Horizontal Mixed Media

Untitled Mixed media on paper mounted on paper, c. 1990's Signed by the artist in pencil lower right (see photo) Condition: Excellent Image size: 8 5/8 x 10 1/4 inches Support Sheet size: 11 1/4 x 12 3/4 inches Provenance: Estate of the Artist Dehn Heirs Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

From the artist’s popular India series. Mixed media on paper. Well framed, behind glass and signed Framed 25.5" x 33". Image 17.75" x 25" Circa 2015

A mixed media artwork on panel.

Antithesis is an original artwrok realized by Michelangelo Conte beetween 1990-91. Mixed media (wood and steel). Hand signed, titled, and dated on ...

“Never taking anything for granted, I am so grateful to be able to paint every day.” Anne Harney is a representational painter beginning her work from observation and concluding wit...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

Artist: Gunda Jastorff Medium: Mixed media on canvas Original painting - gold and black crosses. Size: 140 x 90 OR 90 x 140 cm. It is possible to hang this painting either way round...

In this original acrylic paint and vinyl on paper from Art Angler Gallery, Jose Palacios depicts an abstract pop art style. He uses vibrant pink, white, green, blue, black and red sh...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her...

This artwork titled "Mini Burst Red" 2015 is a original mixed media on Aluminum by American artist Chris DeRubeis, b.1978. It is hand signed with pigmen...

Xenia Ostrovskaya ist der letzte Neuzugang zum Pool der Künstler, die die Galerie vertritt und ihre witzigen übermalten Postkarten haben schon beim ersten Auftritt auf einer Messe eine fulminante Resonanz gehabt, dem ein „Gallery Statement“ auf der Parallel folgen wird, wo ihre Arbeiten ein eine Installation integriert sind. Seit einigen Jahren konzentriert Xenia Ostrovsakya Ihr Werk auf Übermalungen von alten Postenkarten, denen Sie mit wenigen Pinselstrichen eine neue Botschaft gibt, oder bestehende Botschaften verstärkt und verfremdet. Gerne arbeitet Sie dabei mit Kriegsmotiven, aber auch klassischen alten Ansichtskarten, die oft mit Pflanzen und Tieren (vorzugsweise Schmetterlinge und ihre Puppen). In Ihren letzten Arbeiten zu der Love of My Life...

“Fountain and Fan” by artist Mary Spencer is a 22.5 x 30 inch surreal mixed media painting on paper with dominant colors of blue, red and white. The painting is signed and dated on t...

Contemporary mixed media and resin colorful food still life by Houston-based artist Diane Gelman. The work features a three dimensional doughnut counter with a variety of different f...

Bon Noel is an original modern artwork realized in 1963 by Antoni Clavé (1913 – 2005). Original Mixed Media, pen,marker and watercolor. Dated inside. Excellent conditions. Beau...

Colorful abstract in lavender, blue, and pink with a bubble-like pattern that creates a delicate lattice effect by Marianne K. Brown (American, 1928-2019). Unsigned, but was acquired with a collection of Brown's work. Presented in a new cream mat with foamcore backing. Image size: 18"H x 22"W Marianne K. Brown (American, 1928-2019) has taught watercolor and design for thirty years. Her work has been shown in many art magazines, including Watercolor Magic and The International Artist Magazine, and several books on watercolor painting. She was elected secretary of Orange County Art Association in 1964. Listed in the National Watercolor Society. Author, Watercolor by Design Member, East Bay Watercolor Society 1964 - 3rd Place, non-figurative exhibit of Orange County Art Association 1978 - Honorable Mention, Central California Art...

Happy in ‘72 Josep Grau-Garriga, Spanish (1929–2011) Date: 1972 Acrylic and Collage on Paper Size: 24 x 32 in. (60.96 x 81.28 cm) Provenance. Arras Gallery, NYC

Untitled Large Seascape Mixed Media Ink and gouache wash on paper laid on board about 1970s, Artist signed lower right corner. Lim Ha Shan, was born in Seoul, Korea in 1945. The na...

This abstract art quilt has been created by using a collage technique Inspired by the patterns left on a windowpane after a shower of rain. Using salt resist on wet paint has created...

Flight of Swallows is an original modern artwork realized in the 2000 by the Italian artist Pino Settanni (Grottaglie, 1949). Original photograph. Unique specimen. Very good condi...

Untitled - Leaves is a beautiful original colored print with mixed media (etching, aquatint, soft paint and drypoint on glossy paper) made in 1991 by Mario Merz...

From the artist's 2017 Brigitte Bardot series Thread hand stitched on paper

Konstantin Weber - "Rheinland". Giclée print on handmade cotton paper. Hand signed and numbered. A beautiful artwork that looks good in every room and especially in the living roo...

Acrylic on an impasto ground. With gold paint and atomized acrylic glazes. Colonists have a habit of naming their new homes after their old ones. If we have to leave this planet, wil...

