Art by Medium: Woodcut

"White Horse" is an original wood engraving by Howard Thomas, signed in plate. A white horse trots past the foreground of the image, spirals in it's eyes and spots on its hide. A bla...

11" x 10" Limited Edition Print on Paper of 25 Hand Signed by Esther Merikanskas

Wassily Kandinsky Woodcut in black on Dutch laid paper Cut from the folio Klänge, conceived 1911-1912, published in 1913 Published by R. Piper, Munich Book is signed and edition to ...

44" x 30" Unframed 3 Ink Woodcut Print on Paper Hand Signed by Iván Bautista

Toyokuni III A Modern Shuihuzhuan / Narita no Shinzo 近世水滸伝 Tattoo Size: Oban 36 x 25 cm 文久2年（1862） 　

With the simplest of line akin to a drawing by Matisse, Alex Katz renders Ada (Black & Purple) in elegant simplicity. Created in 2022 as an original two-color woodcut in an edit...

Tsukioka Yoshitoshi Looking Tasty, the Appearance of a Prostitute during the Kaei Era from Thirty-Two Daily Scenes (風俗三十二相), 1888 Woodblock print Oban This piece depicts a woman on...

Gravure pour 10 origine is an original modern artwork realized by Vasilij Kandinskij  Black and white woodcut Numbered on the lower margin. Edition of 15/75. This is the second e...

"Arroyo" is a woodcut and monotype signed by Carol Summers. The print is a break from the usual bright coloring of Summers' images, though is rendered in his typical style and fields of unmodeled color. A pair of trees stand front and center before an arroyo, a Spanish term for an intermittently dry creek, running out to the ocean. A white sunrise glows in the distance beyond the sea. The playfulness of the image is enhanced by Summers' signature printmaking technique, which allows the ink from the woodblock to seep through the paper, blurring the edges of each form. 14.25 x 14 inches, artwork Numbered from the edition of 120 This print was commissioned by the Madison Print Club, Madison, WI Carol Summers (1925-2016) worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for its large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world, and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction, and Icarus) was shown for the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts. In 1954, Summers received a grant from the Italian government to study for a year in Italy. Woodcuts completed soon after his arrival there were almost all editions of only 8 to 25 prints, small in size, architectural in content, and black and white in color. The most well-known are Siennese Landscape and Little Landscape, which depicted the area near where he resided. Summers extended this trip three more years, a decision that would have a significant impact on choices of subject matter and color in the coming decade. After returning from Europe, Summers’ images continued to feature historical landmarks and events from Italy as well as from France, Spain, and Greece. However, as evidenced in Aetna’s Dream, Worldwind, and Arch of Triumph...

Utagawa Toyokuni II (Toyoshige, 1777-1835) Mother and Baby  from Ogura Imitations of One Hundred Poems by One Hundred Poets" (Ogura nazora-e Hyaku-nin isshu), 1840s Edo period Woodbl...

A beauty turns to admire the Kirifuri Waterfall in Nikko Province. She holds the handle of an umbrella and wears fashionable clothing that is beautifully printed. This series pairs f...

Bold woodblock serigraph by Ruth Chaney (American, 1908-1973). Numbered (#17), titled, signed, and dated along the bottom edge. The Smithsonian American Art Museum has an edition of...

This woodblock print depicts two characters from the play Godairiki Koi no Fujime, Igami no Gonda and Koman, a Geisha. The play tells the story of Koman, who is in love with the nob...

The present artwork is an excellent example of the woodcut engravings of Auguste-Louis Lepère (1849 - 1918). He was the son of the sculptor Francois Lepère, a...

Shichirigahama, Sagami Province. A beauty in the foreground waves to her young companions, who run towards her on the beach. The beauty at left wears a western-style golden ring. We ...

The Bride is an artwork made by Nino Aimone (1932-2020) in 1975. Woodcut. Stamp signed on high margin and title on low margin. Excellent condition.

My Grandfather is an artwork realized by Jan Claessens (Belgian, 1879 - 1963) in 1915. Woodcut print. Good condition.

French Countryside is a woodcut print realized by an artist in the 20th century. Good condition.

The Bride is a artwork made by Nino Aimone (1932-2020) in 1975. Woodcut. Stamp signed on high margin and title on low margin. Excellent condition.

Barton, John Murray. MY BELOVED'S DREAM. Color Woodcut, 1959. Edition of 100. Titled, numbered 1/100, signed and dated in pencil. 23 5/8 x 7 3/4 inches (image), 11 1/2 x 27 inches (s...

Ex-Libris Giorgio Balbi is an Etching realized in the mid-20th Century . Good conditions.

Ex-Libris is a Woodcut print by Giorgio Balbi in the mid-20th Century . Good conditions.

Ex-Libris Giorgio Balbi is an Etching by Luigi Angelini in the mid-20th Century . Good conditions.

Signed and numbered woodcut from the edition of 15. Political and social satire is a frequent topic in Hazelwood's work. But equally, he enjoys depicting the social scene in specific...

Ex  Libris OOle is an Modern Artwork realized in the first half of the 20th Century . Original B/W woodcut print on ivory-colored paper.   The work is glued on cardboard.  Total ...

Jean-Emile Laboureur, Anzacs, woodcut, 1918-22, signed and numbered (7/45), the second state (of 2). Reference: Sylvain Laboureur 713. In good condition, with remains of old hinges ...

