Art by Medium: Wood Panel

Acrylic on Canvas 36 x 36 inches 2023 Signed on the reverse

Acrylic and Spray paint on wood panel 18 x 18 x 1.25 inches Signed by the artist on reverse

A vast, stormy cloud advances through an azure sky in this moody landscape by Jay Hodgins. Layers of curated colors coated in a glossy resin create depth and light in this atmospheri...

Los Angeles artist Marc Raphael captivates by his abstract expressionism paintings influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work...

Mat Tomezsko's "NOW" series of mixed media street art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an...

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

In her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

The gallery guarantees the uniqueness and high quality of this work of art, confirmed by a certificate of authenticity. By purchasing paintings by Irina Forrester, you make a smart ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

This large abstract contemporary statement painting by Roger Mudre features many light circle shapes, layered over one another in a concentric fashion and a cool blue and silver pale...

Swiss-born artist Marco Schmidli creates large-scale minimalist paintings reminiscent of color field studies with a contemporary edge. Placing emphasis on process, he lets the mediums naturally manifest within his artwork. “An important aspect of my artwork is the removal of my own artistic hand. Instead of controlling and demanding the paint move and act a certain way, I let the paint naturally manifest and express its pure form/ true colors/ most natural movement.” Schmidli's work is known for its sensitive surfaces and subtle textures. He has developed specialized techniques for applying and layering color, giving depth to his large-scale paintings. This 11-inch high by 9-inch wide and 1-inch deep original artwork is an abstract composition in acrylic on wood. It is framed in a natural wood frame. Size and price include frame. It is signed on the back. Convenient local Los Angeles area shipping. Affordable Continental U.S. and worldwide shipping also available. A certificate of authenticity issued by the art gallery is included. Schmidli studied photography and fine art in Switzerland and Rome. He worked as a photographer and painter in Zurich and then in 1989 he moved to California. Schmidli has been creating large-scale artworks since. He has developed specialized techniques for applying and layering color. His artworks have been featured in the film and entertainment industry, such as fashion photography, celebrity portraits, music videos, films, editorials, and at red carpet events. Schmidli has set a new standard for large-scale contemporary abstract works in Los Angeles. His original paintings have appeared in highly respected magazine publications, such as Vogue, Flaunt, and Harper’s Bazaar. His work has also been featured in fashion spreads of iconic international brands such as Nike and Balenciaga. REPRESENTATION Artplex Gallery, Los Angeles, USA CLIENT LIST ADVERTISING Acura, Aveda, Bath & Body Works, Bloomingdales, Cost Plus, Covergirl, Heather Levine, JC Penny, Loehmann's, Lord and Taylor, Macy's, Mazda, MGM Resorts International, Neiman Marcus, Noah's Bagels, Nordstrom, O.P.I., Oakley, Porsche, QVC, Saks Fifth Avenue, Silverman Group, Sketchers, Smashbox Beauty, Sprint, Stila. EDITORIAL Architectural Digest, Cosmo Girl, Cosmopolitan, Details, Elle Décor, Elle, Empire Magazine, Entertainment Weekly, ESPN, Esquire, Essence, Forbes Life, Giant, Glamour, Golf Digest, Good Housekeeping, GQ, Hearst Magazine, House Beautiful, Instyle, Ladies Home Journal, Latina Magazine, Los Angeles Magazine, Los Angeles Times, Lucky, Martha Stewart Living, Maxim, Men’s Vogue, New York Magazine, New York Times Magazine, Oprah Magazine, Parade, Parents, People, Playboy, Rolling Stone, Seventeen, Shape, Spin, Sports Illustrated, Teen People, The Hollywood Reporter, The Wall Street Journal, Town & Country, US Magazine, Vanity Fair, Vogue, Wonderland, Women’s Wear Daily FASHION Ann Taylor, Anthropologie, Banana Republic, BCBG, BEBE, Bluefly, Brooks Brothers, Calvin Klein, Chanel, Chrome Hearts, David Yurman, Delia’s, Eileen Fisher, INC, FIDM, Fredricks of Hollywood...

In this radiant encaustic work, Joanne Ungar transforms a flattened cardboard box—originally packaging from the health and beauty industry—into a luminous, layered composition. Satur...

Artist: Paul von Ringelheim Title: Abstract in Purple, Green and Red Year: 1974 Medium: Airbrush and Mixed Media on Panel, signed and dated verso Size: 53 x 41.75 in. (134.62 x 106...

Yellow, Orange, and White Expressionist Composition in Wax and Acrylic on Wood Panel Bold abstract composition from the Studio of David Francis by "Margo" (20th Century). Bright col...

