Art by Medium: Watercolor

This delightfully vivid 19th century portrait depicts Anna Sophia Von Franquet. Unsigned. Original label verso. Beautifully presented behind glass in a decorative gilt frame. On pape...

'Le Café', watercolour on paper, by Catherine Garros (circa 1990s). Many people's idea of heaven is being seated at an outdoor café somewhere in one o...

Title: Mid Century French Black and White Geometric Abstract Composition by Serge Guerin (b. 1916), French Acrylic and gouache on black artists paper, unframed Size: 25.75 (height) x...

This is an exclusive handprinted limited edition cyanotype. "Black Sea Rhythms" shows the peaceful, abstract, subtle ripples of ocean waters in movement. Details: + Title: Black Se...

This beautiful painting by Romina Milano presents a contemporary interpretation of pomegranates, rendered through expressive brushwork and a vibrant, balanced palette. Organic forms ...

Lyrical abstract expressionist gouache on paper by French artist Michel Loiseau. Signed bottom right. Michel Loiseau-Rizzo, born in 1937 is an illust...

(Unique) 1/1 edition Max, Peter Cosmic Flyer, c. 1989 Mixed media with watercolor and serigraphy on paper 11 x 15 in.

5066 Late 19th century watercolored engraving set in a silvered wood frame

Acrylic & watercolor on paper mounted on wood panel Minako Asakura is a Japanese artist born in 1973 who lives & works in Tokyo, Japan. As graphic designer & art dire...

James Abbott McNeill Whistler Beach Scene at Dieppe, 1885-86 Watercolor on paper, mounted on board 8 1/2 x 5 inches Signed on the reverse Provenance: Miss Annie Burr Jennings Mrs. ...

George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...

Antique Hudson River School landscape painting by William Louis Sonntag, Sr. (1822 - 1900). Watercolor and gouache on board. Framed. Signed. Measuring: 13 by 17 inches overall, and ...

The artist presented a sophisticated architectural landscape, executed in the technique of classical watercolor painting. The painting depicts the majestic dome of St. Paul's Cathedr...

This is an exclusive handprinted limited edition cyanotype diptych of foamy gorgeous clouds. Details: + Title: Floating Clouds Diptych + Year: 2023 + Edition Size: 20 + Stamped and ...

1960s Abstract Expressionist composition in blue. The painting is signed bottom right, 'Cowans' but as yet undeciphered. Presented in a fine gilt wood frame, with a silk fabric mount...

Hiroshi Honda Hatatatedai Signed upper right Ink on paper laid on canvas 35 x 92 inches Hiroshi Honda was an American painter who was born in Hilo, Hawaii, to Japanese parents who ...

A beautiful 19th century copy by Giuseppe Rocchi of Baldassarre Franceschini's Sleeping Cupid, presented in a very attractive gilt frame with hand carved mouldings. A very peaceful i...

"Men in Barracks" WPA Mid 20th Century American Scene Realism Gay Modernism WWII. 18 x 24 inches Watercolor on paper. c. 1940s. Signed lower right. BIO ...

1780's-1800 Fine English School Ink & Watercolor Fantastical Scene Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with watercolour wash on artist paper...

"Sem Titulo" gouache on paper. Illustrated in Barsotti's book page 146. The full sheet size listed in the catalogue is 21cm x 30cm. The specialty frame incorporates a mat cut up t...

A striking 1940s modernist gouache painting by Frederick Shane titled Artists Sketching (California), depicting three artists working outdoors against a sweeping mountainous landscap...

Artist Comments
Artist Catherine McCargar illustrates alluring red flowers in a background of white. She captures the delicacy and transparency of gorgeous poppies she noticed in a local public garden. She creates a somewhat stylized arrangement of blooming stems. "It is punctuated by the addition of the buds as they dangle before bursting forth the seed capsules that remain after the petals drop," says Catherine.

About the Artist
Impressionist Catherine McCargar expresses her deep admiration of nature through landscape paintings of Northern California...

Title: Attainville French Village Church Landscape Watercolor Rural Houses Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on paper, unframed Size (H x W): 20.2...

Abstract Lilac Turquoise Red Pink & Green Canvas Art by British Contemporary Artist, Angela Wakefield. This original is from the 'Spring Burst' Interior Design Series. Framed in ...

This artwork titled "Landscape with Snow" c. 2000, is a watercolor on paper by noted California artist Erin Dertner, b.1957. It is signed at the lower right corner by the artist. The...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us and reminds us of its natural beauty and the importance of its preservation. Details: Title: Sea of Blue N10 Medium: Mixed Media on Paper Size: 63 x 90 cm (28.4 x 35.4 inches). Year: 2021 * Frame is for illustrative purposes only. Artwork shipped carefully rolled and packaged in a tube. * Certificate of Authenticity provided. Enric Servera (Ciutadella de Menorca, 1970) lives and works between Barcelona and Menorca, Spain. His works explores the colors and forms of the ocean, inspired by the fauna and flora of the Mediterranean Sea. His work has shown in galleries across Spain, and is part of several public and private collections. Words that may describe this series of artworks are: Mediterranean-inspired art, abstract sea...

De Hirsh Margules (1899-1965). North on West Street , 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15 x 22 inches. Framed measurement: 27 x 34 inched. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

In this contemporary botanical painting in watercolor, gouache, mica, and cyanotype on Arches Platine paper, meticulously detailed flowers are depicted in white and metallic gold and...

