Art by Medium: Woodcut

Woodcut Engraving of "The Love of all Beauteous Things", poem by Robert S Bridges (1844-1930, British poet and poet laureate 1913-1930. by Henry Clarence Whaite (British 1895-1978) o...

Woodcut Engraving of an extract of William Blake's "Milton" "And did those feet in ancient time...." with two landscape woodcut images, one signed in the impression print, the other ...

"Jose Luis Cuevas (Mexico, 1934-2017) 'Suite Sobre la vida VI (pag suelta)', 2005 woodcut on paper Rives BFK 300 g. 22.1 x 30 in. (56 x 76 cm.) Edition of 50 ID: CUE-129"

"Jose Luis Cuevas (Mexico, 1934-2017) 'Suite Sobre la vida III y IV (pag suelta)', 2005 woodcut on paper Rives BFK 300 g. 15.8 x 42.4 in. (40 x 107.5 cm.) Edition of 50 ID: CUE-128" ...

Meissner, Leo. FOOTBRIDGE - PERKINS COVE. Wood-engraving, not dated. Edition of 60. Numbered 40/60, titled and signed, all in pencil. 9 x 6 inches, 229 x 152 mm. Framed to 16 3/4 x ...

Victor Hugo Nuñez (Chile, 1943) 'Untitled', 2013 woodcut on paper 30 x 44.1 in. (76 x 112 cm.) Edition of Unframed ID: HUV-110 Hand-signed by author

Victor Hugo Nuñez (Chile, 1943) 'Untitled', 2013 inverted woodcut on paper 30 x 44.1 in. (76 x 112 cm.) Edition of Unframed ID: HUV-109 Hand-signed ...

Exceptional, brilliant impression and colors from the extremely rare 1st edition Kataoka Nizayemon(?) Color woodcut, 1860 From the series: "Contemporary Brocade Mirror Portraits" Pub...

This woodcut print was created by American artist Leonard Baskin. Baskin is well known for his somewhat grotesque, intricate, surreal drawings and natural subject matter. This print ...

String bound booklet (portfolio) with six hand colored woodcuts, signed in pencil by the artist, tipped in the book Provenance: Estate of the artist By descent to his daughter Kir...

Solidly grounded in Abstract Expressionist tradition, process-oriented painter Thomas Nozkowski’s method is predicated on relinquishing the idea of an end result. To highlight this, ...

"Sergio Hernández (Mexico, 1957) 'Untitled', 2011 woodcut on paper 30 x 41.4 in. (76 x 105 cm.) ID: HER-157-2"

"Luis Miguel Valdes (Cuba, 1949) 'Paisaje antes de la batalla', 2003 engraving, woodcut on steel 45.3 x 70.9 in. (115 x 180 cm.) ID: VAL-"

A major figure of the contemporary street art movement, Shepard Fairey rose to prominence in the early 1990s with his “Andre the Giant Has a Posse” cam...

Leonardo Gotleyb (Argentina, 1958) 'Luz de luna', 1999 woodcut on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 25 ID: GOT-302 Unframed

Leonardo Gotleyb (Argentina, 1958) 'Metáfora urbana VI', 1999 woodcut on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 25 ID: GOT-301 Unframed

Leonardo Gotleyb (Argentina, 1958) 'En vuelo', 2000 woodcut on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 25 ID: GOT-303 Unframed

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled (circulos plateados)', 2021 woodcut, silkscreen on paper Guarro Biblos 250g. 27.8 x 21.5 in. (70.5 x 54.5 cm.) Edition of 20 ID: NAA-113...

Ana Cazares (Mexico, ) 'Títere perro', 2019 woodcut on paper Guarro Biblos 250g. 44.1 x 30 in. (112 x 76 cm.) Edition of 3 ID: CAZ-102

Ana Cazares (Mexico, ) 'Lengua afuera', 2019 woodcut on paper Guarro Biblos 250g. 44.1 x 30 in. (112 x 76 cm.) Edition of 2 ID: CAZ-104

Ana Cazares (Mexico, ) 'Boca abierta', 2019 woodcut on paper Guarro Biblos 250g. 44.1 x 30 in. (112 x 76 cm.) Edition of 4 ID: CAZ-105