Mat Tomezsko's "NOW" series of mixed imedia street art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an excessive amount of acryli...

Acrylic and Spray paint on canvas 24 x 24 Signed by the artist on reverse

Stephen identifies the delicate texture and beauty of the natural oxidation process. Oftentimes a found object initiates his work: By incorporating an object directly, imprinting, or...

To Shizico, a triptych is a compilation of visual prayers; it embodies a meditative voyage akin to a form of meditation. For her, the repetition of motifs within the triptych serves ...

Edward Avedisian ( 1936-2007 ) 7.5 X 5.75 Oil paint on wood panel This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert...

In her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...

Untitled 5 (JF 22) (Abstract Painting) Gesso wash, pencil, and oil on wood panel — Unframed. Feinberg works with a variety of techniques and mediums, including painting, paper colla...

Crowell's abstract paintings are in the challenging media of oil paint and cold wax. "Techniques I originated in my practice 20 years ago are now widely recognized and taught. My pro...

Highways and Byways is painting on a wooden panel so there is no need for a frame.. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person) Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror (Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.) 2013 Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror RED, A Gallery, Provincetown, Mass. Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person) 2012 EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker Continuum 2012, VamArt, Inc., Metuchen, NJ 2011 One Foot of Wax, North Lake College, Irving, TX Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror Hunting Art Prize Finalist *Paintings, DCL, Tyler, TX 2010 Fusion, PFAMily Arts Gallery, Plano, TX Melting Point, Arts Centre of Plano, Plano, TX *Influenced by the Land, Encaustic Center, Richardson, TX Hive, Cole Art Center, Nacogdoches, TX 2009 Uncommon Composites, Cerulean Gallery, Dallas, TX Meltdown, Art Hotel Gallery, Dallas, TX Global Swarming, TX Discovery Gardens Gallery, Dallas, TX Encaustic Methods, Tarrant County Community College, Arlington, TX The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX 2008 Coming Home, Longview Museum of Fine Arts, Longview, TX Some Like It Hot, Bath House Cultural Art Center, Dallas, TX Texas Artists Museum, Port Arthur, TX, Firehouse Gallery, Fort Worth, TX 2007 Landscapes, Longview Museum of Fine Arts, Longview, TX *Little Pieces of Land, Joyous Lake Gallery, Pinetop-Lakeside, AZ Mississippi Art Colony Travel Show, Meridian Art Museum, Meridian, MS East – West, Meeting in the Middle, Hilligoss Galleries, Chicago, IL 2006 Artist Residency, Centre d’Art Contemporain (Cat’Art) Sainte Colombe sur lâ Hers, France Mixed Media Invitational, Longview Museum of Fine Arts, Longview, TX 2005 Dance with the Imagination, 3 artists, West End Gallery, Winston-Salem, NC Southwestern Water Society Signature Members Show, Irving Art Center, Irving, TX, Marcie Inman juror of awards, Honorable Mention 2004 East Texas Regional Exhibit, Longview Museum of Fine Art, Longview, TX; juror, David Band Traveling the Carolinas, National Association Of Women Artists Mississippi Art Colony Travel Show, Spring, Joseph A Smith, juror Artist Career Training 1st National Juried Exhibition, 2nd place Award, jurors, Geoffrey Gorman...

Alexander Eulert's original mixed media paintings on wood panels are abstract propositions of worlds where divergent forces coalesce into harmonious geometric interactions. He draws ...

Crowell's abstract paintings are in the challenging media of oil paint and cold wax. "Techniques I originated in my practice 20 years ago are now widely recognized and taught. My pro...

Renowned career illustrator Stephen Gammell now devotes his energy to a full-time studio practice, and we’re honored to bring the current work of an artist who, with dozens of public...

Crowell's abstract paintings are in the challenging media of oil paint and cold wax. "Techniques I originated in my practice 20 years ago are now widely recognized and taught. My pro...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Mat Tomezsko's "NOW" series of mixed media street art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an...

Mat Tomezsko's "NOW" series of multimedia Street Art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an ...

"Basket Weave" is an original abstract graphic painting on wooden panel. It has patterns, stripes and a dynamic color palette, featuring pinks and blue. A stunning and contemporary u...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

"Sargasso" hand-carved wooden New Brutalism wall sculpture by Hudson Valley artist, Stephen Walling, made in 2013 36 x 40 x 2.5 inches Carved wood and ac...

