawing paper 23 x 20 cm (c. 9 x 8 in) at view...

Clinton Hill (1922-2003), created quintessential mid-century images, but figures are unusual in his work. This is from a very early period. In 1951 Hill studied at the Academie de la...

A set of four watercolours of butterflies on silk, applied to handmade paper, with hand cut edges, by French artist La Roche Laffitte. Two are signed by the artist to the bottom righ...