Untitled watercolor surrealist painting with a sea horse and planets. The work is done using bright warm colors and is signed by the artist in the bottom corner. The painting is not currently framed. Artist Biography: Born in the Belgian Congo in 1940, Gustave Alhadeff won his first award at the annual art show in Elisabethville, at age 13. His formal art education began with Mr. Marcel Pire (Prix de Rome). He continued his studies at the Michaelis School of Fine Art, with Mr. Van Nesche in Cape Town, South Africa from 1956 to 1957. He was awarded a scholarship from the Art Academy to continue his studies with Mr.Creytens at the "Institute National Superieur des Beaux Arts" in Anvers, Belgium. The following year he entered the class of Mr. Leon Devos...

Earth-toned brown tree trunks and little pine trees line the forest in March in this rich, highly detailed contemporary landscape. The many shades of brown are offset by luminous ver...

Signed lower left, 'Geo Marzan' and painted circa 1965. A panoramic sunset view of Causeway Bay, Hong Kong, with a fishing boat and other smaller craft in the foreground and Victori...

A rare Walter Anderson of zebras in the Audubon zoo in New Orleans. Circa 1940 to 1950. One of a pair. Framed size 17 5/8"x 20.25" Walter Inglis Anderson (1903-1965) is considered o...

This is an exclusive handprinted limited edition cyanotype. "Calming Sea Ripples" is a handmade cyanotype print portraying the subtle movements and abstract ripples of the open sea. ...

Medium: Watercolour on paper, unframed Size: 10 inches (height) x 14 inches (width) Signed: No Condition: Sound condition Provenance: Private collection Description: This watercolor...

Watercolor on paper realized by Maccari in 1960s. Hand signed lower right. Very good condition.

This delicate still life scene depicts an elaborate floral arrangement in a ceramic vase with fruits in the foreground, set against a scenic mountain backdrop. Well presented in an o...

Internationally acclaimed artist Martina Niederhauser presents a new collection that offers fresh perspectives on women, delving into the realms of emotion, beauty, identity, and the...

Marc-Luc (French, active 1920s-30s). Boys Fashion Illustration, ca. 1920s. Watercolor and pencil on paper, image measures 8 x 11 inches on panel measuring 12.5 x 18 inches. Signed lo...

Antique Indian Mughal portrait of a Prince, late 18th cent. , by repute possibly depicting Maharaja Vijay Singh of Marwar (1729 - 1793) Rajasthan, circa 1800’s The Maharaja is ...

Frank Nelson Wilcox (American, 1887–1964) Plowman, Brecksville, Ohio, c. 1922 Watercolor on paper Signed lower right 22.5 x 27.75 inches 27.75 x 34.5 inches, framed Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...

Figurative Still Life painting of blue and gold flowers on an indigo cyanotype and geometric patterned background "Cyanotype Painting (Gold Flor...

RV Float (Abstract drawing) Watercolor on paper . Unframed. McCagg's work is informed and influenced by formal elements such as line and space, which provide an underlying aestheti...

Title: French Mid 20th Century Watercolor Landscape of Hillside Village and Pond by Anne Marie Migette Perard (French 1902-1977) Medium: Watercolor on unframed paper Size: 18.25 inc...

Title: Murs Provence Hilltop Village Watercolour Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on paper, unframed Size (H x W): 19.75 x 25.75 inches Signed lo...

Title: French Coastal Watercolour of Seaside Cottages and Sailboats by Fanch Lel (French b. 1930) Signed: Yes Size: 9.5 inches (height) x 12.5 inches (width) Watercolor painting on p...

Fine English School Ink & Watercolor Mounted Cavalry Officer Equestrian Study Late 18th / Early 19th Century English School circa 1780–1800 ink and watercolour on artist paper, unfra...

Roses. 1993, paper, watercolor, pastel, 47x31 cm Oskars Berzins (1940)

Title: Stylised Woodland Landscape Trees Riverbank Decorative Gouache Painting Artist: Unknown artist (mid 20th century) Medium: Gouache on artists paper, unframed Size: 3.25 x 6 inc...

Pink Dress by Josine Vignon (French 1922-2022) ink/watercolour/pencil drawing on card, unframed paper: 10 x 6.5 inches double sided very good condition provenance: from the artists...

Fine English School Ink & Watercolor Falconer on Horseback Equestrian Study Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with watercolour wash on artist ...

Chromatic Shoal is a tropical seascape diptych by Enric Servera where gestural abstraction and fluid color rhythms evoke the movement of a lively school of fish. Interlacing, serpent...

Beautiful abstract expressionist collage by Bay Area artist Michael Pauker (American, b.1957). Composed of two contrasting sections of light blue and brown, this piece has layers of ...

Original watercolor on archival paper of a Rocky Mountain Meadow by the well known American artist, Werner Drewes. Signed lower right. Titled and dated 1956 on verso of sheet. Con...

A Mid-Century Modern 1950s watercolor of male nude bathers in Morocco by notable French artist, Andre Delfau. Image size: 7 1/2 x 7 3/4 inches. Gouache on paper, dating circa 19...

A second life for academism, mothballs, frameworks, prohibitions, conditions, and laws. I take dry and boring academism and transform it into vibrant, joyful contemporary art. Academ...

Title: French Harbour with Moored Boats and Clifftop Houses Watercolour by Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Size (H x W...

ARTIST: Giorgio De Wolff (early 20th Century) Italian TITLE: "Italian Summer Garden Border" SIGNED: lower left and dated 1929 MEDIUM: watercolour SIZE: 66cm x 58cm inclusive of fram...

Signed lower right, 'Sottosanti' for Angelo Anthony Sottosanti (American, 1917-2004) and dated 1941. A dramatic Modernist study of a Tehuantepec woman from Oaxaca shown wearing the ...

This original abstract watercolor painting by Nealy Hauschildt features a warm pink, orange, and lavender palette, with three large organic planes of washy color layered over one ano...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...