A magical painting by Eric Orr. Housed in the artist's original frame. Oil on canvas on panel. Circa 1990 Dimensions: 40 x 34.5 inches Framed Dimensions (approximate): 43 x 36 inches

Abstract geometric three-dimensional wood wall sculpture in shades of blue, green, teal, with contrasts of white "Peekin", made by Hudson Valley artist, Stephen Walling, in 2020 35 x...

Rebecca Klundt’s "Pals" uncovers the unique beauty of original paintings, geometric abstractions, and textural mixed-media art. This 32-inch high by 25-inch wide artwork transforms reclaimed wood into a stunning assemblage finished with layers of acrylic paint, highlighting Klundt's commitment to sustainability and creative renewal. Perfect for lovers of eco-friendly art and modern textural compositions, "Pals" features a playful yet sophisticated design of figures composed of bold lines and shapes against a distressed wood-texture background. Klundt’s use of found materials and geometric patterns creates a sense of harmony and order, while the vibrant accents of orange and teal bring dynamic energy to this visually captivating piece. Key Features: > Mixed-Media Assemblage: Crafted from reclaimed wood and layered with acrylic paint, resulting in a textured, geometric composition. > Compact Statement Size: At 32 x 25 inches, this original artwork is ideal for adding a unique touch to smaller spaces or as part of a gallery wall. > Eco-Friendly Art: Made with sustainable materials, reflecting Klundt’s passion for repurposing and renewal. > Ready to Hang: Mounted on a sturdy wood panel, wired, and painted on the sides, eliminating the need for additional framing. > Authenticity Guaranteed: Signed on the back by Rebecca Klundt, with a certificate of authenticity included. About the Artist: Rebecca Klundt, a native of Salt Lake City, Utah, holds a BFA from Brigham Young University and is widely recognized for her innovative use of reclaimed materials in art. Inspired by the natural world and the process of transformation, Klundt creates abstract works that explore themes of renewal, order, and the beauty of lines. Her artistic philosophy embraces using "the unusable" and turning discarded materials into thoughtful, organized compositions. Drawing from the textures and fissures of Utah’s slick rock formations, Klundt’s works are a testament to her love of significant lines and her ability to imbue each piece with a sense of natural balance and human ingenuity. Why "Pals" Stands Out: Rebecca Klundt’s "Pals" is a perfect example of her ability to merge sustainability with contemporary art. Its playful geometric forms and eco-conscious construction make it an ideal addition for collectors seeking modern, textural art that tells a story of creativity and renewal. "Pals", a one-of-a-kind original mixed-media painting by Rebecca Klundt adds sustainable elegance to any home or office space. This unique, eco-friendly artwork celebrates the beauty of reclaimed materials and modern abstraction. Klundt's artworks have been exhibited in Utah and California and have been collected throughout the USA. REPRESENTATION Artspace Warehouse, Los Angeles, USA EXHIBITIONS 2022 Art and Soup Charity Expo, Salt Palace, Salt Lake City, UT 2021 Rouge Show, Sears Art Museum, St George, UT Certain Women: Reflections on a Mother in Heaven, Salt Lake City, UT 2020 Spring Salon, Springville Museum, Utah Holy Visitation: The Dawning of the Restoration, Washington, DC 2019 Religious & Spiritual Show, Springville Museum, Springville, Utah BDAC Statewide Annual, Bountiful, Utah Statewide Annual, SLC, Utah SLCC President’s Show, SLC, Utah Spring Salon, Springville Museum, Springville, Utah LDS International Art Competition, SLC Utah Certain Women Show, Anthony’s Fine Art...

Quantum Color #47, 2019 by Natasha Zupan One of a kind mixed media painted books on a wood panel Size: 70 in. H x 60 in. W x 4 D in _____________________________________ Natasha Zupan beautifully unites the old and new. A Yale-educated, internationally renowned artist, combines the innovation of her highly crafted technique with her wonder for tradition and the great Masters. Her artwork is about the juxtaposition of emotion in time and the confrontation...

Generous by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 48 x 36. This is part of a new 2022 series. According to Umerlik, " I became a mother this past ye...

This beautiful contemporary high textured abstract painting is great for a classic and contemporary setting. The variation of colors and rich texture would greatly bring a space to l...

Abstract, landscape, figurative: a rabbit burrow, reminiscent of Venice Carl Dimitri’s artistic style is multifaceted, blending abstract, contemporary, and expressionistic elements....

Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...

​"My passion for the vestiges of aged surfaces that inspires my painting has been influenced by my travels in Finland, France, Germany, Greece, Italy, Mexico, Russia, and Sweden." --...