 Ex-Libris  - D.Logeman-Van Der Willigen is an artwork realized in Mid 20th Century. Woodcut B./W. print on paper. The work is glued on cardboard. Total dimensions: 21 x 15 cm. Ex...

Dance hall is a woodcut print realized by Gaspard Maillol (1880-1946). Hand signed by the artist on the lower margin. Edition 19/160. Gaspard Maillol , born on July 10 , 1880 in Ba...

Ryan, Anne. BOY AND COLT. Woodcut in colors, printed on black paper, 1945. Edition of 18, titled, signed and numbered in pencil. 11 1/2 x 15 inches In excellent condition. Anne ...

Giant is a contemporary artwork realied by Peter Blake in 1978 Woodcut on Japan paper, drystamped Waddington Graphics, London. Plate dimensions: 15,5 x 13 cm Mounted in a passepar...

The Cathedral is a watercolored woodcut print, realized by Charles Dubin in the 20th Century. The state of preservation is Good. The artwork is depicted skillfully through confiden...

Cheers! is a woodcut print on creamy-colored paper realized by Hermann Paul, in the 1910s. Good condition with slight folding and repaired cutting. René Georges Hermann-Paul (27 De...

Edition 8/24

Boy Mounted on a Frog is a woodcut print on paper realized by an unknown artist in the 1830s Good conditions. The artwork is created through smooth delicate strokes by mastery.

Ex-Libris - Don Chisciotte is an Artwork realized in The 20th Century. Woodcut on paper.  Hand-signed in pencil. Good conditions.

Ex-Libris - Music., Alfons Van Quelle i is an Artwork realized in The 20th Century. Woodcut on paper.  Good conditions.

Ex-Libris - Sireho Schmidta is an Artwork realized in The 20th Century. Woodcut on paper.  Hand-signed in pencil. Good conditions.

Ex-Libris - Sylvio Moreaux i is an Artwork realized in The 20th Century. Woodcut on paper.  Good conditions.

Art: 5 1/2 x 4 3/8" Frame: 10 1/8 x 8 1/8" Original color woodcut on paper, signed in block. Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff...

Ex-Libris - Dionysius Dutkay is an Artwork realized in The 20th Century. Woodcut on paper.  Hand-signed in pencil. Good conditions.

Ex-Libris - Music is an Artwork realized in The 20th Century. Woodcut on paper.  Good conditions.

Ex-Libris - SV. kjaer is an Artwork realized in The 20th Century. Woodcut on paper.  Good conditions. The artwork represents a minimalistic, clean design, through preciseness.

Ex-Libris -Anna Lerperger is an Artwork realized in The 20th Century. Woodcut on paper.  Hand-signed Good conditions.

Ex-Libris - Music is an Artwork realized in The 20th Century. Woodcut on paper.  Good conditions. The artwork represents a minimalistic, clean design, through preciseness.

44" x 30" Unframed 3 Ink Woodcut Print on Paper Hand Signed by Iván Bautista

Utagawa Hiroshige (1797 - 1858) Mullet, Asparagus, and Camellia (魚尽くし ぼら、うど、椿), from a series known as Large Fish Size: Oban, 38 * 26.5 cm Edo period Excellent impression and ...

A rare and beautiful Japanese woodblock print done in the the Art Decor style. The colors are Red black yellow and orange and are very crisp. This original print is very unique conta...

Romance is an Artwork realized by Mino Maccari  (1924-1989) in Mid 20th Century. Colored woodcut on paper. Hand-signed on the lower, numbered 2/89 specimens and titled on the left m...

Venus and Mars (Venere e Marte) is an Artwork realized by Mino Maccari  (1924-1989) in 1943. Colored woodcut on paper. Hand-signed on the lower, numbered 4/89 specimens and titled o...

 Cherchez la Femme is  an Artwork realized by Mino Maccari  (1924-1989) in Mid 20th Century. Colored woodcut on paper. Hand-signed on the lower, numbered 2/89 specimens and titled o...

De Amicis's sons is an Artwork realized by Mino Maccari  (1924-1989) in 1943. Colored woodcut on paper. Hand-signed on the lower, numbered 4/89 specimens and titled on the left marg...

The Pill is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Woodcut on paper. Hand-signed on the lower right corner. Numbered 4/89 ...

Proustian (Proustiana) is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Colored woodcut on paper. Hand-signed on the lower, numbered 2/89 specimens and t...

Passi di Parata is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Woodcut on paper. Hand-signed on the lower right corner. Numbered 2/89 specimens and tit...

Provincial Predictor (Profeta di Provincia) is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Colored woodcut on paper. Hand-signed on the lower, numbered...

Work problems is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Colored woodcut on paper. Hand-signed on the lower, numbered 2/89 specimens and titled on ...

Authorising Officers (Ordinatori) is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Colored woodcut on paper. Hand-signed on the lower, numbered 4/89 spec...

Hamlet (Amleto) is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. B./W.  woodcut on paper. Hand-signed on the lower, numbered 4/89 specimens and titled on...

The Terror of the Ghetto is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Colored woodcut on paper. Hand-signed on the lower, numbered 4/89 specimens and...

The old style is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Colored woodcut on paper. Hand-signed on the lower, numbered 4/89 specimens and titled on ...