Alo Manas by Lawrence Fodor (American, b. 1951). A lithograph of Hopi Medicine Men. Shortly after Summer Solstice each year the Hopi ceremony called the Niman Kachina, also known as “The Going Home of the Kachina.” Presented in a wooden frame. Signed "Larry Fodor...

Annemarie Petri - "Interior of an Zoologist". Surrealism, imaginary cities, fantasy, mirage, etching. Technique: Etching/monoprint, highest technical level with 8-15 plates. Editi...

From the artist's 2017 Brigitte Bardot series Ink, lace + thread hand stitched on paper

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her...

Signed to the lower right. Inscribed with title and date verso. Presented in a contemporary box frame. On canvas.

Dancing Jesters or Clowns (colorful Chassidim dancing) Gouache on paper Sheet is 19.25 X 25.25 Image is 13.5 X 19.25 Moshé Raviv-Vorobeichic, known as Moi Ver, born Moses Vorobeichik (1904–1995) was an Israeli photographer and painter. Moi Ver (Moshe Raviv) was born in 1904 in Vilnius, Lithuania as Moshe Vorobeichic. Moshe Vorobeichic received his initial artistic training in the early 1920s in Vilnius, Lithuania, where he studied painting, architecture, and photography. Having become an important figure in the Yiddish avant-garde culture, he exhibited his first works. From October 1927, he studied at the Bauhaus school in Dessau (Germany), with photographer-visual artist Laszlo Moholy Nagy and painters Josef Albers, Paul Klee, Wassily Kandinsky, and Hinnerk Scheper. In his book Moi Ver: Paris, he produced avant-garde photomontages. Originally published in 1931 by Editions Jeanne Walter with an introduction by futurist Fernand Leger. In 1932 Raviv was sent by the weekly La Vie Parisienne to British Mandate Palestine as photo reporter. Raviv illustrated many books. Raviv was a founder of the Artists' Colony in Safed. At the height of 20th Century modernism and one of the followers of Laszlo Moholy Nagy and his concept of New Vision, Moin Ver was one of the rising stars in European photography. Born in Lebedeva, in Belarus, he wandered through Europe until he immigrated to Palestine in 1934. His well known yet partly forgotten three photographic projects in 1931, The Ghetto Lane in Wilna, Paris: 80 Photographies de Moi Ver and Ci-Contre – 110 Photos de Moi Ver (that was not published at the time), have remained milestones in the art of the 1930s as he created and imposed a new visionary style in photography. As a contemporary of artists such as Man Ray, Ilse Bing...

In this original acrylic paint and vinyl on paper from Art Angler Gallery, Jose Palacios depicts an abstract pop art style. He uses vibrant pink, white, green, blue, black and red sh...

Carol Shinn is a studio artist who lives in Fort Collins, Colorado. She is known internationally for photo-based machine-stitched images. She has taught many classes and workshops ac...

John CRASH Matos "Urban Odyssey (4 Panels)" Watercolor, Spray Paint and Ink on Arches Paper 34.5 x 85.5 inches, Framed Born John Matos in 1961, CRASH was raised in the Bronx, New Yo...

Wonderful mixed media placard with Chinese woodblock prints from San Francisco's legendary 1920s Chinese-American restaurant and nightclub The ...

Robertson focuses on creating paintings that move beyond portraying reality. Driven by a synthesis of gestural brushstrokes and expressive smears, he offers viewers a liminal space o...

"Water Wonders" is a beautiful luminous large abstract painting by Nancy Eckels. It exhibits the bold colors and textures that her work is known for, and features beautiful blues, t...

Fairy tale like artwork on paper depicting a little angel by Polish artist Marianna Oklejak. The cheerful cherub is holding a little bright shining star. Artwork is made out of paper...

702 CLE Series: Three Rows in the Yard. Contemporary artist Thomas Roese, inspired by the industrial landscape of steel mills, rail yards, architectural details, and the urban neigh...

Oil, wax, and collage on linen Signed and dated, verso This artwork is offered by ClampArt, located in New York City. Carl James Ferrero is an artist whose experimental paintings, ...

This coastal abstract statement painting Julia Contacessi features a beautiful blend of cool blues, greens, greys, and whites, creating a soft aesthetic the artist equates to feeling...

Still Life is an original photo-lithograph artwork realized by the Italian artist Luigi Bartolini in 1942 ca. Signed on the plate and dated. Very good conditions. The artwork represents still life, created by quick and confident strokes. masterly expressed through well-defined hatching of the objects Luigi Bartolini (Cupramontana, Ancona, 1892 – Rome, 1963) was a famous Italian engraver, painter, and writer. Through his etchings, which often accompany his writings, the artist led a research on light and on the signs of expressionist intonation. Among the literary works: Ladri di Biciclette (1946); Il mezzano Alipio (1951); Racconti Scabrosi (1963). Only after World War I, he dedicated himself entirely to engraving, achieving his first success in 1932 at the Italian engraving exhibition in Florence...

Gelatin monotype with acrylic paint on white BFK Rives Printmaking Paper. Approx. image size: 3" x 9" Paper size: 10" x 14" At the core of the dialogue between the artist and the ...