Ana Cazares (Mexico, ) 'Ave en boca', 2019 woodcut on paper Guarro Biblos 250g. 44.1 x 30 in. (112 x 76 cm.) Edition of 6 ID: CAZ-101 Unframed

Ana Cazares (Mexico, ) 'Lengua de lado', 2019 woodcut on paper Guarro Biblos 250g. 44.1 x 30 in. (112 x 76 cm.) Edition of 3 ID: CAZ-103

Luis Miguel Valdes (Cuba, 1949) 'Venus flotante', 2005 woodcut, manual intervention, silkscreen on paper 39.4 x 27.6 in. (100 x 70 cm.) Edition of 99 ID: VAL-132 Unframed

Luis Miguel Valdes (Cuba, 1949) 'La Lengua Castellana (Yellow)" (The Spanish Tongue/Language), 2015 woodcut, manual intervention on paper 47.3 x 84.7 in. (120 x 215 cm.) Edition of 1...

Rittersporn und Fingerhut (Larkspur and Foxglove) Color woodcut, printed on wove paper with mica flecks, 1916 Signed lower right (see photo) Inscribed lower left (see photo) Reference: Merx 276 Condition: good-very good One spot of staining on the far left edge of the composition (see photo) Color very fresh and vibrant Full sheet as issued Image size: 19 x 13 3/8 inches Carl Thiemann...

Sergio Hernández (Mexico, 1957) 'Vitrinas', 2011 woodcut on paper Velin Arches 300 g. 29.6 x 41.4 in. (75 x 105 cm.) Unframed

Sergio Hernández (Mexico, 1957) 'Corral I', 2011 woodcut on paper Velin Arches 300 g. 29.6 x 41.4 in. (75 x 105 cm.) Edition of 10 Unframed

Jose Luis Cuevas (Mexico, 1934-2017) 'Suite Sobre la vida III', 2005 woodcut on paper Rives BFK 300 g. 22.1 x 30 in. (56 x 76 cm.) Edition of 50 Unframed

Jose Luis Cuevas (Mexico, 1934-2017) 'Suite Sobre la vida II', 2005 woodcut on paper Rives BFK 300 g. 22.1 x 30 in. (56 x 76 cm.) Edition of 50 Unframed

An original woodblock print by artist Mizin Shin. This piece is framed in a simple black wood frame presentation. Each print is signed and dated on the verso. Shin has used these ...

Red toned abstract woodcut monoprint by Japanese printmaker Joishi Hoshi. This work is a fantastic example of Hoshi's iconic interlocking web of bare trees. Signed and dated by artis...

Artist: Charlie Hewitt, American (1946 - ) Title: Untitled - IX Year: circa 1995 Medium: Woodblock Monoprint, Signed in Pencil Edition: 1/1 Size: 20 x 24 in. (50.8 x 60.96 cm)

Shichirigahama, Sagami Province. A beauty in the foreground waves to her young companions, who run towards her on the beach. The beauty at left wears a western-style golden ring. We ...

Artist: Charlie Hewitt, American (1946 - ) Title: Untitled - M Year: circa 1995 Medium: Woodblock, Signed and Numbered in Pencil Edition: 100 Image Size: 16 x 19.5 inches Size: 20 x ...

Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts ...

"Palepai" is an original color woodcut by Carol Summers. The artist signed the piece in the lower right and wrote the title and the edition number lower left. Palepai are weavings fr...

Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Yal...

Traditional French Tapestry wants to create an exotic paradise in an imaginary illusion of objects landscapes and animals in a home of eleg...

This exquisite woodcut after Wassily Kandinsky (1866–1944), titled Improvisation 7 (Improvisation 7), from the album XXe Siecle Paris, Hommage a Wassily Kandinsky, originates from th...

"Casa Marquez" is an excellent example of the printmaking of Carol Summers. In the image, Summers has featured a Spanish Renaissance building, replete with classical architecture - ionic pilasters and roman arches over glazed windows that reflect the landscape like a pair of eyes. In the far distance is a red sunset over the Mediterranean sea. This interest in classical subject matter is common of modern artists: both Picasso and Giorgio de Chirico looked to classical themes throughout their careers, abstracting Greek and Roman architecture and narratives to characterize the instability of modernity. Summers certainly does the same here by warping and tilting what should be a stable stone structure. The drama of Summer's representation of the villa is enhanced by his signature printmaking technique, which allows the ink from the woodblock to seep through the paper, blurring the edges of each form. The title of the print refers to the author Gabriel García Márquez, known for such novels as One Hundred Years of Solitude...