"Hip, Hip, Hooray!", hand-carved wooden wall sculpture by Hudson Valley artist, Stephen Walling, made in 2019 24 x 24 x 2.5 inches Carved wood and acrylic paint on panel Signed, ver...

​"My passion for the vestiges of aged surfaces that inspires my painting has been influenced by my travels in Finland, France, Germany, Greece, Italy, Mexico, Russia, and Sweden." --...

Textiles, varnish and metal on wooden panel, Framed Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in In...

Please send zip code for best shipping/delivery costs and timeline -- I will work with you to get you the best price. Mat Tomezko's "Price" series of mixed media paintings are const...

This geometric abstract acrylic on canvas painting mounted on wood panel is part of Weaver's "Cubes Divided into Three" series. Squares, rectangles, triangles, and polygons appear in shades of red, purple, pink and gray on a pale yellow field. It is signed and dated on the back. It includes all hanging hardware and is ready to install; no additional framing is necessary. Benjamin Weaver...

red taupe beige green orange rust white blue Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique properties o...

Plaines & Mines, d’Ombre 2025.1 is a vibrant and intricate painting on wood created through the use of stencils, airbrushing, and pyrography. A hand-painted grid in vivid tones of el...

Jylian Gustlin’s paintings are process driven – when looking at her work there is a sense the painting was “made” with effort, intention and even strength. The artist starts with an ...

Michael Barringer, from Granite Quarry, North Carolina, finds inspiration in the natural world and the legacy of familial craftsmanship. Influenced by the works of poets like TS Elio...

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

In one of the most vibrant oil paintings from her “Reflection” series, Carole Garland luxuriates in the splashes of colors, heightening nature’s splendor. Mirrored in the stream, the turning leaves are replicated and abstracted in the shimmering waters below. Workshops with Fine Art oil...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

"Shore of the Huan He" hand-carved wooden wall sculpture by Hudson Valley artist, Stephen Walling, made in 2014 24 x 36 x 2 inches Carved wood and acrylic paint on panel Signed, ver...

Poppy Pods in Red, 2018 48" X 24" (vertical) 24" x 48" (horizontal) This long, rectangular, modern, abstract encaustic painting by Allyson Levy is made with assorted brown and beig...

This is a one of a kind original abstract oil painting on wood panel by Southern California artist, Daniel Ketelhut. Its dimensions are 18" x 18" x 1.5". It is unframed. A certificat...

Mary Didoardo Blue Poem , 2024 oil on wood panel 30 x 30 in (dido118AP) Artist Statement In order to make a meaningful painting I have to establish form somewhere in the swirl of l...

Melisa Taylor Metzger’s MH II is a hauntingly immersive optical spray painting on wood, executed with pyrography, airbrushed paint, stencils, and a removed tape grid. The composition...

This is an original sill life interior painting of fruit (apples) with a geometric fractured composition. The artist made the painting one section at a time. When working on one section, the artist would block off the rest of the composition so the objects and background needed to be placed again. By building the composition this way, the background and table appear at different levels and the shapes don't quite align. These imperfections convey a sense of passing time. In each section, the tone of the light changes, and the shadows switch directions. The apples and geometric shapes were chosen as much for metaphorical value as for aesthetics. A seemingly simple arrangement in a familiar painting genre contains a depth of observation, artistic choices, and interpretation. This painting is signed and dated on the back. Includes all hanging hardware and ready to install; no need for additional framing. Mat...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Finding My Way 2 Cheryl D. McClure oil on paper on wood panel 20 x 20 x 0 in Inv #: 795 Price $1800 To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional...

Sandra Cohen’s “the separation of isotopes” is a 12 x 12 x 1 inch abstract acrylic painting on cradled wood, in bright tones of pink, blue, orange, yellow, white and black. A simplif...

This painting explores the graphic simplification of the wild coastline around the Hartland Point lighthouse in North Devon, England. The point marks th...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the artist's "Elements" series which creates intricate geometric minimalistic compositions. This work has a rustic and heavily textured quality, but the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating pieces that allow us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her pieces aim to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This is a unique work is on baltic birch panel, and signed and titled by the artist on verso. Art measures 8 x 8 inches A native New Yorker, Christie Owen...

one-of-a-kind painting

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

Melisa Taylor Metzger’s MH I is a striking large-scale optical spray painting on wood, created through pyrography, airbrushed paint, stencils, and a removed tape grid. The piece vibr...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

This beautiful contemporary high textured abstract painting is great for a classic and contemporary setting. The variation of colors and rich texture would greatly bring a space to l...

orange rust white blue Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique properties of oil and cold wax, a...