For those not already acquainted: Stephen Gammell, in addition to being a very prolific studio artist, is also a great teller, appreciator, and illustrator of stories. For one so con...

This captivating artwork is a weaving that beautifully captures the essence of flight, embodying the graceful movement of a bird in motion. Through a skilful interplay of vibrant hue...

Title : Portrait as Plant Materials : Stamp,xerox transfer,pencil,ink Date : 2015 Dimensions : 16.5×23.5 COA provided Art school took Olivia Gibb away from Oklahoma and up to Kansas...

Tokyo and Wakako, Diptych, 2022, by Hunter & Gatti Acrylic and oil wax on fine art paper 255 grs Overall size: 17.5 in H x 43 in W Individual size: 17.5 in H x 21.5 in W Unframed T...

"Cutting Edge" is an installation piece by Dustin Hedrick comprised of paint and artist's tape. The red artist's tape creates a geometric, abstract portrait on the painted blue walls...

Composition is a Contemporary Artwork realized by Robert Schuppner (Hamm, 1896 - 1962) in 1960. Original Mixed Media on paper. The dedication, the signature and the date are prese...

Multidisciplinary visual artist Kim Frohsin created the series, 'Dancers and Athletes', from a variety of media—acrylic paint, glazes, ink, collage, pencils, and dry pigment—built up...

Painted digital print :: Mixed Media :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Sig...

Urban Graffiti Cartoon Manga Art entitled 'Under the Influence' by British Street Artist Chris Pegg. Chris Pegg is a self-taught artist from Lancashire, UK....

For many years I focused mainly as a sculptor, building large three dimensional wall sculptures and taller than life statues. This is why I paint on wood, because with wood there e...

Landscape is an artwork realized by an unknown artist of the mid-20th Century. Mixed technique on pressed cardboard. cm 39 x 48. Good conditions.

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her...

Tea Ceremony is a modern artwork realized by Japanese Artist of the early 20th century. Mixed media (lacquer and reliefs in mother of pearl). Includes a wooden frame. Good conditi...

A unique wheat pasted photograph onto found wood by American conceptual artist Max Collins (b.1988). This work was featured in a unique exhibition curated...

Original Mixed media on paper, signed lower left "Strazza 79". Dedicated on rear by the artist to a friend. Certificate of authenticity signed by the Artist.

Artist: Schwebel, Ivan (Israeli 1932 - 2011) Title: Tel Aviv Dragon Slayer Dimensions: 22.5 x 30 inches Signature: signed and dated Schwebel 75 lower Right Corner Ivan Schwebel, Painter. Was born 1932, U.S.A. and immigrated to Israel 1963 after living in Spain, France and Greece. Studies: 1953-55 with Kimura Kyoen whilst serving with the U.S.Army in Japan; 1955-61 Institute of Fine Arts, with Philip Guston; New York University. Larry Abramson, who is very much in the mainstream of Israeli art, curated an exhibition of Schwebel’s work at the Jerusalem Print Workshop in the early 1980s; in the accompanying text, he described him as “an artist from the New York School ship-wrecked on a hill near Jerusalem.” IN SCHWEBEL’S BEST WORK, THE paint speaks for itself: the pools and explosions of rich color, achieved with pigment that he would grind and mix himself, the luminous figures emerging out of dark shadows, the quirky, dramatic compositions. Schwebel was erudite, with a passion for the bible and Jewish and Israeli history. He delved into all of it for his subject matter, bringing together characters and narratives regardless of time, and setting them in modern- day Tel Aviv or Jerusalem, the Judean hills, or New York City. He liked to play with ideas, and thoroughly mixed his visual metaphors. He showed David and Bat-Sheva next to a Nazi deportation train, and Job despairing over his relationship with the Palestinians. He based his characters on photographs of himself, friends and family, or movie stars. On his website, he describes a series of paintings about anti-Semitism in which the Holocaust is merged with the Spanish Inquisition: “Abarbanel who tried to negotiate with Ferdinand and Isabella is reincarnated in Rumkovski – the German appointed Head of the Lodz Ghetto. The bridge connecting two parts of the Ghetto is spanned over a present-day Tel Aviv cityscape. His “Tel Aviv” series, in contast, is fun: “Chen Cinema” shows a couple of actors who seem to have stepped out of an old romantic movie to cuddle in the shabby street outside the cinema. In his final “Safe Place” series of paintings, he goes beyond self-conscious narrative to create his own Garden of Eden. He had major shows over the years – at the Israel Museum and Tefen, and last year at the Ramat Gan Museum; his work had been exhibited at the Tel Aviv Museum and is represented in their collection. Retrospective 1966-1980 Gordon Gallery, Tel Aviv. Artists: Yehiel Shemi, Zvi Mairovich, Yosef Zaritsky, Ivan Schwebel, Benni Efrat, Leopold Krakauer, Moshe Kupferman, Avigdor Arikha, Dani Karavan, Avigdor Stematsky,Michael Druks, Raffi Lavie, Aviva Uri...