Woodcut in cadmium Yellow Deep by Donald Judd. "No Title" from "Set of 6 woodcuts printed in Cadmium Yellow Light, Cadmium Yellow and Cadmium Yellow Deep" Sheet 6 1988-1990 60 x 80...

An original woodblock print by female modern artist Irene Zevon edition 19/25 and dated 1979. Zevon was inspired by the Flamenco dancer Dolores Vargas who used to practice in the ar...

John Tandy, painter and stage designer, studied at the Architectural Association before becoming a student at Leon Underwood's Brook Green school and later studying at the Grosvenor ...

Signed: Keisai Eisen ga; Seal: Kiwame Series: Contemporary Scenes in the Pleasure Quarters Publisher: Wakasaya Yoichi Note: This is a famous ...

Cheffetz, Asa. UNTITLED - DECANTER AND TWO GLASSES. Not in Springfield. Wood engraving, undated, but likely 1935-1945. Signed in pencil. 7 x 6 1/8 inches (image) plus margins. A tiny...

Haren Das - Jagannath Gate Woodcut on Paper Edition 2/5 13 x 10 inches, 1991 ( Unframed & Delivered ) Born in Dinajpur in present day Bangladesh on 1 February 1921, Das took a diplo...

Victor Guadalajara (Mexican, 1965) 'Intersecciones', 2009 Woodcut and Aquatint 100.00 x 185 cm. (39.4 x 72.8 in.) Edition of 30 Unframed

Contemporary op art abstract linocut and woodcut print by Polish artist Ryszard Gieryszewski. Print is mostly black, blue and white. Title of this artwork is 'A road'. Artwork is sig...

Contemporary op art abstract linocut and woodcut print by Polish artist Ryszard Gieryszewski. Print is mostly black and white with red. Title of this artwork is 'Equivalent shapes'. ...

Contemporary op art abstract linocut and woodcut print by Polish artist Ryszard Gieryszewski. Print is mostly black and white with a little bit of red. Title of this artwork is 'Line...

An original woodcut on japan paper created by master American artist Will Barnet in 1942.

"Farewell" is an original color woodcut by Carol Summers. The artist signed the piece. This woodcut depicts a river flowing through green hills beneath a blood-red sky. The edition number is 20/50. 24 1/4" x 37" art 32" x 45" frame Carol Summers has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts. In 1954, Summers received a grant from the Italian government to study for a year in Italy. Woodcuts completed soon after his arrival there were almost all editions of only 8 to 25 prints, small in size, architectural in content and black and white in color. The most well-known are Siennese Landscape and Little Landscape, which depicted the area near where he resided. Summers extended this trip three more years, a decision which would have significant impact on choices of subject matter and color in the coming decade. After returning from Europe, Summers’ images continued to feature historical landmarks and events from Italy as well as from France, Spain and Greece. However, as evidenced in Aetna’s Dream, Worldwind and Arch of...

Exhibiting internationally since the early 1990s, Suzanne McClelland’s practice includes both large-scale paintings and works on paper, often extracting fragments of speech or text f...

Rachel Howard Apple, 2016 Woodcut print 48 × 39.8 cm Edition of 25 Rachel Howard is a contemporary British artist known for her dynamic and emotive paintings that explore themes of ...

Head Pastures, original woodcut and monotype. Pencil signed, titled and dated to the lower margin. Presented in a reeded frame. On japanese paper.

Portrait of the German poet, Johann Gottwerth Muller (1743-1828). Pencil signed, titled and dated to the lower margin. On Japanese paper.

Original woodcut. Pencil signed, titled and dated in German to the lower right. On Japanese paper.

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

Exhibiting internationally since the early 1990s, Suzanne McClelland’s practice includes both large-scale paintings and works on paper, often extracting fragments of speech or text f...