Art by Medium: Woodcut

Luis Camnitzer and Martin Buber (1878-1965), New York: JMB Publishers Ltd, 1970. Printed at The New York Graphic Workshop. Hand signed on Arches paper. (Edition 24/100, numbered on...

Platt, John Edgar (English, 1886-1967). PORT OF ST. TROPEZ. Woodcut in color, 1924. Edition of 100, signed and titled in pencil and numbered 43/100. 15 1/4 x 11 1/2 inches (sheet). P...

From a series of wood engravings by Eric Gill. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Border for The Canterbury Tales...

Woodcut print realized by Paul Emile Colin in the 1930s. Edition of 6/50. Hand signed and numbered. Very good condition ecept for some minor foxing on edges.

Woodcut print realized by Paul Emile Colin in the 1930s. Edition of 30/35. Hand signed and numbered. Very good condition.

Woodcut print realized by Paul Emile Colin in 1902. Mounted on cardboard cm 37.5x27.5 Edition of 8/15. Hand signed and numbered. Very good condition.

Knights and Horses is an artwork realized from 1856 to 1862 . Black and white woodcut. Published on the book "Usi e costumi di tutti i popoli dell'universo", Milano Borroni and Sco...

Sterminio dei Kardikioti is an artwork realized from 1856 to 1862. Black and white woodcut. Published on the book "Usi e costumi di tutti i popoli dell'universo", Milano Borroni an...

Proclamazione dell'insurrezione greca is an artwork realized from 1856 to 1862. Black and white woodcut. Published on the book "Usi e costumi di tutti i popoli dell'universo", Mila...

Evacuazione di Praga venduta ai Turchi dagli Inglesi is an artwork realized  from 1856 to 1862. Black and white woodcut. Published on the book "Usi e costumi di tutti i popoli dell...

Kamal Mitra - Untitled - 12.25 x 15 inches (unframed size) Engraving & Woodcut on paper Inclusive of shipment in a roll form. About Kamal Mitra’s Works : While pursuing his Bachelor...

Woodblock print on Japanese Masa paper. 1 of 4

Katsushika Hokusai (Japanese, 1760–1849) Poem by Bunya no Asayasu (Fumiya no Asayasu), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki) 「百人一首うはか...

The print 'Jones Island' is something of a self portrait. In the image, an artist stands before and easel, depicting the docks and buildings on the coast. The title indicates that this is Jones Island in Milwaukee, the peninsula along Lake Michigan that today is home to largely industrial buildings. The buildings and figures in the print suggest that this might be a view of the last of the Kashubian or German immigrant settlements on the peninsula before they were evicted in the 1940s to make way for the development of the harbor. The artist in the image thus acts as a documentarian of these peoples. The careful line-work of the woodblock engraving adds a sense of expressionism to the scene, leaving the figures and buildings looking distraught and dirty, though the image nonetheless falls into the Social Realist category that dominated American artists during the Great Depression. This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints – one for each week of the year. 6 x 5 inches, image 10 x 7.13 inches, sheet 13.43 x 12.43 inches, frame Signed "GS" in the print block,upper left Entitled "Jones Island" lower left (covered by matting) Inscribed "Wood Engraving" lower center (covered by matting) Artist name "Gerrit V. Sinclair" lower right (covered by matting) Framed to conservation standards using 100 percent rag matting and museum glass, all housed in a silver gilded moulding. Gerrit Sinclair studied at the Art Institute of Chicago from 1910 - 1915, under Vanderpoel, Norton, and Walcott. In World War I, he served in the Army Ambulance Corps and later recorded his experiences in a series of oil paintings. He taught in Minneapolis before arriving in Milwaukee in 1920 to become a member of the original faculty of the Layton School of Art. He was also a member of the Wisconsin Painters & Sculptors. Sinclair's paintings and drawings were executed in a lyrical, representational style, usually expressing a mood rather than a narrative. His paintings reveal a great sensitivity for color and atmosphere. His subject matter focused on cityscapes, industrial valleys, and working-class neighborhoods, captured from eye-level. A decade before the popularity of Regionalism, Sinclair's strong interest in the community was reflected not only in his paintings, but also in his encouragement to students to return to their communities as artists and teachers. Joseph Friebert...

Baskin, Leonard. EDWARD MUNCH JAN.23.1944. Woodcut with hand-coloring, 1990. Signed, titled and dated within the printed sheet, and inscribed "AP" and si...

The three dancers is a woodcut print realized by Raphaël Maurice (1884 - 1972) in 1920s Hand-signed and numbered, edition of 160 prints. Good conditions.

Hand signed and numbered with pencil and china ink. Edition of 100 prints. Fine print with sheet in perfect conditions, on simili-japon. Full margins.

Color woodcut/lithograph triptych, Edition 30. A Single Joy of Song is Betty Woodman’s last print. We began discussing this project with her in 2016. She sent a large three part study that would make a wonderful woodcut. Betty made plans to come to Shark’s Ink...

Color woodcut, Edition 15. Since 1985, Woodman collaborated with Master printer Bud Shark to produce monotypes, woodcuts and lithographs with the same inventiveness and exuberance o...

