Emulsion Mixed Media

Woman nude is a modern artwork realized by Achille Funi in the early 20th Century. Mixed media on plywood. Hand signed on the lower margin. Includes frame.

This piece is from the LOVE rugs series by Robert Indiana, issued by Galerie f in 2007. This rug is an editioned, hand-carded carpet by Robert Indiana. Th...

Folk Outsider Naive Art Metal NYC Cityscape Sculpture Wall Hanging Contemporary "NYC Cityscape" 39 1/2 x 29 1/2 x 2 inches Unsigned Offered is an extraordinary hand crafted wall s...

This late 1950s portrait photograph, captured by society photographer Slim Aarons, features Countess Peter Jean-Baptiste de Manio (left) and Mary-Beth Turner playing backgammon by a ...

This late 1950s urban portrait photograph, captured by society photographer Slim Aarons, features Faith Gibbons checks her hair in the mirror of a motor scooter, Bermuda. She is wear...

Train Engine Folk Outsider Art Deco Assemblage Found Objects Contemporary Statue Actual Dimensions: 8.75 X 19.75 X 5.75 inches Michael Riley (Mike Riley) (American, born 1957). A model train engine statue in mixed media. Metal, wood, and other elements. An Art Deco Moderne style design produced from found objects, including garden hose fitting, sliding door track, trombone instrument counter weights, flute instrument...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* A handful of artist 'masters' colorful dots but all or most are d...

This late 1950s portrait photograph, captured by society photographer Slim Aarons, features Countess Peter Jean-Baptiste de Manio (left) and Mary-Beth Turner playing backgammon by a ...

Mixed media assemblage titled Fata Morgana II. Attributed to artist Gordon Wagner. Unsigned. The image of a robed plastic figure is contained within th...

Bright Idea Boiler is an assemblage composed of paper, wood, wire and glass. The background shows a drawing of a spider web on which a paper cut out of the Bright Idea Boiler is supe...

"BLOOM I" is an original piece by Linnéa Andersson made from oil on cotton canvas. This piece measures 12"h x 10"w and is signed en verso. In her pai...

Pen and ink on paper, laid down on canvas, mounted to wooden scroll bars Signed and dated lower right: “Drawn by N. B. Rogers August. 1843” Inscribed with an ownership inscription on the verso: Rev. E. D. Daniels, Palmer, Mass. Provenance: Rev. Eugene Davidson Daniels, Palmer, Massachusetts, 1871 This extraordinary manuscript map is a rare survivor of the devotional and educational culture of New England in the first half of the nineteenth century. Although at first glance resembling a large-scale engraving or printed publication, this precisely rendered wall map was entirely drawn by hand, the product of meticulous research by a minister working in isolation in rural Maine. The map shows New Testament era cities, towns, tribal areas, and political borders as well as physical features such as rivers, lakes, mountains, and hills (indicated by half-tone cross-hatching). On to this geographically accurate rendering of the Holy Land, Rogers has located and inscribed significant locales mentioned in the Gospels and has annotated these places with relevant citations from the Bible. He further records these by plotting the travels of Jesus on what resemble a series of trails across the Holy Land. Each is distinguished by a different pattern of dots and dashes – correlated to an explanatory table at the lower right. From this we know that these lines document the “Flight into Egypt and return,” “Travels of Christ from Nazareth to Jerusalem and return,” “Travels from the commencement of his Ministry to the first Passover,” “Travels from the first and the second Passover,” “Travels from Jerusalem to Galilee after the 2nd Passover,” and “Travels from the third Passover to the Crucifixion.” An inset map of “Jerusalem...