Luigi Rist (1888-1959) Original Color Woodblock, Created 1953. The print is an edition of 100 and is titled: “Straw Flowers.” The image is 18 1/2"h x 13 3/4"w. The sheet is 9 3/4"h x 13 1/2"w. Rochester Print Club. Williams No. 34. Presents in a 16 x 20 mat. Signed in ink in the image lower right. In excellent condition. Titled and numbered in pencil lower left. Luigi Rist was born in 1888 in New Jersey, where he attended the Newark Technical School. To earn extra income in his early twenties he etched art nouveau designs on silver fountain pen cases...

Color woodcut, Edition 30. In all of Morinoue's work there is a compelling sense of place--the ocean shoreline, lava flows and Japanese gardens. He is a patient observer of nature...

From a series of wood engravings by Eric Gill. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Eric Gill (1882-1940) Border for The Canterbury Tales...

Amano, Kunihiro (Japanese, born 1929). ENCLOSURE 12. Color Woodblock, not dated. Edition of 30. Titled, Numbered 21/30, and signed in pencil. 18 x 13 1/2 inches. In excellent condit...

Death of Goetz von Berlichingen is a woodcut print on ivory-colored paper, realized by Hotelin et Reguier after Eugène Delacroix in 1845, and published in "Magazin Pittoresque". Sig...

Death of Goetz von Berlichingen is a woodcut print on ivory-colored paper, realized by Hotelin et Reguier after Eugène Delacroix in 1845, and published in "Magazin Pittoresque". Sig...

Fisherman is an artwork realized after Giuseppe Viviani, in 1960s .  Woodcut print on paper. Limited edition of 200. The state of preservation is very good.  Signed by the Artist ...

Head Pastures, original woodcut and monotype. Pencil signed, titled and dated to the lower margin. Presented in a reeded frame. On japanese paper.

Portrait of the German poet, Johann Gottwerth Muller (1743-1828). Pencil signed, titled and dated to the lower margin. On Japanese paper.

Original woodcut. Portrait of the German poet and essayist, Gottfried Benn (1886-1956). Pencil signed, titled and dated to the lower margin. On Japanese paper.

This striking woodcut print depicts a cat cleaning itself in a compact, organic form. The artist's bold lines and contrasting use of light and shadow create a sense of texture and wa...

This striking woodcut print depicts a cat cleaning itself in a compact, organic form. The artist's bold lines and contrasting use of light and shadow create a sense of texture and wa...

Original woodcut. Pencil signed, titled and dated in German to the lower right. On Japanese paper.

82 woodblock prints by Georges Aubert after Rouault's drawings. But no 17 color etchings. Large folio, in a superb binding by Creuzevault featuring a geometric design in many-colore...

An iconic American image by Robert Cottingham, Santa Fe was created by the artist in 1988 as an original color woodcut on rice paper. The artwork is hand-signed, titled, dated and nu...

Woodcut on Japon Nacré paper. Hand signed and numbered (of 26) by the artist. From a total edition of 238: 26 on Japon Nacré numbered 1-26, 200 on Rives numbered 27-226, 12 on Rives...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

Color woodcut, Edition 30 The left panel of High Tide captures the reflections of the edge of a pond and surrounding trees and hills. The right panel depi...

Color Woodcut, Edition 15. John Buck is both a sculptor and a printmaker. He works with two interrelated bodies of work: carved wood, assemblage and bronze sculptures, and large, mu...

7" x 4" Unframed Woodcut Hand Signed by Gerhard Marks

Kawase Hasui (Japanese, 1883-1957) Snow at Hie Shrine, circa 1946 -1957 (dated in the publisher's seal) Woodblock Sheet size 37.5 x 26.0 cm (vertical oban) Frame size 51.3 x 38.5 x 2...

Portrait is an woodcut print realized after Giuseppe Viviani (1989-1965). Hand signed with pencil "Erolda Benso Viviani" (the artist's wife) in the lower right corner. Good conditi...

For Paul Furneaux, initially cut off from his studio in the past year, his garden became his obsession, as he undertook an extensive renovation. Returnin...

This exquisite woodcut by Eduardo Chillida (1924–2002), titled Sans titre (Untitled), originates from the historic 1968 folio Derriere le Miroir, No. 174. Published by Maeght Editeur...

"Palepai" is an original color woodcut by Carol Summers. The artist signed the piece in the lower right and wrote the title and the edition number lower left. Palepai are weavings fr...

A rare and compelling early work by Tracey Emin, this piece captures the raw immediacy and emotional force that would come to define her later practice. Executed in woodcut on newspa...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Jean Arp, Dreams and Projects, 19...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Jean Arp, Dreams and Projects, 1951-1952. Published by Curt Valentin, New York; printed by Fequet et Baudier, Paris. Excerpted from the folio, Text and 28 original woodcuts by Jean Arp printed...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects, 1951-1952. Published by Curt V...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects, 1951-1952. Published by Curt V...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects, 1951-1952. Published by Curt V...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects,...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects, 1951-1952. Published by Curt V...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects,...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects,...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects, 1951-1952. Published by Curt V...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects, 1951-1952. Published by Curt V...